🎬 School / College Drama Scripts - Teen Din (Drama / Tragedy / Social Message)

 

👌. Tum ek 2.5 ghante ka school/college drama script chahte ho jisme story ka base hai – picnic pe romance, ek MMS scandal, uske viral hone ke consequences aur suicide. Yeh ek serious, socially impactful subject hai, toh main isse ek youth drama + awareness based script banaunga jo stage play ya film ke format me chal sakti hai.

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🎬 Script Outline – “Teen Din” (Drama / Tragedy / Social Message)

⏱ Duration

~2 hr 30 min (with interval)

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Act 1 – Setup (40 mins)

·         Intro Scene: College ke do groups (Group A aur Group B). Dosti, rivalry, thoda comedy, thoda romance.

·         Picnic Announcement: Principal / teachers ek 3 din ka hill station picnic plan karte hain.

·         Journey Scenes: Bus me gaane, masti, thodi nok-jhok.

·         Romantic Build-up:

o    Ek couple (Riya & Aarav) ke beech closeness dikhaai jaati hai.

o    Dusre couples bhi bonding karte hain, picnic me dance, bonfire, lake scenes.

👉 Is part me light mood, songs, comedy + romance rehega. Audience connect karegi characters se.

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Act 2 – Conflict (50 mins)

·         Night Scene at Hill Station:

o    Group masti kar raha hota hai.

o    Riya & Aarav thoda private time spend karte hain.

o    Dusra ladka (Kabir – Group B ka) chhupke se unka video record kar leta hai.

·         Return from Picnic:

o    Sab normal lagta hai, but Kabir apne doston ko video dikhata hai.

o    Doston me gossip start hoti hai.

o    Dheere dheere video college ke WhatsApp groups / social media pe viral ho jata hai.

·         Girl’s Trauma (Riya):

o    Classmates ki taane, parents ki disappointment, teacher ki silence.

o    Riya depression me chali jaati hai.

o    Aarav usse samjhata hai, par wo guilt aur shame bardasht nahi kar paati.

👉 Act 2 climax = Riya suicide attempt karti hai (hanging / overdose – stage ya screen ke hisaab se handle karna).

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Act 3 – Aftermath & Message (60 mins)

·         Shock & Guilt:

o    College stunned ho jaata hai.

o    Students, teachers aur parents ke emotional breakdown scenes.

o    Aarav ki condition worst hoti hai.

·         Kabir’s Exposure:

o    Police complaint hoti hai.

o    Kabir ko arrest kiya jaata hai under cyber crime & abetment.

o    Uske doston ka guilt scenes bhi dikhte hain.

·         Final Message Scene:

o    Principal / Teacher ek speech dete hain –

§  “Privacy, consent aur cyber ethics ka importance.”

§  “Ek galti ek zindagi le sakti hai.”

o    Riya ki photo ke saamne poora college silence me standing tribute deta hai.

👉 Last scene:

Aarav ek dialogue bolta hai:

"Galti Riya ki nahi thi… galti hum sabki thi jo chup rahe."

Screen blackout – with message on screen:

"Stop Cyberbullying. Respect Privacy. One mistake can end a life."

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🎭 Tone & Execution

·         First half = Romance + Fun

·         Interval ke baad = Intensity + Tragedy

·         End = Social message

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Teen Din — Full Screenplay (roman Hindi)

TEEN DIN — Full Screenplay (Roman Hindi)

Genre: College Drama / Tragedy / Social Message

Duration Target: ~150 minutes (with Interval)

Language: Dialogues in Roman Hindi (Hinglish), stage directions in simple English/Hinglish.

Content Note: This story addresses cyberbullying, non-consensual recording, privacy violation, and suicide. Intimacy is depicted symbolically and non‑graphically. Suicide is strictly off‑screen.

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Title Page

TEEN DIN

Written for stage/film in Roman Hindi

Logline: Do rival student groups hill-station picnic par jaate hain. Ek non-consensual MMS leak poore campus ko hila deta hai, jisse ek zindagi chali jaati hai — aur baaki sab ko apni khamoshi ki keemat samajh aati hai.

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Cast of Characters

·         RIYA (19) — Dance society ki lead; empathetic, bright, sensitive, middle-class.

·         AARAV (20) — Photography club; sincere, protective, emotionally mature.

·         KABIR (21) — Rival group ka flashy boy; insecure, attention-seeking, careless.

·         ZOYA (19) — Riya ki best friend; outspoken, loyal, fearless.

·         VIVAAN (20) — Aarav ka closest dost; calm, mediator, ethical.

·         MEGHA (20) — Kabir ke group ki member; FOMO-driven, later remorseful.

·         PROF. MENON (40s) — Student welfare; empathetic, practical.

·         PRINCIPAL RAO (50s) — Strict but fair; voice of institutional responsibility.

·         INSPECTOR PATIL (30s) — Cyber Cell; firm, composed, procedural.

·         RIYA’S MAA & PAPA — Loving, pressured by society ki nazar.

·         ENSEMBLE STUDENTS — Rival groups, chorus of whispers, classmates.

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Songs / Musical Moments (Optional)

1.      “Teen Din Ki Dhoop” — upbeat travel montage (Act 1, Scene 3/4).

2.      “Khamosh Naam” — somber vigil/end-credits (Act 3, Scene 13/18).

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Formatting Notes

·         SCENE HEADINGS: INT./EXT. — LOCATION — TIME

·         Actions: Present tense; concise.

·         Dialogues: CHARACTER NAME (uppercase), brief parentheticals if needed.

·         Stage Version Tips: Projection for chats/notifications; split-stage for hostel/corridor; chorus whispers for pressure; lighting cues mentioned inline.

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ACT 1 — SETUP (Approx. 40–45 mins)

SCENE 1 — EXT. COLLEGE QUAD — MORNING

Bright campus. Two student groups warm up: Group A (Riya, Aarav, Zoya, Vivaan) and Group B (Kabir, Megha, others). Light banter, subtle rivalry.

KABIR

(taunting)

Aaj practice se zyada performance lag rahi hai. Picnic ke liye ready ho, stars?

ZOYA

Tumhari stars wali aadat se lagta hai tum extras hi rahoge.

AARAV

Chill yaar. Teen din hill station — rivalry ko vacation de dete hain.

RIYA

(smiling, to both groups)

Ground rules simple: masti hogi, par lines cross nahi hongi. Deal?

(Beat. Murmurs of agreement. A bus horn distantly.)

PRINCIPAL RAO (O.S.)

(announcing)

Picnic list notice board pe laga diya gaya hai. Attendance mandatory. Decorum mandatory.

KABIR

(sotto, to Megha)

Mandatory fun — best kind.

Cut.

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SCENE 2 — INT. COLLEGE HALLWAY / NOTICE BOARD — DAY

Students crowd the board. Names ticked. Teachers coordinate.

PROF. MENON

Group leads, idhar. Safety briefing, consent policy, mixed seating. Queries?

VIVAAN

Sir, photography rules clear kar dein?

PROF. MENON

Public spaces okay, private bilkul nahi. Consent bina kuch nahi. Understood?

(Group responds yes. Riya notices Aarav adjusting a lens cap.)

RIYA

Tum har frame ko beautiful bana dete ho.

AARAV

Tum ho toh frame apne aap thoda zyada saaf lagta hai.

(Zoya rolls eyes, smiles.)

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SCENE 3 — EXT. CAMPUS GATE / BUS BOARDING — AFTERNOON

Bags, guitars, snacks. Students board. Road-trip vibe builds.

MONTAGE (Song #1: “Teen Din Ki Dhoop”)

·         Windows pe haath, hawa, laughter.

·         Zoya aur Megha ek hi earbud share karte hue ek pal ki dosti.

·         Kabir phone me selfies; background me Riya-Aarav ki candid smiles.

·         Vivaan distributing mints; Prof. Menon do buses check karte.

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SCENE 4 — EXT. HILL STATION RESORT — GOLDEN HOUR

Mist, pines, distant bells. Students deboard. Room allotments.

PROF. MENON

Curfew 10 baje. Mixed gathering only common areas me. Emergency number yeh hai. Kisi ko koi issue — directly mujhe call. Clear?

ALL

Yes, sir!

KABIR

(to his gang)

Night trek? Off-the-record fun.

MEGHA

Menon sir ne…

KABIR

Rules ka ek charm hota hai. Todne ka.

(Zoya clocks Kabir’s attitude.)

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SCENE 5 — EXT. HILLTOP / BONFIRE — NIGHT

Fairy lights. Guitar strums. Warm amber lighting.

AARAV

(soft, to Riya)

Yeh hawa, yeh shehar se door… thoda sa hum.

RIYA

Kabhi kabhi lagta hai main sab sambhal lungi. Phir yaad aata hai — log kya kahenge.

AARAV

Log kehte rahenge. Hum apni baat sach rakhenge.

(They hold hands. Camera tilts to stars. Kabir, a few meters away, casually scrolling. He notices silhouettes, expression unreadable.)

ZOYA

(to Vivaan, noticing Kabir)

Uski aankhon me curiosity kam, kalki gossip zyada.

VIVAAN

Bas nazar rakhenge. Aaj music zyada, drama kam.

(A gentle hum of Song #1 reprise.)

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SCENE 6 — INT. RESORT CORRIDOR / OUTSIDE RIYA’S ROOM — LATE NIGHT

Quiet corridor. Wind chime. Symbolic intimacy: behind a drawn curtain, a tender silhouette — a hug, foreheads touching. No explicit visuals.

From far end, a faint click — a phone camera being engaged. Only a partial shadowed frame, no faces clear.

KABIR (WHISPER, TO SELF)

Content mil gaya.

(He pockets the phone, half-guilty, half-thrilled.)

Cut.

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SCENE 7 — EXT. HILL STATION TRAIL / RETURN MORNING — DAY

Students trek back. Playful water splashes at a brook. A sense of normalcy.

MEGHA

Kabir, kal raat rehne do. Jo dekha… bas rehne do.

KABIR

Haan haan. Deleted samjho.

(He doesn’t delete.)

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ACT 2 — CONFLICT (Approx. 50–55 mins)

SCENE 8 — INT. CAMPUS CANTEEN — DAY (A FEW DAYS LATER)

Close circle, corner table. Kabir shows the video to two friends. Only shadowy figures; audio muffled. Consent absent.

FRIEND 1

Bhai… yeh…

KABIR

Relax. Bas humare beech.

MEGHA

(uneasy)

Kabir, please delete. Ye galat hai.

VIVAAN

(overhearing)

“Kisko pata chalega” ke baad hi sabko pata chalta hai. Don’t.

KABIR

Attitude dikhayega?

VIVAAN

Ethics. Try kabhi.

(Cut to a phone screen: “Forward to…?” Cursor blinks.)

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SCENE 9 — INT. CLASSROOM / HALLWAY — DAY

Riya enters. Whispering chorus (6–8 ensemble students offstage murmur): “Dekha kya?”, “Forward kar de?”, “OMG.”

STUDENT 1

(snickers)

Sharam naam ki bhi cheez hoti hai.

ZOYA

(full voice)

Sharam tumhe aani chahiye. Consent bina dekhna, share karna — crime hai.

(Silence. Some eyes drop.)

RIYA

(trying to be steady)

Main class ke baad Prof. Menon se milungi.

AARAV

Main saath.

(Zoya walks with Riya, protective.)

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SCENE 10 — INT. PROF. MENON’S CABIN — EVENING

Riya, Aarav, Zoya seated. Menon listens, notepad ready.

PROF. MENON

Thank you tum log direct mere paas aaye. Hume written complaint chahiye. Device details? Kis-kis ke paas gaya?

AARAV

We’ll compile screenshots.

ZOYA

Sir, immediate action bhi chahiye. Kal se pehle narrative badalna hoga.

PROF. MENON

I’ll speak to Principal. Aur cyber cell ko alert karta hoon. Aaj hi.

RIYA

(voice trembling)

Sir, ghar pe kaise… Maa-Papa…

PROF. MENON

We’ll counsel parents too. You’re not alone.

(Outside, a notification chime — the video has reached a larger student group.)

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SCENE 11 — INT. RIYA’S HOME — NIGHT

Riya enters. Maa and Papa anxious, confused, hurt — but primarily scared of “log kya kahenge.”

MAA

Riya, yeh sab?

RIYA

Maa, maine kuch galat nahi kiya. Kisi ne bina pooche…

PAPA

(gentle but shaken)

Hume samajhna hoga. Pehle tum safe ho?

RIYA

(soft)

Main thak gayi hoon, Papa.

MAA

Hum kal college chalenge. Menon sir se milte hain.

RIYA

(half-smile)

Theek hai.

(She moves to her room. Closes the door quietly.)

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SCENE 12 — INT. HOSTEL / GIRLS’ CORRIDOR — LATE NIGHT (ACT 2 CLIMAX)

Empty corridor. Distant prayer bell. Zoya runs in, phone to ear.

ZOYA

(on call)

Riya? Please phone utha… main neeche hoon, open the door… Riya!

(to warden)

Key! Please! Spare key!

(We stay outside. A muffled thud. Absolute silence. Lights dim to blue.)

SMASH CUT TO BLACK — INTERVAL

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ACT 3 — AFTERMATH & MESSAGE (Approx. 50 mins)

SCENE 13 — INT. AUDITORIUM — VIGIL — NIGHT

Candles. Riya’s photo. Students and faculty gathered. “Khamosh Naam” plays softly.

PROF. MENON

(voice breaking)

Hum marks ka pressure sikhate hain… par privacy ka dard samjha nahi paye. Mujhe maaf kar do, Riya.

AARAV

(numb)

Woh sabse zyada zinda thi. Humne milke use akela kar diya.

ZOYA

(low)

Main chillati rahi… par shares tez the meri awaaz se.

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SCENE 14 — INT. CYBER CELL OFFICE — DAY

Screens: message chains, timestamps, device IDs. Inspector Patil brief with Principal Rao, Prof. Menon, Aarav, Zoya, Megha.

INSPECTOR PATIL

Forensics ne path trace kiya. Initial capture is device X. Phir forwards Y, Z. Har forward legal chain me count hota hai.

PRINCIPAL RAO

Immediate suspension of involved students. College policy ke mutabik cooperation.

MEGHA

(tearful)

Maine bas ek baar forward kiya tha…

INSPECTOR PATIL

Ek baar hi kaafi hota hai. Consent bina intimate recording banana aur circulate karna — punishable offence.

AARAV

(stiff)

Capture kisne kiya?

INSPECTOR PATIL

Name is in the report.

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SCENE 15 — EXT. COLLEGE GATE — EVENING (ARREST)

Students gather. Police jeep. Kabir steps out, nervous, trying to play it cool.

KABIR

Sir, main sirf mazaak…

INSPECTOR PATIL

Mazak nahi. Law clear hai. Aapke device se initial file nikli hai. You’re under arrest.

(Crowd murmurs. Megha sobs. Vivaan watches, grim.)

VIVAAN

(low, to Kabir)

Tujhe content chahiye tha. Price mil gaya.

(Kabir is taken away.)

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SCENE 16 — INT. COUNSELLING ROOM / VARIOUS — DAY (GUILT & ACCOUNTABILITY MONTAGE)

·         Zoya speaking to a group: “Don’t forward” pledge.

·         Megha apologizing publicly at a student forum.

·         Prof. Menon conducting a session on consent & digital citizenship.

·         Riya’s parents at a quiet shrine; a diya lit.

MEGHA (MIC)

Maine fear of missing out me ek zindagi ka safar rok diya. Sorry doesn’t fix it — lekin main aaj se kisi ko forward nahi karungi. Kisi ko nahi.

STUDENT CHORUS

Hum bhi.

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SCENE 17 — EXT. ASSEMBLY GROUND — MORNING

Podium. Banners: “Respect Consent”, “Your Click = Your Responsibility”.

PRINCIPAL RAO

Hum syllabus ke chapters yaad rakhte hain, par digital zimmedari bhool jaate hain.

Consent matlab “haan”. “Chup” kabhi “haan” nahi hota.

Privacy privilege nahi — fundamental right hai.

Agar ek forward kisi ki zindagi le sakta hai, toh ek refuse to forward use bacha sakta hai.

(Students raise candles/phones in silence.)

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SCENE 18 — INT. AUDITORIUM — EVENING (FINAL MONOLOGUE & TRIBUTE)

Riya’s photograph center stage. Aarav steps forward. Quiet hall.

AARAV

Galti Riya ki nahi thi. Galti meri bhi thi… hum sabki thi.

Humne awaaz nahi uthayi jab pehli baar video kisi ne khola.

Aaj se — na dekhunga, na share karunga, na chup rahunga.

(looks up)

Riya, tu dance karti rahegi. Hum tere liye theek karenge.

(Lights fade. Card projection: “Stop Cyberbullying. Respect Consent. Don’t Forward.”)

“Khamosh Naam” plays out.

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APPENDICES (For Director/Stage Manager)

A. Lighting & Sound Quick Cues

·         Act 1: Warm ambers, sunset hues; bonfire = amber wash + soft guitar.

·         Act 2: Cooler whites/blues; notification pings as rhythmic SFX; whispers via chorus mic.

·         Act 3: Low warm pools for vigil; cold blue at arrest; neutral earnest white for assembly.

B. Projection/Props

·         Single projection screen for chats/DM chains; blur names, focus on verbs: “Forwarded”, “Viewed”, “Saved”.

·         Phones as props with privacy covers.

·         Candles/LED votives, Riya’s photo frame, podium, police file folder.

C. Intimacy & Safety Coordination

·         Intimacy coordinator for curtain silhouette beat (Scene 6). No explicit touch beyond hugs/forehead touch visible in silhouette.

·         Suicide depiction strictly off-screen. No instructions or methods on stage.

·         Post-show resource slide (optional): local helplines / college counselling contacts.

D. Optional Expanded Dialogues (Use as Needed)

SCENE 3 — BUS BANTER SNIPPETS

STUDENT 2: Window seat war chalu!

VIVAAN: Democracy: rock–paper–scissors.

ZOYA: Ya phir bribery — chips ke do packet.

SCENE 5 — BONFIRE ADD-ONS

MEGHA: Kabhi kabhi lagta hai hill station se zyada high expectations hoti hain.

KABIR: Expectations meet content.

VIVAAN (to self): Aur content meet consequences.

SCENE 9 — CLASSROOM ADD-ONS

STUDENT 3: Bas joke tha.

ZOYA: Joke tab hota hai jab sab hasen. Yahan ek ro rahi hai.

AARAV: Aur tum forward kar rahe ho.

SCENE 10 — MENON CABIN ADD-ONS

PROF. MENON: Draft complaint me “without consent” clear mention karo. Timestamp attach karo.

ZOYA: And list of groups where it landed.

SCENE 14 — CYBER BRIEF ADD-ONS

INSPECTOR PATIL: Section X/Y (jurisdiction-specific) ke tahat: capture + circulation = dual offence.

PRINCIPAL RAO: College handbook addendum issue hoga aaj.

SCENE 16 — FORUM ADD-ONS

STUDENT 4: Screenshot bhi crime chain me aata hai?

INSPECTOR PATIL (V.O.): Haan. Possession/retention bhi liable ho sakta hai.

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Curtain Call / End

Shukriya audience ke liye ek short note:

“Agar aap ya aapka koi jaan-pehchaan wala cyberbullying ka shikaar ho, turant trusted adult/authority se baat karein. ‘Forward’ ke badle ‘Report’ chunein.”

 

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o gaya! Maine poori 2.5 ghante ki screenplay (Roman Hindi) scene-by-scene detailed dialogues ke saath canvas par daal di hai — “Teen Din — Full Screenplay (Roman Hindi)”.

Isme:

·         18 scenes (Act 1–3) with full dialogues, stage directions, cues

·         Interval point, vigil, arrest, final monologue

·         Song placements, projection/lighting notes, and safety guidelines (intimacy symbolic, suicide off-screen)