👌 — ek 2 ghante ki full-length kids’ moral story script with screenplay.
Main tumhe ek continuous flow screenplay format me
dunga — Roman Hindi (easy padhe ja sake) me, jisme dialogues + scene
description + moral clear hoga.
Structure suggest karta
hoon (total ~2 hrs content):
Title: “Nanha
Dil, Bade Sapne”
(Kids’
moral film with 4 short interlinked kahaniyaan in ek hi narrative)
Outline
(2 hr screenplay ke liye)
Act 1 –
Shuruaat (20 min)
- Ek gaon ka school jaha 4 bachhe (main characters) alag-alag weakness leke aate hain.
- Teacher decide karti hai ki unhe kahaniyon aur experiences se morals sikhaye.
Act 2 –
Kahaniyaan aur Moral Adventures (1 hr 20 min)
- Kahani 1 – “Sachchai ki Jeet” (20 min)
Ek chhote bachhe ne galti se kisan ki kheti ko nuksan pahunchaya.
Usne jhoot bolne ki koshish ki lekin sach bolne par usse maaf kiya gaya aur
respect mila.
Moral: Sachchai sabse badi taakat.
- Kahani 2 – “Dosti ka Asli Matlab” (20 min)
Do dost jungle me phase jate hain. Ek samay par ek dusre ko bacha
leta hai, aur unhe samajh aata hai ki dosti ka matlab sirf khelna nahi, par
mushkil waqt me saath dena hai.
Moral: Sacchi dosti kabhi chhodti nahi.
- Kahani 3 – “Mehnat ka Phal” (20 min)
Ek ladka shortcut dhundhne ki koshish karta hai har kaam me, par
fail hota hai. Dusra ladka mehnat karke jeet jata hai.
Moral: Mehnat bina kuch nahi milta.
- Kahani 4 – “Sharing is Caring” (20 min)
Bachhe ek khilona aur khana baantna seekhte hain aur realise karte
hain ki khushi multiply hoti hai.
Moral: Baatne se sukh badhta hai.
- Act 3 – Ant (20 min)
- Bachhe samajh jaate hain ki har kahani unke liye ek seekh thi.
- Teacher unhe ek last moral deti hai:
- “Chhote dil me bhi bade sapne aur achchai ki jagah hoti hai.”
- Sab milke ek geet gaate hain aur film khatam hoti hai.
Sample
Screenplay (Roman Hindi me)
Scene 1
(School Classroom – Subah):
(Camera slow zoom – bacche masti kar rahe hain,
teacher aati hai)
Teacher
(muskaan ke sath): Bachcho, aaj main tumhe sirf padhne nahi, ek safar par le
chalungi. Har kahani tumhe ek nayi seekh degi.
Bachhe
(ek sur me): Wah! Kahani, kahani!
(Background
music soft bajta hai, screen dissolve hoti hai pehli kahani me)
Scene 2
(Kheton me – Kahani 1):
(Raju galti se kisan ke kheton me paer rakh kar
paudhe tod deta hai)
Raju
(ghabra kar): Agar main sach bolunga to kisan uncle gussa ho jaenge…
(Cut –
uska dil ki awaaz)
Voiceover: Jhoot bolna asaan
hai, par kya tumhe chain milega?
Raju
(sach bolkar): Uncle, maine galti ki hai. Maaf kar dijiye.
Kisan
(pyar se sar par haath rakhte): Beta, galti sabse
hoti hai, par sach bolne wale bahadur hote hain.
(Background
me soft moral song bajta hai)
Nanha Dil, Bade Sapne — Act 1 Screenplay (roman Hindi)
NANHA DIL, BADE SAPNE —
ACT 1 (Roman Hindi Screenplay)
Duration: ~20 minutes
Setting: Ek pyaara sa gaon, chhota school, mitti ki
khushboo, hansne-khelne wale bachche.
Primary
Characters:
- Asha Miss – Garam-dil, samajhdaar teacher (late 20s).
- Raju – Tez, shararti, kabhi-kabhi jhoot bachane ko bol deta hai.
- Tara – Shaant, sharmili, stage-darr.
- Kabir – Jugadu/shortcuts ka shaukeen, thoda alas.
- Golu – Dil ka accha, par sharing me kanjoosi.
- Headmaster – Pyara, kakaji-type, anubhav se bhare.
SCENE 1 — EXT. GAON — SUBAH
Action:
Suraj nikal raha hai. Gaon ke kuen par mahilaayen paani bhar rahi hain. Sadak
par cycle ki ghanti. Bachche school ki taraf bhaag rahe hain. Pankhon se dhool
udatī hai, dore me latke rang-birange patang.
SFX: Murga kukdu-ku, cycle bell, door se school ki assembly ki
ghanti.
MONTAGE SHOTS:
- Raju patang ko dekh kar muskuraata hai.
- Tara apni kitaab se muh chhupa kar chalti hai.
- Kabir jeb me chhota sa "shortcut notes" ka paper rakh kar halka sa smirk karta hai.
- Golu apne tiffin ko kas ke pakadta hai.
TRANSITION: Bachche school ke gate se andar.
SCENE 2 — INT. CLASSROOM — SUBAH
Action:
Classroom me rangoli jaisi posters, blackboard par "Sukh ka Raaz:
Sachchai, Dosti, Mehnat, Baantna" chalk se likha hai. Asha Miss attendance
register lekar aati hain.
Asha Miss (muskaan): Good morning, bachcho!
Class (chorus): Good morning, Miss!
Asha Miss: Aaj hum sirf padhna nahi… seekhna bhi hai. Sabse pehle attendance.
Asha Miss: Raju?
Raju (haath utha kar): Present, Miss! (doston ko aankh marta hai)
Asha Miss: Tara?
Tara (dheere se): P…present, Miss.
Asha Miss (narm): Zor se, beta. Tumhari awaaz bhi pyaari
hai.
Tara (thoda himmat karke): Present, Miss!
Asha Miss: Kabir?
Kabir: Present! (desk ke neeche chhota note adjust karta hai)
Asha Miss: Golu?
Golu (tiffin ko thoda chhupa kar): Present, Miss.
Asha Miss (board ki taraf): Aaj ek naya poster dekha? Is par likha hai
— "Sukh ka Raaz: Sachchai, Dosti, Mehnat, Baantna."
Class: (uttasaahi halki gunjaish)
SCENE 3 — INT. CLASSROOM — THODI DER BAAD
Action:
Short group activity. Bachche crayons se chhote posters bana rahe. Golu ka
crayon sabse bada dabba. Do bachche maangte hain.
Baccha 1: Golu, ek blue de de?
Golu (jaldi se): Nahi, mere poster me chahiye.
Baccha 2: Thoda sa hi toh…
Golu (dabbe ko khaamoshi se kheech kar): Baad me.
Asha Miss (door se dekh kar paas aati): Golu, agar hum dusron ko rang denge toh
unke poster bhi khil uthenge. Khushi baantne se badhti hai.
Golu (thoda jhijhak): Theek hai, ye blue… aur ye green bhi.
Asha Miss (praise): Shabash.
SCENE 4 — EXT. SCHOOL GARDEN — RECESS
Action:
Raju football khelte hue garden ke kone me naya paudha tod deta hai.
Dheere-dheere patta toot kar neeche girta hai.
Raju (ghabra kar): Arre… yeh kaise ho gaya? (chaaron taraf
dekh kar patta chhupa deta hai)
Mali Kaka (door se aawaaz): Kaun tha garden me?
Raju (andar hi andar): Agar sach bola toh daant padegi… (gehri
saans) baad me dekhunga.
SFX: School bell. Raju bhaag kar class ki taraf.
SCENE 5 — INT. CLASSROOM — PERIOD CHANGE
Action:
Kabir apne “shortcut note” ko copy me chipka kar baitha hai. Asha Miss chalk
uthati hain.
Asha Miss: Aaj hum ek chhota test karenge — bas teen sawaal. Jo bhi
aayega, apni mehnat se likhna. (sab bachche likhne lagte)
Kabir (dheere se note jhaankta): Easy…
Asha Miss (nazdeek aa kar, narmi se): Kabir, agar tumhara dimaag itna tej hai ki
note bana sake, toh jawab bhi tum khud likh sakte ho. Main tum par bharosa
karti hoon.
Kabir (sharminda): Ji, Miss. (note ko fold kar ke side rakh
deta hai)
SCENE 6 — INT. CLASSROOM — BAAD MEIN
Action:
Reading practice. Tara khadi hoti hai par ruk-ruk ke padhti hai.
Tara (halki kaanpati awaaz me): “Chidiya… ped par… baithi thi…”
Class me halki si hansi.
Asha Miss (firm par pyaar se): Koi nahi hansega. Sabke andar ek sur hota
hai. Tara, saath me saans le, dheere padho. Main ginti karti hoon — 1…2…3.
Tara (thodi himmat se): “Chidiya ped par baithi thi, hawa chalī,
aur voh gungunayi.”
Class (taali): Wah!
Tara (muskurahat): Thank you, Miss.
SCENE 7 — INT. STAFF ROOM / VERANDAH — DUPAHR
Action:
Asha Miss headmaster ke saath baat karti hain. Table par school ka calendar.
Asha Miss: Sir, bachche padh rahe hain, par aadaton me thoda sa badlav
chahiye — jhoot se bachna, dosti nibhana, mehnat, sharing…
Headmaster (sochvichar): Kahaniyaan bachchon ko seedha dil tak le
jaati hain. Koi naya tareeka sochiye.
Asha Miss (aankhon me chamak): "Kahani Safar" — 4 din, 4
kahaniyaan, har kahani se ek moral. Adhiyayan ke saath anubhav.
Headmaster: Shandar. Kal subah assembly me announce kijiye.
SCENE 8 — EXT. SCHOOL ASSEMBLY GROUND — AGLE DIN
SUBAH
Action:
Bachche line me khade. Tiranga ke neeche Asha Miss mic par.
Asha Miss (mic par): Bachcho, aaj se hum shuru kar rahe
hain Kahani Safar.
Har din ek kahani, ek seekh. Aaj ke liye tayyar ho?
Bachche (chorus): Haan!
Asha Miss: Aur yaad rakho — sikhne ka sabse pehla qadam hai mann ki taiyari.
SFX: Halki dhun, school band ki teen sur.
SCENE 9 — INT. CLASSROOM — KAHANI CORNER SETUP
Action:
Classroom ke ek kone me Asha Miss ek "Kahani Kona" banati hain —
rangin dupatte, kagaz ki ghanṭi, mitti ki chhoti handi, ek paudha, ek chhoti
jhoola kursi.
Raju (hairan): Miss, ye sab?
Asha Miss: Ye humara Imagination Darwaza hai. Jab ghanṭi baje, hum kahani ki duniya
me. (ghanti halki se bajati hain)
Golu (excited): Kya hum khaas tarah se baithenge?
Asha Miss: Haan, gol daire me. Sab barabar.
Kabir (chaiye): Aaj ki kahani kya hai, Miss?
Asha Miss (muskura kar paudhe ki taraf): Aaj ka shabd — Sachchai. Aur yeh paudha hamara Sache Dil ka Paudha.
Tara (dheere): Agar kisi se galti ho gayi ho toh…?
Asha Miss (narm): Tab sach bolna sabse bada sahas hota hai,
beta.
Raju (andar se chonk kar, garden paudhe ko yaad
karta): (khamosh)
SCENE 10 — INT. CLASSROOM — MINI CONFLICT REVEAL
Action:
Asha Miss chhota khel karvati hain: “Sach ki Ghanṭi.” Jo bhi apne dil ki baat
share kare, ghanṭi bajaye aur ek sach bataye — chhota ya bada.
Asha Miss: Kaun shuru karega?
Kabir (khada hoke): Main. Kal test me main ne note use karne
ki sochi thi. Aapne rok diya… aur, shukriya. Aaj main bina note ke padhunga.
Class (taali):
Asha Miss: Shabash, Kabir. (ghanti bajati)
Tara (dheere se): Mujhe sabke saamne bolne se darr lagta
hai, par aaj main ek kahani sunna chahti hoon. Shayad darr kam ho jaye.
Asha Miss: Bohot accha, Tara. (ghanti)
Asha
Miss (pyaar se): Koi aur?
Raju (andar ki ladaai, phir haath uthata): Miss… kal main garden me football khel
raha tha… aur… galti se naya paudha toot gaya. Maine chhupa diya. (aankh nam)
Classroom mein halki sanns.
Asha Miss (narmi, bina daant): Shukriya, Raju, itna sach bolne ke liye.
Galti pehli baar me sabse hoti hai. Use maan lena sabse mushkil hota hai.
Raju (sharminda par halka): Maaf kijiye, Miss. Main paudha wapas
lagwaunga.
Asha Miss: Hum saath me lagayenge.
(muskuraahat) Aur aaj ki kahani isi se shuru hogi.
SCENE 11 — EXT. SCHOOL GARDEN — SHAAM KI ORE
Action:
Class ka chhota group — Asha Miss, Raju, Tara, Kabir, Golu — mitti, pani,
chhota paudha lekar khadde ke paas.
Asha Miss (sulah-samjha kar): Jab hum sach bolte hain, zameen ko pani
milta hai — aur bharosa ka paudha bada hota hai.
Raju (paudha sambhalte hue): Main dhyaan rakhunga.
Kabir (mitthi pakadte): Aur main note ki jagah mehnat ka paudha
ugaunga.
Golu (paani dalte): Main sharing ka paudha bhi… (apne tiffin
se ek biskut nikal kar sabko baant deta hai) …abhi se practice.
Tara (muskurakar): Aur main bolne ki practice.
SFX: Mitti me pani girne ki halki dhun. Chidiya ki cheekh-pe.
SCENE 12 — INT. CLASSROOM — SURYAAST KE PEHLE
Action:
Kahani Kona me sab baithte hain. Light thodi warm. Asha Miss mitti ki handi
kholti hain — usme chhoti si ghanti aur ek kagaz.
Asha Miss (kagaz padh kar): "Kahani 1: Sachchai ki Jeet."
Aaj hum ek chhote bacche ki kahani me jayenge jise ek din galti ho gayi… par
usne sach bolkar na sirf
galti sudhāri, balki sabka pyaar jeeta.
Tara (excited): Miss, kya hum us kahani me ja sakte hain…
jaise ki hum wahan ho?
Asha Miss (khush): Haan. Aankhen band karo, teen saans
andar-bahar… aur jab main ghanti bajau, hum sab kahani ki duniya me.
Class (aankhen band): (saans lene ki halki sfx)
Asha Miss (ghanti bajati): Tan-tan… Tan-tan…
LIGHTING: Warm se halki soft glow. Bachchon ke chehre par narm
muskaan.
Asha Miss (VO): Ek gaon tha… ek chhota sa baccha… aur ek
din ki galti jise usne sachchai se phool bana diya…
TRANSITION: Dissolve — Kahani 1 ki duniya me pravesh.
ACT 1 END CUE
On-screen card (handwritten style): "ACT 2 — Kahani 1: SACHCHAI KI
JEET"
MUSIC: Halka, hopeful theme rise.
NANHA DIL, BADE SAPNE — ACT 2 (Kahani 1: Sachchai ki
Jeet)
Duration: ~20
minutes
Setting: Kahani ki duniya —
gaon ke kheton, ek kisan ka ghar, suraj dhalti roshni.
Primary Characters (within kahani):
- Chotu – Ek 9 saal ka baccha, shararti par dil ka saaf.
- Kisan Ramprasad – Mehnati, zameen se juda insaan.
- Chotu ki Maa – Samajhdaar aur pyaar bhari.
- Gaon ke Do–Teen Bacche – Background characters.
SCENE 1 —
EXT. KHEt — SUBAH
Action:
Chotu kheton ke paas gend khel raha hai. Uska gend ek nayi kheti me jaa kar
paudha tod deta hai. Ek chhoti kali mitti me gir jaati hai.
SFX: Halki
si “tuk” awaaz. Chidiya udd jati hai.
Chotu
(ghabra kar): Arre! Yeh kaise ho gaya… Agar Ramprasad kaka ne dekh liya
toh? (patta chhupata hai)
Dil ki
awaaz (VO): Chotu, sach bolna mushkil hai… par dil halka ho jaayega.
Chotu
(andar hi andar): Nahi, abhi chup rehta hoon.
SCENE 2 —
INT. GAON KA CHOTA GHAR — DUPAHR
Action:
Maa roti bel rahi hai. Chotu chupchaap baitha hai.
Maa
(nazdeek aa kar): Beta, itna chup kyun hai? Kya baat hai?
Chotu
(hichkichahat): Kuch nahi, maa…
Maa
(muskaan ke sath): Sach kehna hamesha behtar hota hai. Galti sabse hoti hai.
Galti ko chhupana sabse badi galti hoti hai.
Chotu
(andar se hil jaata hai): Ji, maa…
SCENE 3 —
EXT. KISAN KA GHAR — SHAAM
Action:
Ramprasad kaka bail bandh rahe hain. Chotu dheere-dheere aage badhta hai.
Chotu
(dar se): Kaka… kal main kheton ke paas khel raha tha… aur gend lag
gaya. Paudha toot gaya. Maaf kijiye.
Ramprasad
(ruk kar, Chotu ki taraf dekhte hain): Tumhe pata hai,
Chotu… paudha todna galti hai. Lekin… tumne sach bolkar mere dil ko jeet liya.
Chotu
(hairan): Aap gussa nahi ho?
Ramprasad
(muskaan ke sath, sar par haath rakh kar): Nahi beta. Sach bolna
sabse bada sahas hai. Main tumhe maaf karta hoon.
SCENE 4 —
EXT. KHEt — SHAAM KA LAL SURYA
Action:
Chotu, Ramprasad kaka aur Maa saath mil kar naya paudha lagate hain. Mitti
girti hai, paudha khada hota hai.
Chotu: Ab
main ise roj paani dunga.
Maa: Aur
yaad rakhna — jaise paudha sachai se bada hota hai, waise hi insaan bhi.
Ramprasad: Ek
din tum sachchai ke dam par sabse bada insaan banoge.
SFX: Chidiya
ki chahchahahat, halki hawa.
SCENE 5 —
EXT. GAON KA CHOWK — RAAT
Action:
Gaon ke bacche ek kahani sunne ke liye baithe. Chotu apna kissa batata hai.
Chotu
(puri himmat ke sath): Doston, jhoot bolne se pehle sochna… agar
main jhoot bolta toh Ramprasad kaka ka bharosa tod deta. Sach bolne se unka
pyaar mila.
Bacche
(chorus): Wah! Sachchai sabse badi!
SCENE 6 —
INT. CLASSROOM (BACK TO REALITY)
Action:
Dissolve back — Asha Miss kahani suna rahi hai. Bacche aankhon me chamak le kar
baithe hain.
Asha
Miss: Toh bachcho, samajh aaya? Sachchai se darna nahi. Galti
sabse hoti hai. Lekin sach bolna hi insaan ki asli pehchaan hai.
Raju
(andar hi andar, garden paudha yaad karke muskurata hai): Ji
Miss…
Class
(chorus): Sachchai ki jeet!
SFX: Ghanti
bajti hai — tan-tan.
ACT 2
(Kahani 1) END CUE
On-screen
card: “Agle din — Kahani 2: Dosti ka Asli Matlab”
MUSIC: Umeed bhara
orchestral theme.
ACT 2 — Kahani 1: SACHCHAI KI JEET (Roman
Hindi Screenplay)
Duration: ~20
minutes
Setting: Gaon ke khet, mitti
ki sugandh, aasmaan me gubbare-jaisi badlon ki ladi; kahani duniya thodi
magical, thodi real.
Primary Kahani Characters:
- Monu – 9 saal ka baccha, dil ka accha, par daant se ghabra kar jhooth bolne ki koshish karta hai.
- Kisan Ramprakash – Mehnati, narm-dil par sachchai ko bahut maayne deta.
- Maa – Monu ki maa, samajhdaar, sikhane wali.
- Mali Kaka – School ke garden wale, yahan kahani me “Gaon ke bageechay-wale” roop me.
- Narrator / Asha Miss (VO) – Kahani ko aage badhati hain.
Note: Kahani
duniya me hamare classroom ke bachche (Raju, Tara, Kabir, Golu) kabhi-kabhi
"observer silhouettes" ke roop me dikhenge— bina dialogue ke visual
presence— taaki bachchon ko lage ki woh kahani ke andar hain. Unki awaaz nahi
aati; sirf reactions (wow, surprise) dikhte hain.
SCENE 1 —
EXT. GAON KE KINARE — SUBAH KI ROSHNI
Action:
Soft light. Hawa me sarson ke phool hil rahe. Do teeke hue gaddhon par paani
chhalak raha. Dur se gaiyon ki ghanti.
SFX: Halki
hawaa, chidiya ki chahchahat.
Asha Miss
(VO, narmi se): Ek gaon tha… aur us gaon me rehta tha Monu. Monu ne kabhi
kisi ka bura nahi chaha, par ek din usse ek chhoti
galti ho gayi…
CUT TO: Monu
bamboo wali chhoti dandi ghooma kar daudta aa raha hai.
Monu
(khud se): Aaj main apni patang ko sabse upar udaunga!
SCENE 2 —
EXT. KHETON KE PAAS — LAGAATAR
Action:
Patang hawa me. Dori jhatakti hai. Monu ka paon phisal kar narm mitti par
padta, seedha khet ke kinare lage naye
paudhon me ghus jata. 3-4 komal paudhe murjha jate/tedhe ho jate.
SFX: Kharr (paudha murhna), patang ki dori ki tar-tar.
Monu
(ghabra kar, dheere): Arre… yeh ho gaya? (paudhon ko seedha karne ki koshish) Uth
jao na… please…
Dur se Kisan Ramprakash ki aawaaz:
Kisan
(O.S.): Kaun hai udhar? (nazdeek aate hue)
Monu
(andar se): Ab kya karun… agar bataya to daant padegi… (jaldi se patang
ki dori lapet kar pichhe ki taraf chupe hue nikalta hai)
Visual: Raju-Tara-Kabir-Golu
silhouettes overshadow me dekhte— Monu ko chhupte hue, expressions me concern.
SCENE 3 —
EXT. GALI / MONU KA GHAR — SHAAM KE NASDIK
Action:
Monu dheere-dheere ghar lautta. Maa aangan me daal chhonk rahi.
Maa: Aaj
jaldi kyon udas ho? Patang udaayi?
Monu
(jhootha muskura): Haan… bahut acchi udi! (aankh jhuka kar) Bas thak gaya.
Maa (dekh
kar samajh jaati hai): Thakawat aankhon me nahi, mann me hoti
hai, beta. Sab theek?
Monu
(bachon wali zid): Theek hai, Maa. (andar chala jata)
Asha Miss
(VO): Kabhi-kabhi humari aankhen sach keh deti hain, chahe zabaan
na kahe.
SCENE 4 —
INT. MONU KA CHHOTA KAMRA — Raat
Action:
Monu bistar par pada chhat ghoorta. Khidki se chaand ki roshni. Dil ki awaaz guftagu
jaise.
Dil Ki
Awaaz (VO, Monu ki hi halki goonj): Jhooth bolna asaan
lagta hai… par dil dhadakta kyon hai?
Monu (kan
band kar): Bas so jao… kal sab theek ho jayega.
SFX: Dhadkan
ki halki-thap… fir khamoshi.
SCENE 5 —
EXT. KHET — AGLE DIN SUBAH
Action:
Kisan Ramprakash toote paudhon ko dekhte. Haath se mitti ko halka sa sajhakar
dekhte— nishan chhote paon ke.
Kisan
(sochkar, pyaar se): Baccha hi to hoga. (aas-paas nazar)
Mali Kaka
(aate hue): Ramprakash, kuch hua kya?
Kisan: Haan,
naye paudhe murjha gaye. Shayad khelte-kudte koi baccha aa gaya. (narm saans)
Bacche se badi fasal aur kya? Bas… jaanta hoon, agar woh aayega aur sach
bolega, to use kuch nahi kahunga. Sirf samjhaunga.
Asha Miss
(VO): Waise hi jaise sahi kisaan paudhe ko jhil-mil dhoop dikhata,
par teekhi dhoop se bachata hai…
SCENE 6 —
EXT. GAAON KI CHOWK — DUPAHR
Action:
Monu apne doston ke saath khel raha, par khayal uthta rehta hai. Ek dost paani
pilata, Monu door tak kheton ko dekhta rehta.
Dost: Chal,
chuppan-chuppai!
Monu
(be-dil): Tum log khelo… main thodi der me aata hoon.
Visual: Classroom-ke-bachche
silhouettes is baar pass ki deewar par rangoli jaise patterns banate dikhte—
jaise kahani ki duniya me imaginary— Monu ki taraf "go, tell the
truth" type gestures.
SCENE 7 —
INT./EXT. MONU KA GHAR / AANGAN — SHAAM
Action:
Maa roti sek rahi. Monu aangan me patang ki dori ko ghumata hai, phir rok deta.
Maa: Beta,
jaisa bolna ho, bina dare bol do. Ghar sach ke liye hi hota hai.
Monu
(saans chhod kar): Maa… kal main khet ke paas gir gaya tha. Kuch paudhe… toot
gaye.
Maa
(bilkul shaant): Toh tum ab kya karna chahte ho?
Monu
(himmat jod kar): Kisan uncle se maafi maangna… aur paudhe theek karne me
madad karna.
Maa
(muskurahat): Bas. Sach yahi hai. Main tumhare saath chalungi, par baat
tum karoge. Theek?
Monu
(chhoti si muskaan): Theek.
SCENE 8 —
EXT. KHET — AGLE DIN SUBAH
Action:
Monu aur Maa khet me aate. Kisan Ramprakash paudhe ko paani de rahe. Monu ke
pair dheere chal rahe.
Monu
(jhat se haath jod kar): Uncle… woh… kal galti se main yahan gir
gaya tha. 3-4 paudhe toot gaye. Mujhe bahut bura lag raha hai. Main… maafi
chahta hoon.
Kisan
(Monu ko dhyan se dekh kar, naram hansi): Naam?
Monu: Monu.
Kisan: Monu,
galti par maafi milti hai. Par sabse badi baat — tumne sach bola. (maa ki taraf
dekh kar) Baccha accha hai.
Maa
(vinamr): Bacche galti se bante hain… aur sach se sudharte hain.
Kisan: Aao,
paudhe ko sambhalte hain. (Monu ko navin paudha deta) Isse mitti me dhyaan se
dabana. Zyada zor nahi, zyada dheelapan nahi — jaise sach ko rakhte hain.
Monu
(carefully paudha lagata): Aise?
Kisan
(khush): Bilkul.
SFX: Mitti
ki naram chhup-chhup, paani ki halke chhidke ki aawaz.
SCENE 9 —
EXT. KHET KA KINARA — CONTINUOUS
Action:
Mali Kaka kuch lakdi, chhoti baadh laker aate.
Mali
Kaka: Yeh chhoti si baadh laga dete hain kinare par. Bacche jab
khelein, seedha khet me na girein.
Kisan: Sahi
kaha. (Monu ko dekh kar) Aur tum kahin bhi khelo, par jab khet ke paas aao to
pehle salaam kar dena — zameen maa hoti hai.
Monu
(samajh kar): Ji, Uncle.
Asha Miss
(VO): Sach bolna sirf galti sudharna nahi, rishton ko paani dena
hai.
SCENE 10
— EXT. GAON KA CHHOTA CHABUTRA — DOPAHAR
Action:
Monu, Kisan, Maa, Mali Kaka chhote break me baith kar pani peete.
Raju-Tara-Kabir-Golu silhouettes peeche pedh ki chhaon me muskura kar thumbs up
dete (silent).
Kisan
(Monu se): Ek kahani sunu? Jab main tumhari umar ka tha, main bhi ek
baar paudha tod baitha. Maine jhooth bola. Aur us jhooth ko chhupane ke liye
dusri baar jhooth bolna pada. Fir teesri…
Monu
(dhyan se): Phir?
Kisan: Phir
ek din main ro pada… aur sach bol diya. Us din se jhooth ki jangha sach ne le
li. Zindagi aasan ho gayi.
Monu
(narm hansi): Mujhe bhi aaj aisa hi lag raha… jaise halkapan.
Maa: Kyunki
dil halka tab hota hai jab us par jhooth ka bojh nahi hota.
SCENE 11
— EXT. KHET — SHAAM
Action:
Aasmaan narangi. Monu naya paudha ko pani deta hai. Paas me chhota board lagaya
gaya: “Sache Dil Ka Paudha”.
Monu
(khud se pyaar se): Main roz pani dunga. Tum jaldi bade ho jao.
SFX: Chidiya,
door se mandir ki ghanti.
Montage:
- Monu roz shaam ko aata, paudha ko pani deta.
- Paudhe ke patte zyada hariyat dikhate.
- Monu patang lekin ab khet se door open maidan me udaata (safety).
- Kisan kabhi kabhi door se dekh kar muskura dete.
SCENE 12
— EXT. GAON KA SAMUDAAY BHOOMI — AGLA HAFTA — SUBAH
Action:
Chhota sa mela. Gaon ke log milkar “Hariyali Diwas” jaisa ek din mana rahe.
Bachche poster lekar aaye: “Sachchai = Vishwas”.
Asha Miss
(VO, soft celebratory): Jab sach ko roshni milti hai, to gaon me
utsav hota hai…
Headman
(mic par): Aaj hum Monu ko samman dena chahte hain — sach bolne ke liye
aur paudha bachane ke liye.
Taali.
Kisan Monu ko chhota sa Neem ka
sapling aur Safed Topi deta.
Kisan
(garv se): Ye topi sachchai ki topi. Jab kabhi jhooth ka khayal aaye,
ise chhoo lena.
Monu
(khushi se): Dhanyavaad.
SCENE 13
— EXT. CHABUTRA — USI DIN SHAAM
Action:
Monu aur Maa ghar laut rahe. Raste me Tara-Raju-Kabir-Golu silhouettes phir
“observer fairy-lights” ki tarah chal rahe— is baar halki goonj jaisi hansi
(but inaudible to Monu), jaise kahani ke dost.
Maa: Aaj
tumne sirf paudha nahi, apne andar bhi kuch laga diya hai— himmat.
Monu
(sochkar): Haan Maa. Ab agar galti ho, main pehle sach bolunga.
SCENE 14
— EXT. KHET — SUNSET SONG
Action:
Chhota, simple original moral geet. Monu, Kisan, Maa aur kuch bachche milkar
gaate-chalte. Camera aasmaan ki taraf pan karta.
ORIGINAL
SONG (2-3 stanzas, simple):
“Sach ki chhoti si roshni,
Andhere ko kaati re…
Dil me jo sach bola,
Darr sab se bhaagi re…
Paudhe
jaise sach ugta,
Paani de pyaar ka…
Jhooth ki dhool udate,
Aaye bahaar ka…”
SFX/MUSIC: Bacchon
ki halki taali, clap-game rhythmic.
SCENE 15
— EXT. KHET KA KINARA — NIGHT TRANSITION
Action:
Chaand nikal aata. Paudha halki hawa me jhulta. Board “Sache Dil Ka Paudha”
chamakta.
Asha Miss
(VO, wrap-up): Monu ne seekha — sach
bolna mushkil ho sakta hai, par sach ki raah sabse seedhi hoti hai. Aur
jab raah seedhi ho, to dil halka rehta hai.
Visual: Classroom-ke-bachchon
ki silhouettes dheere-dheere fade ho kar hamare real classroom ki taraf dissolve.
SCENE 16
— INT. CLASSROOM — WAPSI (Kahani se Bahar)
Action:
Asha Miss ghanti bajati hain. Bachche aankhen kholte. Sabke chehron par “aha!”
waali smile.
Asha
Miss: Toh, bachcho… kahani me sabse important pal kaunsa tha?
Raju (is
baar real dialogue, guilty-sweet): Jab Monu ne sach
bola. (Asha ki taraf dekhta) Miss… main bhi aaj sach bola tha garden ke baare
me.
Asha Miss
(pyaar se): Aur isi liye humne saath me paudha lagaya. (board ki taraf)
Aaj ka moral — “Sachchai se Vishwas ugta
hai.”
Kabir: Miss,
lagta hai jab sach bolte hain to darr kam hota hai.
Tara: Aur
awaaz tez ho jaati hai… (khud par hansi)
Golu: Aur
baantne ka mann karta hai. (apne crayons ko table par rakh kar) Lo, sab share
karo.
Class
(khush ho kar): Yayy!
Asha
Miss: Kal — Kahani 2:
Dosti ka Asli Matlab. Taiyyar?
Class
(chorus): Taiyyar!
Music
Cue: Warm, hopeful sting.
On-screen
card (handwritten style): “Next: Dosti ka Asli Matlab”
ACT 2 —
Kahani 1: SACHCHAI KI JEET — END CUE
Done! Act
2 — Kahani 1: “Sachchai ki Jeet” ka poora
detailed screenplay maine canvas me add kar diya hai.
ACT 2 — Kahani 1: SACHCHAI KI JEET
(Roman Hindi Screenplay)
Duration: ~20 minutes
Setting: Gaon ke khet, mitti ki sugandh, aasmaan me gubbare-jaisi badlon
ki ladi; kahani duniya thodi magical, thodi real.
Primary Kahani Characters:
- Monu – 9 saal ka baccha, dil ka accha, par daant se ghabra kar
jhooth bolne ki koshish karta hai.
- Kisan
Ramprakash – Mehnati, narm-dil par sachchai ko
bahut maayne deta.
- Maa – Monu ki maa, samajhdaar, sikhane wali.
- Mali
Kaka – School ke garden wale, yahan
kahani me “Gaon ke bageechay-wale” roop me.
- Narrator
/ Asha Miss (VO) – Kahani ko aage badhati hain.
Note: Kahani duniya me hamare classroom ke bachche (Raju, Tara,
Kabir, Golu) kabhi-kabhi "observer silhouettes" ke roop me dikhenge—
bina dialogue ke visual presence— taaki bachchon ko lage ki woh kahani ke andar
hain. Unki awaaz nahi aati; sirf reactions (wow, surprise) dikhte hain.
SCENE 1 — EXT. GAON KE KINARE — SUBAH KI ROSHNI
Action:
Soft light. Hawa me sarson ke phool hil rahe. Do teeke hue gaddhon par paani
chhalak raha. Dur se gaiyon ki ghanti.
SFX: Halki hawaa, chidiya ki chahchahat.
Asha
Miss (VO, narmi se): Ek gaon tha… aur us gaon me rehta
tha Monu. Monu ne kabhi kisi ka bura nahi chaha, par ek din usse ek chhoti
galti ho gayi…
CUT
TO: Monu bamboo wali chhoti dandi
ghooma kar daudta aa raha hai.
Monu
(khud se): Aaj main apni patang ko sabse upar
udaunga!
SCENE 2 — EXT. KHETON KE PAAS — LAGAATAR
Action:
Patang hawa me. Dori jhatakti hai. Monu ka paon phisal kar narm mitti par
padta, seedha khet ke kinare lage naye paudhon me ghus jata. 3-4 komal
paudhe murjha jate/tedhe ho jate.
SFX: Kharr (paudha murhna), patang ki dori ki tar-tar.
Monu
(ghabra kar, dheere): Arre… yeh ho gaya? (paudhon ko
seedha karne ki koshish) Uth jao na… please…
Dur
se Kisan Ramprakash ki aawaaz:
Kisan
(O.S.): Kaun hai udhar? (nazdeek aate hue)
Monu
(andar se): Ab kya karun… agar bataya to daant
padegi… (jaldi se patang ki dori lapet kar pichhe ki taraf chupe hue nikalta
hai)
Visual: Raju-Tara-Kabir-Golu silhouettes overshadow me dekhte— Monu
ko chhupte hue, expressions me concern.
SCENE 3 — EXT. GALI / MONU KA GHAR — SHAAM KE NASDIK
Action:
Monu dheere-dheere ghar lautta. Maa aangan me daal chhonk rahi.
Maa: Aaj jaldi kyon udas ho? Patang udaayi?
Monu
(jhootha muskura): Haan… bahut acchi udi! (aankh jhuka
kar) Bas thak gaya.
Maa
(dekh kar samajh jaati hai):
Thakawat aankhon me nahi, mann me hoti hai, beta. Sab theek?
Monu
(bachon wali zid): Theek hai, Maa. (andar chala jata)
Asha
Miss (VO): Kabhi-kabhi humari aankhen sach keh
deti hain, chahe zabaan na kahe.
SCENE 4 — INT. MONU KA CHHOTA KAMRA — Raat
Action:
Monu bistar par pada chhat ghoorta. Khidki se chaand ki roshni. Dil ki awaaz
guftagu jaise.
Dil
Ki Awaaz (VO, Monu ki hi halki goonj):
Jhooth bolna asaan lagta hai… par dil dhadakta kyon hai?
Monu
(kan band kar): Bas so jao… kal sab theek ho
jayega.
SFX: Dhadkan ki halki-thap… fir khamoshi.
SCENE 5 — EXT. KHET — AGLE DIN SUBAH
Action:
Kisan Ramprakash toote paudhon ko dekhte. Haath se mitti ko halka sa sajhakar
dekhte— nishan chhote paon ke.
Kisan
(sochkar, pyaar se): Baccha hi to hoga. (aas-paas nazar)
Mali
Kaka (aate hue): Ramprakash, kuch hua kya?
Kisan: Haan, naye paudhe murjha gaye. Shayad khelte-kudte koi
baccha aa gaya. (narm saans) Bacche se badi fasal aur kya? Bas… jaanta hoon,
agar woh aayega aur sach bolega, to use kuch nahi kahunga. Sirf samjhaunga.
Asha
Miss (VO): Waise hi jaise sahi kisaan paudhe
ko jhil-mil dhoop dikhata, par teekhi dhoop se bachata hai…
SCENE 6 — EXT. GAAON KI CHOWK — DUPAHR
Action:
Monu apne doston ke saath khel raha, par khayal uthta rehta hai. Ek dost paani
pilata, Monu door tak kheton ko dekhta rehta.
Dost: Chal, chuppan-chuppai!
Monu
(be-dil): Tum log khelo… main thodi der me
aata hoon.
Visual: Classroom-ke-bachche silhouettes is baar pass ki deewar par
rangoli jaise patterns banate dikhte— jaise kahani ki duniya me imaginary— Monu
ki taraf "go, tell the truth" type gestures.
SCENE 7 — INT./EXT. MONU KA GHAR / AANGAN — SHAAM
Action:
Maa roti sek rahi. Monu aangan me patang ki dori ko ghumata hai, phir rok deta.
Maa: Beta, jaisa bolna ho, bina dare bol do. Ghar sach ke liye
hi hota hai.
Monu
(saans chhod kar): Maa… kal main khet ke paas gir gaya
tha. Kuch paudhe… toot gaye.
Maa
(bilkul shaant): Toh tum ab kya karna chahte ho?
Monu
(himmat jod kar): Kisan uncle se maafi maangna… aur
paudhe theek karne me madad karna.
Maa
(muskurahat): Bas. Sach yahi hai. Main tumhare
saath chalungi, par baat tum karoge. Theek?
Monu
(chhoti si muskaan): Theek.
SCENE 8 — EXT. KHET — AGLE DIN SUBAH
Action:
Monu aur Maa khet me aate. Kisan Ramprakash paudhe ko paani de rahe. Monu ke
pair dheere chal rahe.
Monu
(jhat se haath jod kar): Uncle…
woh… kal galti se main yahan gir gaya tha. 3-4 paudhe toot gaye. Mujhe bahut
bura lag raha hai. Main… maafi chahta hoon.
Kisan
(Monu ko dhyan se dekh kar, naram hansi):
Naam?
Monu: Monu.
Kisan: Monu, galti par maafi milti hai. Par sabse badi baat —
tumne sach bola. (maa ki taraf dekh kar) Baccha accha hai.
Maa
(vinamr): Bacche galti se bante hain… aur
sach se sudharte hain.
Kisan: Aao, paudhe ko sambhalte hain. (Monu ko navin paudha deta)
Isse mitti me dhyaan se dabana. Zyada zor nahi, zyada dheelapan nahi — jaise
sach ko rakhte hain.
Monu
(carefully paudha lagata): Aise?
Kisan
(khush): Bilkul.
SFX: Mitti ki naram chhup-chhup, paani ki halke chhidke ki
aawaz.
SCENE 9 — EXT. KHET KA KINARA — CONTINUOUS
Action:
Mali Kaka kuch lakdi, chhoti baadh laker aate.
Mali
Kaka: Yeh chhoti si baadh laga dete hain
kinare par. Bacche jab khelein, seedha khet me na girein.
Kisan: Sahi kaha. (Monu ko dekh kar) Aur tum kahin bhi khelo, par
jab khet ke paas aao to pehle salaam kar dena — zameen maa hoti hai.
Monu
(samajh kar): Ji, Uncle.
Asha
Miss (VO): Sach bolna sirf galti sudharna
nahi, rishton ko paani dena hai.
SCENE 10 — EXT. GAON KA CHHOTA CHABUTRA — DOPAHAR
Action:
Monu, Kisan, Maa, Mali Kaka chhote break me baith kar pani peete.
Raju-Tara-Kabir-Golu silhouettes peeche pedh ki chhaon me muskura kar thumbs up
dete (silent).
Kisan
(Monu se): Ek kahani sunu? Jab main tumhari
umar ka tha, main bhi ek baar paudha tod baitha. Maine jhooth bola. Aur us
jhooth ko chhupane ke liye dusri baar jhooth bolna pada. Fir teesri…
Monu
(dhyan se): Phir?
Kisan: Phir ek din main ro pada… aur sach bol diya. Us din se
jhooth ki jangha sach ne le li. Zindagi aasan ho gayi.
Monu
(narm hansi): Mujhe bhi aaj aisa hi lag raha…
jaise halkapan.
Maa: Kyunki dil halka tab hota hai jab us par jhooth ka bojh
nahi hota.
SCENE 11 — EXT. KHET — SHAAM
Action:
Aasmaan narangi. Monu naya paudha ko pani deta hai. Paas me chhota board lagaya
gaya: “Sache Dil Ka Paudha”.
Monu
(khud se pyaar se): Main roz pani dunga. Tum jaldi bade
ho jao.
SFX: Chidiya, door se mandir ki ghanti.
Montage:
- Monu roz shaam ko aata, paudha ko pani deta.
- Paudhe ke patte zyada hariyat dikhate.
- Monu patang lekin ab khet se door open maidan me udaata (safety).
- Kisan kabhi kabhi door se dekh kar muskura dete.
SCENE 12 — EXT. GAON KA SAMUDAAY BHOOMI — AGLA HAFTA — SUBAH
Action:
Chhota sa mela. Gaon ke log milkar “Hariyali Diwas” jaisa ek din mana rahe.
Bachche poster lekar aaye: “Sachchai = Vishwas”.
Asha
Miss (VO, soft celebratory):
Jab sach ko roshni milti hai, to gaon me utsav hota hai…
Headman
(mic par): Aaj hum Monu ko samman dena chahte
hain — sach bolne ke liye aur paudha bachane ke liye.
Taali.
Kisan Monu ko chhota sa Neem ka sapling aur Safed Topi deta.
Kisan
(garv se): Ye topi sachchai ki topi. Jab kabhi
jhooth ka khayal aaye, ise chhoo lena.
Monu
(khushi se): Dhanyavaad.
SCENE 13 — EXT. CHABUTRA — USI DIN SHAAM
Action:
Monu aur Maa ghar laut rahe. Raste me Tara-Raju-Kabir-Golu silhouettes phir
“observer fairy-lights” ki tarah chal rahe— is baar halki goonj jaisi hansi
(but inaudible to Monu), jaise kahani ke dost.
Maa: Aaj tumne sirf paudha nahi, apne andar bhi kuch laga diya
hai— himmat.
Monu
(sochkar): Haan Maa. Ab agar galti ho, main
pehle sach bolunga.
SCENE 14 — EXT. KHET — SUNSET SONG
Action:
Chhota, simple original moral geet. Monu, Kisan, Maa aur kuch bachche milkar
gaate-chalte. Camera aasmaan ki taraf pan karta.
ORIGINAL
SONG (2-3 stanzas, simple):
“Sach ki chhoti si roshni,
Andhere ko kaati re…
Dil me jo sach bola,
Darr sab se bhaagi re…
Paudhe
jaise sach ugta,
Paani de pyaar ka…
Jhooth ki dhool udate,
Aaye bahaar ka…”
SFX/MUSIC: Bacchon ki halki taali, clap-game rhythmic.
SCENE 15 — EXT. KHET KA KINARA — NIGHT TRANSITION
Action:
Chaand nikal aata. Paudha halki hawa me jhulta. Board “Sache Dil Ka Paudha”
chamakta.
Asha
Miss (VO, wrap-up): Monu ne seekha — sach bolna
mushkil ho sakta hai, par sach ki raah sabse seedhi hoti hai. Aur jab raah
seedhi ho, to dil halka rehta hai.
Visual: Classroom-ke-bachchon ki silhouettes dheere-dheere fade ho
kar hamare real classroom ki taraf dissolve.
SCENE 16 — INT. CLASSROOM — WAPSI (Kahani se Bahar)
Action:
Asha Miss ghanti bajati hain. Bachche aankhen kholte. Sabke chehron par “aha!”
waali smile.
Asha
Miss: Toh, bachcho… kahani me sabse
important pal kaunsa tha?
Raju
(is baar real dialogue, guilty-sweet):
Jab Monu ne sach bola. (Asha ki taraf dekhta) Miss… main bhi aaj sach bola tha
garden ke baare me.
Asha
Miss (pyaar se): Aur isi liye humne saath me paudha
lagaya. (board ki taraf) Aaj ka moral — “Sachchai se Vishwas ugta hai.”
Kabir: Miss, lagta hai jab sach bolte hain to darr kam hota hai.
Tara: Aur awaaz tez ho jaati hai… (khud par hansi)
Golu: Aur baantne ka mann karta hai. (apne crayons ko table par
rakh kar) Lo, sab share karo.
Class
(khush ho kar): Yayy!
Asha
Miss: Kal — Kahani 2: Dosti ka Asli
Matlab. Taiyyar?
Class
(chorus): Taiyyar!
Music
Cue: Warm, hopeful sting.
On-screen
card (handwritten style): “Next: Dosti
ka Asli Matlab”
ACT 2 — Kahani 1: SACHCHAI KI JEET — END CUE
ACT 2 — Kahani 2: DOSTI KA ASLI
MATLAB (Roman Hindi Screenplay)
Duration: ~20 minutes
Setting: Jungle ke kinaare aur gaon ke aas-paas; kahani adventurous aur
emotional dono.
Primary Kahani Characters:
- Chintu – Hoshiyaar par thoda khudgarz bachcha.
- Pintu – Seedha-saadha, dil se wafadar dost.
- Jungle
ka Bhaloo – Metaphorical “challenge.”
- Asha
Miss (VO) – Kahani ko narrate karti hain.
SCENE 1 — EXT. GAON KA MAIDAN — SUBAH
Action:
Chintu aur Pintu khelte hue ek dusre ko taang kheench rahe. Chintu hamesha
jeetna chahta hai.
Chintu
(hansi ke saath): Main hamesha tumse tez bhaagta
hoon, Pintu!
Pintu
(saans phula kar): Haan, par main hamesha tumhare
saath hota hoon.
Asha
Miss (VO): Dosti sirf jeetne ki baat nahi,
saath nibhaane ki baat hai.
SCENE 2 — EXT. JUNGLE KE KINARE — DUPAHR
Action:
Dono jungle ke paas khelne nikal jaate hain. Pakshi chahchahate, halki si
khamoshi.
Pintu: Chintu, zyada andar mat jaana.
Chintu
(masti me): Arre darrpok, kuch nahi hoga! Chal,
chal.
SFX: Ek bada sa gharrrr — jungle me ek bhaloo ki aawaaz.
Pintu
(darr kar): Chintu! Wapas chalte hain!
SCENE 3 — EXT. JUNGLE RAASHTA — LAGAATAR
Action:
Ek bada sa bhaloo saamne aa jaata hai. Chintu turant pedh par chadh jata hai.
Chintu
(upar chadhte hue): Jaldi aaja! (phir ruk kar) Nahi, tu
khud dekh le kaise bachna hai!
Pintu
(neeche atka hua): Par main pedh par chadh hi nahi
paata… (ghabrahat)
Asha
Miss (VO): Yahi hoti hai dosti ki kasauti.
SCENE 4 — EXT. JUNGLE GROUND — CONTINUOUS
Action:
Pintu zameen par leṭ jaata hai, apni saans rokta hai jaise mar gaya ho. Bhaloo
uske paas aata hai, sughghta hai, aur dhire-dhire chala jaata hai.
SFX: Bhaloo ki gurr-gurr aur phir jaane ki aawaaz.
Chintu
(pedh se neeche aakar): Uff! Bach
gaye. Waise bhaloo tere kaan me kya bol raha tha?
Pintu
(thoda naraaz): Usne kaha — "Aise dost par
bharosa mat karna jo khud bachte hi tumhe chhod de."
SCENE 5 — EXT. GAON KI GALI — SHAAM
Action:
Dono ghar laut rahe. Khamoshi chhayi hai.
Chintu
(sharminda): Pintu… mujhe maaf kar de. Main sirf
apne baare me sochta raha. Tu asli dost hai jo mujhe chhod kar bhi saath nibha
gaya.
Pintu
(muskurate hue): Dosti ka matlab sirf khelna nahi,
mushkil waqt me saath dena hai.
SFX: Halki shehnai jaise dhun.
SCENE 6 — EXT. GAON KA CHABUTRA — SHAAM
Action:
Dono bachhe chhote patthar se ek nishaan banate hain — "Sache Dost".
Classroom ke bachchon ki silhouettes (Raju, Tara, Kabir, Golu) background me
clapping karte dikhte.
Asha
Miss (VO): Dosti ek vachan hai — ki hum ek
dusre ko kabhi chhodenge nahi.
SCENE 7 — INT. CLASSROOM — KAHANI SE WAPSI
Action:
Asha Miss ghanti bajati hain. Sab bachche aankhen kholte.
Asha
Miss: Toh, kya samjhe?
Raju: Dosti matlab sirf masti nahi, mushkil me saath.
Tara: Aur asli dost wahi jo darr me bhi khada rahe.
Kabir
(sochkar): Main bhi shortcuts ki jagah dost ki
madad lunga.
Golu: Aur sharing sirf khilone ka nahi, hausle ka bhi hota hai.
Asha
Miss (muskura kar): Shabash. Kal ki kahani — Mehnat
ka Phal. Taiyyar?
Class
(chorus): Taiyyar!
Music
Cue: Khushi bhara, warm background.
On-screen
card: "Next: Mehnat ka Phal"
ACT 2 — Kahani 2: DOSTI KA ASLI MATLAB — END CUE
Kahani
2 — “Dosti ka Asli Matlab” ka poora screenplay ab canvas me add ho gaya
hai ✅
ACT 2 — Kahani 3: MEHNAT KA PHAL
(Roman Hindi Screenplay)
Duration: ~20 minutes
Setting: Gaon ke khet, mela aur school; kahani mehnat aur imandari ke
prati seekh deti hai.
Primary Kahani Characters:
Sonu – Jaldi result chahne wala baccha, hamesha shortcut
dhundhta hai.
Mannu – Dheere par mehnati, dhairya rakhta hai.
Gaon
ke Ustaad ji – Buddhe aur samajhdaar, jo bachcho
ki kasauti karte hain.
Asha
Miss (VO) – Kahani ko narrate karti hain.
SCENE 1 — EXT. GAON KA CHHOTA MAIDAN — SUBAH
Action:
Sonu aur Mannu kheton ke paas khel rahe hain. Dono ko gaon ke mela me lagne
wali "Sabse Sundar Paudha" competition ki chinta hai.
Sonu
(tez awaaz me): Main turant bada paudha ugane ka
raaz dhoondh lunga! Mela me pehla inaam mera hoga.
Mannu
(shaant): Main to roz paani, mitti aur dhoop
dunga. Dheere-dheere badega.
Asha
Miss (VO): Mehnat aur shortcut dono raste
dikhte hain — par phal sirf ek hi deta hai.
SCENE 2 — INT. GAON KA USTAAD JI KA AANGAN — DUPAHR
Action:
Ustaad ji dono ko ek-ek beej dete hain.
Ustaad
ji: Inhe ugao. Mela ke din laana.
Dekhte hain kaun kitna sambhalta hai.
Sonu
(andar hi andar): Main shortcut dhoondhunga.
Mannu
(dheere): Main to imandari se paudha
lagaoonga.
SCENE 3 — EXT. SONU KA AANGAN — SHAAM
Action:
Sonu ek dukan par jaakar ready-made paudha kharid leta hai. Apna beej ek kone
me phenk deta hai.
Sonu
(hansi): Ab dekho, bina mehnat ke sabse bada
paudha mera hoga.
SCENE 4 — EXT. MANNU KA AANGAN — SHAAM
Action:
Mannu mitti khodta hai, beej ko pyaar se lagata hai, roz paani deta hai.
Montage:
- Din ba din chhota paudha nikalta hai.
- Mannu garmi me bhi paani deta hai.
- Kabhi baarish me mitti theek karta hai.
- Uske chehre par thakaan, par khushi.
SCENE 5 — EXT. GAON MELA — EK HAFTE BAAD
Action:
Mela me sab log apne paudhe lekar aaye. Rang-birange stall, bacho ki hansi.
Sonu bada, hara-bhara paudha lekar aata hai (jo kharida tha). Mannu chhota par
asli paudha lekar.
Log
(taali): Wah, Sonu ka paudha to kitna bada
hai!
Mannu
(andar hi andar): Mera chhota hai… par mera hai.
SCENE 6 — EXT. JUDGE TABLE (USTAAD JI) — CONTINUOUS
Action:
Ustaad ji dono paudhe dekhte hain.
Ustaad
ji (Sonu se): Tumhara paudha itna bada… par isme
jad nahi hai. (mitti hata kar dekhte hain — jad alag nikli)
Sab
log (hairan): Arre! Yeh to nakli hai.
Sonu
(sharminda): Ji… maine shortcut liya.
Ustaad
ji (Mannu se): Tumhara paudha chhota hai, par jad
mazboot hai. Yeh asli mehnat ka phal hai.
Sab
log (taali bajate hain): Wah
Mannu!
SCENE 7 — EXT. MELA STAGE — SHAAM
Action:
Mannu ko inaam diya jaata hai — ek chhoti pustak aur mitti ka ghada.
Ustaad
ji: Yeh ghada yaad dilata rahega ki
mehnat se hi safalta milti hai.
Mannu
(khushi se): Dhanyavaad.
Sonu
(aankh nam): Mujhe maaf kar do, Mannu. Main bhi
ab se mehnat karunga.
Mannu
(muskurakar): Dost, chalo saath me aur paudhe
lagate hain.
Asha
Miss (VO): Shortcut kabhi kabhi turant khushi
deta hai, par asli safalta sirf mehnat se.
SCENE 8 — INT. CLASSROOM — KAHANI SE WAPSI
Action:
Ghanti bajti hai. Bachche aankhen kholte.
Asha
Miss: Toh bachcho, kaun si baat seekhi?
Kabir
(soch kar): Mehnat ki jagah shortcut se kuch
nahi milta.
Raju: Asli phal wahi hai jo dhairya se aata hai.
Tara: Chhota ho ya bada, asli hamesha jeetta hai.
Golu: Sharing ke saath mehnat karne ka maza hi alag hai!
Asha
Miss: Shabash. Kal ki kahani — Sharing
is Caring.
Class
(chorus): Taiyyar!
On-screen
card: “Next: Sharing is Caring”
ACT 2 — Kahani 3: MEHNAT KA PHAL — END CUE
Kahani
3 — “Mehnat ka Phal” ab poori tarah likh di gayi hai aur canvas me add
ho chuki hai ✅
ACT 2 — Kahani 4: SHARING IS CARING (Roman
Hindi Screenplay)
Duration: ~20 minutes
Setting: Gaon ka school aur ek chhoti picnic; kahani khushi baantne aur
sharing ke maayne samjhati hai.
Primary Kahani Characters:
- Gudiya – Pyari, par thodi kanjoos bacchi, cheezain share nahi
karti.
- Babloo – Dil se khushmizaj, cheezain khule dil se baantne wala.
- Teacher – Picnic organise karne wali.
- Asha
Miss (VO) – Kahani narrate karti hain.
SCENE 1 — EXT. SCHOOL CLASSROOM — SUBAH
Action:
Teacher announce karti hai ki kal picnic hogi, sab apne tiffin aur games lekar
aayenge.
Teacher: Aur yaad rakho, picnic me sab barabar honge. Khaana, khel,
hansi — sab milke baantenge.
Gudiya
(andar se sochkar): Main apne aloo ke parathe sirf khud
khaaungi. Mujhe sharing pasand nahi.
Babloo
(khushi se): Wah! Main extra laddoo lekar aaunga
sab ke liye.
Asha
Miss (VO): Jab cheezein baantne ka din aata
hai, tabhi pata chalta hai khushi kitni badi ho sakti hai.
SCENE 2 — EXT. PICNIC SPOT (RIVERSIDE) — AGLE DIN
Action:
Sab bachche rangin mats bichhate hain, khilone nikalte hain. Dhoop narm hai,
nadi ki halki aawaaz.
Babloo
(sabko): Dekho, main laddoo laaya hoon!
Sabko ek-ek milega.
Bachche
(taali): Wah Babloo!
Gudiya
(dabbe ko chipka kar): Mera
tiffin sirf mera hai.
SCENE 3 — EXT. PICNIC — THODI DER BAAD
Action:
Sab bachche games khelte hain. Cricket ka ball Gudiya ke paas aata hai.
Baccha
1: Gudiya, ball fenk do.
Gudiya
(nakhrey se): Ye ab mere paas hai, main nahi
doongi.
Bacche
(niraash ho kar dusri taraf chale jaate hain).
Asha
Miss (VO): Jab hum rok lete hain, khushi ruk
jaati hai. Jab baant dete hain, khushi beh jaati hai.
SCENE 4 — EXT. PICNIC — SHAAM KE PAAS
Action:
Bacchon ka football nadi ke paas chala jaata hai. Sab pareshan.
Babloo: Ruko, main apna chhota soft ball laaya hoon. Chalo isse
khelte hain.
Sab
bachche (khush): Yayy!
Visual: Sab milke khelte hain, hansi ki gunjaish.
Gudiya
(door se dekhte hue): Sab kitne khush hain… aur main
akeli hoon.
SCENE 5 — EXT. PICNIC MAT — CONTINUOUS
Action:
Sab bachche laddoo khatam kar chuke. Gudiya ke tiffin se parathe ki khushboo aa
rahi.
Baccha
2: Gudiya, thoda share karegi?
Gudiya
(andar se ladte hue): Agar main share kar dungi to mere
liye kam bachega…
(Thodi
der ruk kar, phir dabba kholti hai.)
Gudiya: Theek hai, lo sab le lo! Mujhe bhi maza aayega.
Sab
bachche (khushi se): Wah! Bahut tasty hai!
Babloo
(smile): Dekha, ab tu bhi humari khushi me
hai.
Gudiya
(has kar): Haan, sharing karne me maza hai.
SCENE 6 — EXT. RIVERSIDE — SUNSET
Action:
Bachche gyaan ki gol daira me baithe hain. Teacher samjhati hain.
Teacher: Aaj tumne sabse badi baat seekhi — khushi baantne se badhti
hai. Gudiya, tumne sabko apna khana diya, ab dekho sab tumhe aur zyada pyaar
karte hain.
Gudiya
(khushi se): Haan, mujhe lagta hai maine sabse
bada tiffin khud khaa liya — kyunki sabne milkar khaya!
Sab
(hans kar): Wah!
Asha
Miss (VO): Dosti aur pyaar ka asli raaz — Sharing
is Caring.
SCENE 7 — INT. CLASSROOM — KAHANI SE WAPSI
Action:
Ghanti bajti hai, sab aankhen kholte hain.
Asha
Miss: Toh bachcho, kya seekha?
Raju: Jo baantte hain, unhe sab chahte hain.
Kabir: Sharing sirf khilone nahi, zimmedaari bhi hoti hai.
Tara: Jab sabko milta hai, tabhi maza aata hai.
Golu
(khushi se): Ab main apne crayons sabko doonga!
Class
(chorus): Yayy!
Asha
Miss: Agli aur aakhri baat — hum sab
milkar kya seekhe hain, uska anjaam Act 3 me. Taiyyar?
Class: Taiyyar!
On-screen
card: “Next: Act 3 — Antim Seekh”
ACT 2 — Kahani 4: SHARING IS CARING — END CUE
Kahani
4 — “Sharing is Caring” ab poori likh di gayi hai ✅
ACT 3 — FINALE END CUE
✅
Act 3 — Finale / Antim Seekh bhi complete ho gaya hai.
Ab tumhari 2 ghante ki poori kids’ moral stories screenplay (Act 1 + 4
Kahaniyaan + Finale) canvas me ready hai 🎬✨
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