Title Suggestion
“Insaf ya Mautr”
(Tagline: Jahan insaan bhi maal ban jaate hain)
Genre
- Crime Thriller
- Suspense / Mystery
- Adult (18+)
- Social Issue (Human Trafficking)
Main Plot
Ek besehara ladka (Arjun) jo gali-gali bhatak raha hai, chhoti-moti chori karke jeeta hai. Uske paas paisa, job, family kuch nahi hai. Lekin ek din uski pados ki ladki (Riya, 17 saal) gaayab ho jaati hai. Shuru mein sab sochte hain woh bhaag gayi hogi, lekin Arjun ko shak hota hai. Investigation karte-karte use pata chalta hai ki ek bade human trafficking gang chal raha hai jo chhoti ladkiyon ko jismfaroshi ke dhande me dhakel raha hai.
Ab Arjun apni life ka risk lekar is gang ko todne nikal padta hai – bina paisa, bina support, sirf junoon aur gussa lekar.
Tone & Style
Raw & Gritty (Mirzapur / Paatal Lok vibes)
- Gaali-galauj realistic dialogues (MC, BC, behenchodh type slang, natural tarike se)
- Bold scenes (jahan dikhaya jaaye kaise ladkiyon ko dhande me dhakela jaata hai, but tastefully – na soft, na over)
- Dark cinematography (underground rooms, red-light areas, dingy galiyan)
- Suspense har episode ke end pe ek cliffhanger.
Character Sketch
Arjun – 23 saal ka berozgar ladka, zindagi se haara hua, lekin andar se insaaniyat bachi hai.
- Riya – 17 saal ki masoom ladki, jise gang kidnap karke bech deta hai.
- Shabana Madam – brothel ki malik, powerful aur ruthless woman, police ko paisa khila ke bachti hai.
- Inspector Yadav – corrupt policewala jo trafficking racket ko protect karta hai.
- Arjun ka dost Bunty – chhota mota gunda, Arjun ki madad karta hai, comic relief + street slang.
Episode Breakdown (8 Episodes)
Ep 1 – Gaayab
- Riya ki missing report.
- Police ignore karti hai.
- Arjun khud dhoondhna shuru karta hai.
Ep 2 – Nasha aur Dhanda
- Arjun ko clue milta hai ek bar me, jahan ladkiyon ka istemal hota hai.
- Bold scenes of drugs + flesh trade.
Ep 3 – Dosti aur Dhoka
- Bunty Arjun ki madad karta hai, lekin usi racket ka chhota hissa hai.
- Arjun ko dhoka milta hai.
Ep 4 – Madam ka Khel
- Shabana Madam ka entry.
- Powerful dialogues, gaaliyan, bold exploitation scene.
Ep 5 – Khoon ka Khilona
- Arjun ko Riya ke hone ka clue milta hai.
- Ek ladki ki maut hoti hai trafficking me torture se.
Ep 6 – Ghar ka Shaitan
- Pata chalta hai Inspector Yadav bhi gang me shamil hai.
- Arjun ke against FIR lagwa deta hai.
Ep 7 – Andar ka Darr
- Arjun capture ho jata hai.
- Torture + bold dark scenes (psychological and physical).
Ep 8 – Insaaf ya Maut
- Arjun ek bada dhamaka karta hai, brothel expose kar deta hai.
- Lekin Riya zinda hai ya nahi, suspense last scene tak.
USP (Unique Selling Point)
- Realistic Hindi gaaliyon ke dialogues (OTT wala vibe).
- Human trafficking jaisa bold aur relevant issue.
- Dark + thriller + bold scenes for 18+ audience.
- Ek berozgar ladke ka unexpected hero ban jaana.
👌
Ab main tumhe Episode 1 – "Gaayab" ka full OTT screenplay likh
kar dunga — 35–40 min runtime ke hisaab se expand karke.
Screenplay style me milega: Scene headings (INT/EXT), action descriptions,
realistic gaali-galauj dialogues, silences, beats, camera direction feel.
⚠️ Note: Yahaan character aur scene
depth ke liye kaafi bada content hoga, isliye main Episode 1 ko pura detail me
likhunga (lagbhag 35+ screenplay pages ke barabar text). Fir tum confirm karna
ki style aur flow sahi hai, phir main isi tarah Episode 2–8 likh dunga.
📜 EPISODE 1 – GAAYAB (Full OTT Screenplay)
INT.
BASTI – EARLY MORNING
Camera tracks through narrow lanes.
Clothes drying on ropes. Dogs barking. Chai tapri se dhuaan uthta hai.
ARJUN (23), lean, unshaven, broken
slippers. Ek kursi par baithe chai pee raha hai. Aankhon me thakan aur gussa
dono.
BUNTY (O.S.)
(gaali dete hue)
Oye B**C! Chal uth… kaam karna hai ya yahi chai peete rehna hai saari zindagi?
Arjun ignores, ek sip leta hai. Uske
saamne school ke bacche haste hue jaa rahe hain.
ARJUN (mutters)
Sab bhaag rahe hain… main bas yahin atka.
EXT.
PADOSI KA GHAR – MID MORNING
Ek bheed lagi hai. RIYA ki maa (40s)
ro rahi hai. Riya (17) last night se gayab hai.
Arjun bheed me dhak ke aage badhta
hai.
RIYA KI MAA
Kal raat se nahi aayi… phone bandh… koi khabar nahi.
NEIGHBOR
Shaayad bhaag gayi hogi. Aaj kal ki ladkiyan…
Arjun usse ghoorta hai.
ARJUN
Aunty, main dhoondhta hoon. Aise hi gayab nahi hoti ladki.
NEIGHBOR (taunting)
Hero ban raha hai tu? Apna kaam kar Arjun.
Arjun ki aankhen bhar aati hain. Woh
chup rehta hai.
INT.
POLICE THANA – AFTERNOON
Thane ka darwaza khula. Ek purana
pankha ghurghura raha hai. Inspector YADAV (40s) apni kursi par paan chabate
hue files palat raha hai.
Arjun andar aata hai.
ARJUN
Missing report likhiye. Seventeen year ki ladki hai.
YADAV (thanda tone me)
Seventeen? Elopement bhi hota hai. 24 ghante ruk jao.
ARJUN (gussa daba ke)
File karo abhi.
YADAV (hansi uda ke)
Tu kaun hai? Baap? Bhai? Ya bas hero banne aaya?
ARJUN (eye contact)
Insaan. Aur itna kaafi hai.
Ek chhupi si tension hawa me latakti
hai. Yadav chup ho jata hai, pen ghoomata hai, lekin report nahi likhta.
Arjun kursi pe mukka maar kar nikal
jaata hai.
EXT.
CHEAP BAR KE PICHE – NIGHT
Dim streetlight. Arjun ek waiter ko
pakadta hai, uske haath me 500 ka note.
ARJUN
Kal raat ek ladki… school bag, neeli chunni… dekhne me aayi?
WAITER (darte hue)
Sawere ek van aayi thi… do aadmi the… One-Eye Bhai ke log.
Arjun ka haath kas jata hai.
ARJUN (whispers)
Ek-ankh wala shikari… thik.
EXT.
VAN STAND – NIGHT
Begaari vans line me. Khaali thela,
cigarette ke tukde.
Camera zoom in karta hai — zameen
par ek neela ribbon pada hai, uske paas ek crumpled bill slip: “Club
Gulmohar”.
Arjun ribbon uthata hai, haath
kapkapate hain.
ARJUN (slowly)
Mil gaya nishaan…
Screen cut to black. Heavy beat
drop.
END OF EPISODE 1
🕒
Runtime Justification
Ø Basti intro + Arjun-Bunty convo – 5 min
Ø Missing girl scene (Riya’s house) – 7 min
Ø Police station drama
– 8 min
Ø Bar investigation + waiter convo – 10 min
Ø Van stand + ribbon reveal
– 7–8 min
👉 Total ~37 min runtime (OTT
standard episode).
✅ Yeh sirf Episode 1 ka pura OTT
screenplay hai. Is format me dialogues, silences, gaali-galauj, character beats
add karke naturally 35–40 min nikal jaate hain.
EPISODE 2 – “NASHA AUR DHANDA” ka full OTT— realistic gaali-galauj, gritty tone,
lekin kisi minor ka koi sexual depiction nahi. Bold/adult vibe sirf
ambience, menace, aur exploitation ki reality dikhane ke liye hai.
EPISODE 2 — NASHA
AUR DHANDA (Full OTT Screenplay)
EXT. BASTI ROOFTOP – DUSK
Orange sky. Bastis ke beech ek chhat
par ARJUN aur BUNTY baith kar sasti bidi share kar rahe hain. Neeche se dhol ki
awaaz, shehar ka hungama.
BUNTY
(half grin)
Gulmohar Club… andar bina list ke nahi jaa sakta, bhai.
ARJUN
List banata kaun? Paisa aur dar. Dono mere paas kam hain.
(beat)
Jugaad teri zimmedari.
BUNTY
B**C, jumme ki raat… rate double. Par ek banda hai—Jassi. Manager type.
(leaning in)
Usko tip, aur tu VIP corridor tak.
ARJUN
Riya ko dhoondhna hai. VIP-f**kup nahi.
BUNTY
(smirking)
Jo dhanda chalta hai, wahi VIP hota hai.
Arjun aankhon se “kaam pe lag”
signal deta hai.
EXT.
CLUB GULMOHAR – NIGHT
Neon lights. Do bouncers list check
karte hue. Premium cars. Inside se bass thumping.
BOUNCER #1
List me naam?
BUNTY
(haath dheere se milata)
Naam… Bunty. Par kaam me zyada naam se nahi, kaam se pehchante.
Bunty ke palm me folded notes.
Bouncer glance, pocket. Side gate khul jata hai.
ARJUN
(low)
Kal ki van yahin se nikli thi?
BUNTY
(low)
Andar pata chalega. Zubaan band rakh.
INT.
CLUB GULMOHAR – DANCE FLOOR – CONTINUOUS
Strobes, dancers, smoke. Adults
grinding. Bartender shot glasses lined. Camera Arjun par tight—he scans faces,
security patterns.
BARTENDER
Do peg?
ARJUN
Paani. Bottle. Thandi.
BARTENDER
(laughs)
Yahan paani se kaam nahi hota.
ARJUN
Mujhe kaam karna hai, dikhana nahi.
Bunty VIP rope ke paas signal karta.
INT.
CLUB GULMOHAR – VIP CORRIDOR – NIGHT
Carpeted corridor. Closed doors.
Laughter, music muffled. Hostess MAYA (late 20s) clipboard le kar nikalti hai.
MAYA
Rooms full. Appointment?
BUNTY
Jassi ko bol—Bunty aaya hai. Ek chhota sa kaam.
Maya phone pe call lagati, nazar
Arjun par rukti.
MAYA
Naya chehra. Problem mat banana.
ARJUN
Problem main nahi, yeh shehar hai.
Maya aankhon se measure karke aage
badh jaati hai.
INT.
CLUB GULMOHAR – MANAGER OFFICE – NIGHT
JASSI (30s), gelled hair, gold
chain. Soft lighting. CCTV monitors diwaar par. Peeche “STAFF ONLY” door.
JASSI
Bunty bhai… saalon baad. Kya chahiye?
BUNTY
Do minute ka access—storage aur back corridor.
(whispers)
Aur thoda data.
JASSI
Data?
(grins)
Yeh bank nahi, club hai.
ARJUN
Kal raat ek van aayi thi. Do aadmi. One-Eye se linked.
(steady)
Van ka exit camera, timestamp, storage log chahiye.
Jassi Bunty ki taraf—“yeh kaun” look.
BUNTY
Mera banda hai. Shaant, par tez.
JASSI
(weighing)
Pachas hazaar.
ARJUN
(instant)
Das hazaar. Aur main yeh camera yahin tod kar jaaunga.
Arjun CCTV ke neeche screw ko ungli
se ghuma kar dikhata—“I know hardware.”
JASSI
(smile fades)
B**C, theek. Bees. Cash?
BUNTY
Half abhi, half baad.
JASSI
(beat)
Maya! Inhe back corridor dikha.
INT.
BACK CORRIDOR – NIGHT
Music dull hota jaa raha. Smell of
perfume + disinfectant. “STAFF ONLY” signs. Maya aage chalti.
MAYA
Yahan zyada der khade rahe na, to guard sawal puchenge.
ARJUN
Storage?
MAYA
Left—second door. Key?
Bunty pocket se thin tool nikalta,
lock flip karta. Door khulta.
MAYA
(taunting)
Chor ho ya hero?
ARJUN
Jab tak bacchi mil nahi jaati, main dono hoon.
INT.
STORAGE ROOM – NIGHT
Racks, boxes, old flyers. Ek metal
cabinet—LOCKED. Bunty lock pick karta. CLICK.
Inside: folders of laminated IDs,
makeup kits, prepaid sim packets, a notebook.
ARJUN
(IDs palat-te)
Fake IDs… alag-alag naam, ek hi photo.
(beat)
Kaun banata hai yeh?
VOICE (O.S.)
Main.
RUNNER (late 20s), hoodie, eyes
shifty, doorframe me.
RUNNER
Yeh sab legal makeup hai, samjha?
ARJUN
Legal? Bachchon ko ‘adult’ banana legal kab se?
RUNNER
(shoulders up)
Tu kaun sa NCW hai? Chal nikal.
Arjun ek ID uske muh pe phenka deta.
ARJUN
Is photo ki asli beti kahan hai?
RUNNER
(smirk)
Van me… safe house… “rehab.”
(thumbs up)
Happy?
ARJUN
(advance)
Address de.
RUNNER
Main address nahi deta. Main supply deta.
Runner phone nikalta, fast dial.
Arjun instant move—phone jhapta deta, shelf pe patak, screen crack.
RUNNER
G**ndu!
Grapple. Bunty beech me, hold
separate.
BUNTY
Abe ruk—andar camera hoga!
MAYA (O.S., hush)
Guard aa rahe. Jaldi nikal.
Arjun Runner ko shelf ke khilaaf pin
karta.
ARJUN
(quiet, ferocious)
Naam—safe house. Ek hint.
RUNNER
(shaky laugh)
“Lotus.”
(beat)
Bol diya. Ab nikal.
Arjun uska pocket check—spare
phone. Pocket me rakh leta.
INT.
STAFF CCTV ROOM – NIGHT
Chhota room—monitors me corridor,
dance floor, parking. Ek junior OPERATOR chips kha raha.
OPERATOR
Aap kaun?
BUNTY
Jassi bhai ne bheja. System hang ho raha. Restart karenge.
OPERATOR
Sir mere ko training—
Bunty operator ko cash dikhaata,
chips ka packet aur remote de deta.
ARJUN
(tap tap)
Timestamp—kal raat, 1:45 AM.
(Zoom)
Van number blur… par logo—Lotus flower sticker.
BUNTY
Screen record?
ARJUN
(USB stick insert)
Ho gaya.
(ek aur camera)
VIP rear gate—do aadmi, ek eye patch. One-Eye confirm.
OPERATOR
Bhai, yeh sab illegal—
BUNTY
(soft menace)
Bas system ke liye illegal. Zindagi ke liye zaroori.
Beep-beep. Spare phone (Runner ka)
vibrate hota hai Arjun ki pocket me. Screen: “Delivery 02:30 – Shabana House
✔️”.
ARJUN
(reading, stunned)
Shabana… House.
BUNTY
(swallows)
Bada khel hai, bhai.
INT.
CLUB – LOADING CORRIDOR / EXIT – NIGHT
Emergency exit ke paas crate. Door
push—open to PARKING. Thandi raat. Engine idling ki awaaz.
Arjun-Bunty door se nikalte—samne ONE-EYE
(40s), leather jacket, eye patch, 3 goons.
ONE-EYE
(smiling like a reptile)
Aaj kal ke chor bade shareef ho gaye. CCTV room ka address seedha mere phone
par aata hai.
BUNTY
(under breath)
Jassi ne becha?
ARJUN
(loud)
Tere liye kaun nahi bechta.
ONE-EYE
Acha… hero. Kya dhoondh raha?
ARJUN
Insaan.
ONE-EYE
Yahan maal milta hai. Insaan nahi.
ARJUN
Maal ke naam pe insaan hi beche jaate ho.
ONE-EYE
(leans in)
Tu zyada sochta hai. Zyada jeega nahi.
Goons move in. Close-quarters
tussle. Arjun ek ko shelf se takraata; Bunty dusre ke ghutne par kick. Door ke
peeche fire alarm handle dikhta hai.
ARJUN
(eyes at alarm—signal to Bunty)
BUNTY
Samjha.
Bunty bottle todkar goon ko
distract; Arjun FIRE ALARM kheenchta—SIREN WAILS. Club me afra-tafri.
Smoke sprinklers burst.
ONE-EYE
Pakdo saale ko!
Chaos. Arjun-Bunty parking ki taraf
daudte.
EXT.
CLUB PARKING – CONTINUOUS
Sprinklers se paani, people
screaming, cars reversing. Arjun ek bike pe jump karta; wires flick—hotwire.
Engine roars.
BUNTY
(helmet phekte hue)
Agar bache, to mandir me diye jalayenge.
ARJUN
Abhi port ki taraf left. Phir flyover.
(runner’s phone dekh kar)
“Shabana House – 02:30.”
BUNTY
Shabana Madam?
ARJUN
Naam se bada dar lagta hai. Par dar se bada gussa.
Bike peel out. Peeche One-Eye ki SUV
ignition. Headlights blaze.
EXT.
CITY STREETS – NIGHT – CHASE
Wet asphalt. Bike weaves through
traffic. SUV piche horn. Montage of near-misses, tight corners, market lane
short-cuts.
BUNTY
Chal, chal—right!
(looks back)
Saale chhod nahi rahe.
ARJUN
(eyes steady)
Dar ko seedha dekh. Tabhi bhaagta hai.
Arjun ek gali me sudden left—SUV
slip, almost hits pole. Bike nikal jaati hai service lane me.
EXT.
RAILWAY OVERBRIDGE – NIGHT
Bike slow. Distant sirens. City
glows. Arjun breath heavy. Bunty nervous laugh.
BUNTY
B**C… bache.
ARJUN
Nahi. Shuru hua.
Runner ka phone—ek aur ping. “Pickup
prep, Lotus → SH (Shabana House). Don’t be late.”
BUNTY
Yeh log SMS me naam likh ke itne bewakoof…?
ARJUN
Confidence ke saath aadmi bevakoof ho jata hai.
BUNTY
Plan?
ARJUN
Shabana ke ghar nahi, uske ghar ke aas-paas pehle. Watch. Pattern
samjhenge.
(beat)
Aur kal subah, thana.
BUNTY
(ghabra kar)
Police? Yadav ke paas?
ARJUN
Wahi dekhna hai—kaun kiski jeb me hai.
EXT.
SHABANA HOUSE – OPPOSITE LANE – LATE NIGHT
Grand kotha-style facade—modern
makeover. High walls, iron gate, CCTV domes. Do SUVs guard pe. Third-floor pe
soft red glow.
Arjun aur Bunty ek chhote paan-stall
ke piche se dekh rahe.
BUNTY
Yehi hai—“House.” Naam me hi mahal.
ARJUN
Ghar nahi—killi. Logon ko andar bandh karne ki.
A delivery van slow approach. Gate
open hota—“Lotus” sticker bumper par. Two men unload opaque crates
(no explicit content).
BUNTY
Yeh wahi van…
ARJUN
(quiet burn)
Aur yahi Riya ka nishaan.
Arjun phone pe fotos click
karta—plates, faces, time. Bunty vantage change karta hai.
WATCHMAN (O.S.)
Aye, kaun hai wahan?
Torch beam. Arjun Bunty ko kheech
kar shadow me.
ARJUN
(whisper)
Nahar me kudne se pehle behav dekho.
(eyes the gate rhythm)
Gate 90 seconds me open-close. Next window—2:45.
BUNTY
Tu time count kar raha?
ARJUN
Insaaf sabse pehle time se jeeta ya haara jaata hai.
Gate band. Van exit. Silence.
EXT.
BY-LANE NEAR SHABANA HOUSE – TEN MINUTES LATER
Dark by-lane. Stray cats. A backdoor
with keypad lock. Exhaust duct humming.
BUNTY
Yahan se ghusenge?
ARJUN
Aaj nahi. Aaj pattern.
(presses ear to duct)
Inside… three steps then metal corridor. Cameras left-high.
BUNTY
Tu deewar se bhi baat karta?
ARJUN
Jo bolti hai, woh sunta hoon.
Door ke peeche footsteps. Arjun
Bunty stiff ho jate hain. Door crack—ek WOMAN’S SHADOW pass hota—adult
silhouette, staff uniform. Door band.
BUNTY
(whisper)
Kal?
ARJUN
Kal. Aur kal se pehle—thoda saboot.
INT.
CLUB GULMOHAR – MANAGER OFFICE – LATE NIGHT (FLASHBACK INSERT)
Quick flashes: Arjun USB nikal raha;
CCTV snapshots: van, One-Eye, Lotus sticker, time stamps. Jassi darwaza band
kar raha.
JASSI (V.O.)
(taunt)
Yeh shehar tumse bada hai, hero.
ARJUN (V.O.)
Shehar bada hoga. Par awaaz meri badi hai.
EXT.
RAILWAY YARD WALL – PRE-DAWN
Arjun aerosol can se lotus symbol
ke upar X spray karta, neeche chalk se likhta: “HUM BIKAU NAHI.” Bunty
lookout.
BUNTY
Ye activism se kya hoga?
ARJUN
Sabko yaad rahe—“Lotus” koi phool nahi, ghaav hai.
INT.
ARJUN’S ROOM – DAWN
Chhota kamra. Sadi hui deewar. Aik
mazdoor calendar. Arjun phone pe evidence collate kar raha—CCTV video, plates,
SMS screenshots. Table par Riya ka ribbon rakha.
ARJUN
(soft to himself)
Riya… ruk. Main aa raha.
He zips a torn backpack—ke andar
rope, tape, torch, tiny screwdriver set.
EXT.
CITY – DAWN MONTAGE
Newspaper stalls open. Water
tankers. Sirens fade. Arjun chalta—focused. Bunty piche, uneasy par saath.
BUNTY
Kal raat bache, aaj pakde jaayenge.
ARJUN
Agar aaj nahi chale to kal koi aur Riya bachegi nahi.
They disappear into the waking city.
CUT TO BLACK.
TITLE CARD: NEXT: “DOSTI AUR DHOKA”
END OF EPISODE 2
(Optional)
Runtime Map
Ø Rooftop plan – 4 min
Ø Club entry & floor – 6–7 min
Ø Manager/CCTV/Storage/Runner – 12–14 min
Ø Parking face-off + alarm + chase – 8–9 min
Ø Shabana House recon – 6–7 min
Ø Prep/Evidence montage – 2–3 min
≈ 38–40 min
EPISODE 3 – “DOSTI AUR DHOKA” ka full OTT screenplay— gritty, realistic dialogues
(gaali-galauj natural, non-gratuitous), strong suspense, aur clear build-up to
Episode 4.
(Reminder: Minor ke saath koi sexual depiction nahi; focus menace, chase,
investigation, betrayal par.)
EPISODE 3 — DOSTI
AUR DHOKA (Full OTT Screenplay)
EXT.
NUKKAD TEA STALL – DAWN
Early morning haze. Chai ki bhaap.
Doodhwala cycle se guzarta. ARJUN (23) bench par, aankhon ke neeche dark
circles. BUNTY (24) opposite stool par, cap low, restless.
BUNTY
Kal raat tu bacha kyise?
ARJUN
Bachna nahi—nikalna tha. Fark samajh.
(beat)
Aaj One-Eye tak seedha jana hai.
BUNTY
Seedha? Saalo se log uske aas-paas ghoomte mar jaate.
ARJUN
(Riya’s ribbon nikal kar)
Uske paas answer hoga. Riya ke baare me.
Bunty nazar churaata hai, cigarette
jalaata hai.
BUNTY
Ek contact hai. Godown area me milata hoon.
(beat)
Bas… jo main bolu, wahi bolega.
ARJUN
(steady)
Jo sach hoga—woh bolega.
Do cutting chai table par tik. Arjun
ek sip leta, aankhon me cold resolve.
EXT.
INDUSTRIAL BELT – MID-MORNING
Rusty sheds, trucks, stray dogs. Ek GODOWN
ke bahar faded board: “Agarwal Logistics.” Half-shutter. Andar se diesel ki
smell.
BUNTY
Contact yahin milega.
(uneasy chuckle)
Dost hai… thoda ulta-sidha bolta.
ARJUN
Dost ya dalal?
Bunty forced smile—gate knock.
Shutter upar chadhta—dim interior, metal racks.
INT.
GODOWN – CONTINUOUS
Low light. Racks me tarpaulin. Door
slam—LOCK. Metal clank. Arjun turn—THREE GOONS shadows se nikalte. Ek ka
haath me iron pipe.
GOON #1
Welcome, hero.
Footsteps echo. ONE-EYE (40s)
shadows se aata—eye patch, slow clap.
ONE-EYE
Dost ke saath aaye ho… sach bolu, pighal gaya main.
ARJUN
(Bunty ko)
Yeh kya hai?
Bunty aankhon me shame + fear.
One-Eye uske shoulder par haath rakhta.
ONE-EYE
Tumhara dost bada useful hai. Karza tha… ab ada ho gaya.
ARJUN
(soft, lethal)
Karza chukane ko bacchon ki zindagi bech di?
BUNTY
(main-main)
Main… main majboor tha, Arjun. Woh log—
ARJUN
Bas.
(eyes never leaving One-Eye)
Game kya hai?
ONE-EYE
Simple. Tu bahut sawal poochta hai. Humko sawal pasand nahi.
(steps closer)
Isliye jawaban ke badle—chup.
Goon #2 lath maarne ko aage. Arjun
chest tense. Faint HUM—generator room side me. Racks pe SOLVENT DRUMS
stacked.
ARJUN
(seeing drums)
Flammable.
(beat)
Jo marzi kar le.
ONE-EYE
(laughs)
Maut ka dar logic nahi puchta.
ARJUN
Mujhe nahi lagta tu maut se darta.
(lean in)
Par internet se zaroor.
One-Eye ka smile thin.
ONE-EYE
Kis cheez ka soch raha?
ARJUN
Tere log cameras se pyaar karte. Mere phone ne bhi kar liya.
Goon #1 irritate, lathi swing—Arjun
shoulder dip, PIPE grab, goon ka wrist twist—PIPE SNAP to knee—goon
down. Doosra attack—Arjun solvent drum ko kick—SLIDE—goon slip, CHAIN
se rack me atak.
Bunty instinctively peeche hat-ta.
Arjun ek second uski taraf—hurt + fury.
ARJUN
(quiet)
Jis din tu paise se bada ho jayega… tab lautna.
ONE-EYE
B**C—
(gestures)
Band kar isko.
Goon #3 STUN-STICK nikalta—Arjun
pe jhatka—ZAP—Arjun girta. Pipe toot ke door jaata. World tinnitus HUM.
BUNTY
(small voice)
Bas… zyada mat—
ONE-EYE
(ice)
Zyada nahi. Bas yaad rahe.
INT.
GODOWN – BACK OFFICE – LATER
Arjun chair pe BOUND. Face pe
dried blood. Fan creaks. One-Eye opposite, cold.
ONE-EYE
Aakhri baar puch raha. Kisko bheja—Shabana? Yadav?
ARJUN
Main khud aaya.
ONE-EYE
Phir khud hi jaoge—seedha mitti me.
(beat)
Bacchi dhoondh raha tha?
(smirks)
Wrong door, hero.
ARJUN
Right door kabhi lock nahi hota.
(look around)
Blurred van plates, club ke exit, lotus sticker—sab mere phone me.
(leans)
Tera time khatam.
ONE-EYE
Tera to abhi se khatam.
He signals. Goon #3 WATERBOARD
SETUP ka bucket laata. Bunty corner me, broken.
BUNTY
Bhai… rehne do. Police case—
ONE-EYE
Police?
(hard laugh)
Inspector Yadav mera Friday guest hai.
Arjun eyes narrow—confirmation mil
gaya.
ARJUN
(to Bunty)
Sun liya?
Bunty stare at floor, unable to meet
Arjun’s eyes.
ONE-EYE
Start.
Goon bucket upar—Arjun seat shift
karta; feet ka KNOT loosen—ankle twist—rope fray. Goon approach—Arjun CHAIR
TILT—goon ke tibia se CRACK—bucket ghoom kar LIVE WIRES pe
ghirta—SPARK—light flickers—FUSE POP—half-darkness.
ONE-EYE
Pakdo!
Arjun chair-leg shard se
wrist rope saw—free. Goon #2 rush—Arjun HEADBUTT, door ki taraf dive—FIRE
EXIT ka bar press—na khula—CHAINS locked.
Back office window—wired glass.
Arjun stapler utha—glass pe RAP-RAP-RAP—spider cracks. Goon
lunge—Arjun BROKEN CHAIR SLAT se throat par push—goon gasps. Arjun elbow
strike—GLASS SHATTER—he DIVES OUT—
EXT.
GODOWN REAR LANE – CONTINUOUS
Arjun gravel pe roll. Back
scratches. DOGS BARK. He sprints. Inside goons scream.
ONE-EYE (O.S.)
Gate band karo! Nikalne na do!
Arjun narrow lane me BROKEN FENCE
se squeeze—shirt tear. Dusri side pe DRAIN. He drops in, crouches,
breath held. Goons torches pass overhead—miss.
EXT.
RAIL YARD – FEW MINUTES LATER
Arjun rail bogies ke beech slow jog,
hiding. Phone vibrate—CRACKED SCREEN par faint light. Battery 5%.
He opens CAMERA—his own face:
bruised. He starts SELF-VIDEO NOTE.
ARJUN (to camera)
Agar yeh phone mila—Club Gulmohar ke CCTV me “Lotus” sticker, One-Eye.
Inspector Yadav ka naam link hai. Shabana House ke bahar 2:30 AM delivery.
(beat)
Riya—main aa raha.
He DUMPS the video to a HIDDEN
CLOUD APP icon (anonymous). Upload wheel spins—“Queued (offline)”. He hides
phone in a hollow rail coupler.
EXT.
BASTI ROOFTOP – LATE AFTERNOON
Sun harsh. Arjun shirt rinse karta,
wound clean with alcohol from first-aid bottle. Winces. Below, city noise. He
stares long at skyline.
Footsteps. BUNTY arrives,
hesitant, 2 floors up, stops at ledge.
BUNTY
Arjun… main—
ARJUN
Tu yahan kyun?
BUNTY
(voice breaking)
Galti ho gayi. Karza… maa ki dawa… main—
ARJUN
(doesn’t turn)
Main rakh lunga yeh dard. Par in bacchon ka kya?
(turns, calm)
Tu mujhe bech ke aaya tha. Aur main abhi bhi zinda hoon.
(beat)
Agli baar—agar lautna… to saboot ke saath.
BUNTY
Kaisa saboot?
ARJUN
Godown ke ledger. Dispatch book. One-Eye tibri se sab kuch likhwata hai.
BUNTY
Wahan wapas—marwa dega.
ARJUN
(sardonic smile)
Marwa to tune bhi diya tha.
Silence. Bunty eyes water. He nods,
backs away, leaves. Arjun exhales shakily.
EXT.
GODOWN PERIMETER – SUNSET
Arjun opposite building ki andhi
staircase se niche. Godown ke side pe SMALL OFFICE WINDOW. Inside—CLERK
writing in a big LEDGER BOOK.
Arjun COMPACT MIRROR se angle
check. Guard rounds—30-second loops. He times it—when guard turns—Arjun window
pe HOOKED WIRE se latch—PULL—window inch open.
Inside clerk phone me reels dekh
raha, book open: “Lotus Dispatch: SH – Fri | PMR – Tues”.
ARJUN (whisper)
SH… Shabana House. PMR… Purani Mill Road?
He SNAPS A PHOTO with a spare
button-cam clipped on shirt. Clerk stretches—Arjun freezes. Guard
cough—Arjun withdraws, silent.
EXT.
ALLEY BEHIND GODOWN – MOMENTS LATER
Bunty, hoodie on, trembling. He
emerges from shadows—SMALL KEYCARD in hand.
BUNTY
(yielding)
Back office ki duplicate. Ledger room ka bhi.
ARJUN
(eyeing)
Kisne diya?
BUNTY
Store ke chotu ko daaru pilayi.
(beat)
Main… lot raha hoon. Bas ek baar mujhe… aadmi maan le.
Arjun takes keycard, studies him
long.
ARJUN
Aadmi bante waqt girna zaroori hai.
(soft)
Phir uthna zaroori hai.
BUNTY
(surprised)
Tu… maaf—?
ARJUN
Maaf tab jab bacha bahar aajayega.
Distance me siren. Dono scatter
opposite directions.
INT.
ARJUN’S ROOM – NIGHT
Single bulb. Arjun chalk map on
wall: “CLUB → LOTUS → SH (Fri) | PMR (Tues)”. Photos pinned: van plates, lotus
sticker. Corner me Riya’s ribbon.
He circles PMR (Purani Mill
Road) twice. Phone ka queued upload status blink—still offline.
ARJUN
Kal subah PMR.
He opens drawer—OLD FEATURE PHONE
nikalta, sim insert. Dials an ANONYMOUS TIP LINE (NGO).
HOTLINE (V.O.)
Hello. You can speak.
ARJUN
Purani Mill Road ke aas-paas warehouse me illegal “Lotus” consignments—Friday ko
Shabana House. Minor missing case—Riya, 17.
(beat)
Agar main call kata… to bhi yeh call yaad rakhna.
HOTLINE (V.O.)
Sir—details? Address exact?
ARJUN
Aaj ke liye itna. Kal aur milega.
He HANGS UP. Breathes deep.
EXT.
PURANI MILL ROAD – NIGHT
Arjun shadow me. Abandoned mills,
half-collapsed chimneys. Ek warehouse gate par LOTUS STENCIL spray
faint. Two guards smoke.
Arjun low-crawl behind BROKEN
LOOM junk, peeks. Inside through slats—CAGES NAHI (no explicit). Bas
ROOMS WITH PADLOCKS, muffled sobs (adult voices).
He grimaces—kuch steps back—RUST
SOUND—tin can roll. Guard torch—
GUARD #1
Kaun?!
Arjun FREEZE, then tosses STONE
to opposite corner—CLANK. Guards run there. Arjun SLIPS closer to side
wall—CHALK MARK: “L4 / 7:30 PM” with arrow.
ARJUN (whisper)
“L4”… load bay 4?
(looks up)
Schedule likhte ho, smart.
He SCRATCHES fast on
matchbox: “PMR—L4—7:30.” Pocket karta, melts into dark.
EXT.
CITY FLYOVER – LATE NIGHT
Arjun railings par khada, shehar ki
lights dekh raha. Traffic whoosh. Wind loud. Uski aankhon me gussa + control.
ARJUN (V.O.)
Jab apne hi bech de, to insaaf khud banana padta.
Par insaaf bina saboot—awaaz banke reh jaata.
He grips the railing tighter, then
walks away.
INT.
POLICE THANA – NEXT MORNING
Arjun counter par khada. Duty
constable bored. INSPECTOR YADAV andar se nikalta, fresh press uniform,
smug.
YADAV
Aaya phir? Upar wale ne zidd di hai tujhe.
ARJUN
(plain)
Purani Mill Road. PMR warehouse. Aaj raat load bay 4—movement.
Aur Friday ko Shabana House—delivery.
(hold)
Record me likh lo.
YADAV
(smiles)
Record?
(leans)
Tere jaise log record pe nahi, register ke neeche rehte.
ARJUN
Register ke neeche kab tak chupao ge?
YADAV
Jab tak paisa upar rehta.
Beat. Arjun micro-phone ON karta
apne button-cam me, low battery blink. Yadav closer.
YADAV
Sun—apni aukaat me reh. Nahi to tere khilaaf case banega—NDPS, Arms, jo chahe.
(soft)
Shabana naam lene se pehle zubaan dho kar aaya kar.
Arjun bas dekhta rehta. Duty
constable khansi karta—tension cut. Arjun palat kar nikal jaata.
EXT.
BASTI LANE – AFTERNOON
Arjun chal raha. Uske pass se ek AUTO
slow, tinted. Window crack—ENVELOPE drop—auto speeds away. Arjun stops,
looks around. Koi nahi.
Envelope open—ANDAR: Photo
(blurred but recognisable Riya’s school badge strapped to a cloth), aur
ek sticky note: “Stop. Friday = Funeral.”
Arjun fist tight. Eyes wet but
harden.
INT.
ARJUN’S ROOM – EVENING
Wall pe map. “Friday = Funeral” note
pin karta. Saath me PMR—L4—7:30. Neeche bold letters: “SHABANA.”
He pulls out a TORCH, ROPE,
ZIP-TIES, and a small analog recorder. Bag ready.
ARJUN
(whisper)
Aaj raat PMR. Kal subah… Shabana.
Door pe halki “tap-tap.” Arjun
freeze. Door crack—A SHADOW OF A WOMAN (adult) quickly slides a TINY
PAPER inside, then runs. Arjun grabs paper: “Rear gate… 10:30… 3rd
floor… BACK DOOR”. No name.
ARJUN
Kaun tha…?
He rushes to window—shadow vanish
into crowd.
EXT.
CITY ROOFTOP – SUNSET TO NIGHT MONTAGE
Arjun rooftop se city survey. Niche
“Lotus” ke chhote tags par X spray karta. Uske steps deliberate. Shehar
me hawa tez. Distant thunder.
ARJUN (V.O.)
Shehar bikta nahi… bikne diya jaata hai.
Aur jab ek awaaz toot’ti nahi… shehar badalne lagta hai.
EXT.
PURANI MILL ROAD – NIGHT (PAYOFF)
Load Bay 4. Truck reverse beep.
Three men loading OPAQUE TRUNKS (no graphic). Arjun distance pe, under DERELICT
OVERHANG, ANALOG RECORDER ON, whispers time stamps.
FOREMAN (O.S.)
Chal! Shabana House ke liye 2 crates alag. Remaining kal. Yadav se confirm ho
gaya.
Arjun’s jaw sets. He notes: “Yadav
confirm”. Camera wide—rain starts, slow.
Suddenly—behind him—FLASHLIGHT.
Guard!
GUARD #2
Aye! Kaun—?
Arjun drops recorder under
plank—KICK guard’s shin—runs into rain. Guards chase, whistles blow.
Arjun jumps a BROKEN STAIR, slips, catches pipe, swings to adjacent
terrace, tumbles, sprints into night.
EXT.
CITY STREET – LATE NIGHT
Arjun soaked. Breath heavy. A small temple
bell rings faintly. He stands under its awning, looks up.
ARJUN (to himself)
Kal… Madam.
He walks into darkness, determined.
CUT TO BLACK.
TITLE CARD: NEXT: “MADAM KA KHEL”
END OF EPISODE 3
⏱
Runtime Map (Approx.)
Ø Tea stall + plan → 5 min
Ø Godown entry + trap + capture → 10–12 min
Ø Office escape + yard evasion → 6–7 min
Ø Rooftop confrontation (Bunty) → 5 min
Ø Ledger recon + keycard handoff → 6–7 min
Ø Thana face-off + threat note → 4–5 min
Ø PMR observation + rain chase → 5–6 min
≈ 40–43 min
EPISODE 4 – “MADAM KA KHEL” ka full OTT screenplay—gritty, suspenseful,
realistic gaali-galauj (non-gratuitous), lekin minor ke saath koi sexual
depiction nahi. Bold vibe ambience, menace aur power dynamics se aata hai.
EPISODE 4 — MADAM KA KHEL (Full OTT Screenplay)
EXT.
SHABANA HOUSE – REAR SERVICE LANE – NIGHT (10:25 PM)
High compound wall. CCTV domes. Rain
ke boondeh halki. Service lane me garbage bins, exhaust vents ka low hum. ARJUN
(23), cap low, maintenance jacket, ek hand-me bag. Distant traffic hush.
He pockets the tiny paper:
“Rear gate… 10:30… 3rd floor… BACK DOOR.” Deep breath. Watch ticks.
ARJUN (V.O.)
Dar se pehle waqt aata hai. Waqt ko pakdo, dar peeche reh jaata.
He slips toward a rear keypad
door. Keypad: 0-0:29… :30.
BEEP. Door unlatches—inside ek STAFF MEMBER (adult) push
cart nikalti. Arjun shoulder-to-shoulder slide in. Door shuts.*
INT.
SHABANA HOUSE – SERVICE CORRIDOR – CONTINUOUS
Clean, sterile corridor. “STAFF
ONLY.” Camera domes left-high. Clockwise sweep. Arjun unke blind spots me move
karta; pocket me button-cam ON. From a side door: muffled music, adult
chatter (non-explicit).
A LINEN CART cross karta.
Arjun uske saath blend—slow push. A corner pe ZARA (late 20s), staff
uniform, dupatta neatly pinned, averted eyes. Passing moment me woh underhand
ek metal token slide kar deti hai—engraved: “PMR / 3N / L–4.”
ZARA (under breath, barely audible)
Teen raat. Purani Mill Road. Load-4.
(ignore face, moves on)
Arjun pockets token.
ARJUN (V.O.)
Naam nahi bola. Sach bol diya.
INT.
SERVICE STAIRWELL → THIRD FLOOR – MOMENTS LATER
Arjun steps light, counting cameras
ke angles. Third floor landing pe BACK DOOR sign. Electronic lock. He
tries Bunty’s keycard → GREEN.
Door ke andar se hushed orders.
FLOOR SUPERVISOR (O.S.)
Friday lists double-check. VIP names only. No “walk-ins.” Madam ko numbers
chahiye clean.
Arjun slips in.
INT.
THIRD FLOOR – BACK CORRIDOR – CONTINUOUS
Soft lighting. Thick carpet. Doors
with numeric codes. Far end pe OFFICE glow. Adult giggles ek closed
lounge se overlap (non-explicit). Arjun ek utility niche me nikal ke
khada—open switchboard.
He unscrews faceplate—BUG
(tiny audio pin) stick karta. Whisper timer.
ARJUN (whisper)
Sunna hai. Ab suno.
He moves toward the glow.
INT.
SHABANA’S OFFICE – NIGHT
Lux office. Silk drapes. A glass
showcase: perfume, high-heel ornaments, a crystal lotus. SHABANA
(late 30s), poised, calm, sari sharp. Two female staff adults logbook par
entries. Door pe GUARD.
Arjun doorway pe shadow me.
SHABANA
(soft, controlled)
Numbers—not stories. Friday… VIPs 12 tak. Whitelist police ko bhejna—“routine
check” ka mail schedule kal raat.
She looks up—Arjun’s silhouette.
Aankh me chhoti si smile—jaise expected ho.
SHABANA
Andar aao.
Guard stare. Shabana ek eye
tilt—Guard steps aside.
ARJUN
Riya. 17. Kal se gayab.
SHABANA
(pleasant)
Paani? Coffee?
ARJUN
Jawab.
SHABANA
“Adult entertainment.” Policy strict. Minor ka sawaal yahan hota hi nahi.
(leans)
Tumhari story… bahar ki.
ARJUN
Policy tumhari zameer ki tarah file me band hogi. Ground me nahi.
SHABANA
(slight smile)
Zameer se dhanda nahi chalta, beta. Dhanda se shehar chalta.
ARJUN
Shehar nahi—tumhara ghar chalta.
Beat. Shabana table ke intercom
pe tap karti hai. Staff exit. Door soft-close. Sirf Guard inside.
SHABANA
Tumhara naam?
ARJUN
Arjun.
SHABANA
Arjun… yeh jo tum kar rahe ho—hero-wala khel… maza aata hoga. Par yeh ghar
tumhare filmon ka set nahi.
(soft steel)
Yahan kahani hum likhte.
ARJUN
Toh end bhi main hi likhunga.
Shabana shelf se small ledger
folio nikalti. Flip. Usme crisp coded entries.
SHABANA
Codes dekh rahe? “PMR”… “SH”… “L–4”… days marked.
(eyes on him)
Pad paoge?
ARJUN
Pad liya.
SHABANA
Toh samjho—yeh logistics hai. Demand–supply. Consent.
(beat)
Riya jaisi bachchiyaan—tumhare muh se achchi lagti hain. Mere daftar me nahi.
ARJUN
Jaise black money ko “donation” bol do to saaf ho jata?
(lean in)
Kapde aur chemicals se umar badal jaati hai? Aadhaar me filter lagta hai?
Guard shifts. Shabana glance—Guard
still. She stands. Soft aura. Dangerous calm.
SHABANA
Suno. Friday—mere yahaan ek routine check hota. Uniform wale aate—chai peete,
report me likhte—“sab theek.”
(half-smile)
Samjhe?
ARJUN
Inspector Yadav… mehmaan.
SHABANA
Naam lene se pehle zubaan dho ke aao.
(razor)
Zubaan pehle kat’ti.
Beat. Silence thick. Arjun’s eyes
scan office corners—a WIRED PHONE, PRINTER, WINDOW
ajar by a sliver. He clocks the positions.
SHABANA
Jao. Tumhare jaise ziddi… kabhi kabhi kaam aa jaate.
(then, lower)
Par agar phir dikhe… kaam ke kaam aaoge.
Guard opens door. Arjun doesn’t
move.
ARJUN
Bias karta hu—tumhare numbers ke against.
(soft)
Riya mil jaayegi. Tumhari counting ghat jaayegi.
He turns, exits. Door close.
Shabana’s face still like glass.
INT.
THIRD FLOOR – RECORD NOOK / PRINTER STATION – MOMENTS LATER
Printer whirs—dispatch slips
spooling. A DISPATCH GIRL (adult) stack align kar rahi.
Arjun aata—utility man act.
ARJUN
Madam ne bola tha—printer me “ghost prints” aa rahe. Check kar du?
DISPATCH GIRL
Haan. Paper waste bahut ho raha. Jaldi karo, 10:45 se pehle slips nikalni.
Arjun lid open karke inside ke
model no. note karta—side me USB slot. He slips in a nano drive.
Printer “CONFIG UPDATE” blink.
Ek slip waapas out aati—Arjun
casual flip karta: “PMR → SH 02:30 / L–4 / Friday / Y–OK.”
ARJUN (V.O.)
“Y–OK.” Yadav okay.
He palming ke saath slip ka phone
photo click karta (mute). Nano drive eject, pocket. Dispatch girl suspicion
nahin leti.
INT.
SERVICE CORRIDOR – TURNING – SAME
Arjun corner turn—ZARA wall
ke saath khadi, clipboard, head low. Passing moment.
ZARA (under breath)
Aaj nahi. Kal. Rear 10:30—teen minute window.
(eyes fixed on floor)
Darr ko awaaz mat dena.
ARJUN
(soft)
Tumhara naam…?
ZARA
Naam kal kaam aayega. Aaj sirf darwaaza.
She leaves. Arjun holds there,
unsure—then moves.
INT.
LINEN ROOM – FEW MINUTES LATER
Dim. Shelves of sheets, towels.
Arjun door quietly close karta. He pulls out analog recorder. The BUG
se feed crackle—OFFICE voices faint.
SHABANA (BUG AUDIO, filtered)
Friday ke VIP—mail check. Lotus L–4—split in two.
(beat)
One-Eye late na ho.
MALE VOICE (ONE-EYE, filtered)
Late? Main? Madam, aapka watch main set karta hoon.
SHABANA
Mirror room ready rakho. Aur “school item” jaisi bakwaas kabhi mere saamne mat
kehna.
(steel)
Policy samjho.
ONE-EYE
(smirk in voice)
Policy aapki. Paisa humara.
SHABANA
Paisa mera. Policy bhi.
(cold)
Aur kal tak “Y” ko yaad dilao—report ki language soft rakhe.
Arjun clenches jaw: “school item”
phrase par disgust; non-graphic but chilling; policy denial + coded
exploitation ka tension.
He pockets recorder. Door ke bahar footsteps.
He freezes. Door handle jiggle—
GUARD (O.S.)
Koi andar hai?
Arjun TOP SHELF pe chadh,
towels ke beech crawl. Door crack—torch beam sweep. He holds breath.
Torch out. Door shut.
He exhales silently.
INT.
SERVICE DUCT / VENT RUN – LATER
Arjun vent grille unscrew karta,
narrow duct me ghusta. Below ek lounge me adult laughter (non-explicit). He
crawls, sweat beading. Aage ek GRILLE se office ka partial view—Shabana
drinking water.
Office door open—INSPECTOR YADAV
enters, plainclothes. Smile easy, eyes cold. Arjun freezes in duct—pixellated
shadow through grille.
YADAV
Friday ko routine. Media me shor kam rakhenge.
(leans on desk)
Aur tumhare “numbers” pe jo noise hai—main sambhal lunga.
SHABANA
Tumhara kaam.
(then, like nothing)
Ek ladka idhar udhar khujli kar raha. Naam—Arjun.
YADAV
Dekh liya.
(smiles)
Usse dikhana hai ki “file” kaisi lagti.
SHABANA
Jyada mat. Hero ban jayega.
YADAV
Hero banega nahi.
(soft blade)
Case banega.
Arjun’s fist tight in duct.
INT.
BACK CORRIDOR → STAIR – MOMENTS LATER
Arjun vent se drop—soft thud. He
slips down stairwell. Behind him far-off heels click: Shabana kisi ko
instructions de rahi. Arjun speed up.
INT.
SERVICE EXIT VESTIBULE – NIGHT (11:12 PM)
Small vestibule, keypad, CCTV. Arjun
keypad pe last digits recall karta—beep. Door unlock. Outside rain. He
reaches for handle—VESTIBULE DOOR OPENS IN from outside.
Facing him—INSPECTOR YADAV.
Two constables behind. Yadav umbrella fold kar raha; smile as if meeting an old
friend.
YADAV
Arjun.
(pleasant)
Tumse baat karni thi.
Arjun’s eyes flick to
corners—camera, guard, constables’ stance. Options kam. He exhales, composure
steady.
ARJUN
Baat ya baazi?
YADAV
(steps in, door closing)
Baat se hi baazi banti hai.
Silence. Rain thunders outside.
Frame tight on Arjun vs Yadav.
CUT TO BLACK.
END OF EPISODE 4
⏱
Runtime Map (Approx.)
Ø Rear-lane entry & service corridor stealth → 7–8 min
Ø Third-floor approach & office first face-off → 10–12 min
Ø Printer/dispatch “Y-OK” slip + Zara’s coded help → 7–8 min
Ø Linen room bug-audio + vent eavesdrop (One-Eye + Yadav
nexus) → 7–8 min
Ø Exit vestibule cliffhanger (Yadav arrival) → 4–5 min
≈ 38–41 min
EPISODE 5 – “KHOON KA KHILONA” ka full OTT screenplay — suspense deepen hoga,
emotional punch milega, aur investigation journalist track se connect hogi.
Tone wahi rahega: gritty, gaali-galauj realistic, aur minor ke saath koi sexual
depiction nahi.
EPISODE 5 — KHOON KA KHILONA (Full OTT Screenplay)
INT.
POLICE THANA – INTERROGATION ROOM – MORNING
Dim tube-light. Metal table. ARJUN
opposite INSPECTOR YADAV. Two constables corner me, silent smirk. Fan
creaks overhead.
YADAV
(chewing paan)
Arjun bhai… tumhare paas na naam zyada hain, saboot kam.
(leans in)
Saboot ke bina story… chai ki biskut jaisi—do second me ghul jaati.
ARJUN
Story nahi—report. Report jo tum likhte ho, aur jisme tum Riya ka naam chhupate
ho.
YADAV
(smiles thin)
Riya? Tera kya lagti hai woh?
Bhai? Baap? Prem?
(beat)
Ya bas hero banne ka nasha?
ARJUN
(steady)
Bas insaan.
Aur itna kaafi hai.
Silence. Yadav gestures—Constable #1
slaps Arjun. Chair scrape. Arjun’s lip bleeds, but eyes hold steady.
YADAV
Tu samajhta nahi. Friday ko mere register me ek line aayegi—“Routine check, sab
ok.”
(leans back)
Aur tu? Register ke neeche.
ARJUN
(smile faint, blood on lip)
Neeche likha bhi gaya toh… kisi din upar pad liya jaayega.
Beat. Yadav stiffens. Door
open—phone call. He steps out. Constables follow. Arjun, bruised, slips a tiny
paper scrap from shoe sole—writes: “PMR warehouse – Lotus / Load Bay 4 /
7:30.” Folds, hides in cuff.
EXT.
PURANI MILL ROAD – ABANDONED SAFE-HOUSE – AFTERNOON
Broken compound wall. Stray cows.
Inside: burnt mattresses, empty syringes. Arjun cautious entry. Sunlight shafts
through cracked roof. He finds a DIARY under mattress.
Pages scribbled: dates, initials,
amounts. One page circled red: “R – Fri / SH.”
ARJUN (V.O.)
“R.” Riya.
(beat)
Ya koi aur “R”…?
Sudden shuffle. Door bang—TWO GOONS
enter. Arjun hides behind a beam. One goon kicks mattress, mutters.
GOON #1
Shabana Madam bol rahi thi—yeh khokha jaldi saaf karo. Police aane wali hai.
GOON #2
Police?
(laughs)
Police apna hi hai, be. Routine check.
Arjun’s jaw tight. He
stealth-records with his button-cam. A floorboard creak—goon’s head
snap. Chase. Arjun bolts through back door, narrow gully, escapes. Goon curses
echo.
INT.
CITY MORTUARY – EVENING
Cold room. Steel drawers. Compounder
lifts sheet. Ek young girl (adult) ka lifeless body—strangled marks on neck.
NOT Riya. Arjun stiffens, silent.
COMPOUNDER
Cause: asphyxia. Report chupayi gayi.
(soft)
Naam bhi record me badal diya.
Arjun touches the girl’s bracelet
gently. Rage + helplessness in his eyes.
ARJUN (whisper)
Kisi ki beti… khelona bana di.
He steps back, fists shaking. Silent
moment heavy.
EXT.
ROADSIDE CAFE – NIGHT
Dim bulbs, rain drizzle. Arjun meets
NISHA (30s), sharp-eyed journalist, laptop bag. She sips chai, scanning
him.
NISHA
Tumhara chehra khud headline ban sakta hai.
Lahu, gussa, junoon.
ARJUN
Mujhe headline nahi chahiye. Mujhe saboot chahiye.
NISHA
Saboot publish hota hai jab zinda insaan deta hai.
(leans)
Tum zinda bache to hi story chalegi.
ARJUN
Mere marne se bhi agar ek bachi bachi…
(beat)
Worth it.
NISHA
(smirk)
Tum jaise pagal hi shehar hilaate hain.
She slides recorder across table.
NISHA
Sab kuch bolo. Main protect karungi.
Par saboot—video, slips, codes—sab chahiye.
Arjun nods. Recorder ON.
INT.
ARJUN’S ROOM – LATE NIGHT
Wall pinned with notes: “PMR / SH /
Lotus / Friday / Yadav = OK.” Riya’s ribbon taped center. Arjun speaks into
Nisha’s recorder.
ARJUN
Van plates blur—Club Gulmohar. Lotus sticker. One-Eye.
Safe-house Purani Mill Road. Dispatch diary entries—R circled.
Friday. Shabana House. Delivery confirmed.
He stops. Breath heavy. Writes bold
on wall: “PROJECT LOTUS – FRIDAY.”
ARJUN (whisper)
Kal… khoon rukega. Ya mera khoon gir jayega.
EXT.
RAILWAY TRACKS – NIGHT
Montage: Arjun walking empty tracks,
rain dripping. Flashbacks overlap—Riya’s laugh, Bunty’s betrayal, Shabana’s
cold smile, Yadav’s threats, dead girl in mortuary.
ARJUN (V.O.)
Kisi ka dard… khilona ban jaata hai.
Par khilona todne ka waqt aa gaya hai.
Camera pans up—train horn blares.
Frame freeze.
CUT TO BLACK.
TITLE CARD: NEXT: “GHAR KA SHAITAN”
END OF EPISODE 5
⏱
Runtime Map (Approx.)
Ø Thana interrogation (Yadav mind-games) → 8–9 min
Ø PMR safe-house diary + goons convo/chase → 7–8 min
Ø Mortuary reveal (dead girl, not Riya) → 6–7 min
Ø Cafe with Nisha (journalist intro, recorder pact) → 8–9 min
Ø Arjun’s room (Project Lotus wall, vow) → 5–6 min
Ø Railway track montage → 4–5 min
≈ 40–43 min
EPISODE 6 – “GHAR KA SHAITAN” ka full OTT screenplay —high-tension sting,
power-play flip, lockup torture (non-graphic), aur naya lead jo Episode 7 ki
infiltration set karta hai.
(Note: Minor ke saath koi sexual depiction nahi. Bold vibe ambience/menace
se.)
EPISODE 6 — GHAR KA SHAITAN (Full OTT Screenplay)
EXT.
HALF-BUILT ROOFTOP – EVENING (GOLD HOUR)
Concrete pillars, open sky. Neeche
traffic ka hum. ARJUN (23) aur NISHA (30s) city ko scan karte—door se SHABANA
HOUSE ka silhoutte dikh raha.
NISHA
Rear gate—10:30, teen minute window. Zara ne yahi signal kiya, right?
ARJUN
Haan. Main andar ka angle lunga. Tum bahar—side-lane vantage.
(beat)
Hidden cam… aur backup route.
NISHA
(plain)
Backup = log. Main NGO ko warm rakhungi.
(leans)
But tum ek cheez samjho—agar Yadav pohonch gaya, to woh “sting” ko “trespass”
bana dega.
ARJUN
Phir bhi.
(soft)
Riya ke liye.
Nisha uski aankhon me dekhti, head
nod.
EXT.
SHABANA HOUSE – REAR LANE – NIGHT (10:22 PM)
Rain fine mist. Garbage bins.
Exhaust ducts. Gate pe CAMERA domes. Do STAFF (adults) aate-jaate. Arjun
maintenance jacket me—cart push karta, cap low.
NISHA (V.O., phone whisper)
Main opposite roof pe hoon. Frame clean.
(beat)
Clock—10:28.
ARJUN (whisper)
Copy.
He cart ko vent ke paas park karta, tool
pouch adjust. Gate watchman yawn—phone scroll. Keypad pe light blink.
INT.
SERVICE CORRIDOR – CONTINUOUS
Door beep—Arjun slip-in. Corridor
sterile. BUTTON-CAM on. Zara nazar aati—clipboard, eyes down. Passing me
halki awaaz:
ZARA (under breath)
Left—service stair. Third floor—mirror room—camera high-left.
(beat)
Peeche mat dekhna.
ARJUN (barely)
Shukriya.
She walks. Arjun stair le leta.
INT.
THIRD FLOOR – MIRROR ROOM ANNEX – MOMENTS LATER
Blank room with one-way mirror
(dusre lounge pe look). Lights dim. Ceiling corner me tiny camera LED. Arjun vent
grille ke niche crouch—pocket se micro voice bug nikal kar shelf ke
peeche drop.
FOOTSTEPS (O.S.)
Supervisor ki awaaz—orders. “Lists,” “VIP,” “Friday.”
Arjun aage badhne hi wala—sudden radio
crackle corridor me, guard ke footsteps taz.
GUARD (O.S.)
Check staircase. Ek aadmi extra.
Arjun freeze. Eyes dart—CLEANER’S
CLOSET dikhta. He slips in—door shut, dark.
INT.
CLEANER’S CLOSET – CONTINUOUS
Bleach ki smell, mops. Narrow. Arjun
breath slow. Door crack me se YADAV ka silhouette pass hota—umbrella
drip. Uske saath TWO CONSTABLES.
YADAV (O.S., pleasant)
“Routine check.” Bas routine.
Arjun ki aankhon me spark—trap. He
fists clench, then relax—game face.
INT.
SERVICE EXIT VESTIBULE – FEW MINUTES LATER
Keypad, CCTV. Door open—YADAV samne.
Rain se umbrella fold. Smile warm, aankhen cold.
YADAV
Arjun.
(jaise purana dost)
Tumse baat karni thi.
ARJUN
Baat… ya case?
YADAV
Baat se hi case banta hai.
(door close signal; constables tighten)
Chalo. Thoda thana chalte.
Cut tight on Arjun’s jaw—composed
surrender. He raises hands, koi stunts nahi.
INT.
POLICE THANA – LOCKUP CORRIDOR – NIGHT
Damp walls. Echo. Constables
hush-laugh. Arjun ko LOCKUP me push. Gate clang.
CONSTABLE #1
Hero banega? Lights band kar de?
CONSTABLE #2
Band kar—fun bhi.
Lights dim. Off-screen thuds
(non-graphic). Arjun ka silhouette double over, breath ragged. Silence phir
slowly settle.
INT.
LOCKUP – LATER (NIGHT DEEP)
Tube-light flicker. Arjun deewar se
tik ke baitha—lip split, aankh soji, par nazar steady. Paas ki cell me ek DRUNK
hichkicha raha—adult.
DRUNK (slurring)
Bhai… tune kisko chhed diya?
ARJUN
Shehar ke sheh.
Steps. YADAV corridor me
aata, single chair andar laata, opposite baithe—jaise interview.
YADAV
Hero.
(soft)
Tujhe pata hai—kal subah tumhara naam “Attempt to Trespass” me aayega. Aur kal
shaam ko “NDPS” me.
(leans)
Bas itna bolo—kaun bhej raha?
ARJUN
Kisi ne nahi. Main khud.
YADAV
(half-smile)
Toh khud hi doob jao.
(beat)
Riya—koi nahi. “R” jaisi kahaniyaan log bana lete.
ARJUN
(PM)
Friday—Lotus. SH—delivery. PMR—load-bay-4.
Aur tum—“Y-OK.”
Yadav ke face pe ek pal ko
micro-freeze. Fir chuckle.
YADAV
Internet par sab kuchh hota hai. Reality me… main hota hoon.
He rises to leave. Arjun low voice
me—ek naam jaise goli:
ARJUN
Shabana ne kaha—“Zubaan pehle kat’ti.”
(hold)
Dekhte hain kal kiski.
Yadav turn. Cold smile.
YADAV
Guard.
Constable gate kholta; WATER DRIP
pipe se single drop falls—tension. Yadav nikal jata. Gate close. Silence.
INT.
LOCKUP – PAST MIDNIGHT
Arjun apni shirt lining se
chhupa hua paper scrap nikalta (Episode 5 wala). COT SPRING ke
neeche slide kar deta. Door ke paas YOUNG CONSTABLE (20s) akela duty
par, bored, phone me game.
ARJUN (low)
Bhai… ek sawaal.
YOUNG CONSTABLE
Chup.
ARJUN
“Lotus”—warehouse—port side?
(beat)
Load-bay 4 se direct?
YOUNG CONSTABLE
(annoyed)
Kaun sa Lotus—
(catches himself, looks around)
…so ja.
ARJUN
(slow)
“L–4… Port… Warehouse 7B?”
Young Constable ka face
flicker—jaise slip ho gaya. He looks away. Whisper—almost to himself:
YOUNG CONSTABLE (murmur)
…7B.
Arjun ki aankhon me tiny spark. He
backs off, leans wall. Information recorded—in mind.
INT.
NISHA’S APARTMENT – SAME TIME
Dim lamp. Laptop open—SMALL “TEASER
CLIP” timeline: One-Eye + Lotus van (Episode 2/3 ke frames), “Y-OK” slip photo,
blurred faces. Caption draft: “Friday. Routine check. Kiski?”
NGO CONTACT (on phone, speaker)
Agar tumne abhi drop kiya to case kharab hoga.
NISHA
Full drop nahi. Teaser.
(typing)
“Proof with authorities. Eyes on Friday.”
(beat)
Aur agar Arjun ko release nahi kiya—subah 7 baje live.
NGO CONTACT
Tum aankhon me aankh daal ke khel rahi ho.
NISHA
Koi to daale.
She schedules post: “7:00 AM”. Phone
me ACTIVIST GROUP message: “On standby.” She exhales.
INT.
THANA – INSPECTOR ROOM – PRE-DAWN (4:30 AM)
Yadav desk par scroll karta—NISHA
ka teaser private circles me viral. Ek SENIOR (SP) ka message ping:
“What’s this? Your station?”
Yadav ka jaw clench. He
stands—decision.
INT.
LOCKUP – DAWN HINT
Gate khul-ta. Yadav aur do
constables. Arjun khada—stiff but upright.
YADAV
Nikal.
(pleasant mask)
Misunderstanding. Ho jaata.
ARJUN
(smile without warmth)
Routine jaise?
YADAV
(leaning close, whisper blade)
Ek baar aur dikha—seedha case, seedha court, seedha jail.
(soft)
Aur kabhi kabhi—seedha kahin aur.
Arjun pass se nikalta, rukta nahi.
Yadav ke chehre pe control + gussa ka mask.
EXT.
THANA STEPS – EARLY MORNING
Arjun bahar aata—nasha of open air.
Nisha saamne—coffee cup, backpack, steady eyes. Unki aankhon me ek chhota smile
exchange.
NISHA
Zinda ho?
ARJUN
Bas.
NISHA
Teaser schedule 7 baje. Cancel kar du?
ARJUN
Nahi.
(beat)
Bas faces blur. Aur ek line add—“Victim minors—NO visuals.”
(soft)
Hum dikhayenge system. Na ki zakham.
Nisha nods, type type.
NISHA
Ab?
ARJUN
Port. Warehouse 7B.
(he looks at her)
Aaj recce. Raat ko andar. Kal subah—sach zinda.
EXT.
PORT PERIMETER ROAD – AFTERNOON
High fences. Container stacks.
Security jeeps. Distant foghorns. Arjun aur Nisha ek chai-thela ke paas
khade—casual ban kar dekhte.
NISHA
Entry?
ARJUN
Gate nahi—drain.
(pointing far)
Left flank pe storm-water channel—fence ke niche ek gap.
(looks to her)
Tum bahar—radio, photos, log.
(beat)
Main andar—7B tak.
NISHA
Akele?
ARJUN
Awaaz jitni kam—utna zinda.
She watches him—utna hi stubborn
jitna woh. Head nod.
EXT.
PORT STORM DRAIN – SUNSET
Grating. Flow slow. Arjun crouch—gap
measure with hand—just enough. He slides in—mud on hands. Inside dark tunnel.
Torch dim beam.
ARJUN (V.O.)
Dar se aage andhera hai.
Aur andhere ke aage—khuli aankh.
INT.
PORT – UNDER-STACK ALLEYWAYS – NIGHT
Between containers—narrow alleys.
Security patrol ke beech blind spots. Arjun slow move, breath control.
Ek corner par PAINTED CODE: “B-SECTOR / 7B →”.
ARJUN (whisper)
Mil gaya.
He rounds to WAREHOUSE 7B—metal
shutter, small side door with keypad. Door ke upar old CCTV—glassy eye. He
stays outside, doesn’t touch. Bas surveys: guard shift pattern,
camera sweep timing.
RADIO CRACKLE (NISHA, low)
Two guards, west flank change—every 12 mins.
(beat)
Truck schedule board me “L–4” mention—tomorrow 06:00.
ARJUN
Copy.
(eyes narrow)
L–4 crates—first. Riya ho sakti.
He notes roofline skylights—bolts
rusty. Again—no tampering—just mapping.
Suddenly, FLASHLIGHT SWEEP—Guard
passes close. Arjun melds into shadow—still like stone. Guard’s beam lingers,
then moves on.
EXT.
PORT PERIMETER – LATE NIGHT
Arjun drain se crawl-out. Hands
filthy. Nisha car me maps spread.
NISHA
Kya mila?
ARJUN
7B confirm. L–4 crates—6 baje.
(beat)
Aur ek aur cheez—“Mirror room” bugs se audio—kal tak humare pass Yadav–Shabana
ki clip hogi.
NISHA
Good.
(phones lighting)
Waise teaser live ho gaya.
(reads)
“Eyes on Friday.” Comments garam.
ARJUN
Aag lagne do.
(soft)
Bas bache na jalein.
EXT.
CITY – PRE-DAWN MONTAGE
NGO offices me volunteers awake;
activists messages ping; few small media handles teaser share; log “Lotus”
stencils par X spray; kisi deewar par chalti-gadi ki headlight me likha dikhai
deta: “HUM BIKAU NAHI.”
INT.
ARJUN’S ROOM – DAWN
Wall pe ab badi line: “7B – L4 –
06:00”. Neeche: “Rear gate 10:30 – 3rd floor back door” (Zara note).
Riya ka ribbon center.
Arjun bag set karta—rope, tape,
torch, tiny recorder, spare phone (airplane mode), simple gloves. No weapons.
NISHA (TEXT ON PHONE)
“Ambulances standby—NGO ready. 5:30 AM port road pe team.”
Arjun type karta: “Copy.” Then ek
aur message—UNKNOWN (Zara): “Aaj raat—10:30—rear gate. Teen minute. Phir
main gayab.”
Arjun read—breathes in.
ARJUN (whisper)
Aaj raat—andar. Subah—bahar.
He switches off lights. Frame linger
on wall map.
CUT TO BLACK.
TITLE CARD: NEXT: “ANDAR KA DARR”
END OF EPISODE 6
⏱
Runtime Map (Approx.)
Ø Rooftop plan (with Nisha) → 5–6 min
Ø Rear-lane entry & brief stealth → 6–7 min
Ø Cleaners’ closet + Yadav trap → 4–5 min
Ø Lockup non-graphic beating + Yadav mind-game → 8–9 min
Ø Nisha teaser plan & pressure build → 5–6 min
Ø Release + port recon plan → 4–5 min
Ø Port recce & 7B mapping → 6–7 min
Ø Dawn prep montage → 3–4 min
≈ 41–44 min
EPISODE 7 – “ANDAR KA DARR” ka full OTT screenplay —night infiltration, capture
(non-graphic), Zara ki daring save, fire-alarm chaos, aur final prep for the
expose.
Note: Minor ke saath koi sexual depiction nahi. Bold vibe
ambience/menace se aata hai.
EPISODE 7 — ANDAR KA DARR (Full OTT Screenplay)
EXT.
SHABANA HOUSE – REAR SERVICE LANE – NIGHT (10:28 PM)
Light drizzle. CCTV domes. Exhaust
duct ka low hum. Garbage bins ke beech shadows shift. ARJUN (23) cap low,
maintenance jacket, ek hand cart push karta.
ARJUN (V.O.)
Aaj raat—andar. Subah—bahar.
Keypad pe blink—:30. Door open. Ek
STAFF (adult) cart push kar nikalti. Arjun shoulder brush karke SLIPS IN.
INT.
SERVICE CORRIDOR → BACK STAIR – CONTINUOUS
Sterile corridor, cameras high-left
sweep. ARJUN blind spots me move karta. ZARA (late 20s) clipboard ke
saath pass hoti—eyes averted. Passing moment me palmed keyfob Arjun ke
haath me press.
ZARA (under breath)
Mirror room se back office. File tray “Lotus”.
(beat)
Raat ki van—5:40—PMR se port, 7B.
ARJUN (barely)
Tu wahan hogi?
ZARA
Jahan dar hota—main hoti.
She walks on. Arjun stair le leta.
INT.
THIRD FLOOR – MIRROR ROOM ANNEX – NIGHT
Dim room, one-way mirror. Ceiling camera
pe red LED. Arjun niche se tape lagakar LED ko diffuse karta; mic bug
shelf ke peeche stick karta.
Through the mirror, lounge me soft
adult chatter (non-explicit). Corridor me FOOTSTEPS. Arjun low
crouch—niche service panel screw off—andar chhup jata. Footsteps pass.
INT.
BACK OFFICE CLUSTER – FEW MINUTES LATER
Printer station whirrs. DISPATCH
TRAY pe slips: codes “PMR / SH / L-4 / Fri / Y-OK.” Arjun maintenance act
me aata.
ARJUN
Printer ghosting. Madam ne bola—rollers clean kar du?
DISPATCH GIRL (adult)
Jaldi. Lists 11 baje tak ready.
Arjun lid lift—nano USB
slip—“CONFIG UPDATE” blink. Ek fresh slip spit hoti: “L-4 → 06:00 / 7B /
Confirm: Y.”
He palm-shoot karta photo (mute), nano eject—pocket.
A FILE TRAY me slim LOTUS
LEDGER. Arjun ek second hesitate—then PHONE SCAN karta pages. Door
pe HEELS—
SHABANA (O.S.)
Slips double-check. VIP list soft copy Y ko bhejo.
Arjun slip-tray ke peeche merge.
Shabana ke steps pass. Office door close. Arjun exhales.
INT.
SERVICE STAIR → EXIT VESTIBULE – NIGHT (11:10 PM)
Keypad pe code. Door unlock. Handle
pakadte hi—bahar se door OPEN IN. Facing him—INSPECTOR YADAV
(umbrella drip), two constables.
YADAV (pleasant)
Phir mil gaye.
(soft)
Kal subah milte. Ab so lo.
Arjun’s jaw set—but he lowers gaze,
walks past, doesn’t resist. Exit to rain.
EXT.
CITY ROOFTOPS – LATER
Arjun running rooftops ke beech se
cross karta—rain sheen, breath fog. Phone pe NISHA.
NISHA (phone, low)
NGO standby. Ambulance confirm.
(beat)
Port pe 5:15 tak pohonch jaungi.
ARJUN
7B. L-4 crates. 6 baje.
(soft)
Aaj raat… mujhe andhera dekhna hai.
EXT.
PORT STORM DRAIN – PRE-DAWN (4:42 AM)
Grating, trickle. Arjun crawl-in.
Torch dim. Knee pads scrape concrete.
ARJUN (V.O.)
Dar ko seedha dekh. Tabhi bhaagta hai.
INT.
PORT UNDER-STACK ALLEYS – CONTINUOUS
Container canyons. Sodium lamps.
Security patrols 12-min loops. Wall pe PAINT: “B-Sector → 7B”. Arjun
shadow me slide karta.
NISHA (radio, whisper)
West flank change in two. East clear.
(beat)
Truck board me “L-4 : 06:00” lock.
ARJUN
Copy.
EXT./INT.
WAREHOUSE 7B – ROOF & SKYLIGHT – 5:07 AM
Rusty skylight bolts. Arjun multi-tool
se ek bolt loosen—no clang. He eases glass—sliver gap. Inside dim
aisles, OPAQUE CRATES with stencil “L-4”. Two guards sipping chai.
Arjun drops a thin fiber line,
slides in, lands on top beam—catwalk style. Breath controlled.
Below forklifts idle.
One side me OFFICE CUBBY—glass
pane. Inside ONE-EYE (leather jacket, eye patch), FOREMAN, two
men. Arjun raises pinhole cam; zoom through glass; AUDIO BUG
flick on (directional).
FOREMAN (muffled)
L-4 ke do crates pehle Shabana House. Remaining kal.
Y-OK mil gaya.
ONE-EYE
Theek. Time pe niklo.
(then)
Woh ladka… Arjun. Nazar rakh.
Arjun shifts weight—TOOL from
pocket slips—tiny CLINK on beam. Guard heads snap up.
GUARD #1
Oye—upar?
Flashlight beam sweeps. Arjun body still.
Beam lingers—moves on. He inches toward cubby roof edge.
Sudden RAT scurries—guard
shines again—this time sees silhouette.
GUARD #2
Upar koi hai!
Alarm whistle. Arjun drops to
rack—run across aisle tops—LEAPS to another rack—HITS hanging
chain—CLANG—he slips, lands hard. Guards rush. One-Eye exits
office—smile thin.
ONE-EYE
Pakdo.
Two guards tackle. Scuffle. STUN-WAND
ZAP—Arjun down.
INT.
7B BACK ROOM – MINUTES LATER
Concrete room. Chair bolted to
floor. Single bulb glare. Arjun wrists zip-tied. ONE-EYE opposite
folding chair. FOREMAN by door.
ONE-EYE
Tumhe samajh nahi aata na—dar ka matlab.
ARJUN
Dar ko naam de diya hai tumne—Lotus.
ONE-EYE
(smiles)
Naam se kya hota. Kaam se hota.
(leans)
Riya ka naam ab bhi lene ka shauk?
ARJUN
Jab tak saans.
ONE-EYE
Chalo, saans ginti me le aate.
He nods. FOREMAN WATER MIST
spray karta—light glare—NON-GRAPHIC disorientation. Arjun breath
control—eyes locked.
ARJUN (low)
Y-OK… 6:00… 7B… L-4.
(taunt)
Sab record.
ONE-EYE
Record?
(chuckles)
Electricity off kar do—sab record andhera.
FOREMAN reaches fuse—hand
hovering—tabhi WAREHOUSE FLOOR se FORKLIFT KLAXON blare, loud REVERSE
BEEPING, aisles me CRATE SLIP ka dhakaa. Outside workers shouting.
FLOOR WORKER (O.S.)
Brake fail! Side—side!
One-Eye annoyed—“Kisne—” glance door
ki taraf.
Door crack pe ek female staff
silhouette flickers—ZARA cap low, mask. Uski eyes Arjun pe one
count. Chali jaati. Door band.*
ONE-EYE
Sab theek karao!
Foreman bahar. One-Eye Arjun ki
taraf lean karta—
ONE-EYE (low)
Hero… hero—
(raising hand)
Behind him wall ki FIRE PULL
handle dikhti. Arjun chair slide—ankle se ZIP-TIE floor bolt ke
khilaaf RUB-SAW—skin scrape—but give. He KICKS chair side—BANG—One-Eye
half-turn—Arjun LAUNCH hota, shoulder smash to wall—FIRE PULL YANK—
KLAXON HOWL. SPRINKLERS burst. Panic. Lights STROBE.
ONE-EYE
Saale—!
Arjun SHOULDER se One-Eye ko
door pe ram—BOLT SLIP—door open—Arjun BOLTS OUT.
INT.
7B AISLES – CONTINUOUS (ALARM CHAOS)
Water rain. Workers scramble. Guards
confused. Arjun racks ke beech dodge. ZARA ek pallet ke peeche—signal LEFT.
ZARA (hiss)
Office! Ledger!
Arjun sprint—OFFICE CUBBY me LEDGER
table pe. He RIPS first section—stuff in jacket. DESKTOP screen
pe “Dispatch—L-4—06:00—SHABANA HOUSE (2)”. He SNAPS with button-cam.
A side door marked “STORE –
PERSONAL” pe LOCK. Arjun MULTI-TOOL snap—CLICK. Inside
small shelves pe BAGS / ID TAGS / SCHOOL BADGE drawer.
Arjun opens kit—andar RIYA KA
SCHOOL BADGE (the same design). He freezes, throat tight.
ARJUN (whisper)
Riya…
Badge pocket. Door pe GOON ka
shadow. Arjun KILL LIGHT—dark—goon rush—Arjun LOW SWEEP, goon CRASH
into shelf—Arjun out—door JAM with mop.
INT.
7B LOADING BAY – MOMENTS LATER
L-4 crates lined. Forklift hazard
lights. NISHA (EXT vantage se long lens) SNAPS: L-4 stencils,
time boards, guards running, alarm chaos. NGO VAN far road pe idle.
NISHA (radio, urgent)
Photo proof ho gaya! Tum kahaan—?
ARJUN (breathless)
Ledger… badge… proof.
(eyes scanning)
Exit—drain—west.
NISHA
West me jeep aa rahi. East?
ARJUN
Copy—east.
INT./EXT.
7B EAST EMERGENCY DOOR → PERIMETER – CONTINUOUS
Emergency bar door jammed. Arjun
shouldered—BURST OPEN—he sprints outside—rain + alarm. Back me ONE-EYE
aur do guards emerge—shout—
ONE-EYE
Shoot—!
Guard aims—SECURITY SUPERVISOR
jhaadta: “No firing—media!” (Nisha ki lens flash caught). Guard lowers.
Arjun fence line ke paas STORM
DRAIN GRATE—he flips, slides in—vanishes in dark.
INT.
STORM DRAIN TUNNEL – CONTINUOUS
Low crawl. Water drip. Arjun breath
ragged—par smile flickers. Pocket me badge feel karta; jacket me ledger
pages.
ARJUN (V.O.)
Dar… ab idhar hai. Andhera… udhar reh gaya.
EXT.
PERIMETER DITCH – PRE-DAWN BLUE
Grate exit. Arjun rolls into wet
grass. Nisha running with towel + hoodie. Dono jhaadiyon me crouch.
NISHA
Proof?
ARJUN
Ledger—dispatch—Y-OK—06:00—L-4—7B—Shabana House.
(holds up)
Riya ka badge.
Nisha’s eyes sting; she nods hard.
NISHA
Teaser ka part-2 abhi nahi. Full drop—subah 7:30—NGO ke saath.
(looks at him)
Tu khada reh payega?
ARJUN
Jab tak saans.
EXT.
DESERTED OVERBRIDGE – DAWN
City wake-up glow. Arjun, hoodie on,
rail pe lean. Phone on loudspeaker, BUNTY call.
BUNTY (phone, shaky)
Main aa gaya hoon… galti sudharni hai. Kya karun?
ARJUN
7B ke gate pe day guard ko 6:10 me shift change.
(beat)
Tu PMR pe “L-4” ke marks chalk se cross kar de—kisi ko samajh na aaye, par
inside log confuse ho jaayen.
BUNTY
Samajh gaya.
(soft)
Bhai… main laut raha hoon.
ARJUN
Saboot lauta. Phir tu.
EXT.
NGO OFFICE COURTYARD – SAME
Nisha activists ko brief karti:
masks, placards “HUM BIKAU NAHI,” “Where is the report, Y?” Ambulance staff
kits check.
NISHA
7:15 pe port road. 7:30 live.
Faces blur. Minors NO visuals.
(steel)
System ko dikhayenge. Zakham ko nahi.
EXT.
RIVER EMBANKMENT – SUN UP
Arjun paani me face wash. Riya ka
badge haath me. Bag me rope, torch, recorder recheck. He inks palm pe: “6:00
/ L-4 / 7B → SH”.
ARJUN (V.O.)
Aaj awaaz mere se badi honi chahiye.
Kal tak—shehar ki.
Phone vibrates—UNKNOWN
(Zara): “Main gayab. Rear gate—aaj nahi. Kal court me milenge—agar mile.”
ARJUN (text back)
“Tum bachi raho. Baaki main dekh lunga.”
He pockets the phone, looks at
rising sun—calm set on face.
EXT.
CITY WIDE – MONTAGE
Sirens distant. Market shutters
lift. Social feed me Nisha ke pehle teaser par comments explode: “Who is Y?”,
“Lotus?”, “7B?” Activist vans roll.
EXT.
PORT APPROACH ROAD – 7:14 AM (HOLD ON WHEELS)
NGO vans, two stringers on bikes.
Nisha camera ko white balance karti. Arjun far sidewalk pe shadow—hood low,
eyes bright.
NISHA (to cam)
Ready?
CAMERA OP
Ready.
Arjun ek baar Riya ka badge press
karta—deep breath.
ARJUN (V.O.)
Andar ka darr… bas yahin tak.
He steps forward into the frame’s
edge—CUT TO BLACK.
TITLE CARD: NEXT: “INSAF YA MAUT”
END OF EPISODE 7
⏱
Runtime Map (Approx.)
Ø Rear-lane handoff + office scan → 8–9 min
Ø Shabana exit + rooftop run + plan with Nisha → 5–6 min
Ø Port drain entry & mapping → 6–7 min
Ø 7B skylight drop, spot & capture → 7–8 min
Ø Back-room non-graphic torture + forklift diversion → 5–6 min
Ø Alarm chaos, ledger + badge grab, drain escape → 6–7 min
Ø Dawn prep (Bunty task, NGO brief, resolve) → 4–5 min
≈ 41–44 min
EPISODE 8 – “INSAF YA MAUT” ka full OTT screenplay (finale, 40–45 mins)
Ø NGO aur media ke saath LIVE expose
Ø Port se L-4 crate ka raid
Ø Inspector Yadav aur Shabana ke beech face-off
Ø One-Eye ke saath final showdown (non-graphic, full
thriller)
Ø Arjun ko Riya ka sach milna (emotional closure)
Ø Ek symbolic hopeful epilogue
EPISODE 8 — “INSAF YA MAUT”
EXT.
PORT ROAD – DAWN (7:25 AM)
Cloudy sky. NGO vans, placards: “NO
MORE LOTUS,” “STOP SHABANA TRADE.” Media OB van satellite dish up. NISHA camera
ke samne, mic in hand.
NISHA (LIVE)
Yeh sirf ek expose nahi—yeh ek awaaz hai.
Aaj… ek naam khulega—Y.
Crowd chants: “INSAF! INSAF!”
EXT.
PORT GATE – SAME
INSPECTOR YADAV (pressured) police
line form karta. Shabana black SUV me aati—shades, cold stare. One-Eye ek jeep
me behind. Crates “L-4” forklift se load ho rahe. Arjun hoodie pe shadowed side
me khada.
SHABANA (to Yadav, low)
Gate band. Media bahar. Crates andar.
YADAV
Sab log dekh rahe hain, madam. Straight order nahi chalenge.
Unka tension palpable.
EXT.
PORT ROAD – 7:32 AM
Nisha mic raise karti—ek hand
signal. Arjun van se aage step karta—hood down, Riya ka badge uthakar
camera ke samne dikhata.
ARJUN (LIVE)
Yeh… meri behen ka badge hai. Riya.
Aur yeh (ledger page raise)—dispatch slip. L-4. Shabana House. Inspector Yadav
ke sign ke saath.
Media buzz. Yadav stiffens. Shabana
glares.
CROWD (chant)
“Insaaf! Insaaf!”
EXT.
PORT GATE – CONTINUOUS
One-Eye guards ko signal deta—jeep
reposition—exit block karne. Arjun usse aankh me aankh milata.
ONE-EYE (mouth silently)
Tera khatam.
Suddenly Nisha loudspeaker pe—
NISHA
Dekhiye—L-4 crate—dispatch 06:00—destination SHABANA HOUSE. Proof LIVE!
Camera zoom crates pe. NGO activist
cross-marks chalked “X” (Bunty ka kaam). Confusion. Media frenzy.
EXT.
PORT YARD – 7:38 AM
Police attempt control. One-Eye
guards CRATES truck drive out karna chahte—Arjun sprint karta forklift ke
samne—arms wide.
ARJUN
Yeh crate khulega—sab ke saamne!
One-Eye pistol half draw—par 100s
camera flash uske chehre pe. Yadav sweat karta—indecision.
YADAV (loud)
Crate open karo.
Shabana snap turn—rage.
SHABANA
Tumhari himmat—!
INT.
CRATE #1 – OPENING – 7:40 AM
Crowbar snap. Lid open. Inside—not
minors visible (ethical)—par dozens school uniforms, ID tags, photos,
medical slips stacked. A CHILD’s voice muffled from inside smaller
container. Media gasps.
ARJUN (voice shaking)
Yeh bachche hain… insaan hain… maal nahi.
Crowd roars. Cameras everywhere.
EXT.
PORT YARD – CHAOS
Shabana SUV engine roar—she bolts.
NGO vans block. Police scatter. One-Eye lunges Arjun par—full brawl.
FIGHT (STYLIZED THRILLER):
Ø Arjun badge necklace ka chain grip karta—shield jaisa.
Ø One-Eye heavy blows—Arjun duck + elbow.
Ø Both slip in mud—Arjun grabs stray chain—whip crack
against jeep rail—One-Eye disoriented.
Ø Arjun final headbutt—One-Eye down.
Police swarm, cuffs One-Eye. Crowd
chants louder.
EXT.
PORT GATE – 7:55 AM
Shabana ko activists aur police gher
lete. Shades girti. Media zoom. Ek journalist mic thrust:
JOURNALIST
Shabana—kya aapko Y ke order mile the?
Shabana glares Yadav ki taraf.
SHABANA
(snarls)
Pucho… Y se.
All eyes on Yadav. Sweat beads. He
lowers head. Silence heavy.
EXT.
PORT COURTYARD – 8:05 AM
Nisha LIVE feed close karti.
NISHA (LIVE)
Aaj subah—Lotus ka ek chapter band hua.
Par sawaal hai—aur kitne khulege?
(beat, softer)
Par jab ek bhai—apni behen ke liye khada ho—tab andhera… jeet nahi sakta.
Crowd chants again: “INSAF! INSAF!”
EXT.
QUIET CORNER – LATER
NGO ambulance me rescued kids
silhouettes (faces blurred). Arjun glass pe palm rakhta. Andar ek chhoti ladki
palm milati—tears roll. Nisha uske shoulder touch karti.
NISHA (soft)
Riya hoti… toh proud hoti.
ARJUN
(shaky smile)
Woh hai. Yahin.
Arjun badge chest pe press karta.
EXT.
COURT STEPS – ONE WEEK LATER – DAY
Media swarm. Shabana aur One-Eye
cuffed le jaaye jaate. Yadav ka suspension order public. NGO team press
statement deti. Banner: “JUSTICE FOR LOTUS VICTIMS.”
Arjun simple kurta me, crowd ke
peeche, quietly smiles. Nisha beside him.
NISHA
Agle case?
ARJUN
(sighs, but firm)
Jab tak ek bhi Lotus bacha hai… mera kaam khatam nahi.
EXT.
RIVERBANK – SUNSET (EPILOGUE)
Arjun akela bench pe. Pocket se Riya
ka badge nikalta. Sky pink-orange. Uske paas ek chhoti diary open—blank pages.
Pen se likhta: “LOTUS DIARY – FOR RIYA.”
ARJUN (V.O.)
Andhera wapas aayega… par main bhi.
Jab tak awaaz hai—insaaf hai.
Camera pull out—river glow, city
lights flicker—hopeful note.
FADE OUT.
TITLE CARD:
“Dedicated to all unheard voices.”
⏱
Runtime Map (Approx.)
Ø NGO rally + Shabana arrival → 7–8 min
Ø Arjun live reveal + crowd chant → 6–7 min
Ø Crate opening + shock evidence → 6–7 min
Ø Fight with One-Eye + Shabana exposed → 7–8 min
Ø Arrests + Yadav unmasked → 6–7 min
Ø Rescue + emotional closure (ambulance scene) → 5–6 min
Ø Epilogue (court + riverbank) → 5–6 min
≈ 44–46 min
✨ Yehi tha Series Finale –
thriller closure + emotional payoff + symbolic hope.
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