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🎬 Episodic Thriller Web Series Concept - Title: “Andheron Ke Paar” / Format: 8 Episodes (30–40 mins each)

 

Episodic thriller web series in Hindi (scripted in Roman Hindi).

Here’s a fresh concept outline for you:


🎬 Web Series Concept (Hindi, Roman)

Title: “Andheron Ke Paar”

Genre: Thriller / Mystery / Psychological

Format: 8 Episodes (30–40 mins each)


🌑 Plot Summary

Ek chhoti si hill-town mein ek ke baad ek laapta hone ki ghatnaayein shuru hoti hain. Local police case ko simple “missing” file samajhkar ignore karti hai, lekin ek young journalist Raghav aur ek ex-cop Meera ko lagta hai ki sab kuch ek dusre se connected hai.

Jab vo dono milkar investigation karte hain to unhe ek purani diary milti hai, jisme 20 saal pehle ke ek “unsolved murder case” ki kahani likhi hoti hai. Dheere-dheere pata chalta hai ki har laapta shakhs ka connection us case se hai.

Par asli sawaal yeh hai – qaatil insaan hai ya kuch aur?


🎭 Main Characters

  • Raghav 26 saal ka daring journalist, sach jaan’ne ke liye kuch bhi risk utha lega.
  • Meera40+ retired cop, jo ek personal tragedy ke baad shahar chhod chuki thi, lekin ab case ke wajah se laut aati hai.
  • KaranShahar ka influential businessman, jo har jagah apna control rakhta hai.
  • AnanyaRaghav ki dost aur hacker, jo technology ke zariye investigation mein help karti hai.
  • The StrangerHar episode mein kisi na kisi form mein appear hota hai (mask, shadow, audio tape) lekin asli identity end tak reveal hoti hai.


📺 Episode Breakdown

Ep 1 – “Laapata”
Shuruat ek college student ki missing report se hoti hai. Police ignore karti hai, Raghav shuru karta hai apni investigation.

Ep 2 – “Purani Diary”
Meera diary discover karti hai jisme ek purane murder ke details hain. Patterns match hote dikhte hain.

Ep 3 – “Raaz Ka Darwaza”
Ek chhodi hui factory mein kuch chhupaya gaya hai. Pehli baar Stranger ka clue milta hai.

Ep 4 – “Gaddar”
Team mein se hi koi informer niklta hai jo killer ko help kar raha hai. Suspense peak pe.

Ep 5 – “Khoon Ki Lakeer”
Purane case ka asli sach samne aata hai – ek family rivalry jo abhi tak chal rahi hai.

Ep 6 – “Phasav”
Raghav ko falsely accuse karke jail bhej diya jata hai. Meera investigation akeli chalati hai.

Ep 7 – “The Stranger”
Asli killer ka face reveal hota hai. Lekin motive abhi bhi unclear.

Ep 8 – “Andheron Ke Paar”
Final confrontation – pata chalta hai ki killings ek hi insaan nahi, balki ek network karta tha. Series khatam hoti hai ek aur laapta hone ke saath, hinting at Season 2.


🎥 Style & Tone

  • Dark visuals, rainy nights, small town streets.
  • Background score: low cello + heartbeat style beats.
  • Har episode cliffhanger pe khatam hota hai.
  • 👉 episodic thriller outline / scene-by-scene screenplay dialogu

Episode 1 (Pilot) – “Laapata” written scene-by-scene in Roman Hindi with dialogues and screen directions.


ANDHERON KE PAAR

Episode 1 – “Laapata”

Genre: Thriller / Mystery
Language: Hindi (Roman)
Duration target: 35–40 mins


TEASER

EXT. HILL-TOWN ROAD – RAINY NIGHT

Bijli chamakti hai. Halki dhund. 19 saal ki NISHA hoodie pehne, phone par chalti ja rahi hai.

PHONE (male, distort): “Tum aayi? Jhilmil factory ke paas ho?”

NISHA (hushed): “Haan… par tum ho kaun? Mujhe yeh sab—”

Door se ek WHISTLE TUNE (ek hi dhun, baar-baar). Nisha rukti hai. Streetlight thartharati hai.

NISHA: “Hello? Hello?”

Call cut. Khaali sadak. Paani tap-tap. Nisha murti hai—
POV: ek shadow pole ke peeche se usse dekh raha hai.

Nisha ke pair ke paas se ek old cassette slide hoti aati hai.
Us par likha hai: “SUNO.”

Nisha cassette uthaati hai. Piche se footsteps— tez.
CUT TO BLACK.

TITLE SEQUENCE


ACT 1

INT. LOCAL NEWSROOM – MORNING

Hustle. Computers bheenge kapdon ki tarah ughe hue. 26 saal ka RAGHAV (restless, smart) apne EDITOR ke table par.

RAGHAV: “Sir, teen din mein do missing. Police bole, hostel se bhaag gayi hongi. Pattern hai—”

EDITOR: “Pattern tab hota hai jab views ho. Aaj market fair cover karo. Aur tum apna crusader mode band rakho.”

RAGHAV (dry): “Sirf views se sach kam nahin ho jaata.”

EDITOR (smirks): “Aur sirf sach se salary nahin banti.”

Raghav back-foot par, par aankhon mein zid.


EXT. COLLEGE HOSTEL – DAY

PAYAL (Nisha ki dost) ro padhne ko tayyar.

PAYAL: “Raat ko call aaya tha. Kisine ‘Jhilmil’ bola. Nisha darr gayi thi. Uske desk mein ek chitthi thi…”

Payal ek post-it deti hai: “A.K.P – 17” aur ek rough circle ke andar teen nishaan (symbol).

RAGHAV: “A.K.P… Andheron Ke Paar? Ya initials? Aur yeh symbol?”

PAYAL: “Mujhe nahi pata. Bas tum dhoondo.”


INT. POLICE STATION – DAY

Bheed. Files ka pahad. ACP RAWAT (50s, practical) ek complainant ko jhadta. Corner par 40+ MEERA (ex-cop), plain clothes, files chedti.

RAGHAV (to Rawat): “Sir, Nisha—third missing in ten days.”

ACP RAWAT: “College bachche. Trip pe bhaag jaate hain. Parents complain karenge to dekh lenge.”

Meera door se sun rahi.

RAGHAV: “Agar galat hua to? Pattern—symbol—”

ACP RAWAT (cuts): “Reporter ho na? Report karo. Investigation humara kaam.”

Raghav jaata hai. Meera ki nazar us post-it ke symbol par padti hai— uski aankhen sustain ho jaati hain.


INT. MEERA’S HOME – EVENING

Andhera kamra. Meera ek old case box kholti hai. 2005 ka unsolved murder file. Photos. Newspaper clippings.
Ekdum wahi symbol (circle + teen nishaan) ek purani tasveer ke kone par pencil se bana.

MEERA (whisper): “Phir se?”

Doorbell. Meera jaldi se box band karti hai. Darwaza kholti— NEIGHBOR doodh dene aaya. Normal ban kar baat karti hai. Par uske dimaag mein symbol goonj raha.


INT. RAGHAV’S RENTED ROOM – NIGHT

Laptop, tangled wires. ANANYA (mid-20s, hacker/tech geek) video call par.

ANANYA: “Last ping Nisha ka phone tower— Jhilmil Industrial Yard. Par wahan to sab band hai.”

RAGHAV: “Band jagah pehi sab zinda hota hai. Mujhe location bhej.”

ANANYA: “Raat ko mat jaana hero. Mapping bhej rahi hoon. Dhyaan rakhna. Aur— Raghav… agar yeh ‘AKP’ koi code hai, to 17 shayad date ho sakti hai.”

RAGHAV: “Aaj 17 hai.”

ANANYA: “Exactly.”

Raghav jacket uthaata hai.


ACT 2

EXT. JHILMIL INDUSTRIAL YARD – NIGHT

Barbed wire. Gate aadha tut-sa. Andhera. Raghav torch ke saath ghusta hai. WHISTLE TUNE door se phir sunai deti— halki.

RAGHAV (under breath): “Koi prank to nahin?”

Kanke ke neeche ek brick thoda utha hua. Raghav hatata— neeche polythene mein band diary ke pages (adhe geele, adhe sookhe).

VOICE (O.S., calm): “Usse haath mat lagao.”

Raghav jab mudta hai— MEERA khadi.

RAGHAV: “Aap yahan? Police ne to—”

MEERA (dry): “Main police nahi hoon. Aur tum journalist ho, chor nahi. Evidence chhedoge to case mar jaayega.”

RAGHAV: “Aap case kar rahi hain? Unofficially?”

MEERA: “Tum record on karlo. Phir decide karte hain.”

Raghav diary pages carefully nikaalta. Andar likha— “Satrangi Mela – 2005 – galat fasaya gaya.” Aur margin par wahi symbol.

MEERA (reading): “Yeh wahi case hai… jisme galti se kisi ka naam uchaala gaya tha. Aur wo… kabhi wapas nahi aaya.”

Suddenly METAL CLANG. Dono freeze. Paas wale kamre mein tape recorder chalu hota— hiss— phir awaaz:

THE STRANGER (tape): “Sach ke liye tayyar ho, Raghav? Andheron ke paar aane ka daam hota hai.”

Meera aur Raghav ek dusre ko dekhte. Door ki or bhaagte— ek street dog bhaukta, security ki flashlight door se. Dono dark corner se nikal kar fence cross karte— narrow escape.

Outside, saans thami hui.

MEERA: “Tumhari curiosity tumhe khila bhi sakti hai, maar bhi.”

RAGHAV (grins): “Mere paas dono ke headlines ready rehte hain.”


INT. LUXURY BANQUET – NIGHT

Ghoome-phire log, camera flashes. Town ka bada naam KARAN MALIK (late 30s, charming businessman) charity gala me speech de raha.

KARAN: “Hamare shehar ki suraksha ham sab ki zimmedaari hai. Youth ko hum opportunities denge—”

Camera ke piche ek photographer angle shift karta— background screen par ek banawat logo, jisme subtly wahi symbol ka abstract curve hide hua. Karan ke chehre par soft smile— eyes cold.


INT. LOCKUP – LATE NIGHT

Raghav ko trespass me bithaya gaya. ACP Rawat saamne.

ACP RAWAT: “Kaha tha na. Reporter ho. Crime scene par khel kheloge to…”

MEERA (entering, to Rawat): “Main le jaa rahi hoon. Aur agar aapko ab bhi lagta hai yeh ‘trip pe bhaage bachche’ waala case hai, to apni eyes test kara lo.”

Rawat irritate, par Meera ka purana weight hai. Raghav ko chhod diya jata.


EXT. TEA STALL – PRE-DAWN

Thandi hawa. Distant temple bell. Raghav aur Meera paper cup me chai.

RAGHAV: “Aapko kyun lagta hai yeh 2005 se linked hai?”

MEERA: “Because main us case me thi. Officially. Aur humse galti hui. Ek aadmi ko ghalat tareeke se villain banaya gaya. Tumhare diary pages wahi bol rahe.”

RAGHAV: “Karan Malik ka naam diary me hai.”

Meera thandi padti.

MEERA: “Naam dekhne se pehle saboot dekhte hain. Karan powerful hai. Ek mis-step, aur case khatam.”

RAGHAV: “To plan?”

MEERA: “Team. Tum, main, aur tumhari tech wali dost.”

RAGHAV (smiles): “Welcome to the dark side.”


ACT 3

INT. ANANYA’S WORK DEN – MORNING

Screens, code, waveform. ANANYA diary photos scan kar rahi.

ANANYA: “Tape ki hiss ke peeche ek train horn aaya tha. Timestamp ke hisaab se 1:12 AM par ‘Blue Line’ freight pass hoti hai— and guess what— Jhilmil ke paas level crossing. Recorder wahi chala hoga.”

MEERA: “Good. Symbol ke bare me?”

ANANYA: “Symbol basic lagta hai, par teen marks specific angles par— jise kisi triangulation ki tarah use kiya ja sakta hai.”

RAGHAV: “Teeno ‘points’ real jagah ho sakti hain?”

ANANYA: “Maybe. Mujhe time do.”


EXT. LEVEL CROSSING – DAY

Old WATCHMAN (60s) chhota radio sun raha.

MEERA (soft): “Raat ko koi aaya tha?”

WATCHMAN: “Black gaadi. Left tail-light tooti thi. Ek aadmi gadi se nahi utaara— bas seat pe baitha baithi ek dhun seeti bajata raha.”

RAGHAV: “Dhun yaad hai?”

Watchman seeti bajata— wahi WHISTLE TUNE.

Ananya record karti. Meera aur Raghav glance exchange.


INT. KARAN’S OFFICE – DAY

Glass walls, success photos. Karan ke saamne PR HEAD.

PR HEAD: “Sir, teen missing news trend pick kar rahi. Aap ke rival ne NGO post—”

KARAN (calm): “People need hope. Press meet rakh do. Aur police ko cooperate ka message de do. Sab theek ho jayega.”

PR head nikalta. Karan khidki se bahar dekhta— reflection me uske piche symbol ka ek chhota paper stuck (jaise kisi ne chipka diya ho). Karan palat kar dekhta— kuch nahi. Paper gayab.


INT. NEWSROOM – EVENING

Editor ki desk par brown envelope aaya. Front pe likha: “RAGHAV ke liye.”

Raghav envelope kholta— andar ek mini cassette aur ek UV marker.

NOTE (handwritten): “Lights off. Sach on.”

Raghav conference room me jaata, lights off. UV marker se glass board par symbol draw hota— aur message ubhar ke aata:
“EP01: LAAPATA. Next tum.”

Raghav ki gardan thandi.

Phone vibrate— ANANYA (call): “I triangulated symbol. Teen points— Old Post Office, Satrangi Mela Ground, Jhilmil Yard. Inka beech ka centroid— purani St. Mary’s Church ka basement.”

RAGHAV: “Wahan chaltein.”


INT. ST. MARY’S CHURCH – NIGHT

Silent, pews dusty. Basement ki taraf stairs. Meera, Raghav, Ananya torch ke saath quietly niche.

Basement me pehle se rakha ek tape recorder. Saath me ek polaroid— Nisha khadi hai, par blur. Pehle cassette play:

THE STRANGER (tape): “Tum logo ko clues pasand hain. Good. Time bhi pasand aayega— kyunki main har second ka hisaab rakhta hoon.”

Tape peeche faint sobs— ladki ki. Meera torches around— deewar par hand-drawn city map with symbols.

ANANYA: “Ye koi game nahin. Ye pattern… network jaisa…”

Basement ke kone me pendulum clock tick-tock. Suddenly dial phone bachta— ZZZRING.

Raghav uthata.

THE STRANGER (live, calm): “Hello, Raghav. Glass board par likha maine. ‘Next tum.’ Ghabraao mat. Tumhe marna nahi— tumhe chalna hai. Mere saath.”

RAGHAV (steady): “Nisha kahan hai?”

THE STRANGER: “Andheron ke paar.”

MEERA (takes phone): “Sun, bacchon pe haath rakhega to—”

THE STRANGER (smiles in voice): “Meera. 2005 yaad hai? Tumhe apni galti sudharne ka mauka de raha hoon.”

Line cut. Tape recorder khud-ba-khud rewind— fir play. WHISTLE TUNE— par iss baar Nisha ki saans milkar aa rahi— jaise woh kahin nearby ho.

Ananya ear to wall.

ANANYA (urgent): “Is wall ke piche cavity! Koi hai!”

Meera aur Raghav shelf ko push— ek chhota hidden door reveal. Lock. Meera hairpin se jugaad kar ke kholti.

Andar— chhota, khaali room. Middle me chair, rope cut. Seedhi opposite wall par black paint se likha:

“AAJ NISHA. KAL RAGHAV. — A.K.P”

Floor par fresh water drip. Footprints bahar ki taraf— matlab koi abhi-abhi nikla.

Distantly church bell bajti— midnight.

MEERA (grim): “Woh issi minute nikla hai.”

RAGHAV (low): “Aur humein yahan lake sirf ek line dene ke liye chhoda.”

ANANYA: “Next tum…”

Suddenly upar se heavy THUD— church ke main hall me koi girne ki aawaz.

Teeno bhaagte upar.

INT. CHURCH MAIN HALL – CONTINUOUS

Aasman se roshni ki ek patli si line— tootey hue glass se. Hall ke beech me ek projector auto-on hota— saamne wall par live CCTV feed chalti:
NISHA— aankhon par tape, chalti car ki backseat me. Camera angle inside car, driver visible nahin. Left tail-light broken glare.

THE STRANGER (V.O., processed): “Breaking news, reporter. Tum sach ke kareeb ho. Itna kareeb ki tumhari saans ki dhund screen par dikh rahi hai.”

Raghav screen ke bilkul paas— glass me uska reflection. Screen par car ka GPS flicker— map par ‘Satrangi Mela Ground’ ke paas ek blink point.

Feed CUT.

Meera phone nikaalti— ACP Rawat ko call:

MEERA: “Satrangi Ground. Abhi.”

ACP RAWAT (phone): “Agar yeh tumhara purana obsession hua, Meera—”

MEERA (ice): “Agar ek minute late hue to tum headlines me hoge.”

Rawat cut.

ANANYA (panicked whisper): “Guys…”

Sab murte. Basement se WHISTLE TUNE dobara. Saath me cassette click— auto-eject.

Raghav naya cassette uthata. Label: “EP02: Khoon Ki Lakeer.”

HARD CUT TO BLACK.

END OF EPISODE 1


NOTES FOR PRODUCTION / CONTINUITY

  • Signature Motif: WHISTLE TUNE + old cassette = Stranger ka calling card.
  • Symbol Logic: Circle + teen marks = city triangulation points (Jhilmil Yard, Satrangi Ground, Old Post Office).
  • Season Thread: 2005 ka case, Meera ki past guilt, Karan ka soft involvement (direct/indirect) with the old family rivalry.
  • Cliffhanger Drive: Next episode opens on search at Satrangi Ground; “Khoon Ki Lakeer” = 2005 file ke ek naam tak pahunch.

_________________________________________________________________

Episode 2 – “Khoon Ki Lakeer” in the same Roman Hindi, scene-by-scene thriller screenplay format.

ANDHERON KE PAAR

Episode 2 – “Khoon Ki Lakeer”

Genre: Thriller / Mystery
Duration target: 35–40 mins


TEASER

EXT. SATRANGI MELA GROUND – NIGHT

Flashlights. Police vans. ACP RAWAT barking orders. Raghav, Meera, Ananya enter through barricades.

Ground ke middle me mitti khodi gayi hai. Ek half-burnt dupatta aur ek bracelet milta hai – clearly NISHA ka.

Suddenly ek cop chillata hai – “Sir! Yeh dekhiye!”
Mitti ke neeche ek skeleton hand.

Close-up: purana bracelet (2005 style) us haath me atka hua.

MEERA (shaken): “Ye… 2005 ka missing victim hai.”

Camera zooms on bracelet: us par blood-stained line etchedKhoon Ki Lakeer.

CUT TO TITLE


ACT 1

INT. POLICE TENT – CONTINUOUS NIGHT

ACP Rawat interrogating Raghav.

ACP RAWAT: “Tum log yahan kaise pahunche?”

RAGHAV (defensive): “Clue mila tha. Nisha ki jaan khatre me hai.”

MEERA (firm): “Aur aapko ab bhi ye coincidence lag raha?”

Rawat irritate. Files close karta.

ACP RAWAT: “2005 ka case reopen karne ki ijazat nahi dunga. Press ko kuch bhi leak hua to tum dono andar.”

He storms out.

Meera aur Raghav exchange glance.

ANANYA (low voice): “Guys, skeleton ke DNA reports 2 din lagenge. Lekin bracelet par symbol engraved tha – wahi teen marks.”

RAGHAV: “Matlab ‘Stranger’ koi purana wound khol raha hai.”


INT. MEERA’S HOUSE – NIGHT

Dim lamp. Meera apna 2005 ka case file kholti hai. Flashback visuals:

  • Ek mela ground pe khoon.
  • Victim: RANJIT MALIK, ek young man.
  • Suspect: local outsider ko galat fasaya gaya tha.

MEERA (VO, guilt): “Us din humne evidence ignore kiya. Malik family ne case daba diya.”

Present me: Raghav sun raha.

RAGHAV: “Malik… matlab Karan Malik ka bhai?”

Meera nods.

RAGHAV (realizing): “Toh Stranger ki kahani unhi ki family tree se judi hai.”


ACT 2

INT. LUXURY MALIK MANSION – MORNING

Charity banners. Karan Malik calm, press conference.

KARAN: “Hamare sheher ka har youth safe hai. Police apna kaam kar rahi hai. Malik Foundation full support karega.”

Reporters clap.

Side angle: Raghav secretly recording.

Suddenly projector glitch karta hai – screen par ek second ke liye symbol flash hota hai. Sab confused, but jald normal.

Karan compose, lekin aankhon me flicker of worry.


EXT. OLD POST OFFICE – DAY

Ananya aur Raghav ek locked post office me ghuste.

Dust, broken files. Ek locker ke andar ek blood-stained letter milta hai. On it, hand-written line:
“Khoon ki lakeer sirf khoon se mit ti hai.”

Ananya UV light se scan karti hai. Hidden coordinates appear.

ANANYA: “Yeh points St. Mary’s se alag hai. Ye naya clue hai.”


INT. HILL-TOWN PUB – EVENING

Meera ek informant drunkard se milti hai.

INFORMANT (slurred): “2005 ke baad koi har saal mela ke time red paint se ‘teen lines’ banata tha. Log samajhte the graffiti hai. Lekin vo… khoon hota tha.”

Meera stiff ho jati.


INT. RAGHAV’S ROOM – NIGHT

Raghav cassette 2 play karta.

THE STRANGER (tape): “Khoon ki lakeer dikh gayi? Ab tum decide karo – Nisha ko bachana hai ya purana sach. Dono saath nahi milega.”

Background me faint crying + sound of temple bell.

Ananya zoom karta hai bell sound waveform.

ANANYA: “Ye sound sirf ek mandir ke paas record ho sakta hai – Shankar Mandir, jungle ke kinare.”


ACT 3

EXT. SHANKAR MANDIR – NIGHT

Ruined temple, torches. Meera, Raghav, Ananya cautiously enter.

Inside ek freshly painted red line wall pe. Niche ek dupatta ka tukda pinned.

Suddenly ek masked man door se bhaagta hai. Chase sequence.

Through jungle, torchlights flicker. Raghav girta hai, Meera shooter ki tarah pistol nikalti – warning shot.

Mask guy vanish in dhund, leaving ek bloody knife tree pe latka hua.

Knife handle par same symbol.


INT. TEMPLE INNER SANCTUM – CONTINUOUS

Team wapas jaata hai. Wahan ek blood trail lead karta hai niche basement.

Basement me ek photo board – sab missing girls ke polaroids, including NISHA. Har photo pe red ink line kaati gayi hai.

Aur centre me ek bada note:

“Meera, tumhari ek galti se maine apna khoon khoya. Ab tum sabko khooge. – A.K.P”

Meera ki aankhen bhar aati.

Suddenly ek hidden speaker chalu.

THE STRANGER (live): “Khoon ki lakeer sirf ek shuruat thi. Agli laash tumhare sheher ke beech milegi.”

Lights cut out. Sirf whistle tune echo karta.


CLIFFHANGER END

EXT. CITY CENTER – PRE-DAWN

Slow pan: fountain square me ek blood line paint ki gayi hai. Aur uske beech ek covered body bag.

Sirens approach.

Screen cuts to black.

On-screen text: “EP03: Gaddar”

✅ This episode deepens the 2005 backstory, connects to Karan Malik, introduces the family blood feud, and raises stakes with the public body reveal.

______________________________________________________________________

👍 Episode 3 – “Gaddar” written scene-by-scene in the same Roman Hindi episodic thriller style.

ANDHERON KE PAAR

Episode 3 – “Gaddar”

Genre: Thriller / Mystery
Duration target: 35–40 mins


TEASER

EXT. CITY CENTER – PRE-DAWN

Crowd gathered. Police barricades. News vans. Sirens flash.

Middle of the fountain square: BODY BAG.
Meera, Raghav, Ananya arrive. ACP Rawat furious.

Bag unzip. Inside – ek young male cop, throat slit.
Badge still pinned.

ACP RAWAT (stunned whisper): “Constable Javed… mera banda…”

On body’s chest, red paint likha hai:
“GADDAR.”

CUT TO TITLE


ACT 1

INT. POLICE STATION – MORNING

Chaos. Cops angry, accusing each other.

ACP RAWAT (shouting): “Kisi ne andar ki baat Stranger tak pahunchayi! Ye police headquarters ka traitor hai!”

Meera silently observes. Raghav pulls her aside.

RAGHAV: “Gaddar ka matlab… humari team me bhi koi?”

MEERA: “Exactly. Stranger ko har clue humse pehle kaise milta hai?”

Meera’s eyes scan – suspicion grows.


INT. NEWSROOM – DAY

Editor blasting Raghav.

EDITOR: “Tere reports ne logon me dar faila diya hai. Sponsor pressure aa raha hai. Band kar story!”

RAGHAV (snaps): “Truth pressure me nahi rukta. Nisha ko bachaane ke liye mujhe likhna hoga.”

He storms out. Editor quietly calls someone – camera lingers.


INT. MALIK MANSION – DAY

Karan Malik watching live news, relaxed. His aide whispers.

AIDE: “Sir, police aur press ek-dusre pe hi shak kar rahe hain. Aap safe hain.”

KARAN (cold smile): “Safe wahi hota hai jo khud gaddari karta hai.”

Camera tilts: table par ek old photo frame – Karan with his dead brother Ranjit Malik (2005 victim).


ACT 2

INT. ANANYA’S WORK DEN – EVENING

Ananya decrypting Stranger’s cassette no. 3.
Voice filter crack.

STRANGER (tape): “Tum sab mujhe dhoond rahe ho. Lekin tumhara sabse bada dushman tumhare beech hai. Gaddar ki pehchaan karo – warna agla khoon tumhare khud ke team se hoga.”

Background: faint lullaby music.

ANANYA: “Ye lullaby ek rare radio program me hi bajta hai… aur isko record karne ke liye kisi ko hamari taraf se access mila hoga.”

RAGHAV (grim): “Toh leak andar se hi.”


INT. SAFEHOUSE – NIGHT

Meera, Raghav, Ananya meeting.

MEERA: “Teen suspects – ACP Rawat, tumhara Editor, ya hum teenon me se koi.”

RAGHAV (snaps): “Mujhpe kyun?”

MEERA (cold): “Stranger tumhe naam se address karta hai. Coincidence?”

Tense silence.

Suddenly phone buzz. Unknown number.
Raghav picks up.

THE STRANGER (live, whisper): “Team mein ek gaddar hai, Raghav. Agar tum usse pehchaan gaye, to Nisha mil jayegi. Agar galat pe ungli uthayi… ek aur laash milegi.”

Call ends.


EXT. OLD TRAIN YARD – NIGHT

Team arrives on tip from cassette coordinates.

Yard dark. Rusted engines. Suddenly ek loudspeaker ON.

STRANGER (speaker): “Welcome, investigators. Yeh tumhara test hai. Yahan se ek aadmi tumse gaddari karega. Dhundh lo.”

Search begins. Meera finds a bloodied police file hidden in wagon. Inside – confidential witness list from 2005 case.

Raghav stunned.

RAGHAV: “Ye file sirf police station me thi… Rawat ya Meera ke paas hi ho sakti thi.”

Meera looks shattered – accusation in his eyes.


ACT 3

INT. TRAIN YARD – CONTINUOUS

Lights flicker. Ananya screams – she’s locked inside a coach.

Meera and Raghav try opening – locked from outside.

Inside, Ananya finds timer bomb strapped under seat.
Timer: 03:00.

ANANYA (shouting): “Jaldi! Teen minute!”

Meera panics. Raghav searches – finds wire cutter.

RAGHAV (to Meera): “Red ya blue?”

MEERA (decisive): “Khoon ki lakeer… hamesha red.”

Raghav cuts red. Timer stops at 00:07.

Ananya collapses out, gasping.

Suddenly projector flashes on coach wall:
“Gaddar tumhare saamne hi hai.”


INT. MALIK MANSION – NIGHT

Karan alone in study. He receives photo on phone – Meera, Raghav, Ananya at train yard.
Caption: “Unko abhi bhi sach pata nahi.”

Karan smirks, burns the message in candle flame.


CLIFFHANGER END

EXT. NEWSROOM – LATE NIGHT

Editor alone in office. He shuts laptop. Turns to leave.

WHISTLE TUNE in background.

Editor freezes. Turns – Stranger standing in shadows, mask glinting.

Screen blacks out with sound of knife slash + editor’s scream.

On screen text: “EP04: Raaz Ka Darwaza”


✅ This episode establishes:

  • Theme of betrayal → someone close leaking info.
  • Tension between Meera & Raghav (distrust begins).
  • First direct murder of a main side character (Editor) by Stranger.
  • Stakes escalate – Stranger now hunting both inside & outside circle.

______________________________________________________________________

👌 Episode 4 – “Raaz Ka Darwaza” written in Roman Hindi, scene-by-scene thriller format.

ANDHERON KE PAAR

Episode 4 – “Raaz Ka Darwaza”

Genre: Thriller / Mystery
Duration target: 35–40 mins


TEASER

INT. NEWSROOM – NIGHT

Silence. Blood dripping from desk. Editor ka lifeless body chair pe jhuka hua.
Window ke glass par red paint se likha hai:
“RAAZ KA DARWAZA.”

Camera pans out. Whistle tune echoes.

CUT TO TITLE


ACT 1

INT. POLICE STATION – MORNING

ACP Rawat furious, media screaming outside.

ACP RAWAT: “Pehle mera constable, ab press editor. Stranger seedha humare system ke andar khel raha hai!”

Raghav, Meera aur Ananya side pe.

RAGHAV (frustrated): “Ab pata chala, gaddar newsroom me bhi tha. Stranger har jagah pahunch raha hai.”

MEERA: “Aur har laash ke saath ek clue chhod raha hai. ‘Raaz ka Darwaza’ ka matlab koi jagah hai.”

ANANYA (typing): “Mujhe lagta hai door ka reference city ke purane maps se hoga. Ek ‘hidden entrance’ ya underground tunnel.”


INT. LIBRARY ARCHIVE – DAY

Dusty files. Ananya, Raghav maps study kar rahe.

Old blueprint milta hai – “St. Mary’s Underground Catacombs”. Ek chamber ke saath likha hai: “Sealed Door – Raaz.”

RAGHAV: “Yeh hai Raaz ka Darwaza.”


ACT 2

EXT. ST. MARY’S CHURCH – EVENING

Meera, Raghav, Ananya torch ke saath basement me jate.
Hidden corridor. Finally ek iron door locked with heavy chain.

On door: dried blood handprints.

MEERA (tense): “2005 ka case yahi khatam hua tha. Humein ye khola nahi chahiye tha.”

RAGHAV: “Aur shayad isi ke peeche Nisha hai.”

Ananya tools se lock todti hai. Door creaks open. Dark passage.


INT. CATACOMB CHAMBER – CONTINUOUS

Dim candles. Wall pe photos of all victims, including Nisha.
Middle me ek stone coffin.

Coffin ke upar ek cassette. Label: “Sacrifice.”

Raghav play karta.

STRANGER (tape): “Har darwaze ke peeche ek raaz hota hai. Tumne galat khola. Tum sab ke khilaf saboot yahan dabe hain.”

Suddenly hidden projector ON. Screen pe footage – 2005 ke mela case ka. Police planting false evidence.

Meera’s younger self visible in video.

RAGHAV (shocked): “Toh tum sach me us case me involve thi.”

MEERA (broken): “Main… forced thi. Malik family ne pressure dala. Maine galti ki.”

Raghav hurt, steps back.


ACT 3

INT. SAME CHAMBER – LATER

Suddenly loudspeaker crackle. Stranger’s distorted voice.

STRANGER: “Meera, tum gaddar ho. Tumne innocent ko fasaya. Tumhari sazaa – ek aur sacrifice. Ab decide karo: Nisha ya Raghav.”

Side wall opens – Nisha bound & gagged in a cage.
Opposite side – Raghav’s name painted with arrow pointing to gas pipe.

ANANYA (panicked): “He’s making us choose!”

Gas hissing. Clock starts – 05:00 countdown.

Meera frozen. Raghav yells.

RAGHAV: “Save Nisha! Mujhe chhod do!”

Meera runs, tries breaking cage lock. Ananya hacking control panel. Timer – 02:00.

Finally cage opens, Nisha collapses into Meera’s arms.

But gas spreads faster toward Raghav’s corner.

At 00:30 – Ananya pulls lever, redirects gas out vent. Explosion in distance.

All collapse coughing, alive but shaken.


EXT. OUTSIDE CHURCH – NIGHT

Police vans rush. Nisha stretcher pe le jaayi jaati. She’s alive, traumatized.

ACP Rawat confronts Meera.

ACP RAWAT: “Ab saboot tumhare khilaf hai. Video footage sabko dikhayegi ki tum guilty thi.”

Meera silent, guilt-ridden.

RAGHAV (angry): “Aur aapko samajh nahi aa raha ki Stranger khud Malik family se linked hai? Ye sab ek revenge game hai.”

Rawat ignores.


CLIFFHANGER END

INT. MALIK MANSION – MIDNIGHT

Karan Malik walks into his private study.
Opens hidden cabinet – andar ek mask same as Stranger’s.

Camera zoom on his face. But then – ek aur masked figure already baitha hai andar.

STRANGER (real): “Hello, Karan. Tum soch rahe the main tum hoon? Tumse bada gaddar aur koi nahi.”

Karan’s face turns pale.

CUT TO BLACK.

On screen text: “EP05: Khoon Ki Lakeer – Part 2”


✅ Episode 4 reveals:

  • The Raaz ka Darwaza = hidden catacomb chamber with old case secrets.
  • Meera’s guilt in 2005 case becomes public.
  • Stranger manipulates them with moral choice.
  • Twist ending: Karan not Stranger, but a pawn – real Stranger confronting him.

_____________________________________________________________

👍 Episode 5 – “Khoon Ki Lakeer – Part 2” in Roman Hindi thriller screenplay format.

ANDHERON KE PAAR

Episode 5 – “Khoon Ki Lakeer – Part 2”

Genre: Thriller / Mystery
Duration target: 40 mins


TEASER

INT. MALIK MANSION – MIDNIGHT

Room dim. Karan Malik mask ki taraf haath badhata hai…
Peeche se awaaz – Stranger ka distorted voice.

STRANGER (O.S.): “Tum samajhte ho game tum control kar rahe ho? Tum khud ek mohra ho.”

Camera pan – REAL Stranger mask pehle se room me, candle ke saamne baitha.

Karan ka chehra sweat se bheegta hai.

CUT TO TITLE


ACT 1

INT. MALIK MANSION – CONTINUOUS

Stranger aur Karan ke beech psychological face-off.

KARAN (stammering): “Tum… tum mere bhai Ranjit ke liye revenge le rahe ho na? Main hi to guilty nahi tha!”

STRANGER (calm): “Tumhare khoon ki lakeer ne sabko shaapit kiya. 2005 me tumne saboot dabaye. Tumne Meera ko gaddari pe majboor kiya. Aur ab tum sochte ho tum innocent ho?”

Stranger table pe ek cassette rakh deta hai. Label: “Family.”

STRANGER: “Agla chapter kholne ka waqt aa gaya hai.”

Lights cut. Stranger vanish.


INT. POLICE HQ – MORNING

ACP Rawat press ke saamne announce karta hai –

ACP RAWAT: “Evidence clear hai. Meera Sharma ne 2005 me Malik case ki files manipulate ki thi. Uska suspension confirm.”

Cameras flash.

Meera downcast, Raghav furious.

RAGHAV: “Aapko pata bhi hai Stranger hamesha humse ek kadam aage kyun hota hai? Kyunki koi andar ka banda usse khila raha hai!”

Rawat glare karta, lekin guilty blink kar jaata hai.


ACT 2

INT. SAFEHOUSE – DAY

Nisha recovering. She whispers to Raghav –

NISHA: “Mujhe ek gaadi yaad hai… black SUV, ek taara ka tattoo driver ke haath pe tha.”

Raghav notes. Ananya hacker skills se town’s CCTV footage scan karti hai. Ek SUV with broken tail-light + tattooed driver spotted multiple times near Malik properties.

ANANYA: “Driver ka naam Vikram. Malik ka right-hand man.”


INT. MALIK GARAGE – NIGHT

Meera & Raghav break in. Find blood-stained seat cover, cassette hidden under dashboard.

Cassette plays –

STRANGER (tape): “Khoon ka asli karz Malik family pe hai. Ranjit ke qatl ka asli gaddar abhi bhi zinda hai. Pata lagao, varna agla khoon tumhare paas hoga.”

Suddenly garage door slam. Vikram enters with rod. Fight sequence.

Meera disarms him, but police siren nearby force them to flee.


ACT 3

INT. HILL-TOWN COURTHOUSE – DAY

Old files unearthed by Ananya. Reveal shocking twist –
2005 mela case me Ranjit ka khoon actually insider betrayal tha. Malik family ke hi ek bande ne usse maara to inherit business.

File shows fingerprints = Karan Malik himself.

RAGHAV (shocked): “Matlab Karan apne bhai ka khooni hai? Aur usne hi innocent pe case daal kar sab duba diya?”

MEERA (whispers, horrified): “Aur maine uske pressure me evidence manipulate kiya…”


INT. MALIK MANSION – NIGHT

Raghav confronts Karan.

RAGHAV: “Tum apne bhai ke khooni ho. Stranger tumse revenge le raha hai.”

Karan panics –

KARAN: “Mujhe majboor kiya gaya! Malik empire ke liye sacrifice karna pada. Mujhe laga case daba dene se sab safe hoga!”

Suddenly lights cut. Whistle tune fills mansion.

Stranger appears in corridor shadows.

STRANGER: “Sacrifice? Ya greed? Tumhari khoon ki lakeer ab tum tak aayi hai, Karan.”

Gunshot echoes. Screen blacks.


CLIFFHANGER END

EXT. MALIK MANSION GATE – CONTINUOUS

Meera, Raghav aur Ananya bahar khade.
Inside mansion se sirf ek gunshot aur Karan ki cheekh sunayi deti hai.

Silence.

Gate par ek envelope slide hota. Raghav uthata.
Label: “EP06 – Phasav.”


✅ Episode 5 reveals:

  • Karan is the real killer of his brother Ranjit (2005).
  • Stranger = someone seeking justice for Ranjit (but more complex motive hinted).
  • Meera’s guilt deepens, as she realizes she protected the real killer unknowingly.
  • Ends with Stranger finally attacking Karan.

___________________________________________________________________________

🔥 Episode 6 – “Phasav” scene-by-scene thriller screenplay format me Roman Hindi:

ANDHERON KE PAAR

Episode 6 – “Phasav”

Genre: Thriller / Mystery
Duration target: 40 mins


TEASER

INT. MALIK MANSION – NIGHT

Gunshot ki goonj ab bhi hawa me. Meera, Raghav aur Ananya mansion ke andar daudte hain.

Drawing room – Karan Malik ka body zameen par, chest me goli. Blood everywhere.

Uske paas ek pistol gira hua… par pistol pe Raghav ke fingerprints.

ACP Rawat police ke saath ghusta hai.

ACP RAWAT (snapping): “Arrest him! Raghav hi qaatil hai!”

Raghav shocked. Meera protest karti hai.

Cops usse pakad kar le jaate hain.

CUT TO TITLE


ACT 1

INT. INTERROGATION ROOM – MORNING

Raghav thaka hua, cuffs me. Rawat files slam karta hai.

ACP RAWAT: “Tere fingerprints gun par, CCTV me tu andar ghusta, motive bhi tha – headlines ke liye murder story.”

RAGHAV (angry): “Mere fingerprints planted hain! Stranger ne mujhe phasaya hai!”

Rawat ignore karta hai.

Doosre side se Meera dekh rahi, guilty aur helpless.


INT. SAFEHOUSE – NIGHT

Ananya laptop pe forensic reports hack karti hai.

ANANYA (muttering): “Gun 24 ghante pehle wipe ki gayi thi… aur Raghav ke prints unnatural position me hai. Matlab kisi ne deliberately chipkaye.”

She saves proof on a drive.

Suddenly ek anonymous mail pop-up:
“Phasav ka asli matlab – andar se todna. Dhyaan rakho.”

Whistle tune auto-play hota hai. Ananya freeze.


ACT 2

INT. POLICE LOCKUP – NIGHT

Raghav akela, walls se echo. Suddenly ek cassette slide hoti hai under cell door. Label: “Truth.”

He plays it on walkman.

STRANGER (tape): “Raghav, tum sach ke kareeb ho. Lekin tumhari apni team tum par bharosa nahi karti. Agla khoon jail ke andar hoga – ya tumhara, ya kisi aur ka.”

Background sound: lock gate creak + temple bell.

Raghav samajhta hai Stranger jail ke andar bhi network rakhta hai.


INT. COURTHOUSE – DAY

Raghav ka bail hearing. Ananya proof present karti hai, but file corrupted ho jaati hai – clearly hacked.

Judge denies bail. Raghav ko phir se lockup bhej diya jaata hai.

RAGHAV (to Meera): “Kya tum bhi samajhti ho main qaatil hoon?”

Meera silent – guilt aur confusion ke beech.


INT. JAIL CORRIDOR – NIGHT

Lights blink. Guard unconscious girta hai.

Cell ke saamne ek mask-wearing Stranger appear karta hai.

STRANGER (calm): “Told you – Phasav andar se hota hai. Tum jahan jaate ho, main pehle se hota hoon.”

He slides key under bars.

STRANGER: “Agar zinda rehna hai to bhaag jao. Aur dekhna – kal sabko lagega tumne jail tod kar ek aur khoon kiya.”

He vanishes.

Raghav dilemma me – run or stay?


ACT 3

INT. NEWS BROADCAST – NEXT DAY

TV screens everywhere: “Journalist escapes custody! Murder suspect on run!”

Public outrage. Rawat declare karta:

ACP RAWAT: “Raghav ab wanted criminal hai. Jo bhi madad karega usse bhi gaddar maana jaayega.”


EXT. JUNGLE HIDEOUT – NIGHT

Meera secretly Raghav se milti hai.

RAGHAV (frustrated): “Sab kuch mere khilaf set up hai. Stranger humesha mujhe phasata hai. Aur tumne… tumne mujhe protect bhi nahi kiya.”

MEERA (broken): “Main guilty hoon Raghav. 2005 me Malik family ke pressure me maine galti ki. Stranger usi guilt ka use kar raha hai. Lekin mujhe yakeen hai tum innocent ho.”

Unke beech trust phir se banne lagta hai.


INT. STRANGER’S LAIR – UNKNOWN LOCATION

First time glimpses: wall full of photos, maps, red lines.
Centre pe ek bada poster – “Andheron Ke Paar – Justice”.

Camera tilt: Stranger mask utaarta hai – but sirf half reveal (shadow me). Bas ek scar visible on face.

STRANGER (to himself): “Agla khel – Meera ka sach sabke saamne.”


CLIFFHANGER END

EXT. CITY STREET – MIDNIGHT

Ek police van blast hoti hai. Flames me ek charred body.
Nearby wall pe blood se likha hai:
“EP07 – The Stranger.”

Raghav aur Meera TV pe ye dekhte hain – stunned.


✅ Episode 6 (Phasav) sets up:

  • Raghav ko fully framed kar diya jata hai.
  • Public usse murderer maanta hai.
  • Stranger ka control jail ke andar tak hai.
  • Half face reveal of Stranger (scar), tease of real identity.
  • Ends with police van blast & Stranger directly challenging

_______________________________________________________________________

🔥 Episode 7 – “The Stranger” in Roman Hindi thriller screenplay format.

ANDHERON KE PAAR

Episode 7 – “The Stranger”

Genre: Thriller / Mystery
Duration target: 40–45 mins


TEASER

EXT. POLICE VAN BLAST SITE – NIGHT

Flames, sirens, crowd chaos. ACP Rawat injured par zinda.
Camera zooms – blast ke saamne ek blood-written line:

“STRANGER KO PEHCHAANO.”

Meera aur Raghav (in disguise) crowd me khade dekh rahe.
Raghav whispers –

RAGHAV: “Aaj game ka asli face samne aayega.”

CUT TO TITLE


ACT 1

INT. SAFEHOUSE – NIGHT

Raghav, Meera, Ananya maps dekhte.

ANANYA: “Sab clues ek hi jagah point karte hain – Malik family ka purana farmhouse.”

MEERA: “Farmhouse… wahi jahan Ranjit Malik ki laash pehli baar mili thi.”

RAGHAV: “Matlab Stranger humein full circle le jaa raha hai.”


INT. FARMHOUSE – MIDNIGHT

Dusty mansion, broken chandeliers. Walls pe red paint ke nishaan.

Middle hall – ek projector auto-on. Screen par Stranger ka mask-wala video.

STRANGER (video): “Tum sabne mujhe shaitan samjha. Main sirf unka farishta hoon jinke khoon ko dho diya gaya tha. Ranjit ka khoon – Malik family ki gaddari – Meera ka guilt – aur Raghav ka obsession. Sab ke hisaab ka waqt aaya hai.”

Video crackles. Suddenly projector shuts.
Basement door creaks open.


ACT 2

INT. FARMHOUSE BASEMENT – CONTINUOUS

Meera, Raghav, Ananya torch ke saath descend karte hain.

Basement me ek mirror maze type structure. Har mirror me Stranger ka reflection mask pehne dikhai deta.

Whistle tune echo hota hai. Confusion.

Raghav ek reflection todta hai – peeche ek secret passage reveal.


INT. SECRET PASSAGE – DEEP BASEMENT

Wahan ek chair bound victim ke saath.
Chair pe – ACP Rawat, beaten & gagged.

Meera shocked.

RAWAT (weak): “Stranger… andar ka hi banda hai… jise tum sab jaante ho…”

Suddenly lights shut. Stranger actual enters – mask ke saath.

STRANGER: “Bohot khel liya. Ab asli sach.”

He pulls off mask –

Reveal: VIKRAM, Malik ka ex-driver/bodyguard – jisne 2005 ka sach dekha tha aur jise Malik family ne scapegoat banaya tha.

Par ek twist – uska half face burned scarred (fire accident).

VIKRAM (Stranger): “Tum sabne mujhe gaddar banaya. Main sirf sach ko wapas laa raha hoon. Ranjit Malik ka khoon apne hi bhai ne kiya – par blame mujhpe aaya. Jail, torture, zinda jalaya gaya. Aur ab main tum sabko dikhata hoon ki ‘Andheron Ke Paar’ ka matlab kya hai – justice.”


ACT 3

INT. BASEMENT – SHOWDOWN

Vikram switches on monitors – live feed of bombs planted across town (college, market, temple). Timer: 30 mins.

VIKRAM: “Tum decide karo – ek jaga bacha sakte ho. Baaki teen udd jayenge.”

Chaos.

RAGHAV (furious): “Ye justice nahi, junoon hai!”

MEERA (pleading): “Tum innocent the, Vikram. Lekin ab tum qaatil ban rahe ho. Apni kahani khud barbaad kar doge.”

Vikram pulls gun. Aim karta Meera pe.

VIKRAM: “Tumhari wajah se mera life khatam hua. Tum saboot jhuthlaati toh nahi… to shayad main aaj bhi zinda aadmi hota.”

Raghav jumps, gun struggle. Shot fired – bullet grazes Ananya’s arm.

Fight intense. Mirrors break, projectors crash.

Finally Meera gun Vikram ke sir pe rakhti hai.

MEERA (cold): “2005 ki galti main dobara nahi dohraungi.”

Trigger half-press… Raghav rokta hai.

RAGHAV: “No. Galti aur khoon – dono line aur lambi kar denge. Humein Stranger ko zinda pakadna hoga.”

They overpower Vikram, handcuff him. Bomb feed panel disable by Ananya. City safe – for now.


CLIFFHANGER END

EXT. FARMHOUSE – DAWN

Police vans, press crowd. Rawat stretcher pe le jaaya ja raha. Vikram Stranger mask ke saath le jaata hai.

Reporter chillaate: “Stranger finally caught!”

Par last shot – ek van ke andar ek aur mystery figure Stranger ka second mask uthata hai.

Camera zoom – uske lips se whistle tune nikalta hai.

CUT TO BLACK.

On screen text: “EP08 – Andheron Ke Paar (Finale)”


✅ Episode 7 reveals:

  • Stranger = Vikram, Malik ka scapegoat, scarred survivor.
  • His revenge motive clear – against Malik family & Meera.
  • Big showdown at farmhouse + bombs subplot.
  • BUT… twist ending – ek aur hidden Stranger-like figure exists (bigger conspiracy).

___________________________________________________________________

🙌 Episode 8 – “Andheron Ke Paar” in Roman Hindi thriller screenplay format.

ANDHERON KE PAAR

Episode 8 – “Andheron Ke Paar”

Finale – 50 min


TEASER

INT. POLICE VAN – NIGHT

Vikram (Stranger) cuffs me, mask police custody me.
Van ke piche ek aur shadow baithta hai. Whistle tune.

Vikram lift karta hai sir — aankhon me shock.

SHADOW (calm): “Tum soch rahe the tumhi master ho? Tum to sirf ek pawn the.”

CUT TO BLACK.

TITLE CARD: FINALE


ACT 1

INT. POLICE HQ – MORNING

Media frenzy: “Stranger Arrested!”
ACP Rawat press ko briefing deta hai.

ACP RAWAT: “Case closed. Sheher safe.”

Raghav, Meera aur Ananya doubtfully ek dusre ko dekhte.

RAGHAV (low): “Itna easy nahi ho sakta. Real Stranger abhi bhi bahar hai.”

ANANYA: “Aur whistle tune abhi bhi broadcast ho raha hai.”


INT. INTERROGATION ROOM – DAY

Vikram interrogated. Broken, scarred, lekin ek point repeat karta hai:

VIKRAM: “Main sirf ek soldier tha. Real mastermind usi Malik family ke andar se hai. Jisne mujhe jinda jalne diya.”

Meera stiff ho jaati hai.

MEERA: “Kaun?”

VIKRAM (whisper): “Rawat.”


ACT 2

INT. SAFEHOUSE – NIGHT

Raghav aur Ananya old files scan karte. Proof milta hai:
2005 case me sab saboot manipulate karne ka order Rawat ne diya tha, Malik empire se paisa khakar.

Meera devastated.

MEERA: “Matlab main Rawat pe trust karke innocent ko phansaya…”

RAGHAV: “Aur ab wohi real Stranger hai.”


INT. POLICE HQ – MIDNIGHT

Rawat apne office me. Wall safe kholta hai — andar dusre cassette tapes, photos of victims, aur second Stranger mask.

RAWAT (to himself): “Vikram ne apna part theek se nibhaaya. Ab finale mera hai.”


ACT 3

EXT. CLOCKTOWER – NIGHT

Rawat public rally ke time bombs plant karta hai.
Raghav, Meera aur Ananya pahunchte hain.

Chilling reveal — speakers pe Rawat ki distorted voice Stranger ke tarah echo hoti hai.

RAWAT (speaker): “Andheron ke paar sirf ek hi rule hai: main decide karta hoon kaun zinda rahega.”

Crowd panic. Bomb countdown: 10:00.


INT. CLOCKTOWER INTERIOR – CONTINUOUS

Rawat aur Meera face-off.

MEERA: “2005 ka asli gaddar tu tha. Malik family ke paise, meri galti ka guilt — sab tumhari wajah se.”

RAWAT (cold): “Galti tumhari thi, Meera. Main sirf system ka boss tha. Tumne jhuko aur main jeeta.”

Fight breaks out. Raghav disarms Rawat, Ananya disables bomb system at last second (00:12).

Rawat cornered at tower edge.

RAWAT (smirks): “Sach tumne reveal kiya… par system mujhe phir bachaa lega.”

Meera shoots his leg — Rawat girta, railing tod kar neeche death fall.


CLIMAX RESOLUTION

EXT. CLOCKTOWER – DAWN

Crowd safe. Media headlines: “Real Stranger Exposed – ACP Rawat behind 2005 Case!”

Vikram ko lesser charges par rehab bheja jaata hai (as pawn, not mastermind).
Meera reinstated, but resignation letter deti hai.

MEERA: “Justice system ne mujhe ek baar gaddar banaya tha. Ab main system ka hissa nahi ban sakti.”

RAGHAV: “Aur main? Mujhe kis headline ke saath jeena hai?”

Meera smiles faintly.

MEERA: “Sach ke saath. Bas wahi andheron ke paar hai.”


FINAL SCENE

EXT. HILL-TOWN – SUNRISE

Raghav ek article likhta hai: “Andheron Ke Paar – The Real Stranger.”
Voice-over narration:

RAGHAV (VO): “Har sheher ke paas ek Stranger hota hai. Kabhi wo gaddar hota hai, kabhi farishta. Aur kabhi… dono.”

Camera pans: ek street corner pe ek unknown man casually whistle tune bajata hai.

Raghav ki aankhen us aadmi pe tikti hai. Screen freeze.

CUT TO BLACK.

Text: “THE END?”


✅ Episode 8 wraps up:

  • Real mastermind = ACP Rawat (system + Malik nexus).
  • Vikram = pawn, tragic scapegoat.
  • Meera redemption through exposing truth.
  • Raghav emerges as truth-teller.
  • Final ambiguous whistle tune = possibility of Season 2

____________________________________________________________

Perfect 👍 Ab main tumhare liye ek Series Bible banata hoon — jo ek OTT pitch ke liye use kiya jaa sakta hai. Isme hoga:

  • Series Title + Tagline
  • Genre & Format
  • Logline (One-line pitch)
  • Premise (Overall Story)
  • Themes & Tone
  • Main Characters
  • Episode-wise Breakdown (Ep 1–8)
  • Future Seasons Potential


📖 SERIES BIBLE

Title: ANDHERON KE PAAR

Tagline: “Har sheher ka ek Stranger hota hai. Kabhi gaddar, kabhi farishta… aur kabhi dono.”


🎭 Genre & Format

  • Thriller / Mystery / Psychological Drama
  • 8 Episodes (40–50 mins each)
  • Language: Hindi (Roman / Devanagari available)


🎬 Logline

Jab ek hill-town me young log laapata hone lagte hain, ek journalist aur ek ex-cop ek aise Stranger ka saamna karte hain jo unke apne past raaz kholkar unhe “andheron ke paar” le jaata hai.


🧩 Premise

2005 me ek unsolved murder case daba diya gaya tha — Malik family aur police ke nexus ke wajah se. 20 saal baad, ek Stranger whistling tune aur cassettes ke zariye apni presence dikhata hai. Har episode me woh naye clues, laapta log, aur ek “moral test” chhodta hai.

Journalist Raghav, ex-cop Meera, aur hacker Ananya milkar sach dhoondhne ki koshish karte hain. Dheere-dheere samajh aata hai ki Stranger sirf ek insaan nahi, balki ek network hai — aur har clue unhe unke apne past aur guilt se jodta hai.


🎭 Themes & Tone 

  • Justice vs Revenge – Kya sach mai system se milta hai ya khud banana padta hai?
  • Guilt & Betrayal – Har character apni ek galti se haunted hai.
  • Truth vs Manipulation – Stranger ka har clue sach hai, par half-truth hamesha dangerous hai.
  • Tone: Dark, atmospheric, rain-heavy visuals. Whistle tune & old cassettes = signature motifs.


👥 Main Characters

  • Raghav (26) – Young journalist, restless, sach ke peeche bhaagne wala. Brave but impulsive.
  • Meera Sharma (40s) – Ex-cop, guilt-ridden for 2005 case. Strong, calm, but broken inside.
  • Ananya (25) – Tech geek/hacker, comic relief + sharp brain. Loyalty tested later.
  • ACP Rawat (50s) – Police officer, initially mentor-like but real mastermind Stranger.
  • Karan Malik (38) – Businessman, power-hungry, apne bhai ke qaatil. Dies in Ep 5.
  • Vikram (Scarred) – Malik ka driver, scapegoat. Stranger ka pawn, scarred survivor.


📺 Episode-wise Breakdown

Ep 1 – “Laapata”
College student Nisha missing. Raghav investigates, Meera returns to case. First cassette appears.

Ep 2 – “Khoon Ki Lakeer”
Old skeleton & bracelet link back to 2005 case. Symbol discovered. Malik family connection hinted.

Ep 3 – “Gaddar”
Editor murdered. Stranger warns “traitor is among you.” Suspicion spreads.

Ep 4 – “Raaz Ka Darwaza”
St. Mary’s catacombs open. Old footage reveals Meera’s role in 2005 cover-up. Stranger forces choice between Raghav & Nisha.

Ep 5 – “Khoon Ki Lakeer – Part 2”
Karan revealed as brother’s killer. Stranger attacks him. Twist: Stranger not one man.

Ep 6 – “Phasav”
Raghav framed for Karan’s murder, escapes custody. Stranger scar-face glimpse.

Ep 7 – “The Stranger”
Vikram revealed as masked Stranger. Revenge motive clear. But hint of bigger mastermind.

Ep 8 – “Andheron Ke Paar” (Finale)
Mastermind = ACP Rawat, system insider. Showdown at clocktower. Rawat killed, but final whistle tune hints another Stranger still exists.


🔮 Future Seasons Potential

  • Season 2: Stranger network across cities. Copycat killers inspired by the whistle tune.
  • Season 3: Deeper dive into “Andheron Ke Paar” as a cult, not just an individual. International crime links.
  • Raghav & Meera evolve as reluctant partners — truth vs guilt dynamic continues.


🎥 Visual & Production Notes

  • Rain, fog, abandoned locations = aesthetic.
  • Signature motif = whistle tune + old cassettes.
  • Cinematic style: Sacred Games + Mare of Easttown tone.
  • Cliffhangers mandatory at end of every episode.


👉 Ye hai complete Series Bible — a pitch-ready document jo aap OTT platforms (Netflix, Prime, Hotstar, SonyLiv) ke liye use kar sakte ho.


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