RAMAYAN — EPISODE 2
Title: “Janmotsav
ke Sanket”
Logline: Putrakameshti ke
baad Ayodhya me shubh-lakshan dikhne lagte hain. Teeno ranis garbh-sukh ke
sanket paati hain. Ayodhya taiyaar hoti hai janmotsav ke liye; door Mithila me
bhi dev yojna apna rang dikhati hai.
Key Cast (Ep2):
Sutradhar (V.O.), Dasharath, Vashishth, Sumantra, Kaushalya, Kaikeyi, Sumitra,
Nagar ke pandit/vaidya, Janak (Mithila tease), Sunayna (tease).
Look & Feel: Prabhat
ke golds, antahpur me soft pastels, mandir/vedika me deep saffron.
Music—bansuri (anand), veena (shanti), mridang (utsav).
TEASER
(00:00–01:30)
EXT. AYODHYA – PRE-DAWN
Ghanti ki halki dhun, pankhiyon ka kolahal. Hawa me sugandh—ketaki, champa.
SUTRADHAR (V.O.)
“Jab kripa prakat hoti hai, prakriti pehle khabar deti hai—sugandh ban kar,
shubh-lakshan ban kar.”
Quick flashes: diya khud se jal uthta, mandir ke bel-patr
hariyali, sarita ka paani komal prakash leta.
Hard cut—Title Card: RAMAYAN
Pichle bhaag me…
Maharaj Dasharath vansh ke uttaradhikari ke liye chintit hue. Guru Vashishth ne
Putrakameshti Yajna ka marg dikhaya. Rishyashring Rishi ke agvayi me yajna hua,
aur ek daivik purush ne payas-prasad pradan kiya — santaan prapti ka prateek.
Aaj ke bhaag me…
Ayodhya me shubh-lakshan ubharne lagte hain. Teeno ranis hriday me nayi aasha
lekar garbh-sukh ke sanket paati hain. Nagar me utsav ki tayyari shuru hoti
hai, aur door Mithila me bhi prakriti apna sandesh bhej rahi hai.
ACT 1
(01:30–08:30)
SCENE 1
INT. ANTAHPUR – KAUSHALYA
KE KAKSH – DAWN
Kaushalya prarthana ke baad prasad grahan. Chehre par nayi roshni.
KAUSHALYA
(komal muskaan)
“Devi, aaj hriday bahut halka hai… jaise koi naya geet sunayi de raha ho.”
Sevika dheere se vaidya ko
bulati.
VAIDYA
(namra vinamrata)
“Devi, yeh shubh sanket hain.”
Kaushalya akash ki or drishti—haan bhar kar dhanyavaad.
SCENE 2
INT. ANTAHPUR – KAIKEYI
KE KAKSH – MORNING
Kaikeyi talwar-saal me abhilikhit veer-gan ga rahi dasiyon ko sunti—par aaj
awaz me naram pyaar.
KAIKEYI
“Yeh rajya ke veer geet kal bhi the, aaj lagta hai—gharon ke lori ban gaye.”
Sevika kan me kuchh kahati—Kaikeyi ki ankhon me ujala.
VAIDYA ka halwa-boli:
“Subh-lakshan.”
SCENE 3
INT. ANTAHPUR – SUMITRA
KE KAKSH – LATE MORNING
Sumitra deepmala ke beech dhyan. Do pankhiyon ka joda jharokhe par. She smiles.
SUMITRA
“Prabhu, agar anand aata hai to akela kyon aaye? Raag hamesha do suron se pyara
lagta hai.”
Vaidya head-bow. Sumitra ki aankhon me shaant sukh.
SCENE 4
INT. RAJ SABHA – MIDDAY
Dasharath sihasan par, Sumantra paas.
SUMANTRA
“Maharaaj, praja me khushhali ke chihn—bimariyan kam, bazaar me umang.”
DASHARATH
(antar se prarthana)
“Devi-mata, yeh anand ghar-ghar rahe.”
VASHISHTH pravesh.
VASHISHTH
“Rajan, shubh-lakshan sirf dekhne ke liye nahi, sambhalne ke liye hote hain.
Maryada rakhiye; ahar-vihar, man-vachan me pavitrata.”
DASHARATH
“Agya, Gurudev. Nagar me Anand
Utsav ki tayari bhi shuru ho.”
SUTRADHAR (V.O.)
“Maryada—jo Ram ka saar banne wali hai—ghar me aaj se prasthit ho rahi thi.”
ACT 2
(08:30–16:30)
SCENE 5
MONTAGE – AYODHYA PREP
Mandir sajawat, rajpurohit shubh-muhurta ghoshit, mahilaon ki god-bharai jaisi rasme (sanket mein, maryada se).
Bansuri-leitmotif.
SCENE 6
INT. ANTAHPUR – RANIS
SAATH – AFTERNOON
Teeno ranis ek sath phool piro rahi.
KAUSHALYA
“Bhagwan ke prasad ko hum teenon ne angikar kiya. Is ghar ka anand bhi sam-bhag
se batega.”
KAIKEYI
(mast muskaan)
“Ek ghar—teen sur—ek hi raag.”
SUMITRA
“Raag me kabhi koi sur badh jaye, to doosre use sambhal lete hain.”
Sisterhood warmth. Gentle veena.
SCENE 7
INT. RAJ SABHA – EVENING
Pandit-vaidya parishad. Vashishth presiding.
PANDIT 1
“Shakun anek: devdarshana, nadi me komal prabha, nagar me akasmik utsaah.”
VAIDYA SENIOR
“Devi-jananiyon ko aaram, satvik aahar, sukshma sugandh—nahi adhik kolahal.”
VASHISHTH
“Dharma ki maryada—sanyam aur sneha ka santulan. Rajya is maryada ka sevak
hai.”
DASHARATH
“Vachan deta hoon.”
SCENE 8
EXT. AYODHYA GHAT –
SUNSET
Dasharath dipdaan karte. Paani par diyas ki laayen.
DASHARATH (whisper)
“Yeh ujale… mere ghar ke ujale ban kar aao.”
SUTRADHAR (V.O.)
“Ek pita ka prarthi hriday—yug iski sun raha tha.”
ACT 3
(16:30–24:00)
SCENE 9
INT. ANTAHPUR – KAUSHALYA
– NIGHT
Halki tez hawa. Diya ki lau bina hawa ke hilti—shubh-lakshan.
Kaushalya haath jodti.
KAUSHALYA
“‘त्वमेव माता च पिता त्वमेव…’ (Tum hi mata, tum hi
pita—arth: sab tum hi ho, prabhu.)”
Low choir “Om” pad. Camera drift to other kaksh:
SCENE
10
INT. ANTAHPUR – KAIKEYI –
SAME NIGHT
Kaikeyi ke paas shastraghar ki
talwar ka pratibimb, par aankhon me mamta.
KAIKEYI
“Veerta ka arth ab samajh aa raha—raksha bhi, rakh-rakhav bhi.”
SCENE
11
INT. ANTAHPUR – SUMITRA –
SAME NIGHT
Sumitra veena ko
halka sa chhedti. Do taar milkar ek sur.
She smiles, eyes moist.
SUMITRA
“Prabhu, raag taiyaar hai.”
SCENE
12
EXT. NAGAR CHOWK – LATE
NIGHT
Nagarvasi khamosh par prasann. Ek Nai
Dulhan apne dwar par rangoli banati—uske rang swayam gahre ho
jaate. Bachche hansi.
Shehnai phrase floats.
SUTRADHAR (V.O.)
“Janm ke pehle janmotsav—tab hota hai jab samaj apni saans rok kar muskurata hai.”
SCENE
13 (NEAR-FINALE – SHUBH-SANKET)
EXT./INT. RAJPRASAD –
PRE-DAWN
Badalon ke bich se Aditya ka
pehla tej. Sandal ki sugandh hawa me khud-b-khud.
Dasharath prakash me khade—ankhon me aansu.
DASHARATH
“Devi… Ram!”
(We do not show
birth yet—this episode ends on crescendo of signs; maintain reverence and
pacing for Ep3 Janmotsav.)
SUTRADHAR (V.O.)
“Naam abhi adrisht tha, par yug ke man me goonj chuki thi—maryada ka naad.”
Music swell—mridang + choir.
TAG (24:00–25:00) — MITHILA
TEASE 2
EXT. MITHILA KSHETRA –
MORNING
Rajrishi JANAK aur RANI SUNAYNA khet par. Bhoomi se Komal Halka Prakash jaise kisi
pushp-ka-kalash abhi band ho—(metaphor for Sita).
Janak hriday se pranam.
JANAK
“Dharti maa—tu jo devegi, woh is yug ka nayan-tarang hoga.”
SUTRADHAR (V.O.)
“Do kinare—Ayodhya aur Mithila—nikat aa rahe the.”
END CARD: “Agle
episode me: Janmotsav—prabhat
ka adbhut uday.”
— END EPISODE —
SAMPLE
DIALOGUE SNIPPETS (ready-to-shoot inserts)
·
Vashishth → Dasharath: “Rajan, shraddha ka arth hai—maryada ko
jeena. Aaj se har vachan, har vrati kriya, janm ke yogya bane.”
·
Sumantra (prabandh): “Mandiron
me deepotsav ki maryada rakhi jayegi—utsaah shant aur shabd komal.”
·
Kaushalya (prayer): “‘मंगला चरण तेरी शरण’—(arth: mangal ke
charanon me sharan) mere ghar ko tere naam ka asra de.”
MUSIC
& DIRECTION NOTES
·
Leitmotifs:
·
Ranis = bansuri-duet (Kaushalya), shehnai-soft (Kaikeyi),
veena-dyad (Sumitra)
·
Shubh-lakshan = single temple bell + harp gliss
·
Mithila tease = folk-strings (maand-ish) + tanpura
·
Camera: Antahpur
= soft glides, diya bokeh; Sabha = steady wides + slow push-in; Lakshan = macro
inserts (diya, bel-patra, jal-prabha).
·
VFX: Practical
first—floating pollen, subtle light leaks; no heavy CGI.
PROMO
LINES (TV + Social)
·
“Ayodhya me khushboo ka pehla khat—janmotsav aa raha hai.”
·
“Teeno ranis, ek hi raag—ghar me anand ka janm.”
·
“Maryada ka naad goonj utha—yug apne nayak ka swagat karne ko
taiyaar.”
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