RAMAYAN — EPISODE 4
Title: “Naam
ka Sankalp”
Logline: Ayodhya me vedic
vidhi ke saath chaaron kumaron ka naamkaran hota hai. Naam ke saath maryada,
dharma, sneha aur veerta ke sutra bandhte hain; rajya unke gunaon ko apnana
shuru karta hai.
Key Cast (Ep4):
Sutradhar (V.O.), Dasharath, Vashishth, Sumantra, Kaushalya, Kaikeyi, Sumitra,
Purohit–Parishad, Nagarvasiyon ka pratinidhi dal. (Tease: Janak, Sunayna)
Look & Feel: Subah
ke pearl-golds; vedika me deep saffron, haldi–kumkum; antahpur me soft pastels.
Music—shehnai (shubh), veena (mamta), mridang (maryada), choir “Om” pad
(divine).
TEASER
(00:00–01:30)
EXT. AYODHYA – PRE-DAWN
Mandiron ki ghanti, pankhiyon ka kolahal. Shankhnaad ka komal echo.
SUTRADHAR (V.O.)
“Naam sirf pukar nahi—dharma ka pratigya hota hai. Aaj Ayodhya apne yug ke naam
sunegi.”
TITLE CARD: RAMAYAN
🌸 Ramayan – Ek Yug, Ek Sankalp 🌸
"Ramayan" Bharat ke
sanskaar, dharma aur maryada ka adarsh granth hai. Is maha-katha me sirf
Rajkumar Ram ka jeevan nahi, balki ek yug ka manthan samaya hai — jahan prem,
tyag, nyay aur satya har mod par apna rang dikhate hain.
Is series me hum aapko Ayodhya se
Lanka tak ke is divya yatra par le chalenge — ek-ek kadi ko gehraai se samajhte
hue. Har episode aapko us yug ke rang, sur aur sugandh me le jaayega — jaise
aap swayam us samay ke sakshi hon.
Pichle bhaag me…
Putrakameshti ke phal se Ayodhya me chaar ratnon ka janm hua. Nagar me
shant–maryada ke saath janmotsav manaya gaya. Door Mithila me bhi dharti ne
apna vardaan diya—ek kanya ka divya aagaman, jise aage chal kar Janaki kaha
jayega.
Aaj ke bhaag me…
Ayodhya me vedic vidhi ke saath chaaron kumaron ka naamkaran hota hai. Guru
Vashishth pratyek naam ke saath ek guna ka sankalp dete hain—maryada, dharma,
sneha, veerta. Rajya unke arth ko apnana shuru karta hai, aur Mithila me bhi
Sita ka naam pratham baar uchcharit hota hai.
ACT 1 (01:30–08:30) — VEDIKA
TAIYAAR
SCENE 1
INT. RAJ SABHA – MORNING
Vedika sajayi: kalash, darbha, samidha, pushp, akshat. Vashishth presiding; rishigan aasina.
VASHISHTH
“Rajan, naamkaran sanskar shishuron ke praan–swar ko dharma se baandhta hai.
Maryada—shabd se shuru hoti hai.”
DASHARATH
(hath jod) “Gurudev, aagya.”
SCENE 2
INT. ANTAHPUR – THREE
MOTHERS (INTERCUT)
·
Kaushalya chhaya
me diya rakhe; aankhon me shaant tej.
·
Kaikeyi ke
paas shastra–ghar ka pratibimb—par aaj chameli ka
haar haavi.
·
Sumitra veena
ke do taar ko
sahi sur me set karti.
SUTRADHAR (V.O.)
“Teen janani—ek hi raag: kripa, maryada, sneha.”
SCENE 3
EXT. RAJANGAN –
PROCESSION
Shant–utsav: shehnai, dholak narm lay
par. Sumantra maryada ghoshit karta hai: “Kolahal nahi—bhajan, prarthana.”
ACT 2 (08:30–16:30) — NAAMKARAN
VIDHI
SCENE 4 — PURVANG
& SANKALP
INT. RAJ SABHA –
CONTINUOUS
Aachaman, sankalp, grah–nakshatra ke shubh strotra.
VASHISHTH (chant, soft)
“ॐ आपो हिष्ठा मयोभुवः…”
(arth: “Hey jal tattva, tum mangal ho—shuddhi do.”)
Purohit kumaron
ke shish par tilak—haldi,
kumkum, chandan.
SCENE 5 — RAM:
“Maryada ka Aadhar”
INT. VEDIKA – RAM’S
MOMENT
Camera Kaushalya ke
chehre par—shaant glow.
VASHISHTH
“Pratham kumar—jisme maryada apne aap ko pehchanegi. Uska naam—‘Rāma’.”
(arth: ‘Ram’—jo hriday me ramta
hai; anand, maryada, shanti ka aadhar)
CHORUS (soft)
“Rāma… Rāma…”
KAUSHALYA
(aankhon me aansu) “Mere prabhu—mera Ram.”
SUTRADHAR (V.O.)
“Naam ne maryada ko roop de diya.”
SCENE 6 — BHARAT:
“Rashtra–Sneha”
INT. VEDIKA – BHARAT’S
MOMENT
Kaikeyi ki drishti—veer se
mamta me pali.
VASHISHTH
“Dwitiya kumar—jisme desh bhakti aur dharma–seva ek ho. Naam—‘Bharata’.”
(arth: ‘Bharat’—jo dharma aur
rastra ka bhaar prem se dhare)
KAIKEYI
(haath jod) “Mera veer—samarpan me veerta.”
CHORUS (soft)
“Bharata…”
SCENE 7 — LAKSHMAN:
“Lakshya–Maryada ka Rakshak”
INT. VEDIKA – LAKSHMAN’S
MOMENT
Sumitra ke paas veena
ke do taar ek
saath gunjte.
VASHISHTH
“Tritya kumar—jo lakshya aur maryada ki raksha kare. Naam—‘Lakshmana’.”
(arth: ‘Lakshman’—jo lakshya me
sthir, maryada ka rakshak)
SUMITRA
(muskurahat) “Raag ka pratham sur.”
CHORUS
“Lakshmana…”
SCENE 8 — SHATRUGHNA:
“Adharm–Vijeta”
INT. VEDIKA –
SHATRUGHNA’S MOMENT
Dusarā Sumitra sur
ko pakadti.
VASHISHTH
“Chaturtha kumar—jo shatru nahi, adharm ka
vinash kare. Naam—‘Śatrughna’.”
(arth: ‘Shatrughna’—jo
anitya–vidroh, adharma, durgunon ka hanta)
SUMITRA
“Raag ka doosra sur, pratham ko sahara.”
CHORUS
“Śatrughna…”
SCENE 9 — ASHIRVACHAN
& SHLOK
VASHISHTH (hands raised)
“‘श्रीरामं लक्ष्मणं देवं भारत्यं शत्रुघ्नमेव च…’”
(arth: “Ram, Lakshman, Bharat, Shatrughna—chaaron me dev–gun vikasit hon.”)
DASHARATH
(aankhen nam) “Gurudev, mere ghar ko aaj shabd ka dharma mil gaya.”
SUTRADHAR (V.O.)
“Naam—jisse ghar ka raag samharta hai.”
ACT 3 (16:30–24:00) — RAJYA
KA PRATIGYA & MITHILA TEASE
SCENE 10 — NAGAR
SANKALP
EXT. SABHA CHOWK –
EVENING
Prashasan praja ko maryada batata: ann–dan, gau–seva, vriddhon ka sanmaan. No
noisy jashn—sirf bhajan aur deepdaan.
PANDIT (to crowd)
“Naam ka arth jeena hota hai—shor nahi, shukr.”
CHORUS (bhajan lines,
soft, rights-free bhav):
“Ram naam ki jyot jale,
Prem se ghar–ghar deep
jale.”
SCENE 11 — THREE
MOTHERS (INTERCUT)
·
Kaushalya Ram
ko komal chaadar se
lapet kar lullaby hum: veena–lori.
·
Kaikeyi Bharat
ke paas raj-dhwaj ka
chhota nishan rakh kar kehti:
“Veerta ki pehchan—seva.”
·
Sumitra Lakshman–Shatrughna
ke kamre me do diye ek
saath jalati:
“Do sur, ek raag.”
SUTRADHAR (V.O.)
“Ghar me raag ban gaya; rajya me maryada.”
SCENE 12 — DASHARATH–VASHISHTH:
RAJ DHARMA DIALOGUE
INT. RAJ PRASAD – NIGHT
Dipdaan ke saamne baithak.
DASHARATH
“Gurudev, in naamon ke yogya parvarish—mera raj–kartavya.”
VASHISHTH
“Rajan, bāl-dharma: satvik aahar, komal shabd, niyam, aur sewa. Rajya unke guna
ko apnaye, tabhi naam sach honge.”
SCENE 13 — MITHILA
TEASE: “SITA”
EXT. MITHILA – DAWN
(POETIC)
Janak bhoomi ko
pranam; Sunayna ke
saath mandir ki seedhi.
Soft prakash khet
ki rekha par; pundits “Janaki” shabd
ka uchcharan paheli baar. (We
keep it reverent.)
JANAK
“Dharti–putri—tera naam Sita hoga.”
(arth: Sita—hal ki
“seet” se prakat, dharti ki kanya.)
SUTRADHAR (V.O.)
“Do kinare—Ayodhya aur Mithila—ab naam se pehchane jayenge.”
SCENE 14 — NEAR-FINALE:
FOUR LIGHTS, ONE RAAG
EXT./INT. AYODHYA – NIGHT
Overhead of diyas forming चार ki rekha; intercut
with antahpur ke soft inserts: tiny
kadam, payal ka narm jhanak, chandan-tilak.
Shehnai + mridang crescendo, phir choir
‘Om’ pad me dissolve.
SUTRADHAR (V.O.)
“Naam ne yug ko roop de diya—ab guru–kul se gyaan aur maryada ka adhyay shuru
hoga.”
TAG (24:00–25:00) — NEXT
ARC TEASE
INT. RAJ SABHA – NEXT
MORNING
Vashishth Dasharath se:
“Bāl–samskaron ka krama—annaprashan ke baad shiksha. Gurukul ke liye shubh
muhurat dekhen?”
Dasharath (muskurate):
“Ayodhya apne kumaron ko guru ke charanon me chhodne ko taiyaar hai.”
END CARD: “Agle
episode me: Bāl–Leela & Shiksha —
gurukul ka prarambh.”
— END EPISODE —
SHOOT-READY
DIALOGUE SNIPPETS
·
Vashishth → Sabha: “Naam tabhi pavitra hota hai jab rajya
uska arth jeeta hai.”
·
Kaushalya (soft): “Ram—jo
mere hriday me ramta hai.”
·
Kaikeyi: “Bharat—jo
desh ko kandhe par dhare.”
·
Sumitra: “Lakshman
aur Shatrughna—do sur, ek maryada.”
·
Dasharath: “Aaj
shabd mere ghar ke rakhwaale ban gaye.”
MUSIC
& DIRECTION NOTES
·
Leitmotifs:
·
Ram = veena-lullaby + single temple bell
·
Bharat = shehnai phrase with steady mridang
·
Lakshman = veena ke teevra meend (lakshya)
·
Shatrughna = mridang ke crisp theka (dosh-vinash)
·
Mithila = maand-folk strings + tanpura
·
Camera Language: Vedika
= symmetrical wides + slow push-ins; Antahpur = warm close-ups, diya bokeh;
Nagar = overhead rangoli/deep-patterns.
·
VFX: Practical
first—soft bloom on tilak, floating pollen at mantras; no heavy CGI.
PROMO
LINES (TV + Social)
·
“Naam sirf shabd nahi—dharma ka sankalp.”
·
“Ram, Bharat, Lakshman, Shatrughna—chaar deep, ek rajya.”
·
“Ayodhya me naam goonj uthe—Mithila se Sita ka sanket.”
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