professional film screenplay ke
pre-structure maang rahe ho – title → storyline →
concept note → casting → act-wise detail.
🎬
Film Title
📖
One-Line Story
Bhagwan Mahavir ke divya samavasaran
mein prani-matra – insaan, devta aur pashu-pakshi ek saath baithe aur bina
bhasha ke ahimsa, karuna aur ekta ka gyaan prapt karte hain. Yeh film samata
aur daya ki ek aisi kahani hai jo manavta ke liye marg darshan ban jaati hai.
🪷
Concept Note
Film ek visual-poetic experience
hogi jisme history, philosophy aur emotion blend honge.
- Theme:
Shanti, Samata, Karuna, Ahimsa
- Tone:
Epic, Meditative, Universal
- Style:
“Mythic Realism” (Devotional + Cinematic grandeur, jaise Samsara ya
Life of Pi ka feel, par Indian roots).
- Audience:
Universal (spiritual seekers, youth, world cinema)
- Runtime:
2 hr 30 min
🎭
Suggested Casting
- Bhagwan Mahavir
– Actor with calm aura (Paresh Rawal-type dignity ya Rajkummar
Rao-type depth)
- King Shrenik (Human king) – Manoj Bajpayee (authority + devotion)
- Common Woman (Janaki – representing humanity’s pain) – Konkona Sen Sharma
- A Devta (Divine Messenger) – Aditya Roy Kapur / Prabhas (majestic
presence)
- Bird (Voiceover of a Swan symbolizing purity) – Rasika Dugal
- Narrator (Voiceover)
– Amitabh Bachchan (gravitas)
(Note: Pashu-pakshi aur devta CGI +
voiceovers se banenge)
🏛️
Act-Wise Story Detail
Act
1 – Sansaar Aur Dukh (40 min)
- Opening:
Wide shots of war, vyapaar ki lalach, praja ka dukh, jungalon me
pashu-pakshi ka darr.
- Characters:
Raja Shrenik, samanya praja, ek maa aur baccha jo bhookh se taraste hain.
- Conflict:
Samaj mein ashanti aur ahimsa ki kami.
- Turning Point:
Bhagwan Mahavir ka nirvikar roop me aagman aur divya samavasaran ka
nirmaan.
Act
2 – Divya Sabha (1 hr 20 min)
- Setting:
Ek shvet shringar wala mandap – 3 talo par bana divya samavasaran (dev,
manushya, pashu-pakshi).
- Visual:
Sabhi prani bina bhed ke ek saath baithe, Bhagwan Madhyasth mein.
- Scenes:
- Devta prashna puchte hain – “Shanti kahan hai?”
- Manushya apni vyatha rakhte hain – “Yudh kyun rukta
nahi?”
- Pashu-pakshi bhi apna dukh vyakt karte hain (symbolic
dialogues).
- Bhagwan Mahavir’s Dialogue: Simple, universal updesh bina bhasha ke – gestures aur
prakash roop mein sabko samajh aata hai.
- Climax of Act 2:
Sabhi ko gyaan hota hai ki ahimsa aur samata hi asli marg hai.
Act
3 – Parivartan Aur Shanti (30 min)
- Aftermath:
- Raja Shrenik talwar gira deta hai.
- Praja ek dusre ko gale lagati hai.
- Pakshi apne ghosle wapas jaate hain bina darr ke.
- Devta prithvi par phool barsate hain.
- Closing: Narrator (voice of Amitabh Bachchan) –“Jahan sab barabar baithe, wahi shanti ka mandir hai. Yahi hai Samavasaran.”
- Final Visual:
Ek akhand prakash jo asmaan tak failta hai.
Act 1: “Sansaar Aur Dukh” ko detail mein likhta hoon jaise ek proper screenplay hota hai – scene breakdown + visual cues + dialogues. Runtime approx 40 minutes.
🎬 Act 1 – Sansaar Aur Dukh
Scene 1: Opening
Montage – Ashanti ka Daur (5 min)
·
Visuals:
o Battlefield:
Talwar, barchhi, aur khoon se bhari zameen.
o Bazaar:
Vyapari lalach mein praja ko loot rahe.
o Jungle:
Sher ne hiran ka shikar kiya, chidiya apne bachchon ko bachane ki koshish mein
chilla rahi hai.
·
Sound:
Dhol, veena aur shankh ek saath bajte hain (ashanti aur bhay ka mahaul).
Scene 2: Raja
Shrenik ka Darbar (8 min)
·
Setting:
Rajmahal, sona-chandi se sajja hua, lekin praja dukhit.
·
Characters:
Raja Shrenik, Mantri, Praja ke pratinidhi.
·
Dialogues:
o Prajapati: “Maharaj, jang khatam hone ka
naam nahi le rahi… hamari fasal jal gayi hai, bachche bhookhe hain.”
o Raja Shrenik (pareshan): “Rajya ki
seemaon ko surakshit rakhna bhi zaruri hai… lekin kab tak yeh khoon bahata
rahega?”
o Mantri: “Shanti ka upay sirf bal se hai
Maharaj.”
· Visual: Raja ka chehra sankat se bhara hua, andar ek shantata ki talash.
Scene 3: Samanya Janaki aur Uska Baccha (7 min)
·
Setting:
Grameen basti.
·
Characters:
Janaki (ek aam aurat), uska chhota baccha.
·
Dialogues:
o Baccha: “Ma, roti kahan hai?”
o Janaki (aankhon mein aansu): “Beta,
tumhe kal mil jaayegi… bas thoda aur intezar karo.”
·
Visuals:
o Janaki
apne bacche ko sulaane ke liye lullaby gaati hai.
o Camera
uske aansu aur bacche ki bhookh dikhata hai.
Scene 4: Jungle Ki Pukar (5 min)
·
Setting:
Ghane jungle ke andar.
·
Characters:
Pashu-pakshi (voiceovers ke saath).
·
Dialogues
(symbolic, voiceover):
o Hiran: “Humein jeene ka haq kyun nahi?”
o Chidiya: “Hum apne ghosle bana bhi nahi
paate, har waqt khatra hota hai.”
o Sher (garv se): “Yeh hi prakriti ka
niyam hai – shaktishaali hi raaj karega.”
· Visual: Sabhi prani apni-apni vyatha vyakt karte hain.
Scene 5: Bhagwan Mahavir ka Pravesh (10 min)
·
Setting:
Ek khula maidan, prakash se ghira hua.
·
Visuals:
o Achanak
prakash failta hai.
o Hiran,
sher, chidiya sab chup ho jaate hain.
o Insaan
aur devta door se dekhte hain.
·
Bhagwan
Mahavir (silent presence): Bas mudra aur nayanon se shanti ka sanket
dete hain.
·
Background
Sound: Mangal dhvani, shankh, aur veena ka sur ek saath.
Scene 6: Samavasaran Ka Nirmaan (5 min – Act 1 Climax)
·
Visuals:
o Zameen
par ek divya chakra astitva mein aata hai.
o Teen
tala banne lagte hain – sabse neeche pashu-pakshi, phir manushya, sabse upar
dev.
o Beech
mein ek divya sihasan jisme Mahavir baithte hain.
·
Sound:
Shanti ka ghanatmak naad – bina shabd ke sabko samajh aata hai.
🙏 Ab main aapke liye Act 2 – Divya Sabha (Samavasaran ke andar) ka detailed screenplay breakdown likhta hoon – scene wise + visuals + dialogues. Runtime approx 1 hr 20 min.
🎬 Act 2 – Divya Sabha
Scene 1:
Sabha ka Shringar (10 min)
·
Visuals:
o Teen
tala ban chuke hain:
1.
Neeche pashu-pakshi apni-apni jodi mein. Sher bhi hiran
ke paas shant baithe hain.
2.
Beech ke tala mein manushya: Raja, praja, janaki jaise
aam log.
3.
Upar devtaon ki pankti, prakashmay aakar mein.
o Beech
mein Bhagwan Mahavir shvet sihasan par, nirvikar, yogmudra mein.
·
Sound:
Ek hi naad – shanti aur prakash ka.
Scene 2:
Devtaon ka Prashna (15 min)
·
Characters:
Devta, Bhagwan Mahavir.
·
Dialogues:
o Devta: “Bhagwan, humare paas sab kuch hai
– shakti, prakash, vibhav. Phir bhi hriday shant kyon nahi hota?”
o Dusra Devta: “Toh kya hum apni shakti
chhod dein?”
o Bhagwan: “Shakti se nahi, daya se jeeto.”
· Visual: Jab Mahavir bolte hain, unki kiran pratyek devta ke hriday ko roshan karti hai.
Scene
3: Manushya ka Dukh (20 min)
·
Characters:
Raja Shrenik, Janaki, Prajapati, Mahavir.
·
Dialogues:
o Raja Shrenik (vishad mein): “Bhagwan,
yudh ke bina rajya kaise surakshit hoga? Agar hum hathiyaar na uthaye, to
dushman rajya tabaah kar dega.”
o Janaki (ro kar): “Bhagwan, mera baccha
bhookha hai… kya ahimsa se uska pet bharega?”
· Visual: Janaki ke aansu sukh jaate hain, baccha muskurata hai jaise usne Bhagwan ki kiran mehsoos ki.
Scene
4: Pashu-Pakshi ki Awaaz (15 min)
·
Visuals:
Sher, Hiran, Chidiya, Hans – sab Bhagwan ki taraf dekhte hain.
·
Dialogues
(symbolic, voiceover):
o Sher: “Bhagwan, humein to shikar karna
hi padta hai… yeh hamari prakriti hai.”
o Hans (komal swar): “Toh kya ek din hum
sab bina bhay ke rah payenge?”
· Visual: Sher apna sir jhuka deta hai, hiran uske paas baith jata hai.
Scene
5: Samata ka Updesh (Act 2 Climax) (20 min)
·
Visuals:
Puri sabha prakash se jagmagati hai. Bhagwan Mahavir ke charanon se ek jyoti
nikalkar sab mein sama jaati hai.
·
Dialogues:
o Sabhi (ek swar mein, symbolic): “Ahimsa
paramo dharmah…”
·
Visual:
o Raja
apni talwar zameen par gira deta hai.
o Devta
phool barsate hain.
o Pashu-pakshi
ek saath gungunate hain.
🎬 Act 3 – Parivartan Aur Shanti
Scene 1:
Raja ka Sankalp (8 min)
·
Setting:
Samavasaran ke beech Raja Shrenik apni talwar haath mein lekar khada hai.
·
Visuals:
Talwar se prakash nikalta hai, lekin woh bhaari lag rahi hai.
·
Dialogues:
o (Talwar
zameen par girti hai, dhvani goonjti hai.)
· Visuals: Praja taali bajane ke bajaay chup ho jaati hai, aankhon mein aansu, dil mein shaanti.
Scene 2:
Janaki aur Uska Baccha (7 min)
·
Setting:
Samavasaran ke neeche tala mein.
·
Visuals:
Janaki apne bacche ko godh mein liye hai.
·
Dialogues:
o Janaki: “Bhagwan, maine apni bhookh ko
apni zindagi maana tha. Aaj samajh aaya ki roti se bada hai insaan ka prem.”
· Visuals: Baccha muskurata hai aur ek hiran uske paas aakar shant baith jata hai.
Scene
3: Devtaon ka Namra Abhivadan (5 min)
·
Setting:
Upar ke tala par prakashmay devta.
·
Dialogues:
o Devta: “Bhagwan, humne sada shakti ko
jeevan maana. Aaj pata chala ki daya se bada na koi shastra hai, na shakti.”
· Visuals: Devta apni kirnein neeche sab praniyon par barsate hain.
Scene
4: Pashu-Pakshi ka Milan (5 min)
·
Visuals:
o Sher
aur hiran ek saath paani peete hain.
o Chidiya
aur hans ek hi ghosle par baith jaate hain.
·
Dialogues
(voiceover):
o Hans: “Darr ab na raha.”
o Sher: “Aaj pehli baar shikar se bada
sukh mila – shanti ka.”
Scene
5: Samavasaran ka Samapti (Climax) (8–10 min)
·
Visuals:
o Mahavir
ke charanon se prakash aakash ki or failta hai.
·
Closing
Shot:
o Camera
dhire-dhire zoom out hota hai.
o Puri
prithvi prakashmay ho jaati hai.
🎬 Film Ka Samapan
👉 Act 3 ke baad audience ke mann mein ek ghera shaanti ka ehsaas reh jaata hai – yeh film sirf ek kahani nahi, balki ek anubhav ban jaati hai.
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