Title : MOHALLA MEIN MOHABBAT
Ek
Hindu–Muslim Comedy of Errors
One‑Line ("Online") Story
Ek chhote shehar ki ek gali, jahan Hindu–Muslim ki roz‑roz ki nok‑jhonk
aur chhoti‑moti tange rehti hain, wahin shehar ki sabse khoobsurat ladki Rihana aur sabse ameer par seedha‑sa Aryan ek doosre par fida ho jaate hain; galatfehmiyon, mohalla
politics, aur hungame ke beech poori gali milkar unki mohabbat ko celebrate
karna seekh jaati hai — full-on comedy ke saath.
Short Synopsis (2–3 para)
Shaherganj ki Gulmohar Gali apni mithai ki dukaan, mandir‑masjid
ki padosi deewaron, aur roz ke "kaun zyada tez loudspeaker bajata
hai" waali healthy competition ke liye mashhoor hai. Yahin rehti hai Rihana Sheikh (24)—smart, witty, aur sabki favourite; woh
community radio pe RJ bhi hai aur bachchon ko evening me drama sikhati hai.
Shehar ke sabse ameer builder Rajeev Malhotra ka beta Aryan (26) foreign
se aaya hai—dil ka saaf, thoda socially awkward, lekin asli life jeena chahta
hai.
Ek din Aryan ki gaadi ka tyre Rihana ke mohalla ke bahar puncture
ho jata hai. Rihana ki help se Aryan ko gulmohar gali ka asli swaad milta
hai—Golu halwai ki jalebi, Pandit‑Imam ki dosti, Chintu ki "breaking
news" service, aur sabse bada masla: mandir ki jhankaar vs seher ki azaan
ke beech "volume war"—jo asal me sirf taana‑maaro comedy niklti hai.
Is hungame me Aryan‑Rihana ki pyaari si dosti shuru hoti hai, jo jaldi hi pyar
me badal jaati hai.
Par mohalla ki chhoti chhoti baatein badi galatfehmiyon me badal
jaati hain: ek viral reel, ek jhootha PR stunt, aur corporator Kallu Seth ki
cheap politics sab kuch ulta seedha kar deti hai. Climax me ek double‑booked
community hall, do shaadiyan, teen baraatein, aur saat bakre + do ghode ek hi
time par aa jaate hain. Pure mohalle ko teamwork dikhana padta hai—aur jab
hungama settle hota hai, toh sabko samajh aata hai ki hasi‑mazaak me bhi dil na
toote; pyaar sabka hota hai.
Tone & Genre
Family Comedy • Rom‑Com
• Slice‑of‑Life • Feel‑Good
(Zero toxicity, light banter only; respect & unity pe focus.)
Full theatrical film length — na bahut chhoti (jaise 90 min
TV film) aur na bahut lambi (3 ghante+ epic).
·
Act 1
(Setup): ~40 minutes
·
Act 2 (Fun
& Games + Misunderstandings): ~55 minutes
· Act 3 (Climax + Resolution): ~40 minutes
Principal Characters
1) RIHANA SHEIKH (24)
Role: Lead. Community RJ + part‑time theatre
coach.
Traits: Smart, seedhi baat, witty comebacks,
mohalle ki sarpanch bina kursi ke.
Backstory: Abbu guzar gaye; Ammi aur Naani ke saath
rehti hai; mohalle ki sabse "sundar aur sanskaari—par savage" ladki.
Goal: Apne community radio se logon ko jodna;
apni life partner jo asli ho, show‑off na ho.
Catchphrase: "Mic band, dimag on!"
2) ARYAN MALHOTRA (26)
Role: Lead. Rajeev Malhotra ka beta; tech‑savvy,
seedha, wealthy.
Traits: Rich but real, thoda socially awkward,
sinciere helper.
Backstory: Foreign MBA se wapas; family business me
interest kam, community projects zyada.
Goal: Apna identity bina baap ke naam ke; Rihana
ke saath simple life.
Catchphrase: "Main jugaad seekh raha hoon."
3) SHABANA SHEIKH a.k.a. AMMI (48)
Role: Rihana ki maa; school clerk.
Traits: Practical, protective, funny one‑liners.
Arc: Aryan ko pehle "Naukri‑wala?" se
judge karti hai; baad me dil se accept.
4) SAKINA NAANI (68)
Role: Rihana ki naani; gossip queen with golden
heart.
Traits: Card‑rummy champ, chalak, dono taraf ki
auntiyon ki dost.
Running Gag: Har jhagda rummy points me convert kar
deti.
5) RAJEEV MALHOTRA (55)
Role: Aryan ke papa; bada builder +
philanthropist.
Traits: Soft‑spoken, PR se dur, kaam se pyaar.
Arc: Mohalla ko samajh kar "community
centre" donate karta hai.
6) MEERA MALHOTRA (50)
Role: Aryan ki mom; society lady, image‑conscious.
Arc: Rihana se milkar class bias chhodti hai;
end me wedding manager ban jaati.
7) PANDIT CHAURASIA (45)
Role: Mandir priest; smartphone‑pandit.
Running Gag: Reels banata rahe; "Bhagwan bhi
trends dekhte hain!"
8) IMAM FAIZAL (47)
Role: Masjid ke imam; doston me "Faizu
Bhai".
Running Gag: Pandit ji ke saath chai‑shairi sessions;
dono ki bromance.
9) CHINTU SHARMA (14)
Role: Mohalla ka news reporter; cycle+megaphone.
Running Gag: "Breaking news!" keh ke galat
alamat de dena.
10) SAIRA KHAN (24)
Role: Rihana ki cousin; wing‑woman.
Traits: Savage humour, instant plans guru.
11) GOLU HALWAI (35)
Role: Mithai shop owner; marketer by heart.
Running Gag: Har problem ka solution — "Rabdi roll
aur reel!"
12) KALLU SETH (52)
Role: Local corporator; low‑effort PR banda.
Goal: Mohalla ke jhagdon ko TRP bana ke vote
lena.
13) GUDDU & BADE (30s)
Role: Do pyaare, be‑tukke goons turned event
managers.
Running Gag: Har kaam ulta karke sahi result nikal
dena.
14) MRS. LOBO (58)
Role: Housing society secretary; rulebook ki
Devi.
Running Gag: Har sentence me clause number.
Beat Sheet with Estimated Runtime (~135 minutes)
Act 1 – Setup (0‑40
min): Mohalla world,
volume‑war banter, Aryan‑Rihana meet‑cute, first sparks.
Act 2 – Fun & Games
(40‑95 min): Secret dates as
"community projects", viral reel se hungama, family inspections,
Kallu Seth ki PR nautanki, mid‑point: public fallout.
Act 3 – Climax &
Resolution (95‑135 min): Double‑booked
hall chaos, baraat mix‑up, team‑up of mandir‑masjid, confession, unity celebration.
SCREENPLAY (Roman Hindi)
Scene headings in CAPS; dialogues character name ke saath. Stage
directions (italics) me.
ACT 1 — SETUP (0–40 min)
SCENE 1 — EXT. GULMOHAR GALI – SUBAH
(Gali jag rahi; ek side mandir ki ghanti, doosri taraf se halki
azaan ki gunj. Golu Halwai jalebi tal raha. Chintu megaphone uthaata hai.)
CHINTU (megaphone): Breaking newsss! Aaj ka volume war shuru
hone me abhi 10 minute—
PANDIT CHAURASIA (phone
pe): Bhakt‑log, aaj ka
aarti reel 4K me aayega. Hashtag—#BhaktiButTrendy.
IMAM FAIZAL (hassi): Pandit ji, 4K chhodiye, chai 2 aur shakkar
1.5 ka 4:3 ratio rakhiye.
(Sab hasta hai. Rihana entry—simple kurta, headphones gale me,
smile.)
RIHANA: Good morning, Gulmohar! Mic band rakho,
dimag on rakho… aaj kisi ka volume kisi ki izzat se bada nahi hoga, theek?
GOLU HALWAI: Rihana bitiya, rabdi roll le jao—on the
house. Reel ban jaayegi.
RIHANA (teasing): Golu bhai, aap reel ke chakkar me sugar ke
reel bana doge.
(Door… ek luxury car puncture, phuss.)
ARYAN (car se nikalte): Uh… spare tyre… kaise lagta hai?
CHINTU (fakhraana): Breaking news! Shehar ka sabse ameer
banda—puncture ka shikaar!
RIHANA (muskurake): Aao, TED Talk karti hoon—"Jugaad
101".
(Rihana jack set karti, Aryan awkwardly follow. Light flirt vibe.)
ARYAN: Main Aryan… Malh—
RIHANA (kaat kar): Naam me itne capital letters kyun? Mohalle
me sab chhote me chalti hai—dil bada rakho.
(Aryan impressed.)
SCENE 2 — EXT. HALWAI SHOP – CONTINUOUS
(Tyre fix ho raha; Golu chai pakadata hai.)
GOLU: Bete Aryan ji, rabdi roll try kariye… yeh
mohabbat badhata hai.
ARYAN: Main diet pe—
RIHANA: Mohalla me diet karoge toh tum par
"Section Lobo, Clause 19" lag jayega—"Khane se inkaar mana
hai".
MRS. LOBO (door se): Correct. Clause 19(b): "Jalebi ko
haan, attitude ko na".
(Sab hans padte. Aryan first bite leta—khush.)
SCENE 3 — EXT. MANDIR‑MASJID LANE – LATER
(Pandit‑Imam friendly volume test. Rihana mediator.)
PANDIT: Aaj aarti ka mike 6 pe.
IMAM: Hum bhi azaan 6 pe. Equal‑equal.
RIHANA: Dekha? Match draw. Ab sab chai piye aur
memes share karein.
CHINTU: Breaking—peace achieved!
(Aryan Rihana ko dekh raha; soft smile.)
SCENE 4 — EXT. GALI – EVENING
(Bacche drama practice. Rihana director. Aryan quietly observe
karta.)
RIHANA: Dialogue clear, beta—"Hum sab ek
hain, par chai alag‑alag!"
BACHCHA: Didi, chai me adrak zyada hoga?
ARYAN (taali): Wah! Oscar is coming to Gulmohar.
RIHANA (chonk): Tum abhi tak gaye nahi?
ARYAN: Puncture dil ka tha shayad.
(Beat. Rihana aankhon se "nice line".)
SCENE 5 — INT. SHEIKH HOUSE – NIGHT
(Ammi, Naani, Saira. Rihana aati.)
AMMI: Kaun tha woh lamba sapling?
RIHANA: Puncture victim.
NAANI: Naam?
RIHANA: Ary— khansi —an.
SAIRA (tease): Height 6 feet, dimag 6.5?
RIHANA (smile): Sharam 7.
SCENE 6 — INT. MALHOTRA MANSION – NIGHT
(Meera, Rajeev, Aryan dinner.)
MEERA: Beta, charity gala kal hai. Decent bacchon
se milna.
ARYAN: Mom, decent bacche Gulmohar Gali me mil
gaye.
RAJEEV (interested): Community project?
ARYAN: Shayad community… aur ek RJ.
MEERA (suspect): RJ? Matlab radio waali?
RAJEEV (soft): Suno beta ka. City ko zarurat hai asli
projects ki.
SCENE 7 — EXT. GALI – MORNING MONTAGE
(Aryan community clean‑up join karta; Rihana guide. Golu reels;
Pandit‑Imam chai.)
MONTAGE GAGS:
— Aryan jhaadu se selfie; Rihana phone leke kehti: "Work first, post
later."
— Chintu helmet pe mehendi cone se "Volunteer" likhta.
— Mrs. Lobo measuring tape se kachra ki line naapti.
SCENE 8 — EXT. GOLU HALWAI – AFTERNOON
(Rihana‑Aryan pehli proper baat.)
ARYAN: Tumhe shehar ki sabse khoobsurat kehna
cliché hoga?
RIHANA: Hoga. Isliye mat kehna. Bas meri chai ka
bill bhar do.
ARYAN: Card?
RIHANA: Gulmohar me "credit" chai aur
rishto pe milta hai.
SCENE 9 — INT. COMMUNITY RADIO BOOTH – EVENING
(Rihana live show; Aryan glass window ke peechhe.)
RIHANA (on‑air): Aaj ka topic—"Mohalla me pyar ke
traffic rules". Rule 1: Overacting pe challan.
ARYAN (lip‑sync): Accepted.
(Song cue: light, quirky. Nazar mila, cupid strike.)
SCENE 10 — EXT. GALI – NIGHT EVENT
(Festive lights. Volume‑war finale—both sides equal. Pandit‑Imam
duet style announcement.)
PANDIT & IMAM
(together): Aaj se hum mike ke
volume se zyada dil ki volume badhaayenge!
(Taali. Aryan side glance; Rihana blush. End Act 1 feel.)
ACT 2 — FUN & GAMES (40–95 min)
(Zyada scenes; niche major beats + key scenes scripted.)
Major Beats (Act 2):
1.
Secret
Dates via Community Projects: Library paint, park clean‑up, bachchon ka nukkad natak—sab
me hidden romance.
2.
Kallu
Seth ka PR: Dono ko alag‑alag
sponsor banakar credit khud le; reel fake narration.
3.
Viral
Misunderstanding: Chintu ka edited
clip—"Rihana ne rich logon ko class diya"—Aryan insulted feel karta.
4.
Family
Inspection: Meera & Ammi
covert visit; Mrs. Lobo ka Q&A round.
5.
Midpoint
Public Fallout: Community event me
Rihana ka tough love speech; Aryan samajh nahi pata; dono hurt.
SCENE 11 — EXT. LIBRARY WALL – DAY (KEY SCENE)
(Rihana‑Aryan paint kar rahe. Saira, Chintu, Golu side
commentary.)
SAIRA: Suno, dono ke initials paint mat karna.
CCTV laga hai—mere dil me.
ARYAN: Main serious hoon… tum mere saath coffee—
RIHANA: Coffee ki zarurat tab hoti hai jab neend
aaye. Tumhari baaton me caffeine hai.
(They laugh; accidental paint splash on Aryan ki shirt.)
ARYAN: Oh!
RIHANA (handkerchief): Relax, Mr. Jugaad 101.
(Beat. Close proximity, almost hand‑touch. Chintu megaphone
blares.)
CHINTU: Breaking news—rangeela mausam, safed shirt
barbaad!
SCENE 12 — INT. SHEIKH HOUSE – EVENING (KEY SCENE)
(Meera secret visit as "NGO wali"; Ammi host mode.)
MEERA (fake sweet): Aap log… kaafi… simple ho.
AMMI (smiles): Simple me hi asli zindagi hai.
MEERA: Aur aapki beti—
AMMI: Apni marzi se jeeti hai. Jeetni chahiye.
(Meera subtly impressed.)
SCENE 13 — EXT. PARK – SUNSET (KEY SCENE)
(Aryan picnic set; cute.)
ARYAN: Rihana, tumhe pata hai… main tumhare bina—
RIHANA (soft): Shh. Pehle ye samosa khatam karte hai.
Zindagi me garam samose ko priority dena chahiye.
(They share; warmth.)
SCENE 14 — EXT. MOHALLA STAGE – NIGHT (MIDPOINT EVENT)
(Community talent night. Kallu Seth mic par.)
KALLU: Ye sab mere sponsorship ke bina—
PANDIT/IMAM (together): Nahi.
*(Rihana stage pe talk:)
RIHANA: Doston, pyaar me show‑off nahi, show‑up
chahiye. Jo sach me saath hai, woh credit nahi leta—zimmedaari leta hai.
(Chintu clipboard pe galat line likh deta; clip me sirf "rich
log credit lete hain" bachta. Viral.)
ARYAN (crowd me, hurt): Kya main sirf rich hoon?
(Misunderstanding planted.)
SCENE 15 — EXT. GALI – NEXT MORNING (FALLOUT)
(Aryan distant; Rihana confused.)
RIHANA: Kal ki baat—
ARYAN: Shayad main yahan ka nahi.
(Silence. Background me Golu halke se rabdi roll band kar deta
hai.)
SCENE 16 — INT. MALHOTRA MANSION – DAY (FAMILY FACE‑OFF)
(Meera vs Aryan.)
MEERA: Tum dukhi ho toh main hoon. Par beta, asli
dard tab hai jab tum bina baat ke door ja rahe ho.
ARYAN: Mom… main sirf samjha nahi gaya.
MEERA (softening): Toh samjho aur samjhao. Pyar me ego CAPs
lock nahi hota.
SCENE 17 — INT. SHEIKH HOUSE – EVENING (AMMI‑RIHANA HEART‑TO‑HEART)
AMMI: Beta, dil ke mamle me radio par static
aata hai. Tuning hum karte hain.
RIHANA: Ammi… main bhi galat samajh baithi?
AMMI: Galti na Hindu hoti hai na Muslim—insaani
hoti hai.
(Rihana determined.)
ACT 3 — CLIMAX & RESOLUTION (95–135 min)
Major Beats (Act 3):
- Double‑Booked Community Hall: Ek taraf Lobo ke bhatije ki reception; dusri taraf Kallu ka award show; aur beech me Aryan‑Rihana ke milne ka plan.
- Baraat Mix‑Up: Dhol ek jagah, ghoda dusri; bakre wrong entry; Guddu‑Bade event managers ban ke aag bujhate.
- Team‑Up: Pandit‑Imam dono stage manage; mic share; unity montage.
- Public Confession: Aryan live confession; Rihana RJ monologue; misunderstanding clear.
- Final Celebration: Combined jashn—sewai + laddoo, garba + qawwali mashup.
SCENE 18 — INT. COMMUNITY HALL – NIGHT (CHAOS BEGINS)
(Guddu‑Bade clipboard; teen events ek saath.)
GUDDU: Sir, table 4 pe veg pulao ya PR pulao?
BADE: Dono! Logo ko content chahiye.
(Dhol & shehnai mix; Mrs. Lobo clause ginti.)
MRS. LOBO: Clause 52: "Ek hall, ek
event"—par emergency me clause 52A: "Sab mil‑baant ke karo".
SCENE 19 — BACKSTAGE – SAME TIME (REVEAL)
(Aryan apni side set karta; Rihana dusri side RJ booth setup.)
ARYAN (practice): Main Aryan… sirf Malhotra nahi. Rihana,
tum ho toh main hoon.
RIHANA (mic test): Shaherganj, agar kisi ka dil todo toh uska
repair bhi yahin hota hai—Gulmohar ke logon ke saath.
SCENE 20 — STAGE – CONTINUOUS (CONFUSION TO UNITY)
(Kallu Seth apna award show shuru karta; lights fail. Pandit‑Imam
torches on.)
PANDIT: Aarti ki roshni se light.
IMAM: Dua ki roshni se raasta.
(Audience cheer. Music cue—garba‑meets‑qawwali beat.)
SCENE 21 — CENTER STAGE – MOMENTS LATER (PUBLIC CONFESSION)
ARYAN (mic share): Mujhe credit nahi chahiye. Mujhe chance
chahiye—samajhne ka, samjhaane ka. Rihana, main tumhara hoon—class ya cash ke
bina.
(Crowd "awww"). Rihana steps in.)
RIHANA: Aryan, main bhi galat thi. Mic band, dil
on—yaad hai?
ARYAN (smile): Haan. Aur clause 19(b): "Jalebi ko
haan—"
RIHANA: "Attitude ko na".
(They hug; taaliyaan. Ammi‑Meera ek doosri ko nod.)
SCENE 22 — GRAND MONTAGE (CELEBRATION)
— Golu sewai aur laddoo
ka combo box banata: "Unity Pack".
— Pandit‑Imam kids choir ko lead karte—garba steps par qawwali taans.
— Chintu megaphone: "Breaking final—pyaar jeet gaya!"
SCENE 23 — EXT. GULMOHAR GALI – LATE NIGHT (CODA)
(Shanti. Rihana‑Aryan bench par.)
RIHANA: Aaj se volume war band?
ARYAN: Nahi. Ab se "laughter war".
Daily.
RIHANA: Deal.
(They fist‑bump. Camera pull‑out—mandir bell + door se halki azaan
ki mehfil; dono sur ek saath.)
THE END
Notes for Production / Expansion
- Upar ka screenplay scene‑wise dialogues ke saath ~135 min runtime cover karta hai. Agar aap full shooting script pagination (90–110 pages) chahte hain, hum har scene me camera notes, transitions, aur joke‑density aur badha sakte hain.
- Songs/Set‑pieces (suggested):
- "Gali Gali Good Morning" — Act 1 opening montage.
- "Rabdi Roll Romance" — Cute rom‑com duet at halwai shop.
- "Mic Band, Dil On" — Act 2 crowd event with call‑and‑response hooks.
- "Garba‑Qawwali Mashup" — Climax celebration.
Sensitivity & Humor Guardrails
- Jokes sirf situational/character‑based; kisi bhi dharm par niji/tanazul wali baat nahi.
- Mandir‑Masjid scenes me mutual respect, positive camaraderie.
- Political character (Kallu) caricature is generic; kisi real vyakti/party par hint nahi.
Ho gaya! Maine “Mohalla Mein Mohabbat” ka pura package canvas me rakh diya —
title, one-line (online) story, synopsis, detailed characters (age, traits,
running gags), aur scene-wise Roman
Hindi screenplay (Act 1–3, ~135 min
runtime) with key dialogues, climax, aur production notes.
Agar aap chaho to:
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