🎬 Movie Package: Bade Ghar Ki Chhoti Problems
1. Title
Bade Ghar Ki Chhoti Problems
2. Concept / Idea (Logline)
Ek middle-class joint family shaadi ki tayyari mein lagi hai, jab chhoti si galti—shaadi ka gold chain gum ho jana—poore ghar ko comedy hungame mein daal deti hai, aur sab apne-apne tareeke se chain wapas paane ki koshish karte hain.
3. Story Outline
·
Shaadi ka ghar, full hustle-bustle.
·
Chhota beta gold chain pawn shop mein girvi rakh
deta hai game ke liye.
·
Pura ghar alag-alag plans banata hai chain wapas
laane ke liye.
·
Padosi Johnny Lever aur family ke plans milke
aur bhi gadbad kar dete hain.
·
Har plan fail hota hai.
·
Twist: Maa ne chain safe mein rakha hota hai,
matlab hungama bekaar ka.
·
Ending ek emotional aur funny moment ke saath.
4. One-Line Story
Shaadi ke ghar ki ek chhoti galti, poore parivaar ki badi comedy.
5. Characters (Bio Cards)
·
Papa (50s) – Thoda strict,
middle-class values wale, tension me jaldi aa jaate hain.
·
Maa (45s) – Ghar ki shanti, har
problem ka simple solution unke paas hota hai.
·
Bada Beta (25) – Job karta hai,
responsible, lekin thoda confused nature.
·
Beti (22) – Shaadi ke liye
tayyar, thodi emotional aur drama queen.
·
Chhota Beta (15) – Naughty,
mobile aur video game ka deewana, chain girvi wahi rakhta hai.
·
Dadaji (70) – Purane zamane ke
tareeke batate rehte hain jo kabhi kaam nahi karte.
·
Padosi (Johnny Lever) – Hamesha
nosy aur galat time pe enter karke hungama barhata hai.
6. Plot Structure (3 Acts)
Act 1 – Setup
·
Shaadi ki tayyari, sab busy.
·
Chhote bete ka gold chain girvi rakhne ka scene.
·
Suspense build hota hai.
Act 2 – Confrontation
·
Family ko chain ke gaayab hone ka pata chalta
hai.
·
Alag-alag comedy plans:
o
Papa police bulane ka sochte hain.
o
Beti pawn shop jaake drama karti hai.
o
Dadaji purane tareeke se dukan todne ka plan
banate hain.
o
Johnny Lever apni over-smart advice deta hai.
· Har plan ulta padta hai.
Act 3 – Resolution
·
Maa safe kholti hai, chain wahi niklta hai.
·
Sab hansi aur emotional moment ke saath shaadi
me nikalte hain.
7. Script (Sample Screenplay)
INT. LIVING ROOM – DAY
(Shaadi ka ghar, sab running around)
Maa: Arre koi mithai ke dabbe band karo, warna guests kha
jayenge!
Papa: (irritated) Aur chain kahan hai? Dulhan ko pehnana hai.
Chhota Beta: (dar ke saath) Chain… wo… main bas… ek friend ke
paas…
(Sab shock)
Beti: Tumne chain girvi rakh diya!?
Johnny Lever (padosi aata hai):
Arre arre main bataun kya karna chahiye? Pawn shop ke malik ko boliye ki chain
duplicate hai. Warna main hoon na, ek scheme hai mere paas!
(Sab ulti-pulti plans karte hain, full chaos scenes)
8. Scene Breakdown
1. Shaadi
ki tayyari ka chaos.
2. Chhote
bete ka chain girvi rakhne ka scene.
3. Family
ko chain gayab hone ka pata lagna.
4. Alag-alag
members ka apna-apna plan.
5. Johnny
Lever ka entry aur gadbad.
6. Har
plan fail hona.
7. Twist
reveal – chain safe mein.
8. Happy
emotional shaadi climax.
9. Dialogues, Subtext & Themes
·
Theme: Family unity, daily life
comedy, chhoti problems bhi bade lessons sikhaati hain.
·
Subtext: Har member apni
individuality dikhata hai, lekin end mein unity important hai.
10. Treatment / Synopsis
Film ek middle-class family ki chhoti galti ke chakkar me bade hungame ko dikhati hai. Poora ghar comedy ke saath gold chain ko dhoondta hai, aur last me simple solution mil jaata hai. Yeh kahani har Indian parivaar ko relatable lagegi.
11. Storyboard / Shot Division
·
Wide shots: Family chaos, ghar
ke andar-outdoor shaadi prep.
·
Close-ups: Funny reactions,
Johnny Lever ke expressions.
·
Montage: Har family member ke
plan fail hone ke quick cuts.
·
Climax: Maa ka safe open karna,
sab relief ka expression.
12. Dialogue Drafts & Revisions
·
“Beta, shaadi ghar me chal rahi hai aur tu
cricket ke liye chain girvi rakh aaya?!”
·
“Padosi hoon main, aapki life ka CCTV!” – Johnny
Lever
13. Scene Pacing & Runtime
·
Act 1: 30 mins
·
Act 2: 50 mins (main comedy hungama)
·
Act 3: 20 mins (resolution + shaadi climax)
Total Runtime: ~1 hr 40 mins
14. Character Arcs
·
Papa: Tension se relief tak.
·
Maa: Calmness and wisdom.
·
Chhota Beta: Naughty → guilty → lesson learnt.
·
Johnny Lever: Nosy → accidental helper.
15. World-Building & Research
·
Typical Indian joint family setup.
·
Wedding rituals, mithai, band-baaja.
·
Relatable middle-class problems.
16. Tone & Genre Consistency
·
Clean comedy, no adult jokes.
·
Slice-of-life + situational humor.
·
Emotional climax with laughter.
17. Mini Checklist Before Writing
✅ Relatable family setup
✅ Clean comedy
✅ Emotional undercurrent
✅ Proper 3-act structure
✅ Funny dialogues + Johnny Lever punchlines
✅ Relatable Indian shaadi vibe
👉 Ye package ek full screenplay draft ke liye groundwork hai. Agar aap chahein to main poora Roman Hindi scene-by-scene screenplay dialogue ke saath likh deta hoon.
ACT 1 – SETUP (Screenplay)
INT. LIVING ROOM – MORNING
Shaadi ka ghar. Ribbons, phool, dabbe. Background me dholak practice ki awaaz. Har koi bhaag-daud me.
SARLA
Mithai ke dabbe band karo, warna Raju halwai ki izzat chali jayegi!
MAHESH (Papa, list dekhte hue)
Rohit! Tent wale ko phone kiya? Stage pe pink-mauve cloth chahiye, purple nahi!
ROHIT
Papa, pink-mauve aur purple mein farq sirf shayari ka hota hai… main call karta
hoon!
RIYA (bride, nervous-excited)
Mummy, mera mehndi wala outfit kahan gaya?
SARLA
Bed ke neeche wala bada suitcase. Aur haan—dulhan set ka gold
chain sambhal ke rakhna.
GOLU (15, mobile gamer, side me)
Maa, main dusting karta hoon… (under his breath) aur thoda level 42
bhi.
DADAJI (akhbaar padhte hue)
Aaj kal ki shaadiyon me asli gaana kum, DJ ki “dhik-chik” zyada!
Doorbell. Enters padosi: MR. CHAWLA (nosy, swag).
MR. CHAWLA
Namaste ji! Shaadi ki ghanti sun ke hum aa gaye—kuch madad chahiye ho to… hum
to aapke padosi hi hain.
MAHESH (meetha jhootha smile)
Haan haan, aaiye. Bas… madad thodi si kam shor me kariyega.
MR. CHAWLA (ghoorta hua drawing room)
Arre, yeh centrepiece thoda right mein karo. Vastu ke hisaab se energy flow…
SARLA (seedha)
Aap chai lenge, Mr. Chawla?
MR. CHAWLA
Agar adrak-wali ho to… do cup.
(Sab apna-apna kaam continue. Golu side me showcase kholta hai—andar gold chain box.)
GOLU (fascinated, whisper)
Wow… itna shiny! (Idea aata hai) Agar main isko thodi der ke liye… nope-nope…
(pause) Par pro tournament pass…
He sneaks the box, pockets it. Cut to his guilty-par-excited chehra.
INT. RIYA’S ROOM – LATE MORNING
Riya aur Sarla outfits check kar rahi hain.
RIYA
Mummy, dulhan set ka chain dekh loon?
SARLA (casually)
Abhi nahi, shaam ko nikalein. Filhaal yeh earrings try kar le.
RIYA (smiles)
Aaj thoda anxiety ho raha hai…
SARLA (pyar se)
Nayi zindagi ka excitement hai. Sab theek hoga.
INT. LIVING ROOM – CONTINUOUS
Mahesh caterer ko phone pe daant rahe.
MAHESH
Bhai, gulab jamun 400 aur rasgulle 300. Matha-tek kar likh lo. Aur haan—gold
chain saaf karwana tha… (suddenly) Sarlaaa!
SARLA (off-screen)
Haanji?
MAHESH
Chain saaf karwana hai, kal hi jeweller ko de denge.
SARLA (from corridor)
Theek hai, main raat ko safe se nikaal dungi.
(Golu sunta hai—face tight, tension. He slips out.)
EXT. GULLY / STREET – NOON
Montage: Shaadi posters, phoolon ki dukaan, dhol wales rehearse, bacche patang uda rahe.
Golu tezi se cycle pe nikalta hai. Pocket me chain box. Beech-beech me mobile notifications: “TOP-UP ₹399 – BUY?”
INT. PAWN SHOP – NOON
Chhota sa SHUKLA PAWN & JEWELS. Counter pe Mr. Shukla (40s, teekha).
SHUKLA
Haan bhai sahab, kya chahiye?
GOLU (himmat jod ke, seedha-sa)
Uncle, yeh… chain. Bas do din ke liye paisa chahiye. Phir le jaunga.
SHUKLA (chain dekhte hue)
Kiski izzat—sorry—kis ghar ka?
GOLU
Ghar ka hi hai. Shaadi ka saman… thoda temporary cash crunch.
SHUKLA (assessing)
18-carat, kaafi acha piece hai. Receipt chahiye?
GOLU (jaldi)
Nahi! Matlab haan, par mummy-papa ko… (gulp) surprise.
SHUKLA (smirks)
Surprise toh zaroori hai. (Likhta hai) Teen hazaar advance. Do din me wapas
laana, warna interest.
GOLU (relieved, cash lete hue)
Thanks, Uncle! (UNDER BREATH) Tournament pass, I’m coming!
EXT. PAWN SHOP / STREET – FEW MINUTES LATER
Golu cash se phone recharge karta hai, game pass kharidta hai. Victory ke dance jaise steps. Fir guilty-lagta hai.
GOLU (to self)
Sirf do din. Shaadi tak wapas. Koi nahi jaane wala…
INT. LIVING ROOM – AFTERNOON
Rohit florist se jhagda, Mahesh decorator se.
ROHIT
Bhai, phoolon me fragrance hona chahiye, headache nahi!
MAHESH
Stage pe fairy lights zyada lag rahi hain, bijli ka bill hum bharenge ya aap?
MR. CHAWLA (ghus ke)
Bijli ka meter half-rate me lagwa deta hoon—jugaad apni pehchaan!
DADAJI (dry)
Beta, jugaad se shaadi nahi, azaadi milti hai.
(Sab hans dete hain.)
SARLA (kitchen se aati)
Riya ke lehenga ki zip silwa di. Aur… (thinks) Chain…
MAHESH
Raat ko safe se nikaalna, yaad hai?
SARLA
Haan haan.
(Golu hall me ghus ke seedha apne room ki taraf nikalta—face extra normal dikhane ki koshish.)
ROHIT
Champion, aaj ka homework?
GOLU (over-acting cool)
Main toh aaj ghar ka network admin hoon. Wi-Fi optimize kar raha hoon.
(Runs)
MR. CHAWLA (sus)
Bachcha kuch chhupa raha hai… padosi intuition.
MAHESH (tired)
Chawla ji, aapka “intuition” hamare hall me hi kyun aata rehta hai?
INT. GOLU’S ROOM – EVENING
Golu game khel raha. On-screen: “LEVEL 42 UNLOCKED!” He smiles, phir chain yaad aati—guilt.
GOLU (to self)
Bas kal subah wapas rakh dunga. No drama.
Door opens. Riya enters, mehndi trials ke saath.
RIYA
Oye detective, mera dupatta clip dekha?
GOLU (nervous)
Nahi di. Main—main toh padh raha tha. (Screen pe game pause)
RIYA (teasing)
Padhaai ka naya chapter: “PUB-Gita.”
GOLU
Arre… Shaadi Wali Bhagavad Gita, sahi?
(Dono hans dete. Riya nikalti. Golu exhale.)
INT. MASTER BEDROOM – NIGHT
Sarla almirah kholti hai. Ek SMALL SAFE
nikalta. Lock ghoomati hai—tik-tik.
(Important: Woh chain ABHI SAFE ME NAHIN HAI, par Sarla ko
yaad hai ki kal raat rakhna hai; iss waqt woh sirf checklist kar
rahi.)
SARLA (murmur)
Kal subah chain nikaal ke cloth me wrap. Ajj bas list complete.
MAHESH (andar aate)
Kal jeweller ko dene nikalna padega. Riya ko shaam tak pehnaana bhi hai.
SARLA (muskurate hue)
Sab ho jayega.
They close almirah. Subtle suspense sting.
INT. DINING AREA – SAME NIGHT
Puri family dinner. Riya ki mehndi ki planning, dholak practice shuru.
DADAJI
Mehndi me gaana hai “Chittiyaan Kalaiyaan” ya “Mere Angne Mein”?
History matter karta hai.
ROHIT
Dadaji, aaj kal playlist history nahi, algorithm decide karta
hai.
MR. CHAWLA (sudden pop-in, plate leke)
Bas thoda sa kheer… taste test.
MAHESH (deadpan)
Taste test? Aap FSSAI ho?
SARLA (serve karte hue)
Loji, sabko kheer. Riya, kal subah chain try karenge. (to Golu) Aur tum—jaldi
so jana.
(Golu ka spoon rukta. Palpable guilt. Tez-Tez kheer khata.)
INT. GOLU’S ROOM – LATE NIGHT
Golu twisting-and-turning, chain yaad. Ek sticky note
likhta:
“Kal 8 baje – chain laana & safe me rakhna.”
GOLU (self pep talk)
Early morning. Pawn shop se le aaunga. Koi nahi jaanta. Smooth.
EXT. STREET / PAWN SHOP – EARLY MORNING (NEXT DAY)
Market dhul raha, shutters uth rahe. Golu cycle se rapidly aata. Shukla shutter khol raha.
GOLU (huffing)
Uncle! Woh chain—main abhi le jaaun? Bas do ghante ke liye.
SHUKLA (rules man)
Beta, receipt lao. Aur interest ka 50 rupiya.
GOLU (pockets check)
Receipt… (yaad aata) Kal maine rakh di thi… (panic) Uncle, please—thoda urgent
hai.
SHUKLA (firm but kind)
Paper ke bina item release nahi. Aaj dukaan khulne do, shaam tak aana.
GOLU (almost pleading)
Shaam tak— (gulp) theek hai.
INT. LIVING ROOM – MORNING PEAK
Ghar me MEHNDI ki preparations. Dholak, maamiyan-auntyaan entry.
SARLA (cheerful)
Riya beta, chain try kar lete. (to Mahesh) Safe le aao.
MAHESH
Aye lo!
(Mahesh almirah se SMALL SAFE laata hai, sab ke saamne table pe rakhta.)
DADAJI (drumroll style)
Dekho dekho—raaz ka khazana!
MR. CHAWLA (neck stretch)
Main to bas dur se dekh raha hoon… security reasons.
SARLA (calm)
Riya, khol ke nikaalo.
Riya combination dial ghumaati hai. Box khulta hai—
INSIDE: neatly folded clothes, earrings case… BUT NO CHAIN BOX visible.
Room me live freeze. Background dholak cut. Pin-drop silence.
RIYA (confused)
Mummy… chain box kahan hai?
MAHESH (startled)
Arey… kal tumne safe me rakha tha na?
SARLA (slowly)
Maine… list me likha tha… Par rakh— (goes blank) Ek min— doosra compartment?
Tezi me check. Chain nahin milta.
DADAJI (gulp)
Bachho… ye koi magic trick to nahi?
MR. CHAWLA (low whistle)
Yeh toh mystery-thrillery lag rahi… (whispers) Police bulayein?
(Sab ka chehra tanned pale. Golu doorway me khada, aankhon me darr. Suspense beat.)
GOLU (V.O., dil ki awaaz)
Bas shaam tak sambhal lo… shaam tak…
MAHESH (to everyone, controlled but rising panic)
Sab shant—poore ghar me check karo. Almirah, drawers, dressing table, barfi ke
dabbe… sab jagah.
SARLA (apne aap se)
Maine rakha kyun nahi… ya rakha tha?
RIYA (voice shaking)
Mummy… shaam ko mehndi hai…
MR. CHAWLA (excited whisper)
Main clues dhundhta hoon. Padosi Detective Returns!
Sab alag-alag directions me bhaagte hain. Camera lands on Golu’s guilty face—sweat bead. He looks at the safe, then at the door…
CUT TO BLACK.
END OF ACT 1 (SETUP).
Notes (for Direction & Flow)
· Act 1 ka endpoint: Chain missing ka reveal family ke liye suspense, audience ko pata hai Golu ne girvi rakha, isliye dramatic irony se comedy + tension dono milta hai.
· Johnny Lever (Mr. Chawla) ki entry yahin se recurring comedic trigger banegi.
·
Next Act (Confrontation) me: alagalag funny
plans, pawn shop pe drama, duplicate/decoy ideas, Dadaji ke purane tareeke,
Chawla ke jugaad—sab fail.
🎬 ACT 2 – CONFRONTATION (Screenplay)
INT. LIVING ROOM – MORNING (CONTINUATION)
Sab panic mode me safe khol ke baithhe hain.
Chain gayab.
MAHESH (Papa)
Arey bhagwan… shaadi ke din par yeh musibat!
SARLA (Maa)
Mujhe yaad hai maine list banayi thi… par chain rakha tha ya nahi… yaad hi nahi
aa raha.
RIYA (Beti,
shock me)
Mummy! Dulhan set bina chain ke adhura hai. Log kya kahenge!
ROHIT (Bada
Beta, practical)
Relax sab! Hum calmly search karte hain. Chain ghar me hi hoga.
DADAJI
(seriously)
Mere zamane me aise problem hoti thi toh hum samaan
ke neeche aata dal kar dete the. Chor kabhi aata nahi tha.
MR. CHAWLA
(Johnny Lever, full energy)
Arre dadaji, ab zamana digital hai. Aap chain ki jagah QR code daal do, chor confuse ho jaayega!
(Sab ghoorte hain, Chawla embarrassed but still nosy.)
MONTAGE – “FAMILY PLANS” (Comedy Attempts)
1.
PAPA KA PLAN
(Police wala)
Papa local police ko bulane ka sochte hain.
PAPA: “Inspector ko bulaate hain,
woh investigation karega.”
ROHIT: “Papa, shaadi ka ghar
hai, police aayi toh guests gossip karenge ‘dulhan ke ghar se chain chori’.”
CHAWLA (excited): “Main CID ke
Daya ko jaanta hoon… TV pe!”
(Sab facepalm.)
2.
RIYA KA PLAN
(Pawn Shop Drama)
Riya aur Rohit pawn shop jate hain.
RIYA (dramatic tone): “Yeh chain
hamari shaadi ki aas hai! Please wapas do!”
SHUKLA (pawn shop owner, calm):
“Receipt lao beti. Rules rules hote hain.”
RIYA (crying melodrama): “Main
dulhan hoon, rules mere liye ruk jaane chahiye!”
(Shop ke customers clap karte hain, Shukla
awkward, phir bhi chain nahi deta.)
3.
DADAJI KA PLAN
(Old School Jugaad)
Dadaji kehta hai chain ke peeche “chor ka haath” hai, aur purana tareeka batata
hai.
DADAJI: “Ghar ke saamne neem ke
ped ke neeche ek thaali me doodh rakho. Chor khud aa jaayega.”
(Sab hans padte hain.)
CHAWLA (side me): “Doodh rakhna
hai toh doodhwale ko bulao. Kam se kam bill clear hoga.”
4.
ROHIT KA PLAN
(Spy style)
Rohit camera lagata hai pawn shop ke bahar spy karne ke liye.
CHAWLA (interrupts): “Main
disguise me jaata hoon—pawn shop owner ko apni mummy ka chain girvi rakhne ka
drama karta hoon, phir asli chain nikalwa lunga.”
(Johnny Lever disguise me jaata hai—wig, dark
glasses, muffler—par Shukla pehchaan leta hai aur dukaan se nikal deta hai.)
INT. LIVING ROOM – AFTERNOON
Sab thak chuke hain, hungama chhaya hai.
RIYA
(stress me)
Mummy! Ab kya hoga? Mehndi ke guests aayenge aur chain gayab hai!
SARLA
(calm but worried)
Sabko shaant rehna hoga. Chain mil jaayega.
MAHESH
(angry)
Mil jaayega mil jaayega bolne se kuch nahi hota, Sarla! Mujhe toh lagta hai
kisi ne chain utha liya hai.
CHAWLA
(suspenseful tone)
Mujhe bhi lagta hai… chain chor hamare ghar ke andar hi hai!
(Camera zooms on Golu, jo dar ke mare kheer ka chamach gira deta hai. Suspense + comedy beat.)
INT. GOLU’S ROOM – EVENING
Golu guilt me baitha hai, mobile band. Sticky
note dekhta hai: “Chain laana.”
GOLU
(whisper)
Bas shaam tak… bas shaam tak… safe me rakh dunga.
Door khulta
hai, Papa aate hain.
MAHESH
Beta, chain ke baare me kuch dekha?
GOLU
(stammer)
N…nahi papa. Main toh game khel raha tha.
MAHESH
(suspecting)
Game me chain mil gaya kya?
(Papa nikal jaate hain. Golu sigh of relief, lekin aur guilt.)
EXT. PAWN SHOP – NIGHT
Rohit aur Riya phir dukaan jaate hain, is baar
Dadaji ke saath.
ROHIT
Sir, please chain release kar do, shaadi ghar hai.
SHUKLA
Rules clear hain. Receipt lao, interest bharo, phir chain milega.
DADAJI
(angry)
Humare zamane me dukaan wale izzat de ke chain wapas kar dete the. Tumhare
jaise business-minded log nahi hote the.
SHUKLA
(sarcastic)
Aapke zamane me Paytm bhi nahi tha, Dadaji.
(Sab aur confuse. Wapas fail ho jaate hain.)
INT. LIVING ROOM – LATE NIGHT
Family phir se ikatthi hoti hai. Sab
disappointed.
RIYA
(crying)
Meri shaadi ke din sab gadbad ho gaya.
SARLA
(hugging her)
Nahi beta, chain se shaadi nahi hoti, pyaar se hoti hai.
CHAWLA
(philosophical comedy)
Aur electricity se bhi hoti hai. Bijli gayi toh stage dark ho jayega!
(Sab ek saath ghoorte hain.)
SUSPENSE BEAT – GOLU ALONE
Golu khidki se pawn shop dekhta hai (dikh raha
saamne). Whisper karta hai:
GOLU
Bas kal subah. Kal subah chain le aayunga. Please bhagwan, shaadi kharab na ho.
Camera uske
guilt pe freeze hota hai. Background me baraat ke dhol bajte hain, aur suspense
music chalta hai.
CUT TO
BLACK.
END OF ACT 2 (Confrontation).
Highlights in Act 2:
·
Har family member apna-apna tareeka try karta
hai → sab fail hote hain.
·
Johnny Lever (Chawla) comedy catalyst hai.
·
Suspense audience ko pata hai → Golu culprit
hai, par family ko nahi.
· Act end → tension max level pe, kal tak chain laana hai.
🎬 ACT 3 – RESOLUTION & CLIMAX
INT.
LIVING ROOM – NEXT MORNING
Shaadi ka din. Ghar me full hustle.
Dhol-baja, relatives entry, make-up wali aunty Riya ko ready kar rahi.
RIYA (nervous)
Mummy… chain ke bina shaadi adhuri hai.
SARLA (soft)
Beta, main dekh lungi. Tu bas muskura.
MAHESH (Papa, restless)
Yeh chain na mila toh log ungli uthayenge! “Bade ghar wale, chain sambhal nahi
paaye!”
CHAWLA (Johnny Lever, tea sip karte
hue)
Arre Mahesh bhai, ungli toh main bhi uthata hoon… chai thandi hai.
(Sab ghoorte hain.)
INT.
GOLU’S ROOM – SAME TIME
Golu nervous, game band, pocket me pawn shop receipt (jo kal
Shukla ne diya tha).
GOLU (self pep talk)
Bas 1 ghanta. Main jaake chain le aata hoon. Phir sab normal.
(He sneaks out with cycle.)
EXT.
PAWN SHOP – MORNING
Shop khula hai, Shukla account book
dekh raha. Golu ghuse hue.
GOLU (breathless)
Uncle! Receipt yeh rahi. Paisa bhi laya hoon. Please chain de dijiye.
SHUKLA (nodding)
Theek hai beta. (Locker kholta hai… search karta hai) Chain… chain… arey?
GOLU (panic)
Kya hua uncle?!
SHUKLA (confused)
Strange. Kal se yeh locker me chain tha hi nahi.
(Golu shock, guilt 10x.)
INT.
LIVING ROOM – MIDDAY
Family chain dhoondhne me phir lagi
hai. Tension high.
ROHIT (frustrated)
Police ko report kar dete hain!
MAHESH
Shaadi ke din police?? Log bolenge dulhan ghar se chain chori!
DADAJI (calm)
Chain ho ya na ho, shaadi toh honi hi hai.
CHAWLA (excited)
Idea! Main apni wife ka chain tumhe de deta hoon. Shaadi ke baad interest ke
saath wapas kar dena!
(Chawla ki wife darwaze pe, daantti
hai.)
MRS. CHAWLA (angry)
Aap apna chain bhi girvi dene jaa rahe the kya?!
(Comedy beat, sab has padte hain
despite stress.)
INT.
MASTER BEDROOM – FEW MINUTES LATER
Sarla almirah kholti hai ek last baar. Purane kapdon ke neeche ek
SMALL BOX. Curious, she opens — inside gold chain, safe me wrapped
properly.
SARLA (gasp)
Arre yeh toh…!
(Flashback quick cut: Sarla ne 2 din
pehle hi chain safe me daal diya tha, par list me galti se “pending” likh diya
tha. Suspense clear.)
INT.
LIVING ROOM – MOMENTS LATER
Sarla gold chain lekar aati hai. Sab freeze.
RIYA (relieved, almost crying)
Mummy!! Chain!!
MAHESH (stunned)
Matlab yeh chain… ghar me hi tha?
SARLA (guilty smile)
Haan… maine safe me daal diya tha. Lekin list me likhna bhool gayi.
(Sab ek-do second shocked silence,
phir ek saath—HASSI PHOOT padti hai.)
CHAWLA (Johnny Lever, classic
timing)
Arre wah! Matlab poore ghar ka circus… free ka entertainment! Mujhe popcorn
lana chahiye tha!
INT.
RIYA’S ROOM – CONTINUOUS
Sarla chain Riya ko pehnati hai. Camera close-up — dulhan ready,
family relief.
RIYA (emotional)
Shaadi chain se nahi, parivaar ke pyaar se poori hoti hai.
DADAJI (proud)
Bilkul sahi. Yeh parivaar aaj ek aur exam pass kar gaya.
EXT.
SHAADI VENUE – EVENING
Full-on baraat. Band-baaja,
naach-gaana. Papa nache awkward, Dadaji slow thumka, Johnny Lever full item
dance.
ROHIT (to Golu, whisper)
Vaise sach bata… tujhe chain ka sach pata tha kya?
GOLU (guilty, slowly)
Main… main bas game ke liye girvi rakhne gaya tha.
ROHIT (shock)
KYA?!
(Comedy zoom. Rohit ka chehra shock.
Papa sun leta hai.)
MAHESH (Papa, gussa + relief mix)
Tu ne… chain girvi rakha tha?!
GOLU (scared)
Sorry papa… tournament pass ke liye. Main wapas laane wala tha.
(1 beat silence, phir sab ek saath
phir hansi. Papa bhi naram.)
MAHESH (smiling)
Tu bhi na… bada hoke comedy movie likh le.
CHAWLA (dancing)
Title bhi ready hai—“Bade Ghar Ki Chhoti Problems!”
(Sab hans ke gale lagte hain. Music
full swing. Camera crane-out — shaadi venue lights, firecrackers, laughter
echo.)
FADE OUT.
✅ ACT 3 KEY BEATS
- Twist reveal: Chain safe me tha hi.
- Comedy payoff: Family ka hungama “bekaar ka drama”
nikalta.
- Emotional resolution: Shaadi smoothly hoti hai.
- Character arc: Golu guilty → confess karta hai. Papa
forgive karta hai.
- Johnny Lever closing punchline: Title drop.
TOTAL RUNTIME (Act 3): ~20 min
🎬
Ending Note
“Zindagi me bade ghar hamesha badi problems ka samna karte hain… lekin asli hungama chhoti problems se hi hota hai. Aur jab parivaar ek saath khada ho, toh har musibat comedy ban jaati hai aur har problem ek yaadgar kahani. Bade Ghar Ki Chhoti Problems — ek kahani jo humein yaad dilati hai ki ghar ka asli gehna gold chain nahi, parivaar ka pyaar hai.”
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