"Chalti Phirti
Kahaniyaan" Genre: Anthology / Docu-fiction Plot: Ek autorickshaw driver
har ride mein alag alag logon ko milta hai — ek dulhan bhaag ke jaa rahi hai,
ek writer inspiration dhoondh raha hai, ek maa apne bachhe se milne jaa rahi hai.
Har kahani short mein connect hoti hai — auto driver silent witness hai.
Festival Hook: Anthology in one vehicle, unique passengers, Indian flavor. is
concept par muje full script and script cahiye
Here’s
how we’ll structure the full script and script for “Chalti Phirti
Kahaniyaan” — a 2-hour docu-fiction anthology with 4–5 emotional short
stories unfolding inside a single autorickshaw.
🎬 Title: Chalti Phirti
Kahaniyaan
Genre: Anthology /
Docu-fiction
Language: Hindi (Roman Hindi script)
Duration: ~2 hours
Narrative Structure:
- 1 Autorickshaw
Driver
- 5 Stories (15–20
min each)
- 1 Emotional
connecting thread (his own silent grief or story revealed in the end)
- Stories are
inspired by real-life behavior, culture, emotional India.
📍Structure:
- Prologue (Scene
1–3):
- Morning in
Mumbai / Delhi.
- Driver (late
40s) sets up his rickshaw. Silent, gentle, observant.
- He smiles at
people, greets other autowalas, listens to radio playing old songs.
- First passenger
flags him down.
✅ STORIES (Summary
Only for Now — Full Script Will Be Shared Scene-wise After Approval):
🛺 STORY 1:
"Dulhan Bhaag Gayi"
Passenger: A runaway bride in
full wedding attire, stressed and teary-eyed.
Theme: Freedom vs Family Expectations.
Conflict: Should she go back or follow her own path?
🛺 STORY 2:
"Writer ki Talaash"
Passenger: A struggling writer
who boards with a notebook, restless.
Theme: Creative block, loneliness in a crowded city.
Conflict: He’s trying to finish his father’s unfinished novel, but
doesn’t believe in it.
🛺 STORY 3: "Maa
ka Rasta"
Passenger: A mother visiting
her son after years (he’s in a hostel, or married to someone she didn’t
accept).
Theme: Regret, maternal love.
Conflict: Will she be welcomed or rejected?
🛺 STORY 4: "Ek
Bottle Pani"
Passenger: An old man,
sweating, kind-hearted — talks little but gives a bottle of water to a thirsty
beggar mid-ride.
Theme: Silent kindness.
Conflict: His simplicity hides a deep personal loss.
🛺 STORY 5: "Phone
Gaya, Mann Bhi"
Passenger: A Gen-Z girl loses
her phone in the auto. Comes back angry, ends up talking to the driver about
her breakup and life.
Theme: Tech + emotional vulnerability
Conflict: She feels no one listens — except maybe this stranger.
🔚 EPILOGUE (Final
Scenes)
- Driver finishes
the day.
- Takes out a
photo from under his seat — of his own daughter, lost years ago.
- Each passenger
reminded him of something.
- Sits quietly, as
radio plays the same song again.
🎬 CHALTI PHIRTI
KAHANIYAAN
Roman Hindi Script
Scenes 1–5 (Prologue + Setup of Story 1)
Genre: Docu-Fiction / Anthology
Setting: Mumbai morning. Humid, noisy, alive.
🎥 SCENE 1 – Early
Morning, Auto Stand, Mumbai
EXT.
AUTO STAND – 6:30 AM
(Monsoon
ka halka sa mosam. Chhoti chhoti baarish ki boondein auto ke sheeshe pe tapak
rahi hain. Ek old but well-maintained green-yellow auto khada hai. Number
plate: MH 02 AU 3341)
AUDIO: Old radio pe
Mohammad Rafi ka gaana –
"Main zindagi ka saath nibhata chala gaya..."
(Auto
ke paas ek aadmi – RAJU BHAIYA (47), silent, decent, white beard ki
shuruaat. Aankhon mein sukoon aur thodi si udasi. Chai ki cutting leke aata hai
aur auto ke bonnet pe rakh ke sip karta hai.)
SOUND: Train ka horn, doodh
wale cycle pe, bachchon ki school van.
🎥 SCENE 2 – Auto ka
Andar, Sajaavata
INT.
AUTO – 6:35 AM
(Auto
ke andar chhoti si Ganpati murti, ek mauli bandhi hai rearview mirror pe. Seat
pe ek plastic cover, ek corner mein newspaper. Side mirror mein apna chehra
dekhta hai, topi pehenta hai.)
RAJU
BHAIYA
(softly, khud se)
"Chalo bhai, nayi kahani milne ka waqt ho gaya..."
(Auto
start karta hai. Engine dhadakne lagta hai – jaise dil ho jo roz naye logon ka
bojh uthata hai.)
🎥 SCENE 3 – First
Passenger Boards
EXT.
STREET CORNER – 7:00 AM
(Ek
ladki bhaagte hue aati hai – heavy bridal lehenga mein, chappal haath mein,
dupatta se munh chhupa rakha hai.)
RAJU
BHAIYA
(khamoshi se rukta hai, usse dekh ke kuch nahi puchta)
DULHAN
(22)
"Station le chalo... jaldi, please... kisi ko batana mat."
RAJU
BHAIYA
(sirf aankhon se haan karta hai. Auto ghumata hai)
🎥 SCENE 4 – Auto
Ride Begins
INT.
MOVING AUTO – DAY
(Dulhan
ghabraayi hui hai. Make-up halke halke beh raha hai. Haath mein ek purana phone
aur ek bag.)
RAJU
BHAIYA
(rearview mein dekhte hue)
"Bhag ke shaadi ya bhag ke azaadi?"
DULHAN (chokti hai, phir hasi
chhupati hai)
"Azaadi..."
(Chhoti
si silence. Auto mein baarish ki awaz, engine ki gunj.)
DULHAN
"Main kisi aur se pyar karti thi. Maa-Baap ne sunna hi nahi. Aaj meri
shaadi us se ho rahi thi jise main jaanti bhi nahi..."
RAJU
BHAIYA
"Kabhi kabhi apni marzi chalana sabse badi jeet hoti hai. Lekin uska bojh
bhi hota hai."
🎥 SCENE 5 – Auto
Rides Through City
EXT.
CITY ROADS – 7:20 AM
(Auto
se har jagah ki zindagi dikh rahi hai – log office ja rahe hain, ek mandir mein
aarti ho rahi hai, ek chhota bachha apni maa ke sath school ja raha hai.)
DULHAN
"Mujhe dar lag raha hai... pata nahi sahi kar rahi hoon ya galat..."
RAJU
BHAIYA
(soft smile)
"Galat tab hota hai jab dil se kuch aur ho aur zindagi mein kuch
aur..."
(Auto
station ke paas pahuch raha hai. Pehle kahani ka turning point tayyar ho raha
hai...)
🎬 CHALTI PHIRTI
KAHANIYAAN
Roman Hindi Script
Scenes 6–10 (End of Story 1 – “Dulhan Bhaag Gayi”)
Genre: Docu-Fiction / Anthology
Location: Mumbai streets to train station
🎥 SCENE 6 – Station
ke Paas (Exterior)
EXT.
TRAIN STATION – 7:25 AM
(Auto
rukta hai. Station ka entrance dikhta hai – bheed bhara, announcement ho raha
hai. Dulhan nervous hai, haath mein bag tightly pakda hua.)
DULHAN (softly)
"Yahin utarna hai..."
RAJU
BHAIYA
"Haan. Par soch lo... ye sirf platform nahi hai, zindagi badal jaayegi."
(Dulhan
dekhti hai entrance ko, aankhon mein pareshani. Phir mobile nikaalti hai, kisi
ko call karti hai.)
DULHAN
(on phone)
"Main pahuch gayi hoon... tum aa rahe ho na?"
(Pause…
phir sir hilati hai. Phone band.)
🎥 SCENE 7 – Ek Pal
ka Khamoshi
INT.
AUTO – STATIC
(Dulhan
utarne wali hoti hai, par kuch pal ruk jaati hai.)
DULHAN
"Aapke jaise log kam milte hain... aapne kuch nahi poocha, fir bhi sab
samajh gaye."
RAJU
BHAIYA
(smiles)
"Main toh sirf chalata hoon... kahaniyaan toh aap log likh ke chhod jaate
ho."
(Dulhan
aankhon mein aansu chhupake hath jodti hai.)
🎥 SCENE 8 – Rukawat…
aur Ek Naya Sawal
EXT.
STATION GATE – CONTINUOUS
(Achanak
se ek aadmi door se chillata hua aata hai – dulhan ke cousin jaisa lagta hai.
Ruk jao! Ruk jao!)
MAN
"Anjali! Pagal ho gayi hai kya?"
(Dulhan
freeze ho jaati hai. Raju bhaiya samajh jaate hain.)
RAJU
BHAIYA
(calmly)
"Bhaiya... baat pyaar ki hai. Ghar wapas le jaane se pehle ek baar poori
baat sun lena."
(Aadmi
ruk jaata hai. Dulhan usse directly dekhti hai.)
DULHAN
"Main pyaar karti hoon, chhup chhup ke jeene se accha tha main sach ke
sath bhaag jaun."
(Silence.
Aadmi confused hai. Phir haan mein sir hilaata hai – ya shayad samajhne ki
koshish.)
🎥 SCENE 9 – Goodbye
at Station
EXT.
PLATFORM – MOMENTS LATER
(Dulhan
auto se utarti hai. Do kadam aage jaake ruk jaati hai. Palat ke dekhti hai.)
DULHAN
"Aapka naam...?"
RAJU
BHAIYA
(smiling)
"Naam se kya karogi? Kahaani yaad rakhna."
(Dulhan
muskurati hai. Crowd mein kho jaati hai.)
🎥 SCENE 10 – Wapas
Rasta, Wapas Safar
INT.
AUTO – MOVING AGAIN
(Raju
bhaiya radio on karte hain. Kishore Kumar ka gaana bajta hai —
"Zindagi ek safar hai suhana...")
(Auto
chalte chalte city traffic mein lautta hai. Ek naye mod pe rukta hai...)
CAMERA
CLOSE-UP:
Rearview mirror mein Raju bhaiya ki aankhon mein ek chhupi kahani ki jhalak.
Phir...
CUT TO:
A new passenger haath dikhata hai…
TITLE
OVERLAY:
KAHANI 2 – "WRITER KI TALAASH"
(to be continued…)
🎬 CHALTI PHIRTI
KAHANIYAAN
Roman Hindi Script
Scenes 11–15 (Story 2 – “Writer Ki Talaash”)
Genre: Docu-Fiction / Anthology
Setting: Afternoon, same autorickshaw, a new passenger
🎥 SCENE 11 – A New
Ride, A New Character
EXT.
CAFE STREET CORNER – 12:45 PM
(Raju
bhaiya ka auto ek footpath ke paas rukta hai. Ek thoda lanky, 30s ka ladka—YATIN—bada
notebook aur pen leke walk karta hai. Uska chehra confused hai, soch mein dooba
hua.)
YATIN
"Powai chaloge?"
RAJU
BHAIYA
"Chalenge. Mann bhi le chalein kya, ya woh yahin chhod aaye ho?"
(Yatin
thoda hairan hokar muskurata hai. Auto mein baith jaata hai.)
🎥 SCENE 12 – Ride
Begins, Words Don’t
INT.
AUTO – MOVING THROUGH STREETS
(Yatin
khidki se bahar dekh raha hai. Hath mein ek pen ghuma raha hai, notebook khula
hai par khaali.)
RAJU
BHAIYA
"Kaafi khaali lag rahe ho... notebook bhi aur tum bhi."
YATIN (thoda hesitant)
"Main likhta hoon. Likhta tha. Ab kuch likha hi nahi ja raha."
RAJU
BHAIYA
"Shabd tab aate hain jab dil theek jagah ho. Kahi dil atak gaya hai
kya?"
(Yatin
dekhta hai Raju bhaiya ko. Silence.)
🎥 SCENE 13 – Backstory
Spills Gently
INT.
AUTO – LATER, STILL MOVING
YATIN
"Mere papa writer the. Last book adhuri chhodi unhone. Main socha use
poora karunga. Publisher ne bola emotional hook hai. Par... jab main likhta
hoon, kuch feel hi nahi hota. Jaise woh unki kahani thi, meri nahi."
RAJU
BHAIYA
"Par kahaniyaan virasat hoti hain beta. Papa ki kahani ko apni saans do...
tabhi uska dil dhadkega."
(Yatin
sunk in thought. Pehli baar notebook pe kuch likhta hai — ek line.)
🎥 SCENE 14 – Inspiration
by Observation
EXT.
TRAFFIC SIGNAL – MOMENTS LATER
(Signal
pe rukte hain. Raju bhaiya ek balloon bechne wale bacche ko 10 rupay de dete
hain bina kuch kharide.)
YATIN
(observing)
"Aapne balloon nahi kharida..."
RAJU
BHAIYA
"Uske sapne bik rahe the, main bas unki keemat de aaya."
(Yatin
yeh line likh leta hai turant.)
YATIN
"Yeh kahani thi... ek chhoti, par asli."
🎥 SCENE 15 – A
Thank You Without Saying It
EXT.
POWAI DROP POINT – 1:30 PM
(Auto
rukta hai. Yatin utarta hai. Ab uski notebook mein 2 pages likhe hue dikhte
hain.)
YATIN
"Shayad main likh paaun. Papa ki kitaab nahi, apni kahani se shuru karta
hoon."
RAJU
BHAIYA
(smiles)
"Sahi kahani tabhi banti hai jab likhne wala pehle jeeta ho..."
(Yatin
chhoti smile ke saath chala jaata hai. Ek baar palat ke dekhta hai. Auto wapas
traffic mein ghul jaata hai.)
CAMERA
CLOSE-UP
Raju bhaiya ka haath rearview mirror pe — jaise wo har kahani ko peeche chhodte
ja rahe ho.
TITLE
OVERLAY:
KAHANI 3 – "MAA KA RASTA"
(to be continued…)
🎬 CHALTI PHIRTI
KAHANIYAAN
Roman Hindi Script
Scenes 16–20 (Story 3 – “Maa Ka Rasta”)
Genre: Docu-Fiction / Anthology
Tone: Emotional, Silent Regret, Mother–Child bond
Setting: Afternoon fading into evening, traffic thinning, emotions building
🎥 SCENE 16 – She’s
Not Lost, Just Unsure
EXT.
PARKING LOT OUTSIDE OLD AGE HOME – 4:30 PM
(Auto
ruka hua hai. Ek 60-year-old woman – SHANTI DEVI, cotton saree, purse
tightly pakda hua, aankhon mein thoda dar aur guilt – auto ke paas aati hai.)
SHANTI
DEVI
"Beta… Rajeev Nagar chaloge?"
RAJU
BHAIYA
(gentle)
"Chalenge maa ji."
(Woh
baithti hai. Aankhen baar-baar purse se ek folded photo ko dekh rahi hai. Auto
start hota hai.)
🎥 SCENE 17 – Not
Every Destination Is Physical
INT.
AUTO – MOVING THROUGH EVENING LIGHT
SHANTI
DEVI
(after a pause)
"Rajeev Nagar mein mera beta rehta hai… kabhi aata tha milne, ab toh saal
ho gaye."
RAJU
BHAIYA
"Phone pe baat hoti hai?"
SHANTI
DEVI
"Nahi… pehli bahu ko pasand nahi thi main. Jab usne kaha, toh main hi hatt
gayi."
(Raju
bhaiya ek nazar unki taraf daalte hain – samajhne wali aankhon se.)
🎥 SCENE 18 – Photo
Jo Kahi Kahaniyan Chhupaye Hue Hai
INT.
AUTO – SIGNAL PAR RUKA HUA
(She
takes out the photo – ek 10-year-old ladka aur woh. Do rotiyaan pack kiye hue
purse mein. Ek chhoti si gift box bhi.)
SHANTI
DEVI (softly)
"Aaj uska birthday hai… pata nahi milega bhi ya nahi… par roti aur mithai
banaayi hai jaise pehle banati thi."
RAJU
BHAIYA
(emotion rising)
"Kabhi kabhi milne nahi, sirf dekh lene ka bhi sukoon milta hai."
🎥 SCENE 19 – Facing
the Gate, Facing the Past
EXT.
RAJEEV NAGAR FLATS – 5:00 PM
(Auto
rukta hai ek simple apartment ke saamne. Shanti Devi utarti hain, neend mein
jaisa kadam rakhti hain.)
(Doorbell
bajti hai. Bahar ek 30s ki woman – modern, thoda stern – darwaza kholti hai.)
WOMAN
"Ji kaun?"
SHANTI
DEVI
(folding hands, soft voice)
"Main Rajeev ki maa hoon. Bas yeh de dena please… kehna maa ne diya
hai."
(She
hands over roti and gift box. Aur palat jaati hai. Bin kisi shikayat, bin kisi
umeed.)
🎥 SCENE 20 – Walk
Back, But Something Stays Behind
EXT.
BUILDING GATE TO AUTO – CONTINUOUS
(Raju
bhaiya quietly watch karte hain. Shanti Devi quietly auto mein baith jaati
hai.)
RAJU
BHAIYA
"Jana kahan hai ab?"
SHANTI
DEVI
(slow smile)
"Jahan bhi le chalo beta… zindagi toh wahi rahi jahan se laut ke aaye
hain."
SILENCE.
Camera slow zoom karta hai Shanti Devi ke haath pe — jahan ek chhoti si rakhi
bandhi hui hai.
CUT
TO:
Auto slowly moves away...
TITLE
OVERLAY:
KAHANI 4 – "Ek Bottle Pani"
(to be continued…)
🎬 CHALTI PHIRTI
KAHANIYAAN
Roman Hindi Script
Scenes 21–25 (Story 4 – “Ek Bottle Pani”)
Genre: Docu-Fiction / Anthology
Tone: Quiet, Kindness, Unsaid Emotions
Setting: Early evening, traffic slows, shadows stretch
🎥 SCENE 21 – An
Ordinary Passenger With An Extraordinary Presence
EXT.
HOSPITAL GATE – 5:45 PM
(Ek
hospital ke bahar Raju bhaiya ka auto rukta hai. Ek boodhe aadmi—around
70s, white kurta, muffler, file pakde hue—thoda thak ke baithte hain.)
OLD
MAN
"Borivali… slow chala lena."
RAJU
BHAIYA
(respectfully)
"Bilkul, le chalte hain. Aram se."
(Auto
dheere dheere chalta hai. Bhoore suraj ke neeche dono chehre golden glow mein
dikhte hain.)
🎥 SCENE 22 – Silence
Isn’t Always Empty
INT.
AUTO – MOVING
(Old
man khidki se bahar dekhte hain. Chehra thoda udaas, par shaant. Raju bhaiya
radio off kar dete hain bina bole.)
(Auto
ek red light pe rukta hai. Thodi der khamoshi.)
RAJU
BHAIYA
"Hospital mein sab theek?"
OLD
MAN
(softly)
"Nahi. Patni ke ilaaj ke paise khatam ho gaye hain. Par... kya karein.
Jitna ho sake, dekh lunga."
🎥 SCENE 23 – Ek
Chhoti Si Dayaa, Ek Pura Din Badal Deta Hai
EXT.
SIGNAL – MOMENTS LATER
(Roadside
pe ek chhoti ladki plastic bottles bech rahi hai. Bohot pyaasi lag rahi hai.
Old man dekhta hai.)
(Woh
apna bottle nikalte hain, signal pe jaake ladki ko dete hain.)
OLD
MAN
(to girl)
"Thoda thanda paani bhi kabhi dil thanda kar deta hai."
(Girl
smile karti hai. Signal green hota hai.)
RAJU
BHAIYA
(observing, moved)
"Yeh bottle toh aapke liye tha…"
OLD
MAN
"Zarurat ka nahi, aadat ka diya tha."
🎥 SCENE 24 – Truth
in Little Things
INT.
AUTO – MOVING AGAIN
(Old
man ki file girti hai. Raju bhaiya uthate hain. Usme ek old photo frame bhi
hota hai – ek aurat ki tasveer, aur ek donation receipt.)
RAJU
BHAIYA
"Aapne toh khud donate bhi kiya hai pehle…"
OLD
MAN
"Haan, jab kuch tha. Ab duaon se kaam chala raha hoon."
(Raju
bhaiya uske chehre ko dekhta hai—dard toh hai, lekin shikayat nahi.)
🎥 SCENE 25 – Drop,
But Not Farewell
EXT.
BORIVALI STATION – 6:30 PM
(Auto
rukta hai. Old man utarta hai. Paise nikalta hai.)
RAJU
BHAIYA
"Chhodiye… aaj sirf aapki dua de dijiye."
OLD
MAN
"Dua toh chali gayi thi… aaj phir se waapas mili hai."
(Woh
haath jodte hain. Raju bhaiya sirf muskurata hai.)
CAMERA
PULLS BACK:
Auto slowly blend ho jata hai crowd mein. Ek aur kahani... ek aur witness...
TITLE
OVERLAY:
KAHANI 5 – "Phone Gaya, Mann Bhi"
(to be continued…)
🎬 CHALTI PHIRTI
KAHANIYAAN
Roman Hindi Script
Scenes 26–30 (Story 5 – “Phone Gaya, Mann Bhi”)
Genre: Docu-Fiction / Anthology
Tone: Relatable, Urban Loneliness, Unexpected Connection
Setting: Early night, city lights, young energy meets old soul
🎥 SCENE 26 – Storm
in a Pink Hoodie
EXT.
MALL PARKING – 7:15 PM
(Ek
mall ke bahar Raju bhaiya ka auto rukta hai. Ek 20s ki ladki—KIYA, pink
hoodie, loud energy, roti hui aankhen—auto ke paas aati hai, phone pakad ke
kuch dhoond rahi hai.)
KIYA
"Arey bhaiya! Kal raat aapka auto tha na? Mera phone aapke auto mein reh
gaya tha!"
RAJU
BHAIYA
(soothing voice)
"Ek second rukna..."
(Woh
seat ke niche se phone nikaalte hain, diya hua hai screen cracked par on hai.)
KIYA (relieved)
"Omg! Thank god! Ismein meri zindagi hai!"
🎥 SCENE 27 – Sit,
Cry, Repeat
INT.
AUTO – PARKED, BUT NOT MOVING
(Kiya
baithti hai auto mein. Phone haath mein, par aankhon mein kuch aur.)
RAJU
BHAIYA
"Chalun kahin?"
KIYA (soft)
"Nahi… bas thodi der baithna hai… zindagi bhi parked hai."
(Raju
bhaiya samajhte hain. Radio band kar dete hain.)
🎥 SCENE 28 – Heartbreak
in the Time of Instagram
INT.
AUTO – STATIC NIGHTLIGHT
KIYA
"Breakup ho gaya. Woh keh raha tha ‘it’s not you, it’s me’… par mujhe laga
tha ki hum real hain. Insta pe toh sab perfect lagte the."
RAJU
BHAIYA
"Zindagi filter mein achhi lagti hai, par asli rang toh aankhon se dekhte
hain… aur kabhi kabhi woh dard ke hote hain."
KIYA (soft laugh)
"Bhaiya… aap toh philosopher nikle."
RAJU
BHAIYA
(smiling)
"Nahi beta… sirf sunta hoon. Logon ki kahaniyaan."
🎥 SCENE 29 – Auto
Mein Therapy Session
INT.
AUTO – STREETLIGHT OUTSIDE, SOFT MUSIC INSIDE
KIYA
"Aaj tak kisi ne itna dhyaan se nahi suna... bina interrupt kiye."
RAJU
BHAIYA
"Auto driver hoon… log aate hain, baatein karte hain, chale jaate hain.
Main bas sunta hoon… aur yaad rakh leta hoon."
KIYA
"Kabhi likha nahi?"
RAJU
BHAIYA
"Likhta nahi… jeeta hoon."
🎥 SCENE 30 – Drop,
Hug, and a Real Smile
EXT.
BANDRA SEA FACE – 8:00 PM
(Auto
rukta hai. Kiya utarti hai. Dhoop chhupi hai, lekin chehre pe halka sa sukoon.)
KIYA
"Thank you bhaiya… phone toh mil gaya… par shaayad kuch aur bhi mil
gaya."
(She
quickly hugs him—raw, impulsive.)
RAJU
BHAIYA
(softly)
"Khush rehna, aur jab dard aaye… toh yaad rakhna, auto no. 3341 hamesha
sunega."
(Camera
pulls back. Waves in the distance. Auto fades into traffic again.)
🎬 CHALTI PHIRTI
KAHANIYAAN
Roman Hindi Script
Scenes 31–35 (Final Epilogue – The Driver’s Own Kahani)
Genre: Docu-Fiction / Anthology
Tone: Poetic, Quiet Grief, Soulful Closure
Setting: Late Night, Empty Roads, Truth in Stillness
🎥 SCENE 31 – Last
Ride, Last Light
EXT.
MUMBAI BYLANE – 10:30 PM
(Auto
khali sadak par chalta ja raha hai. Raju bhaiya ke chehre pe thakaan hai, par
aankhon mein sukoon.)
AUDIO: Old Lata Mangeshkar
song plays on radio —
"Chalte chalte mere yeh geet yaad rakhna..."
(Woh
radio bandh kar dete hain. Sheher ka shor kam ho gaya hai. Sab kahaniyaan
peeche chhodi ja chuki hain.)
🎥 SCENE 32 – Raat
Ka Thehra Hua Pal
EXT.
AUTO STAND – 11:00 PM
(Auto
stand pe aake rukte hain. Sabhi autos khade hain, kuch drivers so rahe hain.
Raju bhaiya akele utarte hain.)
(Woh
rear seat uthate hain. Neeche se ek purani diary aur ek chhoti photo
nikalte hain.)
CLOSE-UP: Tasveer mein ek
chhoti ladki (10 saal), uniform mein. Diary pe likha hai:
“Chhoti ki yaadein”
🎥 SCENE 33 – Unspoken
Backstory
INT.
AUTO – DIM INTERIOR LIGHT
(Raju
bhaiya diary ke pages palatte hain. Har page par ek chhoti kahani, ek line —
passengers ke baare mein. Lekin ek page khaali hai — sirf ek naam likha hai: “Meera”)
FLASHBACK
SNIPPET (Visual only):
- Ek chhoti ladki
school ke bag ke saath auto mein baithi hai
- Hansi kar rahi
hai, “Papa, main badi hoke kahaniyaan likhungi”
- Cut to: Same
ladki door bhagti dikh rahi hai – bhiड़, hospital, phir
silence
(Wapas
present mein – Raju bhaiya aankhon mein aansu sambhalte hain)
🎥 SCENE 34 – Zindagi
Ko Likha Ja Sakta Hai
EXT.
SEASIDE BENCH – 11:30 PM
(Raju
bhaiya ek bench pe baithte hain, samundar ke paas. Diary kholte hain. Ek pen
nikaalte hain.)
(First
time, woh ek page bharte hain. Khaali kahani likhna shuru karte hain — “Meera
ke baad ki duniya…”)
VOICEOVER
(his voice, gentle):
"Main sirf ek auto driver hoon… par meri zindagi mein sabse zyada kahaniyaan
baithi hain. Har mod, har signal, ek nayi script ban gaya hai. Shayad… yeh meri
bhi kahani hai."
🎥 SCENE 35 – Chalti
Phirti Kahaniyaan
INT.
AUTO – EARLY DAWN
(Subah
ho chuki hai. Ek nayi roshni. Raju bhaiya phir se auto mein baithte hain.
Ganpati ki murti pe ek naya phool chadhate hain.)
(Auto
start hota hai. Road pe chal padta hai.)
AUDIO:
FINAL VOICEOVER
"Zindagi rukti nahi… log aate hain, kahaniyaan chhod jaate hain… aur main,
ek chalti phirti diary ban jaata hoon."
CAMERA:
WIDE SHOT
Auto chalte chalte bheed mein kho jaata hai.
✨ FADE OUT
TEXT
ON SCREEN:
"Kisi ki zindagi mein hum sirf ek ride ho sakte hain... lekin kabhi
kabhi wohi ride kisi ke jeene ki wajah ban jaati hai."
🎬 THE END
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