Sach Ka Screenshot — 3-hour Social Film Script (roman Hindi)
ONLINE STRY
Feature Film Screenplay (Approx. 3 Hours / ~180 mins)
Language: Roman Hindi (dialogue-heavy)
Genre: Social Thriller · Courtroom Drama · Investigative Story
Title & Concept
Title: ONLINE STRY
Tagline: Har Forward Se Pehle Fikar.
Logline: Ek imaandaar municipal engineer par deepfake video se
jhootha ilzaam lagta hai. Ek delivery rider, ek coder student, aur ek retired
photo-journalist milke “Truth Lab” banate hain, jo misinformation ka racket
expose karke court me asli sach sabit karte hain.
Casting (Indicative)
· Asha Verma (29) – Municipal Civil Engineer → Vidya Balan / Radhika Apte type
· Chirag Waghmare (24) – Delivery Rider → Ishaan Khatter / Vikrant Massey type
· Muskan Khan (22) – Coder & Student → Sanya Malhotra / Alaya F type
· Rafiq Sheikh (55) – Ex-Press Photographer → Pankaj Kapur / Naseeruddin Shah type
· Saroja Devi (55) – Asha ki maa → Surekha Sikri / Seema Pahwa type
· Nikhil Bhasin (45) – Contractor Villain → Manoj Bajpayee (negative role)
· Sanjay Tandon (38) – PR Head & Antagonist → Kay Kay Menon
· Inspector Prakash (40) – Honest Police Officer → Jimmy Shergill
· Adv. Ritu Malhotra (35) – Lawyer → Taapsee Pannu
· Dr. Rayan Mehta (33) – Forensic Expert → Rajkummar Rao
Locations
· Navgarh City – fictional Tier-2 city
· Flyover Construction Site – corruption backdrop
· Virasat Media Office – PR/deepfake lab
· Community Hall – Truth Lab headquarters
· Print Shop – Rafiq ka base
· Courtroom – climax & showdown
· Safehouse / Warehouse – sting setup
· River Ghat – emotional closure
Continuity (Act-wise)
ACT I (0:00–1:30)
· Opening inspection: Asha construction rokti hai → Bhasin naraz → Tandon ko bulata hai.
· Deepfake creation: Virasat Media lab.
· Drop & fallout: Viral video → Asha suspension, public outrage.
· Chirag & Muskan’s entry: Clues milte hain.
· Rafiq conscience: Press-photographer sach ke liye laut-ta hai.
· Truth Lab forms: Community hall.
· Threats & backlash: Stone-pelting, calls.
· Bail hearing: Tough.
· Interval: Asha arrest ho jaati hai fake suicide note ke baad.
ACT II (1:30–3:00)
· Post-interval: Lock-up → Adv. Ritu joins.
· Dr. Rayan intro: Deepfake forensic proof.
· Legal prep & RTI: RTIs, chain of custody, mirror image capture.
· Public tipping point: QR billboards, blank newspaper stunt.
· Virasat panic: Bhasin–Tandon purge attempt, insider leak.
· Sting setup & execution: Warehouse confession.
· Courtroom showdown: Expert proof, insider testimony, sting playback.
· Verdict: Asha exonerated, culprits booked.
· Closure: Asha site par wapas, Truth Lab permanent, river ghat sunset.
Complete
Segment-wise Storyline (3 Hours / 180 mins)
Segment 1 (0:00–0:20) — Opening
Inspection & Setup
Story ki shuruaat hoti hai jab Asha flyover construction par quality issue dekh
kar kaam rok deti hai. Contractor Nikhil Bhasin se uska takraav hota hai, aur
PR head Sanjay Tandon ko bulaya jaata hai jo plan banata hai Asha ko badnaam
karne ka. Iske parallel Chirag delivery rider ke roop me introduce hota hai,
Muskan apne computer lab me deepfake detection sikhati hai, aur Rafiq chai
stall par apni purani press conscience ke saath struggle karta hai. Boardroom
me Virasat Media ka pehla strategy session hota hai.
Segment 2 (0:20–0:40) — Deepfake
Viral & Suspension
Virasat ki team deepfake video banati hai aur woh viral ho jaata hai. Sheher
bhar me Asha par ilzaam lagta hai aur uski suspension ho jaati hai. Chirag ko
video me anomaly dikhti hai, Muskan forensic mismatch detect karti hai, aur
Rafiq ke conscience ke saath mil kar “Truth Lab” ki foundation rakhi jaati hai.
Inspector Prakash pehli baar help ka signal deta hai.
Segment 3 (0:40–1:00) — Threats,
Workshop & Interval Cliffhanger
Asha ko threat calls aate hain aur Truth Lab par patharbaazi hoti hai. Phir bhi
ek public workshop hoti hai jisme log misinformation verify karna seekhte hain.
Courtroom me bail hearing hoti hai lekin Asha ki bail reject ho jaati hai.
Lock-up me ek fake suicide note slip kiya jaata hai aur interval cliffhanger
par media me headline chalti hai ki Asha ne suicide attempt kiya.
Segment 4 (1:00–1:20) — Ritu &
Rayan Join, Forensic Proof & Press Stunt
Advocate Ritu Malhotra case ladne ke liye Asha ke sath aati hai aur Dr. Rayan
forensic expert deepfake ka technical proof court ke liye tayaar karta hai. RTI
file ki jaati hai aur chain of custody maintain hota hai. Public awareness ke
liye Truth Lab ek blank-page newspaper stunt launch karta hai jisme sirf ek QR
code hota hai. Log scan karke proof dekhte hain aur public tipping point aa
jaata hai. Virasat panic me aa jaata hai.
Segment 5 (1:20–1:40) — Billboard
Campaign & Bail Win
Truth Lab ek aur bada move karta hai — Navgarh ke highway par giant QR
billboards lagaye jaate hain jahan se forensic proof directly logon ke phone
par jaata hai. Public perception palatne lagta hai. Virasat me tension badh
jaati hai aur suspicion insider par aata hai. Café sting me Ankita insider logs
handover karti hai. Courtroom me naye saboot dikhaye jaate hain aur judge Asha
ko bail grant kar deta hai.
Segment 6 (1:40–2:00) — Truth Lab
2.0 & Sting Prep
Community hall ab ek movement ban jaata hai jahan students aur common citizens
workshops attend karte hain. Billboard campaign aur viral support Truth Lab ko
aur strong bana dete hain. Virasat me aur panic hota hai. Chirag warehouse
recce karta hai, Ankita USB evidence provide karti hai, aur safehouse me sting
operation ki full rehearsal hoti hai. Inspector Prakash warning deta hai ki
fail hue to sabhi ko jail jana padega.
Segment 7 (2:00–2:20) — Rehearsal,
Witness & Virasat Counter-Plan
Safehouse me sting rehearsal hota hai. Ankita aur insider logs ke through proof
secure hota hai. Ek accountant witness bhi introduce kiya jaata hai jo
contractor ke accounts ke ghotale confirm karta hai. Inspector Prakash unhe
warn karta hai ki yeh dangerous mission hai. Dusri taraf Virasat Media
counter-plan banata hai aur ek mole Truth Lab ke andar ghusaya jaata hai.
Segment 8 (2:20–2:40) — Sting Execution
& Evidence Sealed
Warehouse me sting execute hota hai. Chirag delivery rider ke disguise me andar
jaata hai, Ankita USB extraction karti hai, aur Rafiq distraction create karta
hai. Bhasin aur Tandon ki confession record ho jaati hai jisme woh deepfake aur
suicide note fabricate karne ki baat khud bolte hain. Mole expose ho jaata hai
aur Inspector Prakash usse pakad leta hai. Evidence USB aur recorder chain of
custody ke sath seal kar diya jaata hai.
Segment 9 (2:40–3:00) — Courtroom
Showdown & Verdict
Courtroom me high-voltage showdown hota hai. Prosecution viral video play karta
hai lekin Dr. Rayan forensic demo karke uski fake nature prove karta hai.
Ankita insider testimony deti hai, sting playback chalaya jaata hai, aur saboot
chain complete hota hai. Judge verdict deta hai — Asha acquitted, aur Bhasin
aur Tandon ko custody me le liya jaata hai. Public gallery clap karti hai, maa
aansu bhare gusse ke saath apni beti ko gale lagati hai.
Segment 10 (3:00–Closure) — Return,
Truth Lab Permanent & Emotional Sunset
Asha wapas flyover site par aati hai aur kaam dobara shuru karati hai, iss baar
uncompromised quality ke saath. Truth Lab ab ek permanent citizen media
literacy centre ban jaata hai. School children pledge karte hain “Har Forward
Se Pehle Fikar.” Commissioner press conference me Truth Lab ko official support
deta hai. Ant me sab river ghat par ikattha hote hain, diya jalakar paani me
chhod dete hain. Sunset ke saath emotional closure hota hai aur final card
appear hota hai: “Har Forward Se Pehle Fikar.”
Tone & Style
· Realistic, investigative – Law, RTI, forensics accurately shown.
· Emotion-driven – Maa–beti bond, youth courage, public awakening.
· Cinematic – Drone shots, courtroom tension, montage use.
· Final message – Media literacy as social immunity.
Isme poori screenplay ko ek single, structured package me merge kar diya hai —
· Title & Tagline
· Casting suggestions
· Locations
· Continuity breakdown (Act I & II with Interval)
· All Segments 1–10 (Scene 1–62) ek sath
· Tone & Style notes
· Final message card
ONLINE STRY — “Sach Ka Screenshot”
Segment 1 (Scenes 1–6, 0:00–0:20)
FADE IN:
SCENE 1
EXT. NAVGARH CITY – FLYOVER CONSTRUCTION SITE – DAY
Dhoop tez hai. Concrete mixers ghurr-ghurr kar rahe hain. Traffic diversion ke board. Ek nayi flyover ki puri lane under-cast.
ASHA VERMA (29), safety jacket, hard hat, clipboard aur phone-cam body mount. Nazron me sakht imaandari.
Asha slump cone test dekhti hai. Concrete thoda paani-paani lag raha.
ASHA
(foreman se)
Slump zyada aa raha hai. Mix design M25 bola tha, yeh to M20 bhi mushkil se lag
raha.
(aggregate mutthi me le ke)
Coarse size bhi over hai. Pour ROKO.
Foreman haath utha ke contractor ki taraf dekhta hai. Door se NIKHIL BHASIN (45) aata hai—safed kurta, zameen ka badshah attitude.
BHASIN
(muskurate hue, meethi awaaz)
Engineer madam, kaam rukega to shehar rukega. Thoda adjust kar lo. Budget tight
hai, deadline kal ki hai.
ASHA
(code book ki tarah seedhi)
Quality compromise nahi hota, Mr. Bhasin. IS code follow hoga ya pour band
hoga. Lab ke liye cube sample nikalo. Abhi.
BHASIN
(karara, dheeme gusse me)
Aapko samajhna chahiye—upar tak baat jaati hai. “Adjustment” ka matlab hi
system chalana hota hai.
ASHA
(camera pe REC on)
Is site par aaj se bina test report ke ek bhi dumper unload
nahi hoga. Gate band.
Asha WHISTLE bajati hai. Guards GATE SLIDE kar dete hain. Mixer ki gali band ho jaati hai.
Bhasin paas aa kar fufkaar deta hai.
BHASIN
(kan ke paas, dhakkon se bachke)
“Heroine” banne ka nateeja bura hota hai. Kaam chahiye to kaam jaisa chalne do.
ASHA
(sakht, aankhon me seedha dekhte hue)
Public paise se ban raha flyover. Main custodian hoon, aap
contractor. Rule clear hai.
CUTAWAY: Asha apne phone pe site log upload karti hai: “Non-compliance observed: mix variance, oversize aggregate.”
Asha nikalti hai. Bhasin mobile dial karta hai.
BHASIN
(phone pe, thanda)
Sanjay, kaam rukwa diya isne. Narrative palatna padega. Abhi mil.
CUT TO:
SCENE 2
INT. VIRASAT MEDIA – CONTENT WAR ROOM / TECH LAB – DAY
Hawa me AC ki thandak, screens pe dashboards—trending hashtags, media calendars. SANJAY TANDON (38), razor-sharp PR head, conference table par reports phelata hai.
Team: ANKITA (VFX/ML), ROHIT (bot-ops), KABIR (strategy).
TANDON
(sixty-second brief)
Issue: Municipal engineer ne public project rok diya. Contractor—hamara client.
Kal sabah tak public mood “Asha=problem” hona chahiye.
KABIR
Narrative options: “Overstrict engineer = delay = logon ki pareshaani.”
Plus personality angle—“attitude problem”, “power trip”.
ROHIT
Botnet ready hai. Fifty micro-influencers ko talking points bhej dunga—“city
suffering”, “selfie engineer”.
ANKITA
(technical)
Asha ka clean audio aur clear face footage chahiye. 2-3 min sample mil jaye to
voice model train kar sakte. Face alignment bhi ho jayega.
TANDON
(deceptively calm)
Abhi deepfake ki zaroorat nahi padni chahiye. Pehle perception hilao. But
backup plan banao—agar woh hero banne lagi to “proof” nikal aayega.
KABIR
(smirk)
Proof banana padta hai, milta nahi.
Door khulta hai—BHASIN ghus ke aata hai.
BHASIN
Tez kaam chahiye. Aaj shaam se pehle headlines badlo. “Public inconvenience”,
“funds lapse risk”, “project at risk because of one officer.”
TANDON
(haan me haan)
Understood. Ankita, online se Asha ke media bytes, Insta live, townhall clips
scrape karo.
Rohit, templates ready—complaint threads, “auntyji stuck in jam” reels, local
pages ko push.
ANKITA
Aur agar heroic image banne lage to?
TANDON
(steel)
Phir hum video dikhayenge jo “woh khud deny nahi kar payegi.”
Team ek dusre ko samajh bhari nazar se dekhti hai. Clock tik-tik.
CUT TO:
SCENE 3
EXT. NAVGARH – INNER CITY STREETS / TRAFFIC – DAY
Horn, hawkers, narrow lanes. CHIRAG WAGHMARE (24) apni 125cc bike pe, delivery bag pith par. Helmet pe action cam laga hai. App beep karta hai.
APP (V.O.)
“Order #447 – Old Quarter se Civil Lines. ETA 14 minutes.”
Chirag accelerator ghoomata hai. Ek buddhe aadmi ka dabba girta hai—Chirag turant rukta hai.
CHIRAG
Dayaan se, Kaka. Main le chalta hoon rasta paar.
Kaka mushkurate hain. Chirag usse safely rasta par kara deta hai. App “late warning” flash karta hai.
CHIRAG
(phone pe, behen se)
Aru, tension mat le, fees ka instalment nikal jaayega is mahine. Bas do aur
shifts.
(beat)
Aur maa ko bol—helmet pe camera mazaak nahi hai. Kal ki gaali bhi record ho
gayi thi.
He laughs. Bike chala deta hai.
POV: Helmet-cam se gaate-jalte shehar ke shots. Chirag flyover site ke pass se guzarta hai. Gate pe jam. Door se Bhasin foreman pe chilata dikh jata hai.
Helmet-cam AUDIO me Bhasin ka ek lafz HALKA sa pakadta hai: “upar se call aayega.” Bas itna hi. Aage gaadi nikal jaati hai.
CHIRAG
(aapne aap se)
Navgarh me sabse bada traffic: ego ka.
App beeps. Wo disappear ho jata hai bheed me.
CUT TO:
SCENE 4
INT. POLYTECHNIC – COMPUTER LAB – DAY
Monitors ki blue light. Dozen students. MUSKAN KHAN (22) hoodie me, code khula—GANs, face alignment graphs, ek custom “artifacts detector”.
Projector pe slide: “Misinformation 101: Face Morph vs Deepfake”.
MUSKAN
(class se)
Look, morph simple blend hota hai. Deepfake me temporal consistency, blink
rate, micro-shadow, aur lip-sync ke clues milte hain.
(terminal pe)
Yeh mera script blinking anomaly detect karta hai—agar natural human blink
frequency off ho to flag.
STUDENT 1
Par agar model bahut advanced ho?
MUSKAN
(half-smile)
To phir hum bhi advanced ho jaate hain—metadata, re-compression signatures,
ELA. Truth hide nahi hota, hum dhundte kam hain.
Uske phone pe WhatsApp ping: “Freelance data cleaning @ Virasat Media—good pay.”
STUDENT 2
Muskan, tu jayegi? Pay to bada hai.
MUSKAN
(seedha)
Agar kaam data cleaning ka hota to theek. Par jab kaam “soch cleaning” pe shift
ho, main nahi karti.
Wo laptop close karti hai, pen drive nikaalti hai—label: “Truth Lab – Tools (Beta)”.
MUSKAN
(class ko)
Homework: Kal tak ek fake news ka example lao aur teen tareeke jisme tum use
verify karoge—source, timestamp, aur reverse image.
(beat)
Har forward se pehle—fikar.
Students sir hilaate hain. Muskan khidki se bahar shehar dekhti hai—door billboard pe “Navgarh Rising”.
CUT TO:
SCENE 5
EXT. RAFIQ KA PRINT SHOP / CHAI STALL – LATE AFTERNOON (GOLDEN HOUR)
Chhota sa PRINT & PHOTO dukaan—lamination machine ka zrrrr, diwar par purana PRESS photo pass. RAFIQ SHEIKH (55), chehre par nazakat, aankhon me kahaniyan.
TV par local news scroll: “City flyover work halted, commuters suffer.”
SATTAR (chaiwala) chai dalta hai.
SATTAR
Navgarh me bas do khabrein chalti hain—kaun sa kaam ruk gaya, aur kaun sa
rukwaya kisne.
RAFIQ
(sukar se)
Khabar aur vigyapan me farq hota tha kabhi.
Rafiq apna purana DSLR nikale bina hi frame karta hai—samne ek local neta 4 logon ko ration packet de raha sirf camera ke liye. Rafiq half-press karta hai, phir camera neeche kar deta hai.
SATTAR
Photo nahi loge?
RAFIQ
(slow)
Photo to ban jayegi. Tasveer me “niyat” nahi aati.
TV par ASHA ka ek 5-second ka bite: “Quality compromise nahi hoga.”
Rafiq ki aankhen thehar jaati hain.
RAFIQ
(faint smile)
Beti theek keh rahi hai.
Woh shelf se old press cap nikalta hai, dhool phenkti hai, bheed ko dekhta hai. Andar se koi purana junoon jaagta hai.
CUT TO:
SCENE 6
INT. VIRASAT MEDIA – BOARDROOM – EVENING
Glass walls, city skyline. Whiteboard pe likha hai: “NARRATIVE ARCH – PHASE 1: INCONVENIENCE / PHASE 2: DISCREDIT”.
Table ke ek taraf TANDON, dusri taraf BHASIN. Team members laptops khol ke.
TANDON
Agenda: Contain aur counter.
Step-1: Local pages pe “Asha stopped pour = traffic nightmare”.
Step-2: Callers—“meri maa ka ambulance late.” Script ready.
Step-3: Opinion pieces—“system me baadha banne wale officers.”
BHASIN
Aur agar woh news me hero ban gayi?
TANDON
(steady)
Phir personal credibility todte hain. Ankita?
ANKITA
Collected: Asha ka district day speech, ek panel discussion clip, ek Insta
fundraiser live. Audio clean mil gaya.
Training time—thoda sa lagega. But guarantee nahi deti—top tier detection se
bachna mushkil hota hai.
ROHIT
Iss ke sath hamare 300 accounts se coordinated “witness threads”—“maine khud
dekha, attitude problem”, “public ko dhakka diya”, etc. Screengrabs fabricated,
timestamps set.
KABIR
(whiteboard pe likhta)
Hook line: “Officer ka ego, public ka dard.”
(neeche)
CTA: “Project ko aage badhao.”
TANDON
(calculating)
Aur ek “human angle”—Asha ko khud bayan dena pade. Pressure banega to galati
karegi.
(beat, low)
Aur agar pressure se bhi kaam na bane to—video ka plan hai hi.
Bhasin khoon nikalti muskaan deta hai.
BHASIN
Kal subah tak mood palat do. Mujhe tender committee ko sanket dena hai—“public
sentiment” ke hawale se.
TANDON
(soft menace)
Public sentiment humara product hai, Nikhil. Cart me add karke bas “checkout”
dabana hota hai.
Room me thandi khamoshi. Ek screen pe Asha ka still freeze hota hai—sach ke saath khadi ek insaan.
SMASH CUT TO:
EXT. NAVGARH FLYOVER SITE – DUSK
Asha akeli, band gate ke peechhe khadi, site diary band karti hai. Dur shehar ke upar pehla billboard chamakta—“NAVGARH MOVES FORWARD.”
ASHA
(apne aap se, dheeme)
Forward tabhi jab buniyad theek ho.
Wo chal padti hai.
FADE OUT.
END OF SEGMENT 1 (SCENES 1–6)
ONLINE STRY — “Sach Ka Screenshot”
Segment 2 (Scenes 7–12,
0:20–0:40)
FADE IN:
SCENE 7
INT. VIRASAT MEDIA – TECH LAB – NIGHT
Dark room. Screens glow. ANKITA ke monitor par Asha ka district speech open hai. Algorithm bar chal raha hai: “VOICE MODEL TRAINING – 82%”.
Timeline par Asha ka chehra lip-sync ho raha—par kalpanik baatein bol rahi hai: “Main contractor se paisa leti hoon…”
Team ki aankhon me adrenaline.
TANDON
(smirk)
Bas 20 sec believable clip chahiye. Zyada nahi.
ANKITA
Model train ho gaya. Background dal dungi—hotel room, blurred face opposite.
Lagayega jaise secret deal ho rahi ho.
ROHIT
Distribution bot set. First wave—WhatsApp groups, local news FB pages,
Telegram. Caption: “Shocking truth of honest engineer.”
KABIR
Seedhe share karne ka hook: “Don’t forward blindly… check this.”
Clip render hota hai. Artificial blink, artificial shadow. File name: truth_leak.mp4.
CUT TO:
SCENE 8
MONTAGE – DEEPFAKE VIRAL SPREAD
· INT. LOCAL BUS – DAY: Passenger phone par forward kholta hai. Sab dekhte hain, chhati pakad ke shake karte hain.
· EXT. TEA STALL – EVENING: Crowd phone ghoomata hai, awaaz: “Arre, yeh hi to wo engineer hai jo kaam rok rahi thi!”
· INT. COLLEGE HOSTEL – NIGHT: Students giggle, “So much for honesty.”
· EXT. MARKET – DAY: Loudspeaker pe clip ka audio chhoda jata hai, bheed gossip karti hai.
· INT. NAVGARH MUNICIPAL OFFICE – DAY: Notice board par headline: “Engineer Caught in Bribe Video.”
SUPERIMPOSE TEXTS ON SCREEN:
#AshaCorrupt
#NavgarhBlocked
“Jab proof saamne hai, fir debate kaisi?”
SCENE 9
INT. MUNICIPAL SUSPENSION HEARING ROOM – DAY
Table pe COMMISSIONER, files open. Asha, stiff, saamne khadi hai. TV pe muted deepfake chal raha hai.
COMMISSIONER
(grim)
Engineer Verma, yeh viral ho chuka hai. Chahe aap deny karein, public trust
khatam ho raha hai. Jab tak inquiry clear nahi karti… you are suspended
with immediate effect.
ASHA
(voice shaking)
Sir, yeh fabricated hai. Main forensic proof la sakti hoon. Please—
(beat)
Kam se kam mujhe chance dijiye.
COMMISSIONER
(sigh)
Proof ke bina system defend nahi kar sakta. Order sign ho chuka hai.
Stamp pad—red ink. File band. Asha ka chehra sunlight aur aansoo ke beech me freeze hota hai.
CUT TO:
SCENE 10
EXT. INNER CITY ALLEY – DAY
CHIRAG ek parcel deliver karta hai. Receiver sign karta hai. Door close. Chirag bike start karta hai—tabhi ek group bachche phone pe wohi deepfake video dekh rahe hain.
Ek bachha chillata hai: “Woh engineer chor nikli!”
Chirag rukta hai. Helmet cam record on. Wo bachchon ka phone mangta hai, video dhyan se dekhte hue audio waveform note karta hai. Thoda unnatural lagta hai.
CHIRAG
(apne aap se, serious)
Yeh cut unnatural hai… lipsync thoda slip kar raha hai.
Wo apne delivery bag se ek notepad nikalta hai: “Timestamp 02:07 – blink mismatch.”
Helmet-cam light blink karta hai—sab record ho raha hai.
CUT TO:
SCENE 11
INT. MUSKAN HOSTEL ROOM – NIGHT
Laptop screen: Muskan deepfake detector script run karti hai. Clip dalti hai. Graph line jump karti hai. FLAG: blink rate inconsistent, 0.2 sec average.
MUSKAN
(under her breath)
Fake hai… par professionally banaya gaya.
She cross-checks metadata—mismatch in encoding layers.
Phone call – CHIRAG.
CHIRAG (V.O.)
Muskan… tu AI pe kaam karti hai na? Mere cam ne video record kiya. Galat lag
raha hai. Dekh sakti hai?
MUSKAN
(serious)
Bhijwa. Kal subah print shop pe mil.
She plugs pen drive labelled: Truth Lab – Beta Tools.
CUT TO:
SCENE 12
INT. COMMUNITY HALL – DAY
Old dusty hall. Ek taraf broken projector, doosri taraf Rafiq ke print samples, Chirag ke helmet cam clips, Muskan ka laptop.
ASHA entry karti hai—maa ke saath, aankhon me sharam aur gussa dono.
RAFIQ
(slowly)
Beti, tasveer dhokha de sakti hai. Par tasveer ke peeche ki niyat capture karne
wale log bhi hote hain.
CHIRAG
(helmet-cam set karta hai)
Main sirf ek rider hoon, par system ka saara burden hum pe aata hai. Agar sach
dikhana hai, main saath hoon.
MUSKAN
(technical, determined)
Yeh video fake hai. Mujhe forensic proof banane ka tareeka pata hai. Lekin ek
jagah aur ek naam chahiye.
RAFIQ
(beat, smile)
“Truth Lab.”
Sab chhoti si table par haath rakhte hain. Moment of unity.
Tabhi door se INSPECTOR PRAKASH (40) entry. Uniform me, file haath me. Seedhi nazar se.
INSPECTOR PRAKASH
(plain)
Dekho, mujhe bhi lagta hai video fishy hai. Lekin official chain me dalne ke
liye forensic chain of custody chahiye.
(beat)
Agar tum sachme ladna chahte ho, main tumhe ek chance dunga. Ek galat kadam aur
sab collapse ho jayega.
Group ek dusre ko dekhta hai. Silence. Fir ASHA seedha khadi hoti hai.
ASHA
(sakht awaaz me)
Inspector saab, hum sach ke liye ladenge. Chain of custody maintain hoga. Truth
Lab yahi se shuru hota hai.
FADE OUT.
END OF SEGMENT 2 (SCENES 7–12)
ONLINE STRY — “Sach Ka Screenshot”
Segment 3 (Scenes 13–18, 0:40–1:00)
FADE IN:
SCENE 13
INT. COMMUNITY HALL – NIGHT
Truth Lab ki pehli meeting. Asha, Chirag, Muskan, Rafiq table par baithe hain. Ek bulb hil raha hai, thodi andhera. Muskan laptop par forensic graph dikha rahi hai.
MUSKAN
Dekho — blink pattern normal human se half hai. Matlab synthetic overlay.
Compression me double encoding signatures mil rahe hain.
CHIRAG
Aur yeh mera cam audio — background ka hiss repeat ho raha hai. Matlab splice
hua hai.
ASHA
(soft, maa ki taraf dekh ke)
Maa, main chor nahi hoon. Main sach sabit karke rahungi.
SAROJA DEVI
(aansu bhare)
Beti, main tujhe jaanti hoon. Par duniya forward pe chalti hai, evidence pe
nahi.
Achanak khidki se pathar girta hai. Glass toot jata hai. Bahar se awaaz: “Chor Asha, shame!”
Sab sarr hila kar samajhte hain — opposition react kar raha hai.
RAFIQ
(dheere)
Sach likhne par kalam todte the. Aaj data todte hain.
CUT TO:
SCENE 14
INT. ASHA’S HOUSE – NIGHT
Phone bell bajti hai. Asha uthati hai.
DISTORTED VOICE (V.O.)
Case withdraw karo… nahi to tumhari maa akeli nahi bachegi.
Asha ka haath kaanp jata hai. Maa door se dekh rahi hai. Call cut.
ASHA
(maa ki taraf jhooth bolte hue)
Bas wrong number tha, maa. Tum tension mat lo.
Door bell bajti hai. Bahar ek envelope. Andar se ek paper — “We know where you live.”
Asha envelope table pe rakh deti hai. Silent dread.
CUT TO:
SCENE 15
INT. COMMUNITY HALL – DAY
Truth Lab workshop chal raha hai. Rafiq projector par ek slide chalata hai: “How to verify news in 3 steps.”
Bheed me college students, local shopkeepers, ek school teacher.
RAFIQ
Tasveer dekho, context samjho, source verify karo. Forward karne se pehle
socho.
MUSKAN
(energetic)
Har mobile camera ek proof hai. Agar aapko lagta hai kuch galat hai, record
karo. Truth Lab se share karo.
Sab taali bajate hain. Umeed ki halki roshni.
Lekin ek corner se phone se secretly record ho raha hai — ek aadmi call kar ke kehta hai: “Yeh log awareness faila rahe hain. Report to boss.”
CUT TO:
SCENE 16
INT. COURTROOM – DAY
Bail hearing. ADV. RITU MALHOTRA (35) entry karti hai — confident, file haath me. Asha dock me khadi hai.
RITU
(magistrate se)
M’lord, viral clip forensic analysis ke bina admissible nahi hai. Is basis par
meri client ko jail bhejna unconstitutional hoga.
PROSECUTOR
(video play karte hue)
M’lord, video clear hai. Public sentiment angry hai. Suspension already hua
hai. Agar yeh bahar aayi to protest ho sakte hain.
MAGISTRATE
(sochta hai)
Case sensitive hai. Bail application abhi reject. Agle hearing tak judicial
custody.
Courtroom me silence. Asha maa ki taraf dekhti hai. Maa roti hai. Police usse le jaati hai.
CUT TO:
SCENE 17
INT. POLICE LOCK-UP – NIGHT
Andhera. Iron bars. Asha ek bench par baithi hai. Ek paper slip uske paas girta hai.
Message likha hai: “Better end it yourself before trial ends you.”
Asha ka chehra safed pad jata hai. Tears girte hain.
ASHA
(faint whisper)
Kya sach hamesha haar jaata hai?
Woh pocket diary nikalti hai. Likhti hai: “Maa ko sambhalna. Main thak gayi hoon.”
Ek constable door se dekh kar seedha Inspector Prakash ko message forward karta hai.
CUT TO:
SCENE 18 (INTERVAL POINT)
INT. ASHA’S HOUSE – DAWN
Maa kitchen me hai. Door bell. Ek FAKE SUICIDE NOTE slip ke andar. Likha hai: “I am guilty. I end my life.”
Media vans bahar khade ho jaate hain. Headlines flash: “Asha attempts suicide? Note found.”
Maa cheekh kar gir padti hai.
SAROJA DEVI
(narazgari aur dard me)
Meri beti chor nahi hai!
Inspector Prakash rush karta hai — file le kar.
INSPECTOR PRAKASH
(teeth gritted)
Yeh unka next move hai. Ab game court ke andar khelenge.
Camera zoom — Asha lock-up ke bars pakad kar khadi hai, aansoo aur himmat dono.
FADE OUT. BIG TITLE CARD ON SCREEN:
INTERVAL
ONLINE STRY — “Sach Ka Screenshot”
Segment 4 (Scenes 19–24, 1:00–1:20)
FADE IN:
SCENE 19
INT. POLICE LOCK-UP – EARLY MORNING
Dim light. ASHA bars ke andar baithi hai, thaki aur lekin aankhon me ab bhi spark. Door khulta hai. ADV. RITU MALHOTRA (35) confident stride ke saath aati hai, ek chhoti file le kar.
RITU
(teekhe lekin soft)
Main tumhari lawyer hoon, Asha. Tumhe darne ki zarurat nahi hai. Main system
jaanti hoon, loopholes bhi.
ASHA
(barely hopeful)
Proof ke bina koi nahi sun raha. Mujhe lagta hai… main haar gayi.
RITU
(sakht)
Tumne quality ke liye ladayi ladi, ab main tumhare liye quality law ladungi.
Haarne ka option nahi hai.
Inspector PRAKASH peechhe khada hai. Sir hilaata hai.
PRAKASH
Main ne chain of custody ke liye approval nikalwaya hai. Aaj forensic demo
hoga.
CUT TO:
SCENE 20
INT. FORENSIC LAB – DAY
High-tech lab. Screens pe waveform, metadata logs. DR. RAYAN MEHTA (33) white coat me, sharp aur passionate. Asha, Ritu, Muskan, Chirag aur Rafiq saamne khade hain.
RAYAN
(video open karke)
Dekhiye, natural video me micro-blinks 3–4 seconds me aate hain. Yahan 12
seconds tak zero blink. Synthetic overlay.
He zooms frame by frame — ear shadow jagah par jump ho jata hai.
RAYAN
Aur yeh — ear lobe ke shadow frame 120 me hai, 121 me gayab. Matlab tampering.
Compression mismatch clear hai.
MUSKAN
(smile)
Exactly jo maine detect kiya.
RAYAN
Chain of custody maintain karte hain — mirror image capture, cryptographic
hash. Court me challenge-proof hoga.
RITU
(relieved)
Bas yahi chahiye tha. Ab humare paas defence line hai.
ASHA
(aansu me)
Thank you. Ab lagta hai sach jeet sakta hai.
CUT TO:
SCENE 21
INT. COURT PREP ROOM – EVENING
Board par sticky notes: “Timeline – RTIs – Evidence – Witness.” Truth Lab team brainstorming.
CHIRAG
RTI file kar diya: contractor ke fund ka breakup. Within 30 days answer aayega,
but hum parallelly leak ka proof nikal sakte hain.
RAFIQ
Press club ke contacts hain mere. Agar public ko sach dikhana hai to pehle
blank page dikhao.
MUSKAN
(blank page ki design dikhati hai)
Front page: sirf ek QR code. Usme forensic proof ka link.
RITU
Calculated risk hai. Par impact hoga. Public ko tab lagta hai jab woh khud
verify karte hain.
Sab sir hilaate hain.
CUT TO:
SCENE 22
INT. PRESS CLUB – NIGHT
Dozen journalists baithe hain. Rafiq podium pe jaata hai. Samne newspaper ka stack distribute hota hai — saare ke saare blank. Sirf ek bold QR code beech me.
Whispers room me fail jaate hain.
JOURNALIST 1
Yeh kaisa edition hai? Printing mistake?
RAFIQ
(serious)
Printing galat nahi hui. Galat aapke phones pe hua hai.
Yeh blank page aapko dikhata hai — bina verify kiye koi cheez forward karna, ek
blank truth hai.
Sab QR scan karte hain — screen pe forensic anomalies ke proof khul jaate hain.
Journalists stunned. Cameras flash karte hain.
CUT TO:
SCENE 23
MONTAGE – PUBLIC TIPPING POINT
· EXT. CITY STREET – DAY: Newspaper vendor bundle kholta hai, blank page dekhkar log curiosity me QR scan karte hain.
· INT. COLLEGE CANTEEN – DAY: Students phone pe forensic proof dekhte hain: “Fake video = blink anomaly.”
· EXT. BUS STAND – DAY: Do elderly women baat kar rahi hain: “Engineer galat nahi thi… video galat tha.”
· INT. VIRASAT MEDIA – NIGHT: Tandon aur team gusse me. Bhasin ka chehra safed.
SUPERIMPOSE TEXT:
“Public is starting to question the forwards…”
CUT TO:
SCENE 24
INT. VIRASAT MEDIA – CONTROL ROOM – NIGHT
Chaos. Screens pe tweets: #FakeNewsAlert, #TruthLab.
KABIR
(ghabra ke)
Public perception palat raha hai. Trend humare control me nahi raha.
ANKITA
Server purge karna padega. Forensic trail delete karna hoga.
BHASIN
(teeth gritted)
Sab nikal do. Jisne andar se leak diya hai, usse dhoondo.
TANDON
(calm but menacing)
System ko hamesha ek aur narrative banana aata hai.
(beat)
Lekin jo hamare against khada ho… uska sirf ek result hota hai.
Camera slow zoom on his cold eyes.
FADE OUT.
END OF SEGMENT 4 (SCENES 19–24)
ONLINE STRY — “Sach Ka Screenshot”
Segment 5 (Scenes 25–30, 1:20–1:40)
FADE IN:
SCENE 25
EXT. NAVGARH CITY – HIGHWAY BILLBOARD – MORNING
A huge LED billboard lights up. Sirf ek bold line:
“HAR FORWARD SE PEHLE… FIKAR.”
Neeche ek giant QR code.
Log ruk kar dekhte hain. Ek school student phone se scan karta hai.
Screen pe forensic demo khul jata hai — blink anomalies, compression
mismatches.
CROWD VOICES
“Arre… to video fake tha?”
“Engineer ko fasaya gaya hai?”
CUTAWAYS:
· Auto-rickshaw drivers scan karte hain.
· College students selfie lete hain QR ke saath, hashtag #TruthLab likh ke post karte hain.
· Ek traffic cop bhi scan karke sir hilaata hai.
MONTAGE TEXTS FLASH ON SCREEN:
#EngineerTruth
#FakeForward
#NavgarhAwakens
SCENE 26
INT. VIRASAT MEDIA – BOARDROOM – DAY
Screens pe live feeds: log QR scan kar rahe, hashtags trending.
KABIR
(sweating)
Sir, billboard campaign public ko humare khilaaf kar raha hai. Engagement
double ho gaya.
ANKITA
Mainne purge attempt kiya tha… lekin kisi ne server access block kar diya.
Insider hone ka chance hai.
BHASIN
(angry)
Kisko kharida gaya hai? Dhoondo.
TANDON
(cold, steady)
Abhi panic ka waqt nahi hai. Agar public ke paas proof aa raha hai, iska matlab
koi andar se leak kar raha hai.
(beat)
Mujhe us “gaddar” ki pehchaan chahiye.
Camera zoom on Ankita ke face — woh thoda uneasy lagti hai.
SCENE 27
INT. CAFÉ – EVENING
Truth Lab team corner table pe. Muskan laptop kholti hai. Chirag recorder set karta hai. Rafiq DSLR nikale bina baithta hai.
Wahan ANKITA covertly milti hai — nervous, cappuccino stir karte hue.
ANKITA
(whisper)
Main Virasat me kaam karti hoon. Mujhe pata hai ki video fake hai. Lekin mujhe
samajh nahi aa raha… kitni der aur chup rahun.
ASHA
(teary but firm)
Aapki ek sachchai meri zindagi aur meri maa ki izzat bacha sakti hai.
ANKITA
Main sab deta hoon. (pen drive nikal ke) Isme server logs hain. Deepfake render
ka timestamp aur Bhasin ka authorisation. Lekin… meri identity leak nahi honi
chahiye.
RAFIQ
(sincere)
Truth Lab ka ek hi principle hai — sach ko expose karo, insaan ko nahi. Tum
safe rahogi.
Chirag recorder covertly chalu kar deta hai. Ankita ek aur line bolti hai:
ANKITA
“Video ko circulate karne ka order Tandon ne personally diya tha.”
Recorder blink karta hai. Sab ek doosre ki taraf dekhte hain.
SCENE 28
INT. COURTROOM – NEXT DAY
Asha phir dock me. Ritu confident khadi hai. Inspector Prakash pichhe hai.
RITU
M’lord, forensic chain aur ek insider statement hamare paas hai. Mere client ko
bina bail rakha gaya to nyay ki marayada hi khatam ho jayegi.
Prosecutor uneasily documents dekhta hai.
PROSECUTOR
(weakly)
M’lord… public peace disturb ho sakta hai.
JUDGE
(voice firm)
Court ke saamne jo presented hai, wo clear karta hai ki video ki authenticity
questionable hai.
(beat)
Engineer Asha Verma is hereby granted bail.
Gavel bang. Asha ki aankhon me aansoo. Maa seat par haath jodti hai.
SCENE 29
EXT. COURT STEPS – DAY
Media cameras flash. Asha slow walk karti hai. Chirag aur Muskan dono uske paas khade hote hain.
REPORTER
Engineer madam, kya kehna chahengi — aap sach sabit kar payengi?
ASHA
(seedhi nazar se camera me)
Main kehti hoon — har forward se pehle socho. Jo viral hota hai, woh hamesha
sach nahi hota. Sach ki ladayi abhi shuru hui hai.
Sab flashlights chamakte hain.
SCENE 30
INT. VIRASAT MEDIA – NIGHT
Bhasin aur Tandon whisky ke glass ke saath baithe hain. TV par breaking news: “Engineer gets bail, viral video under forensic scanner.”
BHASIN
(angry)
Yeh kaise ho gaya?
TANDON
(smirk)
Game abhi khatam nahi hua, Nikhil. Courtroom sirf ek stage hai. Humara next
move unke truth lab ko hi todna hoga.
Glass clink. Shadow unke chehre par girta hai.
FADE OUT.
END OF SEGMENT 5 (SCENES 25–30)
ONLINE STRY — “Sach Ka Screenshot”
Segment 6 (Scenes 31–36, 1:40–2:00)
FADE IN:
SCENE 31
INT. COMMUNITY HALL – AFTERNOON (WORKSHOP 2.0)
Hall ab crowded hai. Students, local shopkeepers, even ek retired teacher. “TRUTH LAB 2.0” banner latak raha hai.
Muskan projector par forensic anomalies dikha rahi hai. Chirag helmet-cam footage playback karta hai. Rafiq audience ki tasveer kheench raha hai.
MUSKAN
(energy se)
Jo aankh dekhti hai woh hamesha sach nahi hota. Par jo data dikhata hai, uska
forensic proof hota hai.
CHIRAG
(helmet-cam pakad kar)
Har rider, har citizen ke phone me ek sach ka tool hai. Record karo. Share
karo. Verify karo.
Audience cheer karta hai. Ek schoolboy stand karta hai:
BOY
“Main apne papa ko samjhaunga ki forward pe believe karna hi zaroori nahi.”
Asha smile karti hai. Hall talion se goonj uthta hai.
SCENE 32
EXT. CITY STREET – DAY
Doosra giant billboard — ab viral meme ban chuka QR code ke saath. Log selfie le rahe hain.
Cutaway: College students poster bana rahe hain: #TruthLab Zindabad.
Auto pe sticker: Har Forward Se Pehle Fikar.
Ek local news channel ka anchor live bolta hai:
“Navgarh ki galiyon me ek nayi citizen movement — jise ‘Truth Lab’ keh rahe
hain — jahan log khud misinformation verify karna seekh rahe hain.”
SCENE 33
INT. VIRASAT MEDIA – NIGHT (PANIC)
Room tense hai. Tandon ka face stone-cold. Screens pe “#TruthLab” trend No.1.
KABIR
Public perception ab hamare control me nahi raha. Har billboard hamare against
proof ban raha hai.
BHASIN
(murky rage)
Mainne socha tha ek engineer ko todna simple hoga. Ab yeh public storm ban gaya
hai.
ANKITA
(uneasy, fake calm)
Server ko wipe karne ki koshish ki thi… but kisi ne mirror bana liya.
TANDON
(staring daggers)
Mirror banane wala sirf ek insider ho sakta hai.
(beat, thanda)
Kal tak mujhe uska naam chahiye.
Ankita ka haath cappuccino cup pe thoda kaanp jaata hai.
SCENE 34
EXT. ABANDONED WAREHOUSE – NIGHT (RECCE)
Chirag bike par reece karta hai. Helmet-cam POV: ek purana warehouse, CCTV cameras, ek side pe generator room.
CHIRAG
(into phone, Muskan ko)
Yeh hi jagah hai jahan unka backend server log rakha hai. Bohot heavy guard
hai. Sting execute karne ke liye perfect.
Asha aur Rafiq gaadi se dekh rahe hain.
RAFIQ
(soft)
Jahan andhera hota hai, wahi sabse bada flash lagta hai.
SCENE 35
INT. SAFEHOUSE – NIGHT (PREP)
Truth Lab table par sting operation ke props — hidden mics, USB drives, duplicate badges.
Muskan ek encrypted USB table pe rakhti hai.
MUSKAN
Isme Ankita ke diye hue server logs hain. Proof of tampering, authorisation
chain, aur timestamp. Agar yeh court me baj gaya to case clear hai.
ASHA
(steady)
Kal warehouse me jaa kar hum unki confession nikalenge. Aur phir sach court me
bajega.
Inspector PRAKASH enter karta hai, uniform thoda dheela par nazar sharp.
PRAKASH
Ek warning hai — agar tumhara sting fail hua, toh tum sabko “tampering
suspects” declare kar diya jayega. System unka hai, court bhi unka.
RAFIQ
(slow smile)
Kuch tasveerein bina risk ke banti hi nahi.
SCENE 36
MONTAGE – BUILD UP TO STING
· Muskan rehearses USB plug-and-play, chain of custody document sign karti hai.
· Chirag warehouse ke guards ko casually observe karta hai, shift timings likhta hai.
· Rafiq purane flashbulb camera ki testing karta hai, dil me nostalgia.
· Asha maa ke saath dinner table par, maa kehti hai: “Beti, sach ke raste par chot lagti hai, lekin nishaan hamesha izzat ke rehte hain.”
Crescendo music. Sab ready.
CUT TO:
EXT. CITY SKYLINE – DAWN
Warehouse ke paas suraj ugta hai. Truth Lab ki gaadi waha approach karti hai.
FADE OUT.
END OF SEGMENT 6 (SCENES 31–36)
ONLINE STRY — “Sach Ka Screenshot”
Segment 7 (Scenes 37–42, 2:00–2:20)
FADE IN:
SCENE 37
INT. SAFEHOUSE – MORNING (STING REHEARSAL)
Table par props: hidden mic pens, fake courier envelopes, Chirag ka
helmet-cam.
Muskan USB ke sath trial kar rahi hai. Rafiq stopwatch chalata hai.
MUSKAN
USB plug hone ke 20 seconds ke andar log extract ho jaayega. Tumhe bas guard ko
distract karna hoga.
CHIRAG
(smirk)
Distraction mera kaam hai. Delivery rider hone ka fayda — har jagah ek excuse
hota hai.
RAFIQ
(rehearsal cue)
Aur jab confession mile… ek hi take me pakadna hai. No retakes.
Asha silent khadi hai. Maa ka photo dekhti hai.
ASHA
(halki awaaz me)
Yeh ladayi meri nahi hai. Yeh har us insaan ki hai jise system ne jhooth me
lapeta.
Sab sir hilaate hain.
SCENE 38
INT. COMMUNITY HALL – AFTERNOON
Insider ANKITA wapas milti hai. Nervous. Laptop kholti hai aur aur zyada logs dikhati hai.
ANKITA
Yeh raha — Virasat ke backend server logs. User ID: Tandon01. Login
exactly ussi raat hua jab video publish hua.
Muskan screen record karti hai, checksum generate karti hai.
MUSKAN
Chain of custody secure. Ab agar woh deny kare to yeh metadata sab prove
karega.
ANKITA
(ghabra kar)
Par agar unhe pata chal gaya ki main leak kar rahi hoon to…
RAFIQ
(soft assurance)
Tumhari identity Truth Lab ke vault me band hai. Bahar sirf unka jhooth jayega.
SCENE 39
INT. SAFEHOUSE – EVENING (PREP)
Whiteboard pe plan likha hai:
Step 1 – Chirag entry
Step 2 – Ankita access
Step 3 – Rafiq trigger
Step 4 – Asha direct question
Inspector PRAKASH aata hai.
PRAKASH
(tough tone)
Mujhe tumhari himmat pasand hai. Lekin system tumhare khilaf hai. Agar sting
fail hua to tum sabko jail me dal diya jayega — evidence fabrication ke naam
pe.
ASHA
(seedha)
To phir is baar system ko uske hi rulebook se harayenge.
Inspector thoda muskurata hai. Pehli baar unka trust dikhta hai.
SCENE 40
EXT. SAFEHOUSE – NIGHT (WITNESS INTRO)
Ek middle-aged ACCOUNTANT WITNESS ko Rafiq aur Chirag le aate hain. Nervous hai.
ACCOUNTANT
Main contractor ke account me kaam karta tha. Mujhe pata hai unhone double
billing ki thi aur upar tak paisa gaya hai.
ASHA
(tender, encouraging)
Tumhari gavaahi hi sabse badi taqat hogi. Agar tumne sach bola, to sirf main
nahi, pura shehar bachega.
Witness nod karta hai, darr ke bawajood tayyar hota hai.
SCENE 41
INT. VIRASAT MEDIA – BOARDROOM – SAME NIGHT
Tandon aur Bhasin whisky ke glass ke saath baithe hain. Screens par social media trend: #TruthLab.
BHASIN
(angry)
Yeh log humare khilaf campaign bana rahe hain. Sting hone se pehle inhe khatam
karna hoga.
TANDON
(coldly calm)
Counter-plan ready hai. Hum unke andar ek “mole” daalenge. Kal safehouse tak
hamara aadmi pahunchega.
BHASIN
(smirk)
Aur sting hone se pehle unka sting ban jaayega.
Camera zoom on unke evil smirk.
SCENE 42
INT. SAFEHOUSE – LATE NIGHT (COUNTER-PLAN HINT)
Truth Lab members maps aur plan check kar rahe hain. Ek naya ladka volunteer ban ke aata hai — “data backup help” ke naam par. Camera uske chehre par zoom. Suspicious eyes.
Background me low ominous score.
FADE OUT.
END OF SEGMENT 7 (SCENES 37–42)
ONLINE STRY — “Sach Ka Screenshot”
Segment 8 (Scenes 43–48, 2:20–2:40)
FADE IN:
SCENE 43
EXT. ABANDONED WAREHOUSE – NIGHT
Rain drizzle. Floodlights ki harsh glare. Warehouse ke bahar guards check kar rahe hain.
Chirag ek delivery box lekar entry karta hai. Helmet-cam chalu hai.
CHIRAG
(casual)
Boss ke liye parcel. “Confidential.” Sign kar lo.
Guard distracted, Chirag andar ghus jaata hai.
CUT TO: Muskan van ke andar monitoring setup me. Multiple camera feeds flash ho rahe hain.
MUSKAN
(into comms)
Audio clear hai. Chirag, right corridor. Ankita, tumhare 30 seconds hain.
SCENE 44
INT. WAREHOUSE – CONTROL ROOM – CONTINUOUS
Computer racks humming. Ankita stealthily USB plug karti hai. Screen par logs copy ho rahe hain.
SCREEN MESSAGE: Extracting: Deepfake_Render_Logs.zip
Suddenly ek GUARD andar aa jata hai.
GUARD
Kya kar rahi ho?
Ankita freeze ho jaati hai. Rafiq corner se flashbulb camera chalata hai — BLINDING FLASH. Guard confuse ho jaata hai. Ankita USB safe nikal leti hai.
SCENE 45
INT. WAREHOUSE – BACK OFFICE – SAME TIME
Bhasin aur Tandon confidential baat kar rahe hain. Recorder chal raha hai (Rafiq ne plant kiya hai).
BHASIN
(huskily)
Deepfake ne kaam kar diya tha. Public ne turant believe kiya.
TANDON
(smirk)
Aur jo sach ke peeche bhaagte hain… unka bhi plan ready hai. Agar sting hua to
usse suicide note ki tarah fabricate kar denge.
Recorder blink blink. Chirag apna pen-camera unke table par slip kar deta hai.
SCENE 46
INT. SAFEHOUSE VAN – SAME TIME
Muskan screen pe LIVE audio sun rahi hai. Ankhen barh jaati hain.
MUSKAN
(whisper)
Got it! Unki confession record ho gayi. Hash verify karo.
Inspector Prakash peeche baith kar likhta hai: “Chain of Custody Log – 23:41 hrs.”
SCENE 47
INT. WAREHOUSE – CONTROL ROOM EXIT – NIGHT
Ankita USB nikal kar Asha ke haath me dete hai. Asha ka chehra determination se bhara hai.
Suddenly wahi MOLE volunteer saamne aa jaata hai. Knife flash karta hai.
MOLE
Yeh sab yahin khatam hoga.
Tense silence. Chirag peeche se helmet-cam se uska chehra record karta hai.
Inspector Prakash aur team ghus kar MOLE ko pakad lete hain. Knife gir jata hai.
PRAKASH
(teeth gritted)
Counter-plan fail ho gaya, Tandon. Tumhaara aadmi ab hamara witness hai.
SCENE 48
EXT. WAREHOUSE – COURTYARD – NIGHT
Truth Lab team, Inspector, aur Ankita ek gaadi ke paas khade. USB sealed packet me. Recorder bhi chain-of-custody log ke saath sealed.
RAFIQ
(soft, emotional)
Tasveer ab clear hai. Ab court ki frame me lagana baaki hai.
ASHA
(seedhi nazar)
Ab public ko sirf forward nahi, sach milega.
Rain rukta hai. Ek streetlight ki roshni me unke chehre chamak rahe hain.
FADE OUT.
END OF SEGMENT 8 (SCENES 43–48)
ONLINE STRY — “Sach Ka Screenshot”
Segment 9 (Scenes 49–56, 2:40–3:00)
FADE IN:
SCENE 49
INT. COURTROOM – MORNING
Heavy silence. Public gallery bhar chuki hai. Reporters, students, aam log.
Judge ki gavel strike.
JUDGE
(case call karta hai)
“State vs Asha Verma.”
Asha dock me khadi, confident but anxious. Ritu side me files kholti hai. Truth Lab team gallery me support ke liye baithe.
SCENE 50
INT. COURTROOM – PROSECUTION ARGUMENT
PROSECUTOR
(resolute)
M’lord, viral video self-explanatory hai. Public sentiment disturbed hai. Is
officer ne project rok kar sheher ko suffer karaya. Yeh system ke liye risk
hai.
Video play hota hai — wohi deepfake. Murmurs gallery me.
RITU
(stands, calm)
M’lord, humare paas sirf ek video nahi — uske forensic proof aur log trail bhi
hai.
SCENE 51
INT. COURTROOM – FORENSIC DEMO
Dr. Rayan screen par forensic graphs dikhata hai.
RAYAN
Dekhiye, yeh blink anomaly. Normal human blink har 3 second me hota hai, yahan
12 seconds tak zero. Aur frame 121 pe shadow vanish ho jaata hai. Yeh synthetic
overlay ka saboot hai.
Judge monitor ke paas lean karta hai. Gallery stunned.
RAYAN
Aur yeh cryptographic hash — server logs se match karta hai. Matlab video
fabrication ka proof hai.
SCENE 52
INT. COURTROOM – INSIDER TESTIMONY
Ankita khadi hoti hai, thodi nervous.
ANKITA
Main Virasat Media me VFX specialist hoon. Yeh deepfake maine banaaya tha…
Bhasin aur Tandon ke order par. Mujhe majboor kiya gaya tha.
Gasps in the courtroom.
RITU
(steady)
Aur kya aapke paas proof hai?
Ankita USB dikhati hai. Chain-of-custody seal Inspector Prakash verify karta hai. Judge note karta hai.
SCENE 53
INT. COURTROOM – STING PLAYBACK
Projector pe sting video chalta hai. Bhasin aur Tandon ka audio: “Deepfake ne kaam kar diya tha… suicide note fabricate kar denge.”
Gallery me halchal. Reporters turant tweet karte hain.
BASIS OF PROOF — Recorder aur USB dono sealed file ke sath present hote hain.
PROSECUTOR
(weak, shaken)
M’lord… ab mujhe aur kuch kehne ki zarurat nahi.
SCENE 54
INT. COURTROOM – JUDGE VERDICT
Judge stand karta hai.
JUDGE
Forensic evidence, insider testimony aur sting operation ki wajah se yeh sabit
hota hai ki viral video fabricated tha.
Engineer Asha Verma… acquitted of all charges.
Aur yeh court order karti hai — contractor Nikhil Bhasin aur PR head Sanjay Tandon ko immediate custody me liya jaye.
Police Bhasin aur Tandon ko pakad leti hai. Dono cheekhte hain.
BHASIN
System ko tum log tod nahi sakte!
ASHA
(calmly)
System nahi… sirf tumhari jhoothi kahani tod di.
SCENE 55
INT. COURTROOM – PUBLIC GALLERY
Gallery claps. Maa aansu bhari aankhon se Asha ko gale lagati hai. Chirag, Muskan, Rafiq khade ho kar smile karte hain.
Reporters shout: “Truth Lab movement kya ab permanent hoga?”
ASHA
(smiling)
Truth Lab ab sirf ek jagah nahi — har citizen ka phone aur conscience hai.
SCENE 56
EXT. COURT COMPLEX – DAY (EPILOGUE OF SEGMENT 9)
Sunlight bright. Truth Lab team ek saath nikalti hai. Public unhe taali bajakar welcome karti hai.
Inspector Prakash quietly salute karta hai Asha ko.
Slow motion: Bhasin aur Tandon ko police van me le jaate hue. Media flashes blinding.
FADE OUT.
END OF SEGMENT 9 (SCENES 49–56)
ONLINE STRRY — “Sach Ka Screenshot”
Segment 10 (Scenes 57–62, 3:00–End)
FADE IN:
SCENE 57
EXT. FLYOVER CONSTRUCTION SITE – MORNING
Navgarh ka wahi flyover site. Concrete mixer dobara chal raha hai. Guards gate kholte hain.
ASHA wapas apne safety jacket aur hard hat me site diary ke saath aati hai. Worker taali bajate hain.
WORKER 1
Madam wapas aa gayi!
Asha ek cube test ke liye slump check karti hai. Report dekhti hai — iss baar correct.
ASHA
(smiling)
Quality compromise nahi hoga. Ab flyover sirf concrete ka nahi, sach ka bhi
hoga.
Camera upar tilt karta hai — flyover ke beech se sheher chamak raha hai.
SCENE 58
INT. COMMUNITY HALL – DAY (TRUTH LAB HQ)
Community hall ab naye boards ke saath: “TRUTH LAB – CITIZEN MEDIA LITERACY CENTRE.”
Children drawing posters: “Think Before You Forward.”
College students workshop le rahe hain. Rafiq unhe photography ethics sikha
raha hai.
RAFIQ
Tasveer sirf roshni se nahi, zimmedari se banti hai.
Muskan board pe likh rahi hai: “Source, Timestamp, Reverse Search.”
MUSKAN
Ye teen cheezein follow karo, aur 90% misinformation pakdi jaa sakti hai.
Chirag naye volunteers ko helmet-cam aur phone recording tips sikha raha hai.
SCENE 59
INT. NAVGARH MUNICIPAL HALL – DAY
Commissioner press conference. Media cameras. Asha side me khadi hai, calm.
COMMISSIONER
Navgarh ke liye garv ki baat hai ki ek officer aur kuch citizens ne
misinformation ke khilaf naya model banaya. Municipal body Truth Lab ko support
karegi.
Taali bajti hai.
Reporter poochta hai: “Madam, aapki agle kadam kya hai?”
ASHA
(smile)
Mere liye agla kadam wahi hai jo pehla tha — sach ka surakshan.
SCENE 60
EXT. SCHOOL PLAYGROUND – AFTERNOON
Kids ek pledge le rahe hain. Rafiq photo kheenchta hai. Asha mic par bolti hai.
ASHA
Repeat after me:
“Har forward se pehle… fikar.”
Sab bachche chorus me dohrate hain. Ek new generation ke liye hopeful note.
SCENE 61
EXT. RIVER GHAT – SUNSET
Truth Lab team ek saath baithe hain. River ki halki lehron ke saamne aasman laal rang me.
Saroja Devi diya jalati hai. Pani par chhod deti hai.
SAROJA
(soft)
Sach ki roshni kabhi bujhni nahi chahiye.
Chirag halka sa hansi me bolta hai:
CHIRAG
Sheher ke traffic se ladne se mushkil yeh ladai thi… par ab lagta hai worth it.
Muskan phone pe QR scan karke smile karti hai:
MUSKAN
Ab log khud verify kar rahe hain. Yehi sabse bada jeet hai.
Rafiq purani camera ko river ki taraf point karta hai, ek candid shot leta hai — team ek saath muskaan ke saath.
SCENE 62
EXT. RIVER GHAT – WIDE SHOT – CONTINUOUS
Camera drone se upar uthta hai. Navgarh city skyline glowing, flyover construction continue ho raha hai.
Final overlay text screen par appear hota hai:
FINAL CARD:
“Har Forward Se Pehle Fikar.”
FADE OUT.
THE END
✅ Segment 10 complete (Closure): Asha wapas site par, Truth Lab permanent centre ban gaya, bachchon ka pledge, river ghat pe emotional closure aur final message card.
🌅 Full screenplay ab ek proper 3-hour courtroom + investigative thriller arc ke saath complete hai.
0 Comments