🎬 Minmal Dialogue short film - Do Cup Chai - Complete Blueprint for Writing a Script & Screenplay (30 Minutes)

(A Short Film with Minimal Dialogue – When Silence Brews Love)

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🎬 Title: "Do Cup Chai"

1) Concept / Idea (Logline)

Subah-subah ek chhote chai thele par, ek artist aur ek corporate ladka routine ke do cup chai ke beech bina zyada bol-chal ke nazaron se ek narm, sachcha rishta likhte hain—jab tak ek din ki khaali kursi unhe batati hai ki khamoshi bhi sab kuch keh deti hai.

2) Story Outline

• Setup: Anvi (24), roz subah sketchbook ke saath ek local chai thele par baithti hai. Vihaan (27) pehli baar aata hai—kadak, kam chini. Chai ki garmahat, halki si hansi, nazar se salam.
• Build (Week Montage): Roz ke chhote gestures—umbrella share, pastry, profile sketch. Kam bol, zyada connection.
• Dip: Ek subah Vihaan nahi aata. Do cup chai me se ek thandi reh jaati hai. Anvi likhti hai: “Aaj chai thandi thi.”
• Return & Release: Do din baad Vihaan aata hai—note deta hai: “Hospital me tha… lekin chai ki yaad roz aayi.” Anvi usse ek sketch deti hai: “Do cup chai… aur ek pal ka pyaar.” Nazar milti hai. No dialogue. Quiet closure.

3) Characters (Bio Cards)

Anvi (24)

• Type: Visual artist, observant, introvert with warm core
• Wants/Need: Want—apni duniya share karna; Need—present moment me kisi ko andar aane dena
• Costume/Props: Soft kurta + jeans, tote, pencil set, worn sketchbook
• Arc: Observer → Participant

Vihaan (27)

• Type: Corporate associate, rushed but kind, a little guarded
• Wants/Need: Want—routine me sukoon; Need—phone/targets se nikal kar real connection mehsoos karna
• Costume/Props: Formal shirt, ID lanyard, file folder, phone on silent
• Arc: Guarded → Open/present

Chaiwala (50s)

• Type: Kindly fixture, human metronome of the place
• Function: Silent catalyst—“bina pooche” do kadak ready, small smiles
• Props: Brass kettle, steel glasses, chalk board menu

Regulars (Background Chorus)

• Type: Workers, students, aunties/uncle—texture & rhythm
• Function: World-building, time-of-day cues

4) Plot Structure (3 Acts)

Act I (2–3 min): First meet, tiny sparks. “Ek kadak, kam chini.” Garam chai, suppressed smile.

Act II (3–4 min): Montage of routine intimacy. Rain umbrella, pastry, profile sketch. Silence = language.

Act III (2–3 min): Absence day—empty chair, “Aaj chai thandi thi.” Return with hospital note. Exchange of sketch. Eye-lock. Title card.

5) Script (Screenplay Format)

DO CUP CHAI – Short Film

Genre: Quiet Romance / Slice-of-Life • Duration: ~7–9 minutes

INT. LOCAL TEA STALL – SUBAH 7:30 AM (DAY 1)

Saadgi bhara thela. Steam. Kettle ke phunkaar. Morning workers.

ANVI (24) ek bench par, sketchbook khuli. Lines halki-halki zinda hoti.

VIHAAN (27) aata hai—formal kapde, phone vibrate; nazar stall pe rukti.

VIHAAN

Ek kadak, kam chini.

Chaiwala head-tilt. Pour. Steam ka close-up. Vihaan sip—

VIHAAN

Uff. Garam!

Anvi aankhon se hansi daba leti hai. Brief eye contact. Vihaan nazar hata leta—awkward smile.

CUT TO:

INT. TEA STALL – NEXT DAY (DAY 2)

Anvi pehle se. Vihaan aata, door se aankhon se greet.

Chaiwala bina pooche do cup banata hai: “Do kadak, ek kam chini.”

Dono apne-apne cup lete.

Vihaan discreetly Anvi ka sketch dekhne ki koshish karta.

VIHAAN (soft)

Main bhi kabhi draw karta tha… school me.

Anvi pencil uski taraf badhati. Ek hi paper par dono ke haath—childish par dil se.

MONTAGE – 1 WEEK (SILENT SHOTS)

– Dono bina bole chai pee rahe hain, halki muskurahat.

– Barish: Vihaan umbrella share karta, dono ke mooh par boondein.

– Anvi, Vihaan ka profile sketch karti—ehtiyaat se.

– Vihaan ek pastry laata—do spoon.

– Chaiwala unhe dekh ke muskuraata—“Do kadak” ab default.

INT. TEA STALL – SUBAH – EK DIN (ABSENCE DAY)

Anvi akeli. Do cups aate—ek saamne wali khali kursi ke paas rakha.

Clock tick. Cup se uthi steam dheere dheere kam hoti.

Anvi blank page kholti; likhti hai:

INSERT (PAGE): “Aaj chai thandi thi.”

EXT. STALL – DO DIN BAAD (RETURN)

Vihaan aata—thaka, file haath me. Anvi already baithi.

Wo chupchaap baithta; ek folded paper slide karta.

INSERT (NOTE): “Hospital me tha… lekin chai ki yaad roz aayi.”

Anvi ki nazar naram padti hai.

Wo apni sketchbook se ek page nikaal kar deti hai.

INSERT (SKETCH): Dono ek bench pe chai ke saath… upar: “Do cup chai… aur ek pal ka pyaar.”

Eye contact. No dialogue. Sirf saans, sheher ka halka shor, kettle ki door se seeti.

FADE OUT – SILENT BACKGROUND TUNE

TEXT ON SCREEN:

“Kuch kahaniyaan sirf nazar se likhi jaati hain.”

6) Scene Breakdown

1. S1 – First Sip (1:45) – Meet-cute, “Uff garam!”, pencil pass.
2. S2 – Second Morning (1:15) – “Do kadak” habit begins, joint sketch.
3. S3 – Montage Week (2:00) – Rain, pastry, profile.
4. S4 – Empty Chair (1:30) – “Aaj chai thandi thi.”
5. S5 – Return & Exchange (1:45) – Hospital note, gift sketch, eye-lock.
   Total: ~8:15

7) Dialogues, Subtext & Themes

• “Ek kadak, kam chini.” → Subtext: Control ki aadat; life me softness ki kami.
• “Main bhi kabhi draw karta tha…” → Subtext: Guarded aadmi apni purani, soft identity jhalkata hai.
• “Aaj chai thandi thi.” → Subtext: Garmahat = presence. Thandi chai = absence ka ehsaas.
• Hospital note → Subtext: Vulnerability share = trust.
• Themes: Quiet intimacy, routine as romance, khamoshi ki zubaan, small gestures > big speeches.

8) Treatment / Synopsis (1-Pager)

Anvi roz subah ek local tea stall par sketch karti hai. Vihaan pehli baar aakar “kadak, kam chini” order karta hai—garam sip par jalte hi dono ki nazar milti hai. Agle kuch dino me unki routine me chhote gestures shaamil ho jaate hain: umbrella share, pastry, sketch. Kam bolna, zyada samajhna. Jab Vihaan do din ke liye gaayab rehta hai, Anvi ek khali kursi aur thandi chai ke saath apni tanhaai likh daalti hai. Vihaan laut kar ek note deta hai—hospital me tha. Anvi apna sketch gift karti hai; dono aankhon se eik pal ka pyaar sweekar karte hain. Film bina bade dialogues ke, nazar aur nazdeekiyon se kahaani kah deti hai.

9) Storyboard / Shot Division (Key Frames)

S1

1. WIDE: Morning stall with steam plumes.
2. MID: Anvi sketching hand—graphite texture.
3. CU: Kettle pour into steel glass (steam swirl).
4. MID: Vihaan order; over-the-shoulder on Chaiwala.
5. CU: Sip + micro flinch—“Uff garam!”
6. CU: Anvi’s held smile—eye glint.
7. TWO-SHOT: Both in frame, negative space of bench.

S2

8. INSERT: Chalkboard “Do kadak, ek kam chini.”

9. TWO-SHOT: Pencil pass; fingertips nearly touch.

10. TOP-DOWN: Same page, two hands sketching.

11. CU: Graphite smudge on Vihaan’s finger → soft grin.

MONTAGE

12. WIDE: Rain curtain; umbrella dome overhead.

13. CU: Pastry split; crumbs; shared spoon.

14. PROFILE CU: Anvi drawing Vihaan; soft focus bokeh.

15. TRACKING: Chaiwala setting two cups as ritual.

ABSENCE

16. WIDE: Empty chair with steaming cup opposite Anvi.

17. TIME-LAPSE CU: Steam fading.

18. INSERT: “Aaj chai thandi thi.”

RETURN

19. MID: Vihaan slides note; shaky hand.

20. INSERT: Note content.

21. INSERT: Sketch title.

22. EXTREME CU: Eyes meet, blink-hold.

23. WIDE BACK: Two figures, morning bustle resumes.

24. FADE OUT on kettle hiss.

10) Dialogue Drafts & Revisions (Alt Lines)

• Order Line (Vihaan):

A) “Ek kadak, kam chini.” (final)

B) “Bina adrak, kadak please.”

C) “Kam meetha, zyada garam.”

• Burn Reaction:

A) “Uff. Garam!” (final)

B) “Arre, zyada garam ho gayi.”

C) (Silent wince + small laugh)

• Confession (Art):

A) “Main bhi kabhi draw karta tha… school me.” (final)

B) “Kabhi sketch karta tha, par aadat chhoot gayi.”

C) “Pencil pakde hue kaafi time ho gaya.”

• Absence Page:

A) “Aaj chai thandi thi.” (final)

B) “Aaj kursi garam nahi hui.”

C) “Bina tumhare chai ka swad adhoora.”

• Hospital Note:

A) “Hospital me tha… lekin chai ki yaad roz aayi.” (final)

B) “Do din ward me tha; subah ki chai miss ki.”

C) “Thoda theek nahi tha; tumhari chai yaad aayi.”

11) Scene Pacing & Runtime

• Dialogue/Action Ratio: 20/80 (visual storytelling primary)
• Shot Duration: 2–6 sec; hold on subtext beats (eyes, steam) 8–10 sec
• Music: Minimal, warm pads + light strings; drop to room tone on absence day

12) Character Arcs

• Anvi: Safe observer → Risks a handover (pencil, sketch gift) → Accepts connection without words.
• Vihaan: Task-driven → Admits softer past → Shares vulnerability (hospital note) → Learns to be present.
• Chaiwala: Neutral vendor → Quiet enabler (preps “Do kadak” without prompt) → Witness to bond.

13) World-Building & Research

• Setting Cues: Ahmedabad/Mumbai/Delhi type galli, morning shift crowds, distant train horn, hawkers.
• Props Authenticity: Brass kettle patina, steel glasses/saucers, chalk price list, Parle-G/Maria biscuits tin.
• Cultural Texture: “Cutting chai” ritual, umbrella courtesy in monsoon, small pastry as celebration.
• Soundscape: Kettle hiss, spoon-glass clink, scooter pass-bys, low vendors’ calls.

14) Tone & Genre Consistency

• Tone: Gentle, unhurried, intimate. No melodrama.
• Color Palette: Warm ambers/browns; rain day—soft grey/blue.
• Camera Language: Observational; natural light; shallow DOF for intimacy.
• Do/Don’t:
  Do—let silences breathe; foreground micro-gestures.
  Don’t—insert explanatory VO or heavy exposition.

15) Mini Checklist Before Writing/Pre-Prod

• Story: Beat sheet locked; no extra dialogue add unless essential.
• Look & Feel: References for chai stalls, steam CUs, rain plates.
• Locations: Permission for early-morning shoot; ambient control window.
• Props: Kettle, steel cups, chalkboard, pastry box, umbrella, sketchbook (hero prop x2), file folder, paper notes.
• Wardrobe: Anvi—earthy kurtas; Vihaan—neutral office pastels; Chaiwala—faded shirt + gamcha.
• Sound: Lav for rustle; boom for room tone; capture kettle/steam foley clean.
• Schedule: 2 mornings + 1 rain unit (or water rig).
• Coverage Plan: Masters + mids + essential CUs (eyes, hands, steam, pencil, notes).
• Contingencies: Silent performance coaching; alt lines printed; rain backup.
• Deliverables: 8–9 min cut; festival & social trim (60–90s teaser).

Do Cup Chai — 30‑minute Script (roman Hindi)

DO CUP CHAI — 30‑Minute Short Film (Roman Hindi)

Genre: Quiet Romance / Slice‑of‑Life

Approx Runtime: ~30 minutes

Language: Roman Hindi

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S1. INT. LOCAL TEA STALL — SUBAH 7:30 AM (DAY 1) — ~3:00

(Saadgi bhara thela. Steam, chamakti dhup. Sheher ki halki awaaz. CHAIWALA 50s, pyara. ANVI 24, kurta‑jeans, bench par sketchbook kholi hui. VIHAAN 27, formal kapde, phone vibrate par.)

CHAIWALA:

Kya doon, beta?

VIHAAN (saaf, aadat se):

Ek kadak, kam chini.

(CHAIWALA sir hilaata hai. Kettle ka close up. Steam. Vihaan sip karta hai.)

VIHAAN:

Uff. Garam!

(Anvi aankhon se hansi rok leti hai.)

CHAIWALA (muskurakar):

Pehli baar ho kya yahan?

VIHAAN (awkward smile):

Haan… office naya route. Chai achchi hai.

(Anvi pencil se halki line khinchte hue, chhupkar Vihaan ko dekh leti hai.)

ANVI (dheere se; bina dekhe):

Steam mehi asli mazaa hota hai.

(Vihaan uski taraf dekh kar halka sa head‑nod deta hai.)

VIHAAN:

Haan… aur thoda jalna bhi. (chhota laugh)

(Chhoti si nazar‑milti khamoshi. Vihaan phone ki screen band karta hai.)

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S2. INT. TEA STALL — SUBAH (DAY 2) — ~2:30

(Anvi pehle se. Vihaan aata hai. Door se aankhon se greet. CHAIWALA bina pooche order taiyaar karta hai.)

CHAIWALA:

Do kadak… ek kam chini.

(Do cups. Vihaan table ke paas.)

VIHAAN (narm):

Aaj kam garam?

CHAIWALA:

Aaj mausam me dhoop zyada, garam apne‑aap ho jayegi.

(Anvi sketch kar rahi. Vihaan jhaankta hai.)

VIHAAN (halki awaaz):

Tum… daily sketch karti ho?

ANVI:

Roz chai, roz ek page. Dono se haath garam rehte hain.

VIHAAN (hanskar):

Main bhi kabhi draw karta tha… school me.

(Anvi pencil badhaa deti hai.)

ANVI:

Try karo. (beat) Line seedhi ho ya tedhi—baat sirf chalti rehne ki hoti hai.

(Vihaan pencil pakadta, do lakirein banata. Thoda childish. Dono muskurate.)

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S3. INT./EXT. TEA STALL — WEEK MONTAGE (DAYS 3–7) — ~4:00

(Short, dialogue‑sprinkled shots.)

— BARISH DIN

VIHAAN (umbrella kholta):

Tum bheeg jaogi.

ANVI (andar khisakti):

Bheegna bura nahi hota… par paper bheeg jaye toh bura hota hai.

— PASTRY DIN

VIHAAN:

Pastry share?

ANVI:

Half‑half. (chhoti fork tap)

— PROFILE SKETCH DIN

ANVI (study karte hue):

Side se baal seedhe rehte hain.

VIHAAN (chhed‑te hue):

Samne se?

ANVI:

Thoda… office jaisa.

(Dono hansi rok kar chai peete.)

— SILENT SIPS

CHAIWALA (door se dekhkar, aadat):

Do kadak aa rahe hain!

REGULAR #1 (nikalte hue):

Arre bhai, aaj kal pyaar bhi cutting me milta hai kya?

CHAIWALA:

Pehle chai banti hai, pyaar baad me utarta hai. (wink)

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S4. INT. TEA STALL — SUBAH (DAY 8) — ~2:30

(Dono apni jagah. Halki bheed. Door se hawker ki awaaz.)

VIHAAN:

Office me targets ka mahina hai. Dimaag garam.

ANVI:

Phir chai zyada garam.

VIHAAN (smiles):

Tumhari lines zyada seedhi.

ANVI (kandhe uthaakar):

Kabhi seedhi, kabhi tedhi. Bas chalti rahe.

(Beat. Dono kaam‑wali khamoshi me reh kar sip karte.)

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S5. INT. TEA STALL — SUBAH (DAY 9) — ~2:00

(Anvi Vihaan ka quick profile sketch dikha deti hai.)

ANVI:

Rough hai.

VIHAAN (dekhta, narm):

Mujhse zyada sahi.

ANVI:

Tum itne serious kyun lagte ho?

VIHAAN:

Shayad aadat… meeting me muskurana measurable nahi hota.

ANVI:

Kuch cheezein measure nahi hoti. Par dikhti bahut hain.

(Vihaan chup, appreciate karta.)

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S6. INT. TEA STALL — SUBAH (DAY 10) — ~2:00

(Background me students, mazdoor. CHAIWALA do cups rakh deta hai.)

CHAIWALA:

Aaj mitti ki khushboo, isliye adrak double.

VIHAAN (sip):

Waah…

ANVI:

Kabhi kabhi flavors bhi mood set kar dete hain.

VIHAAN:

Jaise tumhari pencil. (beat) Tum kab se yahan aati ho?

ANVI:

Kaafi time. Yahan awaaz kam hoti, log jyada sacche lagte.

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S7. INT. TEA STALL — SUBAH (DAY 12) — ~3:00

(Thodi rawani. Vihaan phone ko table par ulta rakhta hai.)

VIHAAN:

Kal raat tak socha, phone silent rakhoon. Subah ke aadhe ghante… bas yahan.

ANVI (halka smile):

Good decision. (pause) Mujhe bhi kabhi kabhi lagta hai sketch me shor zyada ho jata hai.

VIHAAN:

Art block hota hai?

ANVI:

Hota hai. Par chai me halka sa swirl aata hai na… woh block tod deta.

VIHAAN:

Targets ka block kaise todein?

ANVI:

Ek cup chai… aur thodi saans.

(Dono hansi share karte.)

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S8. INT. TEA STALL — SUBAH (DAY 13 — ABSENCE) — ~2:00

(Anvi akele. CHAIWALA do cups rakh deta hai, ek saamne wali khali kursi par.)

ANVI (halka bechain):

Bhaiya, woh… jo roz aate hain…

CHAIWALA (narmi):

Aaj nahi dikh rahe. Sab theek hoga.

(Anvi blank page nikaalti hai, likhti hai: “Aaj chai thandi thi.”)

CHAIWALA (dekhkar):

Thandi chai me bhi kahani hoti hai.

ANVI (dheere):

Aaj lag raha hai… kahani ruk gayi.

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S9. EXT. STALL — SUBAH (DAY 15 — RETURN) — ~2:30

(Vihaan aata hai. Thoda thaka. File haath me. Anvi already baithi.)

VIHAAN (narmi, halki saans):

Sorry.

(Vo ek folded paper uski taraf badhata hai.)

INSERT — NOTE: “Hospital me tha… lekin chai ki yaad roz aayi.”

ANVI (nazar pighalti):

Theek ho?

VIHAAN (sir hilaata):

Haan. Bas… do din.

ANVI (apni sketchbook se ek page nikaal kar):

Tumhare liye. (beat)

INSERT — SKETCH: Dono bench par chai ke saath. Upar: “Do cup chai… aur ek pal ka pyaar.”

VIHAAN (dheere):

Yeh… kab banaya?

ANVI:

Jab kursi khali thi.

(Chhota sa khamosh smile exchange.)

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S10. INT. TEA STALL — SUBAH (DAY 16) — ~2:00

(Quiet comfort. Dono sip karte hue.)

VIHAAN:

Main kal socha… hum dono kitna kam bolte hain.

ANVI:

Aur phir bhi sab sunai deta hai.

VIHAAN (chhoti hansi):

Tumhari handwriting me garmahat hoti hai.

ANVI:

Aur tumhare “sorry” me asli.

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S11. INT. TEA STALL — SUBAH (DAY 17) — ~2:30

(Vihaan ka phone vibrate. Wo dekhta, phir Anvi ki taraf. Phone ko face‑down karta.)

ANVI:

Important call?

VIHAAN:

Ho sakta hai. (pause) Par yeh waqt important hai.

ANVI (soft):

Kabhi kabhi choti choti baatein badi ho jati hain.

VIHAAN:

Aur kabhi choti khamoshi sab kuch keh deti.

(Beat. CHAIWALA door se unhe dekhta, muskuraata.)

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S12. EXT. GALI — SUBAH (DAY 18) — ~2:30

(Dono stall ke bahar khade. Sheher ki halki ghoomti awaaz.)

VIHAAN:

Kal… main late ho sakta hoon.

ANVI:

Main do cups manga loongi.

VIHAAN (muskurakar):

Ek thandi mat hone dena.

ANVI:

Koshish karungi.

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S13. INT. TEA STALL — SUBAH (DAY 19) — ~2:00

(Anvi pehle se. Vihaan 5 minute late. Do cups. Steam uth rahi.)

VIHAAN (saans chadhhi):

Traffic.

ANVI:

Steam bach gayi.

VIHAAN:

Good. (beat) Tum kal raat sketch kar rahi thi?

ANVI:

Haan. Kisi ne DM me commission poocha. (shrug) Dekhte hain.

VIHAAN:

Kar lena. Tumhari lines me ghar jaisi feel aati hai.

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S14. INT. TEA STALL — SUBAH (DAY 20) — ~2:30

(Background me REGULARS. Ek chhotu delivery ladka biscuit ka dabba laata.)

REGULAR #2 (nikalte hue, mazaak):

Arre bhai, do cup chai… aur ek pal ka pyaar!

(Anvi aur Vihaan ek dusre ko dekhte, shy smile.)

VIHAAN (low):

Yeh line tumhari hai.

ANVI:

Ab tumhari bhi.

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S15. INT. TEA STALL — SUBAH (DAY 22) — ~3:00

(Thoda gehra pal. Baarish ka baad ka din. Dhup narm.)

VIHAAN:

Kabhi kabhi lagta hai… zindagi me sab kuch excel sheet me fit nahi hota.

ANVI:

Haan. Kuch cheezein bas do cup me fit hoti hain.

VIHAAN (dekhta hai usse):

Aur ek bench.

ANVI:

Aur thodi si nazar.

(Beat. Wo dono ek sath sip karte.)

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S16. INT. TEA STALL — SUBAH (DAY 24) — ~2:30

(Chaiwala jaldi me. Bheed badh gayi. Noise.)

VIHAAN (jhukkar):

Aaj shor zyada hai.

ANVI:

Chalo corner ki kursi lete hain.

(Dono corner bench par shift. Shor halkasa kam.)

VIHAAN:

Tum kabhi apne sketch dikhane se darti ho?

ANVI:

Haan. Par tumhare saath… itna nahi.

VIHAAN (soft):

Mujhe achha lagta hai jab tum draw karti ho.

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S17. INT. TEA STALL — SUBAH (DAY 26) — ~2:30

(Quiet morning. Do cups. Anvi ek chhota envelope nikaalti hai.)

ANVI:

Yeh… ek extra page tha. Shayed tumhare paas rahe.

(Vihaan kholta—andar chhota thumbnail series: umbrella, pastry, profile.)

VIHAAN (dheere):

Humari kahani… chhote squares me.

ANVI:

Chhoti cheezein hi to badi hoti hain.

VIHAAN:

Thank you.

(He means more than the words. Nazar bol deti hai.)

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S18. INT./EXT. TEA STALL — SUBAH (DAY 28 — CLOSURE) — ~3:00

(Saaf dhup. Halka hawa. CHAIWALA do cups rakhta hai, jaise har din.)

CHAIWALA (aadat se):

Do kadak… ek kam chini.

(Dono cups unke saamne. Dono ek pal ke liye bas dekhte hain—na chai ko, na paper ko—bas ek dusre ko.)

VIHAAN (bahut dheere):

Main shayad ab phir se draw karna shuru karun.

ANVI (muskurakar):

Aur main… shayad thoda kam darna shuru karun.

(They raise cups—tiny toast.)

BOTH (whisper):

Toh… do cup chai.

(Beat. Kettle ki halki seeti. City wakes up. Frame slow‑hold on unke haath—cup, pencil ki nokein, ek table ke kinare par rakha envelope.)

FADE OUT.

ON SCREEN TEXT:

“Kuch kahaniyaan sirf nazar se likhi jaati hain.”

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NOTES ON TIMING (Guide)

S1 3:00 • S2 2:30 • S3 4:00 • S4 2:30 • S5 2:00 • S6 2:00 • S7 3:00 • S8 2:00 • S9 2:30 • S10 2:00 • S11 2:30 • S12 2:30 • S13 2:00 • S14 2:30 • S15 3:00 • S16 2:30 • S17 2:30 • S18 3:00

Total ≈ 30:00

Ho gaya! Maine “Do Cup Chai — 30-Minute Script (Roman Hindi)” poora dialogue-by-dialogue canvas par daal diya hai — scene-wise timing ke saath takreeban 30 minutes ka flow.