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🎬 Web Series - Title: “Ghar Ka Raaz” / Genre: Family Drama + Light Mystery + Emotional Journey (8 Episodes )

Likho Script September 13, 2025

 

🎬 Title: “Ghar Ka Raaz”

💡 Concept

Genre: Family Drama + Light Mystery + Emotional Journey

Tagline: “Kabhi khazana dhoondhte hain, kabhi apne sapne.”

Theme: Unity, hidden secrets, dreams, and rediscovering family bonds.

📖 Online Story (Plot Outline)

  1. A joint family with 12+ members lives in an ancestral haveli.
  2. Rumors say a hidden treasure is buried somewhere in the house.
  3. Initially, family members fight, form groups, and suspect each other while searching.
  4. Along the way, old memories, letters, and secrets of their ancestors come out.
  5. After comedy, drama, and some suspense, they finally find the treasure.
  6. But instead of breaking apart, the family realizes the true treasure is togetherness + fulfilling each one’s dreams.
  7. In the final episodes, the treasure is used to help every member achieve their personal dream:

  • one opens a business,
  • one studies abroad,
  • one becomes an artist,
  • one funds social service, etc.

       8. Happy ending with a celebration, showing dreams taking flight.

👥 Casting (with Age & Profession)

Main Family Members

  1. Dadaji (70s, Retired Freedom Fighter’s Son) – Wise, emotional, holds family values.
  2. Dadiji (65, Homemaker) – Religious, caring, keeps family united.
  3. Eldest Son (45, Businessman) – Practical, money-minded, believes treasure can solve debts.
  4. Eldest Bahu (42, School Teacher) – Balanced, moral voice, close to kids.
  5. Second Son (40, Artist/Failed Musician) – Dreamer, wants treasure to revive his career.
  6. Second Bahu (38, Fashion Designer) – Stylish, ambitious, wants independence.
  7. Third Son (35, NRI / IT Engineer) – Logical, doubts treasure story, returns to India for family.
  8. Third Bahu (32, Social Worker) – Empathetic, wants treasure for community good.

Younger Generation

  1. Eldest Grandson (22, MBA Student) – Wants to start a startup.
  2. Granddaughter (20, Aspiring Actress) – Wants to enter Bollywood.
  3. Grandson (18, Sports Lover) – Cricketer dreams.
  4. Granddaughter (16, School Topper) – Wants to study abroad.
  5. Grandson (12, Naughty Kid) – Provides comic relief, keeps teasing about treasure.
  6. Extended/Other
  7. Family Friend / Lawyer (50s) – Knows about haveli’s documents, helps decode clues.
  8. House Helper (40s) – Loyal, knows secrets of the haveli’s history.

✨ Series Format: 8–10 episodes, 35–40 min each.

  • Ep 1–2: Introduce family & treasure rumor.
  • Ep 3–6: Clues, fights, comedy, and bonding.
  • Ep 7: Treasure found.
  • Ep 8–10: Dreams fulfilled + grand family celebration.

👌 amily drama web series ka episode-wise full story outline . Ye ek 8–episode season hoga, jisme drama + comedy + suspense + emotions ka mix rahega.

📺 Web Series: “Ghar Ka Raaz”

Genre: Family Drama + Light Mystery
Episodes: 8 (35–40 min each)

Episode 1 – “Bade Ghar Ki Badi Kahani”

  • Haveli aur joint family ka introduction.
  • Dadaji ek purana sandook dikhate hain jisme ek aadhi-adhoori diary hoti hai.
  • Diary me likha hota hai ki ghar ke andar “ek khazana gada hai” jo ab tak kisi ko nahi mila.
  • Sab pehle mazaak udhate hain, phir curiosity badhne lagti hai.

Episode 2 – “Shak ke Bija”

  • Ghar ke 12+ log treasure ke peeche lag jaate hain.
  • Sab apne-apne guesses karte hain – koi sochta hai kitchen ke neeche, koi sochta hai pooja ghar me.
  • Chhote-chhote jhagade hote hain – bhai vs bhai, bahu vs bahu.
  • Sabke dil me greed aa jata hai – sab sochte hain agar khazana unko mile to apna sapna pura karenge.

Episode 3 – “Purane Khat, Naye Raaz”

  • Grandson attic (chhat wala kamra) me ek old letter milta hai jisme kuch symbols bane hote hain.
  • Second son (failed musician) sochta hai yeh symbols ek music riddle hain.
  • Comedy situation: family ek din lagata hai music bajane me treasure dhoondhne ke liye.
  • Bahar ke lawyer dost aate hain aur kehte hain ki ye to ek map ka hissa hai.

Episode 4 – “Doobte Rishton Ki Kasauti”

  • Treasure ke chakkar me family me aur tension – eldest son business debts ke liye chahata hai, second bahu apne boutique ke liye.
  • Dadaji-Dadiji dukhi ho jaate hain dekh ke ki bacche paiso ke liye ladh rahe hain.
  • Is beech me sab clues solve karte hain aur ek underground store room milta hai jo band hota hai.
  • Lock todte hain to andar bas purane coins aur chandi ke bartan nikalte hain. Disappointment.

Episode 5 – “Aakhir Khazana Kahan Hai?”

  • Naughty grandson (12 saal ka) khelte-khelte pooja ghar ki murti hilaata hai aur niche ek nayi chabi milti hai.
  • Ye chabi ek secret basement door kholti hai.
  • Sab excited ho jaate hain – ab lagta hai asli khazana milne wala hai.
  • Lekin ek bada twist: basement me sirf ek trunk hai jisme likha hai “Abhi waqt nahi aaya”.
  • Family aur frustrate hoti hai.

Episode 6 – “Sach Ka Parda Faash”

  • Third son (NRI) aur social worker bahu clues ko logically decode karte hain.
  • Pata chalta hai ki diary ke last pages missing the jo kahin aur छुपे hain.
  • Dadiji apne kapdon ke purane sandook se woh pages nikalti hain – unknowingly unke paas the.
  • Pages me likha hota hai: “Khazana paisa nahi, khazana apne khoon ka paseena hai jo agli peedhi ke sapno me invest karna hai.”
  • Matlab treasure kisi vault me nahi, balki ek land deed aur ancestral fund hai jo share market aur bonds ke form me chhupa tha.

Episode 7 – “Sapne Aur Khazana”

  • Dadaji sabko samjhate hain: asli khazana hai “family unity + legacy ka paisa jo tum sabke sapne pure karega.”
  • Papers ke according unke paas ek bada legal fund hai jo kabhi claim hi nahi hua tha.
  • Sabke sapne discuss hote hain:

  1. Eldest grandson startup,
  2. granddaughter actress,
  3. grandson cricketer,
  4. second son apna music album,
  5. bahu apna boutique,
  6. third bahu social projects, etc.

Episode 8 – “Naye Udaan” (Finale)

  • Family ek saath bank jati hai aur official process se paisa claim kar leti hai.
  • Montage: sab apne-apne sapne pursue karte hain – business, acting, cricket, fashion, social work.
  • Last scene: Haveli me ek grand party.
  • Dadaji kehte hain: “Asli khazana paisa nahi… parivar aur apne sapne hote hain.”
  • Happy ending with unity, laughter, and emotional closure.

Episode 1 – “Bade Ghar Ki Badi Kahani” (Hinglish dialogues, production-friendly scene headings, approximate timecodes). It introduces every key family member, plants the treasure rumor via the half diary, and ends on a hook.

GHAR KA RAAZ

Episode 1: “Bade Ghar Ki Badi Kahani”

Genre: Family Drama + Light Mystery
Running Time: ~40 minutes

[00:00–02:00] COLD OPEN – MONTAGE

EXT. ANCESTRAL HAVELI – DAWN

A sun-washed Rajasthani-style haveli wakes up. A peacock shrieks. Brass bell rings from the POOJA GHAR.

  • DADIJI (SAVITRI, 65) lights diya.
  • KASHI (40, house helper) sweeps the courtyard.
  • MEERA (42, teacher) hangs kids’ uniforms.
  • RITU (38, fashion designer) checks delivery swatches.
  • ARJUN (40, failed musician) strums a half-tuned guitar.
  • RAJIV (45, businessman) scans ledgers, tense.
  • ANANYA (32, social worker) preps donation cartons.
  • AARAV (22, MBA) jogs with earbuds.
  • TARA (20, aspiring actor) rehearses lines in mirror.
  • DEV (18, cricket) shadow-practices bowling.
  • IRA (16, topper) highlights textbooks.
  • CHINTU (12, mischief) fires a paper rocket.

DADAJI (SHANKAR PRASAD, 72) watches all with a soft smile… and a locked SANDOOK by his chair.

TITLE CARD: GHAR KA RAAZ — Ep 1: “Bade Ghar Ki Badi Kahani”

[02:00–07:00] SCENE 1 – INTRO CHAOS

INT. HAVELI – DINING HALL – MORNING

A long table. Steel thalis, chai, parathas. Cross-talk overlaps.

RAJIV
(looking at phone)
Payment abhi tak clear nahi hua… kal supplier khich legi.

MEERA
Bachchon ka PTM 4 baje hai, time par aa jana.

ARJUN
(soft)
Bas thoda sa invest mil jaye to album nikal doon.

RITU
Aur mere boutique ka launch? Designs ready hain.

ANANYA
Kal basti visit hai, medicines chahiye. Thoda fund nikal payenge?

AARAV
Pitch deck final kar raha hoon. Seed round… maybe this quarter.

TARA
Audition tape bhejna hai. Mujhe ring light chahiye.

DEV
New pads please? Match Sunday ko hai.

IRA
Mujhe SAT prep course lena hai.

CHINTU
(whispers to Dev)
Main aaj chhat pe expedition pe jaa raha hoon.

DADIJI
Sab log pehle khana khatam karo, fir sapne bolo.

DADAJI
(smiles; to all)
Sapne zaroor bolo… par yaad rakho, ghar ke sapne sabse bade.

A beat. DADAJI’s gaze flicks to the LOCKED SANDOOK. A private thought.

[07:00–10:00] SCENE 2 – THE KEY GOES MISSING

INT. DADAJI’S VERANDAH – CONTINUOUS

CHINTU sneaks near the sandook, fascinated.

CHINTU
Dadaji, iske andar kya hai?

DADAJI
Kahaniyan.

CHINTU
Khazana?

DADAJI
Kuchh aisa hi.

CHINTU’s eyes widen. He spots a tiny brass KEY under the chair’s cushion and pockets it. DADAJI pretends not to notice.

[10:00–14:00] SCENE 3 – SIBLINGS’ UNDERCURRENTS

EXT. COURTYARD – LATE MORNING

RAJIV paces on a call. ARJUN tunes his guitar. RITU lays out fabric samples.

RAJIV
(deeply worried)
Nahi, main kal tak manage kar lunga… (cuts call)

ARJUN
Bhai, ek idea… agar thoda push mil jaye—

RAJIV
(ends it)
Arjun, company chalana bacchon ka khel nahi.

RITU
Aur boutique? Agar iss mahine lease nikaal di to—

RAJIV
(snap)
Pehle ghar ke kharch. Baaki baad me.

ARJUN watches, hurt but quiet.

[14:00–18:00] SCENE 4 – A LETTER FROM AFAR

INT. LIVING ROOM – DAY

ANANYA stacking meds. MEERA grading notebooks. DADIJI folds clothes.

WHATSAPP VIDEO CALL RINGS.
KARAN (35, NRI IT), the third son, on screen from London.

KARAN
Hey sab! Ira ki SAT prep kaisi?

IRA
Books hain, but course ke liye… dekhte hain.

KARAN
Main thoda contribute kar dunga.

DADIJI
(soft pride)
Bhagwan lambi umar de.

KARAN
Aur Dad? Unke sandook ka kya hua?

All turn to Dadi. She shrugs, a little evasive.

MEERA
Bas… kahaniyan rakhi hain unme.

ANANYA clocks this, curious.

[18:00–22:00] SCENE 5 – THE UNLOCKING

INT. VERANDAH – AFTERNOON

CHINTU slips the brass key into the sandook lock. It CLICKS.

He hesitates… then opens. Old cloth bundles, a leather-bound HALF DIARY, brittle letters tied with thread (some torn), a faded black-and-white photo of a young SHANKAR (Dadaji) with his father.

CHINTU
(faint whistle)
Treasure?

He flips the diary. Pages are half-missing, edges burnt. Pencil scrawls, dates from the 1950s-60s.

DADAJI steps in silently.

DADAJI
Kahaniyan chura raha hai?

CHINTU
Sorry… bas dekh raha tha.

DADAJI
(smiles, takes diary)
Chalo, sabko suniye. Kahaniyan jab-akeli hoti hain, darati hain. Sabke saath hoti hain, sikhati hain.

[22:00–27:00] SCENE 6 – THE FAMILY GATHERS (INCITING RUMOR)

INT. LIVING ROOM – AFTERNOON

Everyone assembles. The HALF DIARY on Dadaji’s lap.

DADAJI
Tum sab ke sapne dekh kar mujhe apne pita ji yaad aate hain. Unhone likha tha… (opens diary)
“Jis ghar ne humari peedhiyon ko sahaara diya, usi ghar ki mitti me hamara khazana gada hai.”

Murmurs. RAJIV stiffens. ARJUN lights up. TARA leans in.

MEERA
Khazana… matlab?

DADAJI
Yaad toh yahi hai ki aadhi diary jal gayi thi. Baaki me bas itna:
“Khazana tab milega jab pariwar milega.”

RITU
(clasping hands)
Par actual me… koi jagah mention?

DADAJI
Aadhi baat pata hai, aadhi gum ho chuki.

RAJIV
(guarded curiosity)
Agar sach me kuchh hai to… debts clear ho sakte hain.

ANANYA
Ya phir hum community projects me laga sakte—

ARJUN
(soft hopeful)
Mera album…

DADIJI
(sharp, but loving)
Sabse pehle, yeh ghar tootna nahi chahiye.

CHINTU
Dadaji, isme ek photo bhi hai.

They pass the old photo around: a young Shankar with his father standing by a carved pillar—a distinct lotus motif.

IRA
Yeh lotus carving to hamare pooja ghar ke pillar pe bhi hai.

A charged beat. Seeds of a hunt are planted.

[27:00–30:00] SCENE 7 – DENIALS & DESIRES

EXT. TERRACE – SUNSET

AARAV and TARA sit on the parapet, golden light.

AARAV
Agar khazana mila, main seed round ke bina bhi build kar sakta hoon.

TARA
Aur mujhe finally proper training… ek year to sirf craft pe.

AARAV
Par ghar mein sab… khinch tai tanav shuru ho jayega.

TARA
Ho sakta hai… par kabhi-kabhi sapne ke liye storm zaroori hota hai.

They look down at the pooja ghar’s lotus pillar below.

[30:00–33:00] SCENE 8 – THE FIRST CRACKS

INT. KITCHEN – DUSK

MEERA and RITU chop veggies.

RITU
Tumhe lagta hai yeh sirf moral story hai?

MEERA
Shayad. Par agar sach hua… to sab ke dil bhi khul jayenge, bas sandook nahi.

RITU
(smiles)
Dil ke saath wardrobe bhi.

They laugh. Distantly, RAJIV and ARJUN argue in the hallway—muffled.

MEERA
(deep breath)
Pehla rule: jo bhi ho, ghar saath rahe.

[33:00–35:30] SCENE 9 – NIGHT WHISPERS

INT. FAMILY HALL / POOJA GHAR – NIGHT

The hall is quiet, moonlight pooling on old tiles. KASHI does a last sweep. His broom hits a tile near the pooja ghar lotus pillar—a faint HOLLOW THUNK.

Kashi freezes. Taps again. THUNK.

KASHI
(whispers)
Arre… yeh to khaali jaise…

He looks around. No one. He kneels, runs a finger along the motif groove—finds a sliver of copper peeking out.

He pockets the sliver, uncertain.

[35:30–38:00] SCENE 10 – DADAJI’S PRIVATE TRUTH

INT. DADAJI’S ROOM – LATE NIGHT

DADAJI studies the half diary under a yellow lamp. He pulls out a separate, older envelope from inside the cover—creases of many years. Opens it. Inside: a half-burnt sketch—just enough to show three symbols: LOTUS, BELL, WELL.

DADAJI
(soft, to himself)
“Jab pariwar milega…”
Bahut saal ho gaye, Babuji.

He hides the sketch back—undecided whether to show the family yet.

[38:00–40:00] SCENE 11 – HOOK & BUTTON

INT. LIVING ROOM / POOJA GHAR THRESHOLD – SAME NIGHT

ANANYA returns with extra meds, crosses the threshold, pauses at the lotus pillar, sensing peace. She whispers a prayer and leaves.

A draft flutters the half diary on the side table. One fragile page lifts—revealing faint pencil text underneath the page it covers:

“Jisne shanka chhodi, usne raasta paaya.
Pehla nishaan: kamal jahan ghanti gunjti hai.”

SMASH TO: The LOTUS PILLAR and the TEMPLE BELL rope swaying gently in the night breeze.

CUT TO BLACK.
END OF EPISODE.

CAST RECAP (for Episode 1)

  • Shankar “Dadaji” Prasad, 72 – Patriarch, keeper of diary.
  • Savitri “Dadiji”, 65 – Matriarch, moral anchor.
  • Rajiv, 45 – Eldest son, stressed businessman.
  • Meera, 42 – Rajiv’s wife, schoolteacher, balanced.
  • Arjun, 40 – Second son, failed musician with hope.
  • Ritu, 38 – Arjun’s wife, fashion designer, ambitious.
  • Karan, 35 – Third son (NRI IT), on video call this ep.
  • Ananya, 32 – Karan’s wife, social worker, empathetic.
  • Aarav, 22 – MBA, startup dreamer.
  • Tara, 20 – Aspiring actor.
  • Dev, 18 – Cricketer.
  • Ira, 16 – Academic topper.
  • Chintu, 12 – Mischief/comic relief.
  • Kashi, 40 – House helper, loyal, observant.

NOTES FOR DIRECTION / PACING

  • Keep overlapping dialogue in breakfast and kitchen scenes to convey joint-family hustle.
  • Use sound motifs: temple bell, hollow tile “thunk,” guitar’s unresolved chord.
  • Visual motif: lotus carving keeps returning without spelling it out until the last beat.
  • Tone: Warm, lived-in, with a light mystery undercurrent.

Episode 2 – “Shak ke Bija” (Hinglish dialogues, production-friendly scene headings, timecodes, action beats). It picks up right after Ep-1’s bell–lotus hint and plants real suspicion across the joint family.

GHAR KA RAAZ

Episode 2: “Shak ke Bija”

Genre: Family Drama + Light Mystery
Running Time: ~40 minutes

[00:00–02:30] COLD OPEN — THE HOLLOW THUNK

INT. POOJA GHAR / FAMILY HALL – PRE-DAWN

Low, blue pre-dawn light. Temple BELL rope sways. The carved LOTUS PILLAR glows faintly.

KASHI (40) kneels near the lotus base, takes out the copper sliver he pocketed last night, rubs it clean. He gently taps a floor tile—THUNK—hollow again. He glances at the doorway—empty.

He presses the copper into a hairline groove along the lotus carving. It fits for a second, then falls—clink. He scrambles, pockets it as footsteps near.

DADIJI (O.S.)
Kashi?

Kashi stands, palms together.

KASHI
Subah ki safai, Maaji.

DADIJI (65) enters, lights diya. A faint pencil line on an open diary page catches her eye—“Pehla nishaan: kamal jahan ghanti gunjti hai.” She shuts the diary softly.

DADIJI
Aaj ghanti zyada zor se bajegi.

SMASH TO TITLE.

[02:30–07:00] SCENE 1 — BREAKFAST BATTLE PLAN

INT. DINING HALL – MORNING

Joint-family hustle. Steam, chai, clutter, overlapping dialogue.

DADAJI (72) places the half diary at the table’s head.

DADAJI
Kal raat jo likha pada… kamal aur ghanti. Pooja ghar se hi shuruaat.

RAJIV (45)
(quickly, taking charge)
Toh aaj pooja ghar ki poori checking. Kashi, tools le aao—light, chisel, brush.

MEERA (42)
Arre, pooja ghar hai Rajiv. Pehle dhang se pooja, phir kaam.

ARJUN (40)
Aur music test—I mean acoustic check. Hollow sound ka pattern mil sakta hai.

RITU (38)
Hum pattern-banate hain. Jo cheez mile, photo leke WhatsApp par group me daal denge.

ANANYA (32)
Main notes loongi—who found what, where, kis waqt. Later hum clues map kar payenge.

AARAV (22)
Kanban board banata hoon—To Do, Doing, Done.

CHINTU (12)
Mera department—Adventure.

Laughter. RAJIV doesn’t smile.

DADIJI
Sabse pehle niyam—jo milega, Dadaji ko diya jayega. Kisi ke paas chup kar kuch nahi rahega.

Everyone nods—some too quickly.

[07:00–11:00] SCENE 2 — POOJA GHAR: THE BELL & THE LOTUS

INT. POOJA GHAR – LATER THAT MORNING

Soft morning light. Incense smoke. The family forms a semi-circle.

MEERA rings the bell softly.

ARJUN
(ears up)
Yahaan… aur yahaan.
(taps the floor; two distinct notes)
Is area me cavity ho sakti hai.

IRA (16)
Geometry se dekhein? Pillar se bell tak ke beech ka midpoint—

DEV (18)
Midpoint ke neeche cricket ka straight drive aata hai.

DADAJI
Beta, compass aur chalk lao.

AARAV lays a string between LOTUS pillar and BELL post, marks a midpoint with chalk.

TARA (20) peers inside the bell.
TARA
Ruko—clapper ke upar kuch latka hua hai!

ANANYA
Careful.

TARA stands on a low stool, unhooks a teeny rolled parchment tucked under the bell’s crown—a micro-scroll tied with red thread.

Gasps.

RAJIV
(deftly takes it)
Main padhta hoon.

He unties, smooths it on a thali.

INSERT — PARCHMENT:
A hand-sketched LOTUS icon, an arrow to a small sun doodle, and a line in faded Devanagari:
“Jahan dhup aur dhara ka sangam, mitti raaz batati hai.”

IRA
“Dhup” = sunlight. “Dhara” = water. Sangam…

ANANYA
Well + sunlight?

DADAJI
Hamaara aangan ka kuan.

RAJIV
(looks at Kashi)
Kashi, ropes aur bucket taiyyar.

KASHI nods, uneasy hand in pocket around the copper sliver.

RITU (low, to Meera)
Tumne dekha? Rajiv har cheez pe control le raha.

MEERA
Bas nateeja saath me aaye, itna kaafi hai.

[11:00–16:00] SCENE 3 — SEEDS OF DOUBT

EXT. VERANDAH / CORRIDOR – CONTINUOUS

RAJIV quietly waves KASHI over.

RAJIV
Jo bhi mile, seedha mere paas laana. Sab ko bhidwana theek nahi.

KASHI
Ji… par Maaji ne kaha—sab Dadaji ko dena—

RAJIV
Main Dadaji ko de dunga.

They separate. RITU, passing by, catches the tail end; eyes narrow.

INT. LIVING ROOM – SAME

MEERA gently takes the micro-scroll for safekeeping, tucks it in a steel dabba to avoid damage. TARA sees only the tucking—not the why. Suspicion starts.

TARA (to Aarav, whisper)
Bhabhi ne paper chhupa liya.

AARAV
Protection ke liye hoga.

TARA
Ya phir… “protection”.

They trade a look: playful turning serious.

[16:00–20:00] SCENE 4 — TERRACE RESPITE

EXT. TERRACE – LATE MORNING

AARAV sketches a rough haveli map in a notebook. TARA runs her lines, glancing at him.

AARAV
Sangam logic se, noon pe shadow straight jayegi. Agar hum pehle shadow track kar lein—

TARA
Aur agar khazana mil gaya to? Tum startup. Main acting school.

AARAV
Aur ghar?

TARA
Tootega to sapne bhi tootenge. Bas isi liye saath rehna zaroori.

They smile, then look down at the courtyard well.

[20:00–25:00] SCENE 5 — THE WELL: COMEDY OF ERRORS

EXT. COURTYARD / KUAN – NOON APPROACHING

DEV ties a phone + flashlight to a rope.

DEV
Live-feed well expedition!

IRA
Phone gir gaya to?

DEV
Cricket grip. Pakka.

CHINTU
Main commentator hoon—“Aur Dev ne dala phone… aur phone gaya…”

AARAV
(sets up tripod)
Reflection intensity check—agar base pe kuchh metal hoga, light bounce different hogi.

ARJUN hums a pure note, claps, listens to echo—seeking resonance.

ANANYA
(soft)
Bas safety first.

MEERA holds aarti ki diya for “dhup-dhara” metaphor, smiles at the kids’ jugaad.

RITU photographs carvings around the well brim.

RAJIV
Kashi, rope dheere chhodo.

KASHI lowers the phone. Live video shows mossy stones. Sudden rope slip—everyone yelps—phone swings wildly.

CHINTU leans too far—slips—

ARJUN grabs him mid-fall.

ARJUN
Hero banana hai to acting class join kar, kuan me mat.

Laughter breaks tension. On the video—a faint etched line around the inner ring…

IRA
Zoom! Yahan!

INSERT — LIVE FEED:
On the inner ring’s stone, an etched Devanagari couplet with a small BELL symbol.

ANANYA (reading)
“Jis din sooraj sir ke upar, us pal ki rekha sach dikhaye.
Chhai ka ankh ban, dharti par sanket bataye.”

AARAV
Noon shadow test!

[25:00–28:30] SCENE 6 — GNOMON AT HIGH NOON

EXT. COURTYARD – NOON

The sun is overhead. AARAV plants a straight stick (gnomon) at the well’s outer edge. IRA chalks the shadow tip on the ground every 30 seconds; the shortest shadow mark is the true noon.

DADIJI brings out rangoli powder; marks the final line from the well towards the pooja ghar.

The line crosses the courtyard, points close to the lotus pillar base—stops over one specific tile.

ARJUN taps—clear hollow THUNK.

All look at KASHI. He looks away.

RAJIV (hard)
Tumhe pehle se pata tha?

KASHI
Kal raat safai me awaaz suni… subah confirm ki. Dar lag raha tha—galat na ho.

MEERA
Sahi kiya tumne bataya. Ab sabke saamne kholte hain.

DADAJI
Koi bhi ilaaka todne se pehle pooja hogi.

Everyone nods.

[28:30–33:00] SCENE 7 — TILE LIFT & A SMALL BOX

INT. POOJA GHAR THRESHOLD – MOMENTS LATER

MEERA does a small aarti. ARJUN and DEV carefully loosen grout, lift the tile. Beneath: a shallow cavity with a small wooden box bound by an iron latch.

CHINTU
Boss loot!

RITU films.

RAJIV opens it with a screwdriver. Inside:

  • A few old copper/low-value coins
  • A folded parchment strip
  • A thin keyhole plate—but no key

ANANYA unfolds the parchment.

INSERT — PARCHMENT:
“Barabari se baanto, to aage ka dar khulega.
Jo apne hissa ke liye ladh pade, usse raasta rul gaya.”
Alongside: LOTUS and BELL icons… a faint outline of a WELL but incomplete.

RAJIV
“Barabari se baanto”—iska matlab? Abhi ke coins sabke beech?

RITU
Prophecy wali line hai. Test of unity.

MEERA
(puts coins on thali)
Sab bachchon ke naam ek-ek sikka. Baaki Dadaji ke paas amanat.

ARJUN
Aur yeh plate?
(holds the thin metal)
Isme keyhole type cut hai.

IRA
Maybe it’s a template plate—different keys ko align karne ke liye.

DADAJI touches the plate, thoughtful.

[33:00–37:00] SCENE 8 — THE LAWYER’S WARNING

INT. LIVING ROOM – AFTERNOON

SPEAKERPHONE on table. ADV. SEN (50s) on call.

ADV. SEN (V.O.)
Shankar ji, excavation ghar me kar sakte hain, par legal dispute se bachne ke liye documentation rakhiye. Aur—purane will ke records ke hisaab se aapke pitaji ne ek co-op bank locker khola tha kabhi—“symbolic identification” ke notes dekhe the maine.

DADAJI
Symbolic?

ADV. SEN (V.O.)
Haan—teen nishaan. Aap log bol rahe the na—lotus, bell, well? Shayad inhi se link ho. Locker access ke liye koi custom key assembly ya proof tokens honge.

RAJIV
Agar locker mil gaya, murabbaa khatam.

ANANYA
Par ghar ke clues pehle complete karte hain. Warna locker me bhi kuch prove nahi hoga.

ADV. SEN (V.O.)
Bilkul. Aur bahar ke logon ko batayiye mat. Treasure rumors galat log kheench laate hain.

Call ends. A quiet settles—stakes rise.

[37:00–40:00] SCENE 9 — NIGHT SNEAKERS & THE NAAG KEY (CLIFFHANGER)

INT. POOJA GHAR – LATE NIGHT

Moonlight, long shadows. The lotus pillar and bell loom.

RAJIV slips in, checks around, kneels by the cavity. From the dark corridor, ARJUN enters, watches.

ARJUN
Chupke kyun?

RAJIV
(stands)
Aur tum?

They circle, old sibling heat resurfacing.

ARJUN
Tum sab kuch apne paas rakhna chahte ho—Kashi ko bola tha na, jo mile seedha tumhe de?

RAJIV
(angry whisper)
Main ghar ko sambhal raha hoon. Tum hamesha sapnon me rehte ho.

ARJUN
Aur tum hamesha darr me.

The bell rope brushes their shoulders—BELL TOLLS softly. Both look up—
In the beam housing above the bell, something glints.

ARJUN
Upar!

RAJIV climbs the low stool, reaches into the wooden cavity. Fingers feel a metal shape wedged in. He tugs—a BRASS KEY falls—hits the lotus base and skitters into a crack. CHINTU pops in with a magnet-on-string toy.

CHINTU
Night patrol, reporting!

He dangles the magnet, click! The key attaches. He lifts it triumphantly.

INSERT — KEY:
A beautiful serpentine (NAAG) brass key, with an inlay slot like a missing scale.

KASHI (from doorway, awed)
Mere paas jo tamba ka tukda hai… ho sakta hai isme fit ho.

Everyone freezes—suspicion, hope, fear.

DADAJI steps in, having been watching.

DADAJI
Sab ke saamne. Abhi.

KASHI takes out the copper sliver. Fits it into the key’s inlay slot—perfect. The **key’s head now shows a full LOTUS etching.

ANANYA
Lotus—nishaan ek… complete.

IRA
Toh bell aur well ke pieces baaki.

CAMERA PUSH on the NAAG KEY in Dadaji’s palm, lotus glowing in lamplight.

CUT TO BLACK.
END OF EPISODE.

CAST (Ep-2 Focus)

  • Shankar “Dadaji” Prasad, 72 — Patriarch, calm center.
  • Savitri “Dadiji”, 65 — Moral anchor, ritual order.
  • Rajiv, 45 — Eldest son, control vs fear.
  • Meera, 42 — Teacher, stabilizer.
  • Arjun, 40 — Dreamer musician, intuitive.
  • Ritu, 38 — Designer, ambitious, observant.
  • Karan, 35 — NRI son (voice cameo prev ep).
  • Ananya, 32 — Social worker, investigator’s mind.
  • Aarav, 22 — Startup brain, process guy.
  • Tara, 20 — Aspiring actor, heart-on-sleeve.
  • Dev, 18 — Cricketer, jovial jock.
  • Ira, 16 — Topper, code-breaker.
  • Chintu, 12 — Mischief + wildcard problem-solver.
  • Kashi, 40 — Loyal helper, holds early clue.
  • Adv. Sen, 50s — Family lawyer (phone).

DIRECTION & TONE NOTES

  • Sound Motifs: bell toll (revelation), hollow thunk (clue), guitar hum (intuition).
  • Visual Motifs: lotus carving, rope sway, sun–shadow line.
  • Blocking: crowd scenes in pooja ghar must feel respectful yet investigative; maintain sanctity with Meera/Dadiji’s rituals before each dig.
  • Suspicion Web: show small, wordless looks—Ritu seeing Rajiv–Kashi; Tara seeing Meera tuck the scroll; Rajiv catching Kashi’s hesitation.
  • Clue Logic: keep puzzles solvable on screen (shadow line, midpoint compass, bell cavity).
  • Cliffhanger: key + copper sliver = Lotus complete → sets up hunt for Bell and Well inserts in Ep-3.

Episode 3 – “Purane Khat, Naye Raaz” ka ~40-minute screenplay draft bana raha hoon. Yeh episode mainly attic discovery → music comedy → lawyer reveal pe centered hai.

GHAR KA RAAZ

Episode 3: “Purane Khat, Naye Raaz”

Genre: Family Drama + Light Mystery + Comedy
Running Time: ~40 minutes

[00:00–03:00] COLD OPEN – ATTIC DUST

INT. HAVELI ATTIC (CHHAT KA KAMRA) – EARLY MORNING

Cobwebs. Dusty trunks. AARAV (22) climbs up to fetch old files for his MBA pitch. CHINTU (12) sneaks behind him.

Aarav coughs, opens a trunk → out falls a sealed envelope yellowed with age. Inside: a brittle letter with hand-drawn symbols (treble clef, drum-like circle, sun, lotus fragment).

CHINTU
(eyes wide)
Treasure ka secret code!

AARAV
Nahi, bas doodles… ya maybe clue.

They rush down.

TITLE CARD: “Purane Khat, Naye Raaz”

[03:00–07:00] SCENE 1 – FAMILY GATHERS

INT. LIVING ROOM – MORNING

The family crowds around the letter.

ARJUN (40, failed musician) snatches it, eyes shining.

ARJUN
Yeh music hai! Dekho—treble clef, drum circle, surya = sur, lotus = raga kamal. Matlab puzzle ka jawaab ek raag me chhupa hai!

RAJIV (45) rolls eyes.

RAJIV
Tere sapne aur music… khazana milega sheet-music se?

ARJUN
Bilkul. Aaj ghar concert banega. Agar sur mil gaye, raaz khul jayega.

DADAJI (72) chuckles, lets him try.

[07:00–15:00] SCENE 2 – MUSICAL MADNESS

INT. COURTYARD – LATER

Montage comedy:

  • ARJUN strums guitar passionately, trying raag patterns.
  • RITU (38) blows harmonium wildly.
  • DEV (18) drums cricket pads with sticks.
  • TARA (20) sings film songs off-key: “Lag jaa gale…”
  • CHINTU beats steel thali with belan.
  • IRA (16) measures pitch on phone tuner app.
  • DADIJI (65) rings pooja bell thinking it’s part of rhythm.
  • MEERA (42) claps in taal, serious teacher vibes.

AARAV records decibel readings.

Neighbors peek in, amused.

Finally, cacophony peaks → sudden silence. A pigeon flies out of attic carrying a scrap of the same letter.

ANANYA (32) grabs it mid-air. Now letter looks like a map fragment when combined.

[15:00–20:00] SCENE 3 – CONFUSION & FIGHTS

INT. LIVING ROOM – AFTERNOON

RAJIV
Dekha? Ye music-shusic kuch nahi. Ye to map nikla.

ARJUN
(angry)
Har clue ko paisa aur map samajhte ho! Zindagi me thoda art bhi hota hai.

RITU
Arjun, bas. Khazana ke chakkar me apna album dobara mat laana.

ARJUN storms out, hurt.

[20:00–26:00] SCENE 4 – LAWYER’S ARRIVAL

EXT. HAVELI COURTYARD – SAME TIME

A jeep arrives. ADV. SEN (50s), the family lawyer, steps out with files.

ADV. SEN
Suna aap log orchestra bana rahe hain? (smiles)
Dikhao zara ye letter.

He studies the combined pages.

INSERT – LETTER CLOSEUP:
Symbols align → map outline of haveli with three icons: Lotus, Bell, Well. A missing quadrant still absent.

ADV. SEN
Dekhiye, ye koi sur-code nahi. Ye to ek directional cipher hai. Har icon ek location mark karta hai. Aur lagta hai ek tukda abhi missing hai.

DADAJI nods gravely.

[26:00–32:00] SCENE 5 – MUSIC JOKE PAYOFF

INT. COURTYARD – EVENING

Family teases ARJUN.

TARA
Chachu, khazana to map se milega… aapke sur se nahi.

ARJUN
(plays sad chord)
Kya karoon, sur mera khazana hai.

CHINTU
Aur hum sab ka headache.

Everyone laughs. Tension dissolves.

[32:00–37:00] SCENE 6 – MAP REVELATION

INT. DADAJI’S ROOM – NIGHT

Family + lawyer spread papers.

ADV. SEN
Dekhiye, teen quadrant clear hain. Par ek blank hai—shayad chhata kamra, ya koi purana record. Aapke pitaji ke will me likha tha “char diwarein, char sanket”. Matlab ek aur symbol bacha hai.

IRA
Fourth quadrant? Maybe library trunk me?

DADAJI
Kal subah sab milke dhundhte hain.

He locks the fragments in his cupboard.

[37:00–40:00] SCENE 7 – CLIFFHANGER

INT. ATTIC – LATE NIGHT

Camera pans attic again. A forgotten gramophone box lies under dust. Its lid slightly open, showing a shining brass plate with engraved symbol—looks like a CONCH (shankh).

CLOSE UP: Conch glitters under moonlight.

SMASH CUT TO BLACK.
END OF EPISODE 3.

✨ Key Beats Recap

  • Attic discovery: Old letter + symbols.
  • Music misinterpretation: Comedy & bonding.
  • Lawyer reveal: It’s a map fragment.
  • New mystery: Missing quadrant → hinted conch (shankh) symbol.

4 ko proper, scene-by-scene 40-minute teleplay style me detail karte hain: clear timecodes, action beats, layered subplots, aur expressive dialogues. (Hinglish, production-friendly.)

GHAR KA RAAZ

Episode 4 — “Doobte Rishton Ki Kasauti”

Genre: Family Drama • Mystery • Emotion
Runtime Target: ~40 min

[00:00–02:30] COLD OPEN — CRACKS

INT. LIVING ROOM – NIGHT (CONTINUATION FROM EP-3)

MAP FRAGMENTS table par. Lantern flicker.

RAJIV (45) fragments apni taraf kheenchta hai.
RITU (38) aage badh kar rok leti hai.

RAJIV
Business doob raha hai, Ritu. Agar kuch milega to pehle karz utarenge.

RITU
Aur mere saal-on ka wait? Boutique kab tak sapna rahega?

ARJUN (40)
Bas karo tum dono—

RAJIV
(jeers)
Tum bolo mat, tumhara album bhi isi khazane ka muh tak raha hai.

DADAJI (72) lathi thap-thapata kar:
DADAJI
Bas! Aaj ke liye kahani yahin band. Kal subah sab milke dhundhenge—saath.

HOLD on Dadiji’s moist eyes.

TITLE CARD.

[02:30–07:00] SCENE 1 — MORNING AFTER, SIDES FORM

INT. KITCHEN – MORNING

Steam, tadka, chai. MEERA (42) rotis sek rahi, RITU fabric swatches dekh rahi.

RITU
(halke sarcasm me)
Ghar chalane ke liye bhi paisa chahiye, sapno ke liye bhi.

MEERA
(sambhalte hue)
Sapne bina ghar suuna hota, par ghar bina sapne?

CUT TO: INT. COURTYARD – SAME

RAJIV supplier ko phone par jhoothi assurances de raha. ARJUN pass me chords test karta.

RAJIV
(kaat ke)
Tumhara music ghar ko khaana nahi khilata.

ARJUN
Aur tumhara darr ghar ko saans nahi lene deta.

ANANYA (32) beech me aa kar:
ANANYA
Rule fix karte hain—jo milega, pehle sab ka. Phir needs pe decide.

RAJIV
Main “needs” define karunga.

RITU
(under her breath)
Exactly problem yahi hai.

[07:00–10:00] SCENE 2 — GRANDPARENTS’ QUIET

EXT. VERANDAH SWING – MID-MORNING

DADIJI (65) chai rakhti hain. DADAJI diary ko ungliyon me ghumaate.

DADIJI
Sapno ke naam pe zubaanen kathor ho gayi hain.

DADAJI
Kasauti ka waqt hai. Ya to tutenge… ya ek ho jayenge.

INSERT FLASH: sepia memory—YOUNG SHANKAR (Dadaji) apne pitaji ke saath, haveli ke aangan me mitti par nishaan banate. “Char diwarein, char sanket.”

BACK TO PRESENT. Dadaji dur se bacchon ki hansi sun kar halka muskuraate—abhi bhi hope hai.

[10:00–14:30] SCENE 3 — MAP LOGIC & A HAUNCH

INT. LIBRARY/STUDY – LATE MORNING

Table par blueprint, map fragments, compass, measuring tape.

IRA (16)
Agar hum haveli ke actual scale ko letter map pe overlay karein… yeh line grains-store ke neeche kuch aur dikha rahi.

AARAV (22)
(kanban notebook)
Task 1: Grain store floor audit. Task 2: cavity test. Task 3: document everything.

CHINTU (12)
Task 4: Snacks.

ANANYA
(smiles)
Task 4 approved.

KASHI (40) darwaze par jhijhak kar:
KASHI
Sethji, grain wale kamre me kabhi ring jaisa kuch dekha tha… safai me haath laga to hilta tha.

Sab uski taraf dekhte hain.

DADAJI
Chalo.

[14:30–18:30] SCENE 4 — FAMILY COUNCIL & GROUND RULES

INT. LIVING ROOM – CONTINUOUS

MEERA ek slate par likhti hai:

  • Jo milega, sabke saamne.
  • Koi akele kaat-peet nahi.
  • Pooja pehle, tod-phod baad me.
  • Ghar ki izzat pehle.

RAJIV
Add karo: Priorities: business debts.

RITU
…and seed fund for boutique.

ANANYA
…and community clinic.

ARJUN
…and art residency—

DADIJI
(soft par pakke)
…and sabse pehle—parivaar.

Beat. Sab sign karte hain. Rajiv neend me sa sign karta hai, par karta hai.

[18:30–23:00] SCENE 5 — GRAIN STORE: THE RING

INT. GRAIN STORAGE – AFTERNOON

Dust motes, borae, deewar par rats ki chhan-chhan. DEV (18) aur AARAV borae hataate.

MEERA lantern laati. ANANYA chalk se grid banati floor pe.

CHINTU
Indiana Jones mode: ON.

KASHI ek kone ka bora uthata—niche iron ring embedded in floor.

DEV
Got it!

RAJIV
Sab peeche. Main kholta hoon.

RITU
(taunt)
Control ke bina saans nahi aati?

RAJIV handle ko uthaata—UGHHH—heavy. ARJUN madad karta. Rope daalte hain ring me. Team pull. TRAP DOOR creaks open, cold hawa ka blast.

DADAJI
Pehle deep breath. Fir utro—saath.

[23:00–26:30] SCENE 6 — DESCENT

INT. NARROW STAIRWELL – CONTINUOUS

Echoes. Dampness. Dripping water sound. ARJUN halki si sa re ga me humming karta, echo time count karta.

IRA
Reverb ~1.2 sec… space bada hai niche.

TARA (20)
(whisper)
Thoda darr lag raha.

AARAV
Main hoon na.

CHINTU
Main bhi. Aur mera torch bhi.

MEERA
Sab hathon me handkerchief—dhoop-batti ka dhuaan saath me le chalte.

Stairs end at a rusted iron gate. Beyond: darkness.

[26:30–30:00] SCENE 7 — THE IRON GATE

INT. UNDERGROUND ANTECHAMBER – CONTINUOUS

Gate lock buddha par ziddi. DEV iron rod se nikaalta. RITU phone torch hold karti. KASHI pehli baar aage badh kar gate ko dhakka deta—CREAK.

INSIDE: Narrow room, aur aage ek bade chamber ka mouth—jaise purana store. Spiderweb veils.

ANANYA
Slow… kisi cheez ko disturb mat karo.

ARJUN
(sound-check)
Thak—thak—(clap) … echo long… hmm.

CHINTU
Ghost approved.

DADIJI
Chup. “Narayan”—bolo.

SAB
Narayan.

[30:00–34:00] SCENE 8 — WHAT’S INSIDE

INT. UNDERGROUND STORE ROOM – CONTINUOUS

Lantern glow me reveal:

  • Stacks of old copper coins (verdigris)
  • Tarnished silver bartan (kalash, thaals, katoris)
  • Break hua matka, ek wooden crate (termite-nibbled)

RAJIV
(hope se)
Crate!

AARAV gently opens—andar moth-eaten cloths, kuch grain seals, aur nothing of value.

RITU
(voice trembling)
Bas yahi? Itne dino se… itni ladai ke baad?

MEERA
Shayad yeh ration store tha—shaadi-bhoj ke liye utensils.

ANANYA
History bhi khazana hoti hai—yeh dekho, parivaar ke initials engrave hain kuch par.

ARJUN ek silver thaali ko mallet ki tarah bajata—dull metallic ring.
ARJUN
Bilkul khaali… jaise andar hum bhi.

RAJIV
(boiling)
Kuch to hoga… (coins ko laath)

DADAJI
Rokho!

COINS floor pe phail jaate. Ek old receipt slip girta—faded Devanagari: “Bhandar rakhwa.”

[34:00–36:00] SCENE 9 — EXPLOSION & EXHALE

INT. UNDERGROUND STORE ROOM – CONTINUOUS

RAJIV
(voice cracking)
Main kitna jugad karta aaya hoon… bas ek mauka chahiye tha.

RITU
Aur mujhe kabhi mauka diya hi kahan tumne? Aaj mila to… phir tum.

ARJUN
Bhai—
RAJIV
(shouts)
Tum chup! Tum sirf sapne bajaate ho!

Silent beat. Siren-like tinnitus. DADIJI ki aankhon me aansu. MEERA Rajiv ka kandha pakadti.

MEERA
Hum sab thak gaye hain… par gussa se raasta aur andhera hota hai.

DADAJI
(soft, break karta)
Jo mila—buzurgon ki nishani. Shukra. Chalo, upar chalte hain.

[36:00–38:00] SCENE 10 — WASH & REALISATION

EXT. COURTYARD – NIGHT

Sab cheezein upar. ANANYA aur MEERA uttensils ko reetha/lemon se saaf karte—silver par pattern saaf dikhne lagte.

KASHI
Savitri Maaji, yeh kalash devi ke saamne rakh do?

DADIJI
Haan, shudh kar ke.

TARA chhote copper coin ko rub karti—initials reveal.

AARAV
Ledger banata hoon—kis pe kya marking hai.

ARJUN
(thaali ko halki thap)
Dekhna, inki awaaz bhi ek din kaam aayegi.

RAJIV, thoda shaant, door se sabko dekhta.

[38:00–40:00] SCENE 11 — HOOK: THE CONCH

INT. POOJA GHAR – LATE NIGHT

DADIJI diya jalati. Kalash ko thali par rakhte hue thoda hilta hai. IRA notice karti—kalash ke base ke neeche ek engraved symbol.

IRA
Dadaji—rukie!

Sab jhuk kar dekhte—clear, elegant engraving: SHANKH (CONCH). Fine lines exactly waise jaise Ep-3 ki attic gramophone plate par hint mila tha.

ANANYA
Conch… fourth symbol?

DADAJI
(eyes misting)
“Char diwarein, char sanket.”

ARJUN
(whisper)
Bell—Lotus—Well—… Conch.

RAJIV
(soft, almost apology)
Toh kahani khatam nahi hui.

DADAJI kalash palat kar base ke andar tiny notch dekhta—jaise key-plate fit ho sakta. NAAG KEY yaad aati (Ep-2).

CLOSE ON: Conch symbol diya ki roshni me chamak raha.

SMASH TO BLACK.
END OF EPISODE.

Direction & Sound Notes

  1. Motifs:

  • Sound: temple bell (truth), dull thaali ring (emptiness), stairwell drip (tension).
  • Visual: map overlays, ring in floor, lantern halos, silver patina revealing engravings.

  1. Blocking: Grain store me cramped frames; descent me tight over-shoulder shots; store room reveal me slow slider move for scale.
  2. Performance: Rajiv ka outburst raw ho—voice crack; Ritu ki hurt simmering; Arjun ka humor defense → then empathy.

Color Temp: Underground me cool/green; courtyard night me warm/amber to soften disappointment.

Beat Map (Producer Quick View)

  • Sides form • 2) Grandparents’ grief • 3) Map math → hint of trap • 4) Family rules •
  • Trap-door find • 6) Descent • 7) Iron gate • 8) Reveal: coins/silver only •
  • Emotional blow-up • 10) Washing silver → patterns • 11) Hook: Conch symbol (+ notch).

Episode 5 – “Aakhir Khazana Kahan Hai?” ka ~40-minute, scene-by-scene teleplay draft (Hinglish dialogues, timecodes, action beats). Is episode me Chintu ki mil hui nayi chaabi → secret basement door → sabka excitement → trunk with “Abhi waqt nahi aaya” → mass frustration ka full arc hai, plus end pe ek strong mystery hook.

GHAR KA RAAZ

Episode 5 — “Aakhir Khazana Kahan Hai?”

Genre: Family Drama • Mystery • Comedy-of-Errors
Runtime Target: ~40 min

[00:00–02:30] COLD OPEN — MURTI KA HILNA

INT. POOJA GHAR – EARLY MORNING

Soft dawn. DADIJI (65) diya jalati hain. CHINTU (12) seedha murti ke aas-paas toy car chala raha hai.

DADIJI
Arre, dhyaan se—murti ko haath—

Car tap karti hai murti ke base pe. Base thoda rotate hota hai—ek faint click… aur niche se ek chhoti brass key nikal kar thali me tinnn.

CHINTU
(eyes popping)
Dadi! Bonus level unlock!

DADIJI
(haath jod kar)
Bhagwan ka ghar hai—par shukr hai tumhari shararat ka.

TITLE CARD.

[02:30–06:30] SCENE 1 — NAYI CHAABI, NAYI ASHA

INT. LIVING ROOM – MORNING

Puri family jama. AARAV (22) camera on; ANANYA (32) notes ready.

MEERA (42)
Chintu, kahan mili?

CHINTU
Bas… murti ne diya!

RAJIV (45)
(debt-hope rising)
Ho sakta hai yahi main lock ka jawab ho.

ARJUN (40)
(key ko guitar pick ki tarah dekhta)
Shape dekho—conch jaisa naksha side pe.

IRA (16)
Haan, side ke bevel pe shankh lines—Ep-4 wale kalash ke symbol se match.

DADAJI (72)
Rule yaad: jo mile, sabke saamne use hoga—pehle pooja, fir prayog.

[06:30–10:00] SCENE 2 — LOCK KAHAN HAI?

INT. POOJA GHAR / SIDE ALCOVES – CONTINUOUS

AARAV-IRA haveli ka micro-map dekhte hue pooja ghar ki back-wall inspect karte. ANANYA chalk se seams trace karti.

KASHI (40)
Maaji, pichhli diwar pe kabhi chhota sa panel hilta sa laga tha…

MEERA diya ki roshni side panel pe ghumati. Lotus-carved trim ke niche ek hairline gap glints.

RITU (38)
Phone torch yahan—
(gently scrapes dust)
…yeh dekho, keyhole jaisa oval.

ARJUN key ko align karta—doesn’t fit.

IRA
Angle galat—yeh conch bevel top pe aana chahiye.

ARJUN rotate—click—panel ke andar kisi pin-tumbler ka soft whirr.

RAJIV
Sab peeche. Agar mechanism slide hua to—

Panel ke peeche se stone slab ka grind—FLOOR TILE near the altar slides, revealing a hidden downward passage—alag route, previous storeroom se bhi neeche.

ALL: wow/omg whispers.

[10:00–14:30] SCENE 3 — SAFETY BRIEF & RITUAL

EXT. PASSAGE MOUTH – MOMENTS LATER

ANANYA
Protocol: rope, lantern, masks. Kuchh collapse hua to sab upar.

MEERA
(chhota sa aarti)
House ko kisibhi apashakun se bachaye.

DADIJI
Narayan.

DEV (18) rope waist pe. AARAV studs anchors. TARA (20) extra batteries.

DADAJI
Jo bhi mile… santulan se, barabari se.

RAJIV
(under breath)
Bas ab mil bhi jaye.

[14:30–18:30] SCENE 4 — NAYI SEEDIYAN, NAYI DUNIA

INT. SECONDARY STAIRWELL – CONTINUOUS

Narrow, colder. Water drip ka echo. Walls par ancient lime-wash symbols—bell, lotus, well waves, conch—ek sequence.

ARJUN
Matlab hum sahi raahein par hain.

IRA chalk arrows banati—return path mark.

CHINTU
Main breadcrumbs chhod raha—(murmura throws)
MEERA
Khane ke breadcrumbs nahi—chalk wale.

Light fades—heavy wooden door ahead, metal banding, aur ek single conch-shaped lock—perfect match.

[18:30–22:00] SCENE 5 — SECRET BASEMENT DOOR

INT. HEAVY DOOR LANDING – CONTINUOUS

ARJUN key insert karta—resistance—ANANYA bolti: pressure equalize.

AARAV hinge pe oil. DEV shoulder brace. TURN—deep clack—door breathes out stale air.

RAJIV
(eyes wet)
Ho gaya…

Door swings open: a large cavernous chamber… empty except center me ek bada TRUNK—dark teak, brass edges. Top pe big Devanagari:
“ABHI WAQT NAHI AAYA.”

Silence. Aarti ki ghanti ki halki goonj kahin dur se.

[22:00–26:00] SCENE 6 — JOY → JOLT

INT. TRUNK CHAMBER – CONTINUOUS

TARA
Yeh… mazaak hai?

RITU
(reads)
“Abhi waqt nahi aaya”—toh kab aayega?

RAJIV
Lock kahaan hai? Todte hain.

DADAJI
Zor se pehle dimaag. Pichle tests yaad: dhup-dhara, shadow, lotus-bell alignment.

IRA
Shayad time-lock hai—mechanical, jaise bank time-vaults.

AARAV
Dial dhoondo.

They scan. TRUNK LID RIM ke neeche minute engravings—tiny marks of moon phases aur 12 small pits (jaise ghanti ke daant).

ANANYA
Moon phases = raat wala event. Ghanti pits = bell strikes?

ARJUN
Aur conch? Shankhnaad?

MEERA
(soft)
Pooja ghar ki ghanti aur shankh dono hain hamare paas.

RAJIV
Toh test karo!

[26:00–30:00] SCENE 7 — JUGAAD SCIENCE LAB

INT. TRUNK CHAMBER – LATER

AARAV tripod pe light, IRA phase chart hand-draw, DEV bell timing app, TARA stop-watch, ANANYA notes.

ARJUN
(shankh blows—off-key)
CHINTU
Auto-tune chahiye chachu.

MEERA aarti ghanti 12 baar bajati—TRUNK kuchh nahi.
RITU mobile flashlight ko moon engravings pe ghumati—no response.
DEV cricket ball se floor thump—echo test—dull.

RAJIV
Har cheez puzzle kyu? Seedha kyun nahi?

DADIJI
Kyunki sahi waqt pe sahi cheez hi khulni chahiye.

ARJUN thak kar baithta, guitar pe ek soothing chord… a small metallic tick from trunk.

Sab freeze.

IRA
Kuch clicked!

AARAV
Repeat karo!

ARJUN chord repeat—no tick.

ANANYA
Maybe combination: bell + conch + chord? Ya koi frequency?

RAJIV
(snap)
Bas! Main todta hoon.

[30:00–33:30] SCENE 8 — CRACKS AGAIN

INT. TRUNK CHAMBER – CONTINUOUS

RAJIV crowbar lagata. MEERA rokne ki koshish. RITU bhi gusse me—“Tod do!”

DADAJI
(voice firm)
Nahi. Jo likha hai, uska matlab hai. Hum force se har baar imtihaan haarte hain.

RAJIV
(eyes moist)
Mera imtihaan roz hota hai.

ARJUN
Aur hum sab ka bhi.
(a beat)
Par jab ghanti ke bina zabardasti karoge, sur tootega.

RAJIV crowbar neeche. Ek uneasy shanti.

[33:30–36:00] SCENE 9 — HINT MILA: “MOON + WATER”

INT. TRUNK CHAMBER – MINUTES LATER

ANANYA trunk base ka corner rubbing leti—graphite se hidden line ubhar kar aata: ek chhota diagram—well waves + crescent moon + conch + bell arranged in this order.

IRA
Sequence!

  • Well (paani)
  • Moon (raat ka waqt)
  • Conch (sound)
  • Bell (count)

AARAV
Toh paani chahiye… well ka!

DEV bucket rope set. CHINTU “water squad”.

MEERA
Par raat? Abhi to din.

DADAJI
“Abhi waqt nahi aaya”—literal. Raat ka intezaar.

RITU
(to herself)
Aur hum abhi se jal rahe.

RAJIV
(sighs)
Theek hai. Raat ko aate hain.

[36:00–38:30] SCENE 10 — NIGHT RITUAL TEST

INT. TRUNK CHAMBER – LATE NIGHT

Moonlight shaft ek chhote vent se andar aa raha. Bucket se well ka paani trunk ke paas chhote diya me—evaporative mist. MEERA shankh laati. ARJUN halka C note hold karta.

ANANYA
On my count—
IRA
Moon beam rim pe aa rahi… now!

Sequence:

  1. DEV paani ki do boondein rim pe engravings par.
  2. TARA moonbeam ko mirror se phase marks par reflect karti.
  3. MEERA shankh bajati—gunj ke baad
  4. DADIJI bell ko char baar bajati—ding… ding… ding… ding—

TRUNK ke andar se soft internal gear click + faint unlock hiss… par lid khulta nahi.

ALL
Huh?!

IRA
Shayad count galat? Diagram pe crescent dikh raha tha—crescent pe teen visible strikes?

DADAJI
Dobara—teen baar.

Ding… ding… ding—
Is baar lid ki latch half inch retract hoti hai—aur phir ruk jaati.

TRUNK LID (INSIDE) se etched words moonlight me ubhar kar readable ho jate:
“Jab charon sanket ek sur me ho aur ghar ek ho—tabhi.”

RITU
(helpless laugh)
Phir unity test.

RAJIV
(hollow)
Aur hum… abhi tak ek nahi.

[38:30–40:00] SCENE 11 — FRUSTRATION & HOOK

INT. TRUNK CHAMBER – CONTINUOUS

RAJIV diwaar se tik kar baithta, aankhen bhari. RITU chup-chap paas me baith jaati.

ARJUN
(quiet)
Shayad humein pehle ghar theek karna pade.

ANANYA
Aur shayad last “sur” koi specific time bhi ho: jaise amavasya/purnima pe exact ghanti count.

IRA trunk rim par minute tick marks ginti: “12, 3, 6, 9”—jaise clock—aur beech me lotus-bell-well-conch ke micro icons aligned 12-3-6-9 par.

IRA
Yeh time-dial hai. Exact muhurat chahiye.

DADAJI
(soft resolve)
Toh jab waqt aayega… yeh khulega.

As they pack up, moonbeam thoda shift hota—TRUNK LID se ek chhota sliver side pe slide karta, jisme se bahut patla paper jhalak deta.

CHINTU
Ruko! Dekha?

AARAV tweezer se paper slip nikaalta. Us par faint pencil:

“Agle paurnima ki raat, jab shankh-bell ek saans me goonjey.”

Sab ek doosre ko dekhte—hope + pressure.

CAMERA PUSH on TRUNK LATCH, ab half-set, like a heart that’s about to open—but not yet.

CUT TO BLACK.
END OF EPISODE 5.

Direction & Sound Notes

  1. Motifs:

  • Conch (shankh) = breath & unity; bell = count & truth; water = memory; moonbeam = time.
  • Use metallic tiny “tick/click” to signal right track; hiss for partial unlock.

  1. Blocking: Pooja ghar me sanctity; basement me tight frames → widen to reveal solitary trunk; night ritual me choreographed 1-2-3-4 beats.
  2. Color & Light: Dawn warm → passage green-blue → chamber stone-gray → night cool with silver moon highlights.
  3. Performance: Rajiv ka quiet breakdown; Ritu ka brittle humor; Arjun ka gentle musician-peacemaker; Dadaji ka stillness.

Beat Map (Producer Quick View)

  1. Chintu finds Conch-key under murti •
  2. Hidden panel opens new passage •
  3. Secret basement door opens •
  4. Center me trunk with “Abhi waqt nahi aaya” •
  5. Decode time/water/sound sequence •
  6. Night ritual → partial unlock •
  7. Slip reveals exact condition: next full moon, conch+bell in one breath •
  8. Family frustration + resolve → big hook for Ep-6.

Episode 6 – “Sach Ka Parda Faash” ka ~40-minute teleplay draft, Hinglish dialogues, production-friendly scene headings, timecodes, action beats. Is episode ka spine: Karan (NRI) + Ananya logical decode → missing last diary pages → Dadiji ke sandook se milte pages → philosophical reveal → legal/financial reality (land deed + ancestral fund in shares/bonds) → next quest tokens (bell/well) set-up.

GHAR KA RAAZ

Episode 6 — “Sach Ka Parda Faash”

Genre: Family Drama • Mystery • Emotion
Runtime Target: ~40 min

[00:00–02:30] COLD OPEN — RETURN OF THE SON

EXT. HAVELI GATE – DAWN

Auto rukti hai. KARAN (35, NRI IT) trolley kheechte hue aata. ANANYA (32, social worker) uska bag leti.

KARAN
Video calls me jitna samjha, real me kahaani aur gehri hai.

ANANYA
Aur waqt kam—next purnima tak trunk condition clear karni hai.

Darwaza khulta—DADAJI (72) aur DADIJI (65) warm hug. Bell ki halki goonj.

TITLE CARD.

[02:30–06:00] SCENE 1 — WAR ROOM

INT. LIBRARY/STUDY – MORNING

Table: trunk rubbings, map fragments, conch key, naag key (lotus insert), notebooks.

KARAN
Let’s reset facts.

  • Symbols: Lotus, Bell, Well, Conch.
  • Trunk condition: “next purnima, conch + bell ek saans me.”
  • Partial unlock ho chuka.

ANANYA
Aur Ep-3 ki letter fragments me directional cipher. Missing fourth quadrant abhi tak.

IRA (16)
Maybe diary ke last pages hi fourth quadrant ko explain karte.

AARAV (22)
Toh pehle diary ke missing pages.

RAJIV (45)
Aur phir paisa kahaan… voh straight bolo.

ARJUN (40)
Pehle raaz, phir rasta.

[06:00–10:00] SCENE 2 — LOGIC GRID

INT. LIBRARY – CONTINUOUS

KARAN whiteboard pe timeline banata: “1956–1967: Dadaji ke pitaji active; 1968: fire in papers; 1971: co-op bank mention (Adv. Sen).”

ANANYA ledger nikaalti jo grain store me mila tha—margins par tiny initials “S.P.” (Shankar Prasad).

ANANYA
Margins pe jo tick marks hain woh interest coupons ke months jaise—March, September—Govt bonds ke coupon cycles se match.

KARAN
Bonds? Shares? Tab to physical certificates hote the.

AARAV
Postal savings bhi ho sakte.

RAJIV
(softening curiosity)
Agar dormant fund hai… legal kaise?

ANANYA
Succession + KYC + all heirs’ signatures. Unity test, again.

DADIJI chhup kar sun rahi—ankhon me ek yaad ki jhalak.

[10:00–13:30] SCENE 3 — A MEMORY SPARK

INT. VERANDAH – SAME

DADIJI MEERA (42) ko dheere se batati:
DADIJI
Shaadi ke baad unhone mere saree ke palloo me ek envelope do baar sew karvaya tha… bahut saal pehle. “Zarurat parhe to,” bas itna bola.

MEERA
Aapka purana kapdon ka sandook?

DADIJI
Mandir ke kamre me, niche.

MEERA
Chaliye.

[13:30–18:00] SCENE 4 — DADIJI’S SANDOOK

INT. POOJA GHAR SIDE ROOM – LATE MORNING

Old brass-bound trunk (sandook). DADIJI chabhi ghumati; kapdon ki sugandh. Neeche se folded pallus. Ek faded blouse ke lining me coarse stitching. MEERA halke se seam ripper se kholti.

INSIDE: TWO BRITTLE PAGES, brown edges, Dadaji ke pitaji ki saf likhai.

DADIJI
(haanp kar)
Saalo se mere paas… mujhe khud nahi pata tha.

MEERA
(yielding tears)
Shukr hai Maa.

They hold pages jaise prasad.

[18:00–22:00] SCENE 5 — THE READING

INT. LIVING ROOM – NOON

Sab jama. DADAJI pages ko haath jod ke kholta, padhte hain.

DADAJI (reading)
“Khazana paisa nahi. Khazana apne khoon ka paseena hai jo agli peedhi ke sapno me invest karna hai.
Jab pariwar ek hoga, yeh amanat unke sapno me badal jayegi.”

Silence. Sab ki aankhon me halka sa sharm + relief.

ARJUN
Matlab… sona-chandi nahi, seed fund.

RAJIV
Debt clear ho sakta… par sabke sapno ke hisaab se.

ANANYA
Page 2?

DADAJI (reading)
“Land deed: Kesarbagh Baag (khasra… )
Investments: Co-op Bank Locker 17 — tokens ke bina na khulega.
Share folio nos. — (half burnt)… coupon months: 3 & 9.”

IRA
March–September—interest cues, I told you.

AARAV
Locker 17 = tokens: lotus, bell, well, conch. Humare paas lotus (naag key) aur conch key practically complete. Bell/Well tokens abhi missing.

KARAN
Aur purnima wali trunk condition may hold the instruction set.

RAJIV
(sober)
Theek hai. Unity first. Phir claim.

[22:00–25:00] SCENE 6 — LAWYER CONFIRMATION

INT. LIVING ROOM – SPEAKERPHONE

ADV. SEN (V.O., 50s)
Shankar ji, Locker 17 record mil sakta hai—magar custodial bank ab merged hai. “Three-token authentication” likha hua hai old note me.
Land deed “Kesarbagh Baag”—registry office me mutation pending hogi—sab heirs sign chahiye.

ANANYA
Dormant share folio?

ADV. SEN (V.O.)
Likely physical share certificates + Govt bonds. Claim ke liye indemnity, KYC, aur joint affidavit.

RAJIV
(swallows)
Sab… ek saath sign karenge.

DADAJI
(smiles)
Isi ko kehte hain ek saans.

[25:00–29:30] SCENE 7 — FAMILY RESET

INT. COURTYARD – AFTERNOON

MEERA chalkboard par “Unity Checklist”:

  • All heirs consent.
  • Legal docs collect.
  • Tokens: Bell + Well locate.
  • Trunk at purnima.

RITU (38)
Boutique ki cost main split karungi—pehle ghar ke legal.

RAJIV
Aur main business debts restructure karta hoon—without touching principal till claim clears.

ARJUN
Album ke budget ka 10% community music classes ko jayega—Ananya ke project se link.

ANANYA
Aur clinic pilot ko Kesarbagh ki land income se seed karein—post mutation.

Smiles all around. DADIJI ki aankhon me sukoon.

[29:30–33:00] SCENE 8 — HUNT FOR THE BELL

INT. POOJA GHAR – LATE AFTERNOON

AARAV/IRA symbol sequence dekh ke old puja inventory nikaalte. KASHI attic se purani ghanti laata—clapper loose.

CHINTU
Main engineer.

ARJUN
Nahi, tum mischief engineer.

MEERA ghanti ko palat kar clapper pin nikaalti. Inside the clapper cavity: a thin brass inlay—BELL-shaped plate with a tiny notch, same style as lotus insert.

ALL gasp.

IRA
Bell token—check.

DADAJI
Dhanyavaad, Babuji.

[33:00–36:00] SCENE 9 — WHERE’S THE WELL?

EXT. COURTYARD WELL – SUNSET

ANANYA charcoal rubbings leti well ke inner ring etching par (Ep-2). DEV rope descend camera; TARA mirror se sunlight deflect.
AARAV echo test. ARJUN soft A-note hold karta—a faint metallic ping bottom-left quadrant me.

KASHI
Purani motor pipe ke niche ek stone cap hai.

DEV hook se cap nikaalta—inside a small water-sealed vial, wrapped cloth me a copper/bronze “WELL wave” token.

IRA
Well token—check.

RAJIV
(awed whisper)
Saare nishaan ghar me hi the.

DADAJI
“Jis ghar ne sahaara diya…”

[36:00–38:00] SCENE 10 — MEANING SINKS IN

INT. LIVING ROOM – EVENING

Tokens table par: Lotus (naag key with copper sliver), Conch key, Bell plate, Well token.
DADIJI last pages ke upar diya rakhti.

DADAJI
(reads line again)
“Khazana… agli peedhi ke sapno me invest.”

RAJIV
(looking around)
Toh vault me dhool thi… par value yahan.

ARJUN
Aur sur phir se mil raha hai.

ANANYA
Ab calendar pe purnima circle.

AARAV
Locker 17 pe bhi appointment block.

SAB ek dusre ki taraf dekhte, a rare collective exhale.

[38:00–40:00] SCENE 11 — HOOK: THE FIVE-POINT STAR

INT. DADAJI’S ROOM – NIGHT

KARAN tokens ko naag key ke saath align karta—table pe shadow se five-point star pattern banta (moon lamp ke angle se).
Center me ek empty dot.

KARAN
There’s a fifth position? Hum “char diwarein” bolte rahe… par center?

ANANYA
(whispers)
Ghar ka dil?

CAMERA PUSH on star ke beech—half-burnt diary cover ka old embossed seal dikh jata: a tiny “ankh-like” mark jo unhone kabhi note nahi kiya.

Door pe temple bell ki ek single ding. Breeze flips last page—ek faint pencil line appear:

“Jab tak ghar ka dil saath dhadke, amanat khul kar rehmat banegi.”

CUT TO BLACK.
END OF EPISODE 6.

Direction & Sound Notes

  1. Motifs:

Soft bell = truth near; shankh = breath/unity; paper rustle = hidden memory; water drip = time passing.

  1. Color/Light: Morning warm (homecoming) → noon neutral (logic) → sunset gold (tokens found) → night cool silver (mystic hook).
  2. Blocking: Sandook scene intimate handheld; reading scene tableau (all faces visible); token reveals with careful macro inserts.
  3. Performance: Dadiji’s guilt→relief; Rajiv’s guarded hope; Arjun’s gentle levity; Karan’s method; Ananya’s empathy+structure.

Beat Map (Producer Quick View)

  1. Karan arrives • 2) Logic grid • 3) Dadiji memory → sandook •
  2. Last pages reveal philosophy • 5) Legal reality (locker 17, deed, folio) •
  3. Family unity plan • 7) Bell token from old ghanti • 8) Well token from well •
  4. Tokens assembled (lotus+conch+bell+well) • 10) Purnima + locker path locked •
  5. Hook: five-point star (center = ghar ka dil).

Episode 7 – “Sapne Aur Khazana” ka ~40-minute teleplay draft (Hinglish dialogues, production-friendly timecodes, scene headings, action beats). Is episode ka core: Dadaji ka emotional truth → legal fund reality → sabke sapno ki openly planning → fair allocation plan → unity ki rehearsal (purnima se pehle).

GHAR KA RAAZ

Episode 7 — “Sapne Aur Khazana”

Genre: Family Drama • Emotion • Light Comedy
Runtime Target: ~40 min

[00:00–02:30] COLD OPEN — DADAJI KA V.O.

INT./EXT. HAVELI – DAWN MONTAGE

Tokens (lotus–bell–well–conch) ki macro inserts. Bachchon ki hansi, aangan ka rang.
DADAJI (V.O.)
“Khazana sirf dhat ka dabba nahi hota. Kabhi kabhi woh humari saanson ka vachan hota hai—ek saath chalne ka.”

TITLE CARD.

[02:30–07:00] SCENE 1 — GHAR SABHA: SACCHA KHULASA

INT. LIVING ROOM – MORNING

Sab family members semi-circle me. DADAJI (72) apne saamne diary ke last pages rakhte hain.

DADAJI
Aaj seedhi baat. Asli khazana paisa nahi—parivaar ki ekta aur legacy ka paisa jo tum sabke sapne pura karega.

A beat—sab ke chehre soft ho jaate hain.

DADAJI (continues, pages se)
“Khazana apne khoon ka paseena hai… agli peedhi ke sapno me invest karna.”

RAJIV (45)
Toh yeh confirm hai… fund tha?

AARAV (22)
Pages me locker 17, land deed – Kesarbagh, share folios likhe the.

ANANYA (32)
…and coupon months bhi (3 & 9). Matlab dormant investments real the. Ab humein claim karna hai—saath me.

DADIJI (65) aankhon me aansu, halki muskurahat.

[07:00–11:00] SCENE 2 — ADVOCATE SE LIVE CONFIRMATION

INT. LIVING ROOM – SPEAKERPHONE / VIDEO CALL

ADV. SEN (50s) on call, files ke saath.

ADV. SEN (V.O.)
Preliminary search me merged bank ke archives me Locker 17 ka note dikha. Three-token authentication mention hai.
Land deed registry me locate ho sakti; mutation pending hoga—sab heirs ke sign chahiye.
Physical share/bond trace ke liye folio nos. helpful honge.

KARAN (35, NRI)
Appointment block kar do—purnima ke agle din, locker verification.

ADV. SEN (V.O.)
Done. Ek aur cheez—internal disputes na ho. Bank ko NOC-style family resolution chahiye.

DADAJI
Wo hum aaj hi banayenge—Ghar ka Niyam Patra.

[11:00–16:00] SCENE 3 — FUND 101: WHITEBOARD & LAUGHTER

INT. LIBRARY/STUDY – LATE MORNING

KARAN whiteboard: “Unity Fund = House Legacy”. Pie-doodle.

KARAN
Rough framework:

  • 40% common pool (education, health, house repair, legal).
  • 60% dreams, milestone-based tranches.

CHINTU (12)
Mera milestone—nayi cycle, phir wheelie. (beat) Safety helmet included.

SAB laugh.

IRA (16)
Aur sabke dreams ke liye OKR style goals. (grins) Objective–Key Results.

ARJUN (40)
Mera key result—album release ke baad ghar me live mehfil.

RITU (38)
Mera—boutique profitable quarter-2 tak.

RAJIV silently listens; shoulders thode dheele—first time calm.

[16:00–24:00] SCENE 4 — “SAPNO KI PEHCHAN” (PITCH CIRCLE)

INT. COURTYARD – AFTERNOON

Mat pe chhota “Dream Circle”. Har member 2–3 lines me apna sapna pitch karta. MEERA (42) anchor.

  • AARAV

        “Local kirana ke liye inventory SaaS—pilot 10 dukaano se, 6 mahine ROI target.”
        RAJIV (soft pride): “Main pehla customer.”

  • TARA (20)

        “Acting school + voice training. Aur har mahine ek short film self-produced.”
        ARJUN (guitar strum): “Audition prep daily. No skipping.”

  • DEV (18)

        “Cricket academy + diet plan. District trials ready in 90 days.”
        MEERA: “Academics ka bhi schedule—non-negotiable.”

  • IRA (16)

        “Study abroad—STEM. Scholarship target; prep fund se sirf coaching + exam fee.”
        KARAN: “Mock interviews main lunga.”

  • ARJUN (40)

        “Music album – ‘Ghar Ka Sur’. 8 tracks—teen ghar me recorded, teen studio, do collab with         local kids.”
        ANANYA: “Community classes ko tie-in—grant milega.”

  • RITU (38)

        “Boutique – ‘RituRang’. Fusion wear, local karigar network, e-comm listing month-2.”
        MEERA: “School show me display karwa denge.”

  • ANANYA (32)

        “Clinic pilot—basti me health camp har hafta. Funding: deed income + CSR proposal.”
        DADIJI: “Main volunteers ko prasad doongi.”

  • RAJIV (45)

        “Business restructure—high-interest debt refinance, digital ledger, fair salaries. No                           shortcuts.”
        DADAJI: “Ab tum netra ho, dabav nahi.”

  • MEERA

        “Bal-pustakalay—haveli ka ek kamra library + tuition for neighbors’ kids.”
        IRA/CHINTU clap.

  • CHINTU

        “Cycle + science kit. Aur roof pe telescope.”
        SAB (in unison) “Approved!”

Emotion builds; sab ke chehre pe ownership.

[24:00–28:30] SCENE 5 — FRICTION… PHIR FRAMEWORK

INT. LIVING ROOM – LATE AFTERNOON

Budget board pe numbers likhte hi tension: RITU vs RAJIV.

RITU
Boutique ko upfront chahiye—agar season miss hua to—

RAJIV
Mere vendor kal se non-cooperative—

ARJUN
(soft)
Isliye tranches. Pehla tranche sabko equal baseline; next tranche milestones pass karte hi.

ANANYA
Aur firewall: common pool ko koi touch nahi karega.

KARAN
Sign-offs: Quarterly review, no-interest loans within family—documented, no ego.

MEERA slate par likhti: “Saath jeetenge. Saath rukenge.”

They all nod; tempers cool.

[28:30–33:00] SCENE 6 — MONTAGE: “KAAGAZ & KADAM”

VARIOUS – EVENING TO NIGHT

  • KYC photos—Dadi ka dupatta seedha, Rajiv ki tie ulta; hasi.
  • Thumb impressions—Chintu ka paint-smeared thumb; redo.
  • Registry office photocopies—paper jam; Karan fix karta.
  • Aarav laptops open—MVP wireframe; Rajiv ledger software migrate.
  • Ritu sketches + karigar meet; Arjun reverb test in haveli hall.
  • Dev nets pe practice; Ira SAT mock; Tara mirror me monologue.
  • Ananya basti me BP check; kids laugh; hope montage.

Music swells—“Ghar Ka Sur” ka theme instrumental.

[33:00–36:00] SCENE 7 — UNITY REHEARSAL (PURNIMA SE PEHLE)

INT. POOJA GHAR – NIGHT

Tokens star pattern (Ep-6 hook). ANANYA count, IRA stopwatch, MEERA shankh, DADIJI bell.

AARAV
“On breath”: Shankh start → bell ek hi saans me teen strikes.

Practice 1—out of sync.
Practice 2—close.
Practice 3—perfect resonance; diya ki lau steady ho jati.

DADAJI
Yahi sur bank locker me bhi le jana—ek saath, bina awaaz badhe.

Everyone smiles—trust rebuilt.

[36:00–38:30] SCENE 8 — DIL SE DIL TAK (SMALL APOLOGIES)

EXT. VERANDAH / INT. ROOMS – LATE NIGHT

  • RAJIV quietly ARJUN ko hug: “Maf kar, main darr gaya tha.”
    ARJUN: “Ab gao, darr nahi.” Guitar pe ek warm chord.
  • ARJUN: “Ab gao, darr nahi.” Guitar pe ek warm chord.
  • RITU MEERA ko: “Kabhi kabhi main tez bol deti hoon.”
    MEERA: “Tez design bina sharp line ke banti hai?” They laugh, hug.
  • MEERA: “Tez design bina sharp line ke banti hai?” They laugh, hug.
  • KARAN & ANANYA: “Hum log facilitator—parivaar heroes.” Ananya’s eyes shine.
  • DADAJI–DADIJI: hand-in-hand, quiet prayer.

[38:30–40:00] SCENE 9 — “GHAR KA NIYAM PATRA” & HOOK

INT. LIVING ROOM / POOJA GHAR THRESHOLD – CONTINUOUS

Table pe “Ghar ka Niyam Patra” (one-page family charter):

  • Barabari, Tranches, Common Pool, Quarterly Review, No-Interest Intra-Family Loans, Education First, Health First, Saath Jeetenge.

Sab sign karte hain. Har member apne sapne ka chhota symbol star ke ek point par rakhta:

  • Aarav: USB prototype.
  • Tara: script page.
  • Dev: cricket ball.
  • Arjun: guitar pick.
  • Ritu: fabric swatch.
  • Ananya: stethoscope badge.
  • Ira: pen.
  • Rajiv: ledger pen drive.
  • Meera: small book.
  • Chintu: tiny bell for cycle.

DADAJI center me diya rakhta:
“Ab yeh Sapno ka Sur hai—saath me bajaayenge.”

PHONE VIBRATES—Adv. Sen ka message:
“Locker 17 appointment CONFIRMED — Purnima+1, 11:30 AM. Bring tokens.”

Everyone exchanges grinning, nervous looks.

CAMERA PUSH on star pattern—tokens chamak rahe, diya steady.
CUT TO BLACK.
END OF EPISODE 7.

Direction & Sound Notes

  • Motifs: bell = truth; shankh = shared breath; diya = stability; whiteboard squeak = planning; guitar chord = harmony.
  • Blocking: Ghar Sabha me semi-circle; Dream Circle me center open space; Pooja rehearsal me tight to wide as sync improves.
  • Color/Light: Morning warm (truth), afternoon neutral (plans), evening gold (montage), night cool-silver (rehearsal), diya warm (charter).
  • Performance: Dadaji dignified, gentle authority; Rajiv’s ego → humility; Ritu’s drive → collaboration; Arjun’s humor → anchor; Karan’s clarity; Ananya’s empathy; kids’ spark.

Beat Map (Producer Quick View)

  1. Dadaji declares true treasure •
  2. Lawyer confirms fund/locker/deed path •
  3. Allocation framework (40/60, tranches) •
  4. Dream pitches (all key characters) •
  5. Tension → fair rules & charter •
  6. KYC/Prep montage •
  7. Unity rehearsal (one-breath sync) •
  8. Small apologies/closures •
  9. Family Charter signed + Locker 17 appointment hook.

 

Finale Episode 8 – “Naye Udaan” ka full 10-hour detailed screenplay style draft ka structure. OTT par season finale usually 45–60 min hota hai, lekin aapne “10 hrs” bola matlab yeh aapko lambi, cinematic, detailed script treatment chahiye — poore grand finale jaisa, jisme drama + emotions + montage arcs + ekta climax ho. Main ise aise likh raha hoon:

  • 3 Acts structure (Bank Claim → Dreams in Action → Haveli Grand Party)
  • Har act ke andar multi-scene sequences (with dialogues, beats, hooks)
  • Runtime stretch via extended montages + sub-conflicts + emotional payoffs

GHAR KA RAAZ

Episode 8 – “Naye Udaan” (Finale)

Genre: Family Drama • Emotional Closure • Celebration
Runtime: ~10 hrs (OTT Finale Arc in 3 Acts, each ~3 hrs+ with intermissions)

ACT I – The Bank (3.5 hours)

[00:00–20:00] OPENING – THE JOURNEY

  • Haveli ke saamne mini-bus. Pura parivaar taiyyar, sab apne formal kapdo me.
  • Montage: Road trip → shankh aur bell tokens ek box me, sab carefully hold kar rahe.
  • Background music: Arjun guitar strum soft.
  • Rajiv phone pe stress, Ritu designs dekh rahi, Tara dialogues rehearse kar rahi, Dev imaginary shots maar raha, Aarav pitch deck revise kar raha.

[20:00–50:00] BANK ARRIVAL

  • Huge old bank building. Inside: wood-panelled walls, iron vaults.
  • Manager (strict, 50s) skeptical: “Itne saal purane records? Tokens valid hai?”
  • Adv. Sen aata, sabko handle karta.
  • Drama moment: Rajiv aur Ritu phir argue karte hain tokens kisne rakhe, kaun pehle present karega.
  • Dadaji intervenes: “Ek saans me, ek haath se.”
  • Sab tokens ek tray me rakhe jate.

[50:00–90:00] LOCKER TEST

  • Heavy vault me entry.
  • Manager inserts Lotus-Naag key → lock ek hiss karta.
  • Bell plate + Well token + Conch key sequence fit hota hai.
  • Click! Locker open.
  • Inside:

  1. Land deed (Kesarbagh)
  2. Physical share/bond certificates
  3. Amanat ki diary entry from Dadaji’s father: “Invest in dreams, not greed.”

  • Sab ki aankhon me aansu.

[90:00–120:00] OFFICIAL CLAIM DRAMA

  • Legal form-filling sequence—stamp paper, thumb impressions, bank officers.
  • Conflict: Rajiv pehle apna debt clear karne ki baat uthata, Ritu interrupt karti.
  • Ananya sabko yaad dilati: “NOC pehle sign karo warna paisa freeze.”
  • Big emotional beat: Dadaji chair se uth kar Niyam Patra table par rakh dete hain. Sab ek-ek sign karte hain.
  • Resolution: Manager smiles, “Ab yeh fund aapka hai.”
  • Act I climax: Bank ke bahar sab ek doosre ka haath pakad kar khade hain, ekta me.

ACT II – Sapnon Ki Udaan (3.5 hours)

[120:00–150:00] MONTAGE: DREAMS START

  • Aarav: Startup launch event, local shopkeepers use his app, newspaper headline “Young MBA builds for Bharat.”
  • Tara: Audition room, nervous → performs a powerful monologue. Casting director claps.
  • Dev: Cricket nets, coach praises shot, selection list me naam.
  • Ira: Scholarship acceptance mail, hugs Dadiji.
  • Arjun: Studio me recording, headphones lagakar “Ghar Ka Sur” gaana record karta.
  • Ritu: Boutique opening, mannequins pe designs, customers shopping.
  • Ananya: Health camp in basti, free check-ups, kids laughing.
  • Rajiv: Office me new system launch, employees clap.

[150:00–200:00] SUB-CONFLICTS

  • Aarav investor meeting me nervous ho jata → Rajiv support karta.
  • Tara audition me reject hoti → Arjun motivate karta: “Sur aur sapne practice maangte hain.”
  • Dev ko injury lagti practice me → Meera care karti, motivation deti.
  • Ritu ka boutique fire accident se bacha → whole family help karti.
  • Sabke struggles me family support highlight hota hai.

[200:00–240:00] VICTORIES

  • Aarav funding secure karta.
  • Tara ek short film shoot karti haveli me.
  • Dev district team select hota.
  • Arjun album release karta—Spotify pe trending.
  • Ritu ka boutique ka order 100+ pieces hota.
  • Ananya ka clinic NGO ke saath tie-up hota.
  • Rajiv debt restructure complete karta.

All victories intercut with Dadaji-Dadiji proudly watching.

ACT III – Haveli Grand Party (3 hrs)

[240:00–270:00] PREPARATION

  • Haveli decorated: lights, rangoli, flowers.
  • Family montage: cooking, rehearsals, decorations.
  • Arjun rehearses song, Tara stage act, Dev dance+cricket juggling act.

[270:00–300:00] PARTY STARTS

    • Guests: neighbors, basti kids, shopkeepers, bank manager, lawyer.
    • Performances:
      1. Dev ka cricket-dance fusion.
      2. Tara ka emotional monologue.
      3. Arjun + kids music performance.
      4. Ritu’s fashion show by cousins.
      5. Aarav startup demo stall.
      6. Ananya health awareness booth.

    • Sabke sapne showcase hote ek hi event me.

[300:00–330:00] EMOTIONAL PEAK

  • Cake cutting—“Ghar Ka Raaz” likha.
  • Dadaji stage pe:

        DADAJI
        “Asli khazana paisa nahi… parivar aur apne sapne hote hain. Agar ek saath chalo, to har raasta         raushan hota hai.”

  • Sab clap, hug, tears of joy.

[330:00–360:00] CLOSURE

  • Fireworks in haveli sky.
  • Family group photo (last frame freeze).
  • Background voice-over (Dadaji):

        “Raaz khazana ka nahi tha… raaz tha ekta ka. Aur jab ghar ekta se saans leta hai, tabhi sapne         udan bharte hain.”

FADE OUT.
END OF SERIES.

🎭 Drama Elements Added

  • Bank process ka tension (legal, fight, unity test).
  • Dream pursuit me obstacles (rejections, injuries, fire, nerves).
  • Party as catharsis (each dream showcased live).
  • Dadaji’s wisdom closure.



Likho Script

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