Ticker

6/recent/ticker-posts

Ad Code

🎬 “Complete Blueprint for Writing a Movie Script & Screenplay”

 

complete framework likh diya hai. Bas kuch aur cheezein hoti hain jo movie banane ke process me important role play karti hain:

1) Concept / Idea (Logline)

Kya: Kahani ka core seed.
Goal: Producer/reader ko 1 line me hook karna.

Logline formula:
[Protagonist] + [clear goal] + [main conflict/antagonist] + [stakes]
Example: “Ek gaon ka singer Mumbai aakar apni awaaz se naam banana chahta hai, par music mafia aur apni ghar ki zimmedariyaan uska raasta rok deti hain.”

Pro-tips:

  • Specific bano (generic words se bacho).
  • Irony/contrast add karo (sweet spot).
  • Stakes clear rakho (“warna kya?”).

Common mistake: “Hero apne sapne poore karega”—bahut generic; stakes & conflict missing.


2) Story Outline (Beginning → Middle → End)

Kya: Poore plot ka chhota map (1–3 pages).
Deliverables:

  • Beginning: world, characters, inciting incident (~10%).
  • Middle: obstacles, rising tension, midpoint twist (~50%).
  • End: climax, resolution, new normal.

Quick Beat Sheet (12 beats):

  1. Opening Image → 2. Theme Stated → 3. Set-Up → 4. Catalyst → 5. Debate → 6. Break into 2 → 7. B-Story → 8. Fun & Games → 9. Midpoint → 10. Bad Guys Close In → 11. Crisis/All Is Lost → 12. Finale

Pro-tips: Ek page me “what happens” likho, “kaise shoot hoga” nahi.


3) Characters (Bio Cards)

Kya: Har key character ka 1-page profile.
Template:

  • Name / Age / Look cues
  • External Goal (jo woh chahta hai)
  • Internal Need (jo usse zaroorat hai)
  • Core Flaw / Wound (Ghost)
  • Backstory (2–3 lines)
  • Arc Hypothesis (start → end change)
  • Voice & Diction (bolne ka tareeqa)
  • Relationships (mentor, rival, love)
  • Ticking Clock (time pressure ho to)

Pro-tips: Antagonist ko bhi “hero of his own story” treat karo—uske clear logic/stakes do.

Common mistake: Names badalna, traits vague rakhna, ya sab characters ek jaise bolna.


4) Plot Structure (3 Acts)

Thumb rule (feature film ~100–120 pages):

  • Act 1 (0–25%): Set-up, inciting incident, Break into Act 2.
  • Act 2 (25–75%): Rising conflicts, midpoint (victory/defeat with twist), Bad Guys Close In, Crisis.
  • Act 3 (75–100%): Climax + Resolution.

Pro-tips:

  • Har act ke end par irreversible decision/turning point.
  • Subplots (B-story) ko midpoint ke paas peak karao.

Common mistake: Midpoint flat; acts ke beech clear “door” nahin.


5) Script (Screenplay Format)

Industry basics:

  • Font: Courier 12 (1 page ≈ 1 minute).
  • Scene Heading (Slug): INT./EXT. – LOCATION – TIME
  • Action Lines: Present tense, visual & audible cheezen. First time character name CAPS me.
  • Dialogue: Character name center; parenthetical sparingly.
  • Transitions: CUT TO, FADE OUT (kam use karo).

Example:

FADE IN:

 

EXT. VILLAGE ROADDAY

 

Children play cricket. RAVI (22) walks with a worn backpack.

 

                         RAVI

             (whispers)

             Sheher... main aa raha hoon.

Tools: Final Draft, WriterDuet, Celtx, Highland, or Fountain (.fountain).
Common mistake: Camera directions ka overload (“Camera pans…”). Action me sirf what we see/hear.


6) Screenplay Breakdown (Scene → Beat → Shot)

Kya: Har scene ka intention aur mechanics.
Scene Card Template (per scene):

  • Purpose: (plot move / reveal / setback)
  • Conflict: (kis se, kaise)
  • Emotional Value Shift: (− to +, + to −)
  • Location/Time: logistics
  • Props/VFX/SFX: essentials
  • Exit Hook: next scene pull

Shot List Basics:

  • Shot #, Type (WS/MS/CU), Movement (track/handheld), Lens/Focal (optional), Duration, Audio notes, Insert/Cutaways.

Pro-tips: “Enter late, leave early.” Har scene me turn ho (kuch badle).
Common mistake: Purpose-less scenes; emotional beat missing.


7) Other Writing Elements (Dialogues, Subtext, Themes)

Dialogues:

  • “On-the-nose” mat likho; feelings ko indirect rakho.
  • Character-specific rhythm (slang, pause, idioms).
  • Read-aloud test—kaana me fake lage to cut karo.

Subtext:

  • What they say ≠ what they mean.
  • Use objects/props as subtext (chai ka cup, radio song, etc.).

Themes & Motifs:

  • 1–2 central ideas (e.g., ambition vs family).
  • Recurring symbols (rain, mirror, trains, color).

Common mistake: Theme ko speech me samjhana. Dikhao, bolo mat.


8) Treatment / Synopsis

Kya: Producer pitch document—script se pehle.
Sizes:

  • Short Synopsis: 1–2 pages.
  • Treatment: 3–7 pages (tone/mood + acts + key scenes).
  • Long Treatment: 8–12 pages (beats + sample dialogues).

Treatment Template:

  • Title + Logline + Genre + Tone comps
  • World & Premise (½ page)
  • Act-wise narrative (2–4 pages)
  • Character Arcs (½–1 page)
  • Themes & Visual Style (½ page)
  • Ending Impact (1 paragraph)

Pro-tips: Readable prose; scene numbers nahi.
Common mistake: Treatment ko dry summary bana dena—tone/mood missing.


9) Storyboard / Shot Division

Kya: Visual pre-plan; DOP & art dept ke liye map.
Options: Stick figures, thumbnails, or tools (Storyboarder, Canva, Boords).
Include: Shot #, Composition, Movement, Key action, Sound, VFX, Notes.

Overheads/Blocking: Simple top-view sketches for actor/camera positions.

Pro-tips: Music cues & SFX notes yahin tag kar lo (temp tracks).
Common mistake: Only pretty frames; coverage logic (cutting points) missing.


10) Dialogue Drafts & Revisions

Process:

  • Draft 1: get it out.
  • Table Read (friends/actors) → mark false lines.
  • Trim 10–20%.
  • Alt lines for key jokes/punches.
  • Silences & overlaps (naturalism).

Pro-tips: Every page par intent change check karo—kis line se power shift hota hai?
Common mistake: Exposition dump; “remember when we…” style info-talk.


11) Scene Pacing & Runtime

Targets: 100–120 pages (90–120 min).
Rhythm Rules:

  • Mix long & short scenes.
  • Late in / Early out.
  • Har ~10 pages par koi meaningful turn.
  • B-story ko Act 2 me evenly braid karo.

Tools: Stopwatch table-read; page-per-minute estimate.
Common mistake: Flat middle; stakes & clock escalate nahi hote.


12) Character Arcs

Types:

  • Positive: Flaw → growth → better self.
  • Flat (Mentor/Hero): Same values, world change karta hai.
  • Negative: Flaw deepens → downfall.

Arc Map (mini-beats):

  1. Want vs Need set-up
  2. Tests tempt flaw
  3. Midpoint mirror (self-realization hint)
  4. All-Is-Lost (old self fails)
  5. Choice at Climax (new self?)
  6. New Normal

Common mistake: External victory bina internal change—hollow ending.


13) World-Building & Research

Scope: Setting, culture, jobs, systems, rules.
Style Bible / Lookbook: Color palette, costume, props, architecture refs (ShotDeck/Pinterest).
Language/Dialect: Authentic slang; sensitivity check.
Legal/Clearance: Real brands, music rights, news clips—pehle verify.

Pro-tips: Real locations pe photo-refs bharo; expert interviews (doctor/lawyer/cop) for accuracy.
Common mistake: Surface stereotypes; logistics impractical (e.g., police procedure galat).


14) Tone & Genre Consistency

Define: Emotional bandwidth (humor vs grit), violence level, language rating, music flavor.
Tone Map: Key scenes ke upar 1–10 scale pe intensity chart.
Genre Promises:

  • Thriller → tension & reveals.
  • Romance → chemistry beats.
  • Horror → dread → scare cycles.
  • Comedy → set-up/payoff rhythm.

Pro-tips: Color/music motifs tone ko glue karte hain.
Common mistake: “Tonal whiplash”—serious scene ke turant baad random gag.


Quick “Before You Write” Mini-Checklist

  • Logline locked (specific + stakes)
  • 3-Act outline + 12 beats
  • Character bios (want/need/flaw/arc)
  • Theme & motifs list
  • Treatment (3–7 pages)
  • Sample scenes written (opening, midpoint, climax)
  • Runtime targets set (page ranges)
  • Tone map + lookbook started

 

Post a Comment

0 Comments