नीचे इसी कहानी पर dialogue + monologue का ready-to-perform पैक है (Hinglish/Roman Hindi). इसमें 6 छोटे-छोटे हिस्से हैं: solo monologues + duet/trio dialogues, ताकि auditions, reels, या stage reading में तुरंत काम आ जाए।
One line story (Hinglish): Ek ladki apne boyfriend ko kisi aur ko kiss karte dekh kar phoot padti hai, par tootne ke bajay apni izzat aur boundaries ko choose karti hai.
Ladka apni galti maan kar maafi maangta hai, lekin woh usse chhod kar apni kahani khud likhne nikal padti hai.TEESRI GAWAH — Dialogue + Monologue Pack (Hinglish)
SCENE 1 — AAROHI SOLO (Monologue, 60–90 sec)
(Park ke bahar. Breath shaky, phir steady. Camera/House-left.)
AAROHI:
“Trust na… photo ki frame jaisa hota hai. Jab tak seedha ho, sab mast. Jaise hi tilt ho, sab girta hua lagta hai. Aaj maine apni zindagi ka frame seedha haath se pakda aur dekha—andar ka hero kisi aur ke saath hero ban raha hai.
(beat)
Main chillaoongi, haan. Par mere gusse se pehle meri clarity: Main khud ko blame nahi karungi. Mere interviews, mere goals, mera self-respect—ye sab excuse nahi banenge uski cheating ke. Aaj se rule simple—jis pal jhooth dikhe, us pal main frame se nikal jaaungi. Aur haan, jab lautungi… toh apni kahani ki director ban ke.”
SCENE 2 — PARK CONFRONTATION (Dialogue + Aarohi aside)
(Kabir aur Maya bench ke paas; Aarohi aati hai.)
AAROHI: Bas ek sawaal. Hum kab break par the?
KABIR: Aarohi, listen—hum… complicated the.
AAROHI: (dry laugh) Complicated? Ya convenient?
MAYA: Mujhe laga tum log on a break… woh keh raha tha—
AAROHI: (to Maya) Tumhari taraf mera gussa kam hai. Sach bol diya, thank you.
KABIR: Maine galti ki, but—
AAROHI: (cuts) “But” ke baad jo aata hai na, woh hamesha jhooth hota hai.
(Aarohi — half-aside to audience)
AAROHI (aside): Dekh rahi ho? Jab pakda jaata hai, tab sab “mistake” ho jaata hai. Par jhooth roz-plan hota hai.
(back)
AAROHI: Aaj ke baad, meri life me tumhari entry sirf ek scene ki reh jayegi—bina dialogue ke. Exit, Kabir.
SCENE 3 — KABIR SOLO (Monologue, 90 sec)
(Promenade railings; guilt, phir acceptance.)
KABIR:
“Main justification dhoondhta raha—‘hum theek nahi chal rahe’, ‘wo bas dost hai’, ‘sirf ek kiss’… Par sach? Main khud se bhaaga. Validation sasti thi, par price mehengi. Tumne kabhi mujhe chhota feel nahi karaya, main khud apne aap se chhota ho gaya.
(beat)
Aaj pehli baar maan raha hoon—guilt sirf dard nahi, compass bhi hota hai. Tum jaogi toh rokunga nahi. Bas itna yaad rakhna: main villain banne ki acting nahi kar raha tha, main tha. Aur shayad aaj se, bina tumhare, main insaan banna start karun.”
SCENE 4 — MAYA SOLO (Monologue, 60–75 sec)
(Art-studio corner; calm, honest.)
MAYA:
“Main doosre ki kahani me hamesha ‘woh ladki’ ke naam se aayi. Par meri bhi kahani hai. Mujhe bhi bola gaya—‘complicated’, ‘break’, ‘it’s not serious’. Maine maana kyunki main bhi akeli thi.
(beat)
Aarohi, agar tum sun rahi ho… tumhara gussa sahi hai. Mere andar bhi sharm hai. Lekin main aaj ek boundary likh rahi hoon—apni diary ke pehle page par: Main kisi ki jhoothi kahani ka prop nahi hoon. Agar kabhi milein, main aankhon me aankhen daal ke ‘sorry’ bolna chahti hoon—aur khud se ‘never again’.”
SCENE 5 — TRIO SHOWDOWN (Tight Dialogue, 2–3 min)
(Riverside. Teeno khade. Hawa tez.)
KABIR: Last time, please. Main sab theek kar dunga.
AAROHI: Theek? Crash ke baad gaadi polish karne se engine thoda chal jaata hai—par brake phir fail hota hai.
MAYA: (to Kabir) Sach bolo seedha.
KABIR: (exhale) I lied. Hum break par nahi the. Main insecure tha.
AAROHI: Finally, ek sahi line.
KABIR: Chance?
AAROHI: Chance tum chahte ho… par trust meri taraf se aata hai. Aur woh khatam hai.
MAYA: Main yahin kahungi: main is triangle se bahar hoon.
AAROHI: (to Maya) Thank you.
KABIR: Toh bas yahin khatam?
AAROHI: Nahi. Yahin start—mere liye. Tumhare liye yahin pause. Reflection ka button dabao.
(Beat. Aarohi keeps her calm.)
KABIR: (quiet) I’m sorry.
AAROHI: (nod) Accept kiya—par maaf nahi. Difference samajh lo.
SCENE 6 — AAROHI V.O. FINALE (Monologue, 30–40 sec)
(Bench par ek single flower. Aarohi walk-out.)
AAROHI (V.O.):
“Frames toot-te hain, log bhi. Par kahani? Woh tab badalti hai jab tum apni lens saaf karte ho. Aaj main apni lens saaf kar rahi hoon—clarity ke saath. Agla shot—mera.”
Performance Tips
- Tone graph: Aarohi—fire → ice clarity; Kabir—defense → remorse → acceptance; Maya—measured → firm.
- Pauses: “Complicated/Convenient”, “We weren’t on a break”, “Accept kiya—par maaf nahi” पर micro-pauses.
- Blocking: Trio scene me diagonal staging—Aarohi front, Kabir mid, Maya off-shoulder; power shifts ke saath steps adjust.
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