RAMAYAN—EPISODE 5
Title: “Bāl-Leela
& Gurukul”
Logline: Ayodhya ke chaar
ratnon ki bāl-leela rajya me anand bhar deti hai. Vashishth unki shuruaati
shiksha ka prarambh karte hain, aur sabke charitra ke beej roop lete hain.
Key Cast (Ep5):
Sutradhar (V.O.), Dasharath, Vashishth, Sumantra, Kaushalya, Kaikeyi, Sumitra,
Chaar Rajkumar (bāl-roop), Sevak–Sevikayein, Nagar ke log, Mithila tease: Sita
bāl-roop + Sunayna, Janak.
Look & Feel: Bright
prabhat tones, antahpur me pastel + rangoli, gurukul me mitti–kesar rang,
music—bansuri (playfulness), veena (mamta), mridang (discipline), temple bells
(maryada).
TEASER (00:00–01:30)
EXT. AYODHYA – DAWN
Diyas ab halki laayen banate hue bujh rahe, pankhiyon ka zor se kolahal.
SUTRADHAR (V.O.)
“Jab yug ke nayak bāl-roop lete hain, to rajya ka har kona rang le leta hai.”
Quick flashes: chhote pairon ke kadam rangoli me, hansi ki
goonj, veena ke sur par lori.
TITLE CARD: RAMAYAN
🌸 Ramayan – Ek Yug, Ek Sankalp 🌸
"Ramayan" Bharat ke
sanskaar, dharma aur maryada ka adarsh granth hai. Is maha-katha me sirf
Rajkumar Ram ka jeevan nahi, balki ek yug ka manthan samaya hai — jahan prem,
tyag, nyay aur satya har mod par apna rang dikhate hain.
Is series me hum aapko Ayodhya se
Lanka tak ke is divya yatra par le chalenge — ek-ek kadi ko gehraai se samajhte
hue. Har episode aapko us yug ke rang, sur aur sugandh me le jaayega — jaise
aap swayam us samay ke sakshi hon.
Pichle bhaag me…
Ayodhya me vedic vidhi ke saath chaaron rajkumaron ka naamkaran hua—Ram,
Bharat, Lakshman, aur Shatrughna. Guru Vashishth ne har naam ke saath ek guna
ka sankalp diya. Rajya ne in arthon ko jeevan me utaarne ka prarambh kiya, aur
door Mithila me Sita ka naam pratham baar uchcharit hua.
Aaj ke bhaag me…
Ayodhya ke chaar ratnon ki bāl-leela rajya me anand bhar deti hai. Ram ka maryada-bhav,
Bharat ka seva-pravritti, Lakshman ki nishtha, aur Shatrughna ka
adharm-virodh—charitra ke beej roop lete hain. Guru Vashishth unka gurukul me
pravesh karvate hain, jahan gyaan aur maryada ka pehla adhyay shuru hota hai.
Saath hi Mithila me dharti-putri Sita apne bachpan ke rang bhar rahi hai.
ACT 1 (01:30–08:30) —
BĀL–LEELA
SCENE 1 – RAM KA
MARYADA-BHAV
INT. ANTAHPUR –
KAUSHALYA’S COURTYARD – MORNING
Ram (3–4 varsh) chhote deepon ko ek seedh me rakhte—poora pattern banane ki
koshish.
KAUSHALYA (muskaan): “Ram,
khel me bhi maryada rakht ho?”
RAM (childlike): “Maa,
agar deep sidhe khade rahen, to sab roshni barabar paayenge.”
SUTRADHAR (V.O.):
“Chhote bāl me bhi samta ka bhav.”
SCENE 2 – BHARAT KA
SEVA–BHAAV
EXT. RAJANGAN –
MID-MORNING
Bharat ek sevak ka girta lota utha ke paani bhar deta hai.
KAIKEYI (proud): “Veer woh
nahi jo keval vijay kare—veer woh jo seva kare.”
SCENE 3 – LAKSHMAN KI
NISH-THA
INT. ANTAHPUR – SUMITRA’S
VERANDAH
Lakshman Ram ke peeche-peeche har jagah—Ram deep ko jalayen, Lakshman hawa se
bachaye.
SUMITRA: “Lakshman, apna khel
kahan hai?”
LAKSHMAN: “Mera khel wahi hai
jahan Ram hain.”
SCENE 4 – SHATRUGHNA KA
ADHARM–VIRODH
EXT. GARDEN – DAY
Shatrughna ek chhote bacche ko patang todte dekh rokta hai.
SHATRUGHNA: “Jo cheez kisi aur ki
hai, use todna galat hai.”
SUMITRA: “Adharm pe rok lagana
tumhari fitrat hai.”
ACT 2 (08:30–16:30) —
GURUKUL PRAVESH
SCENE 5 –
DASHARATH–VASHISHTH BAITHAK
INT. RAJ SABHA – MORNING
DASHARATH: “Gurudev, ab shiksha ka
samay aa gaya?”
VASHISHTH: “Bāl-dharma ka pehla
adhyay: vidya ka sanskar. Gurukul—jahan gyaan aur maryada ek ho.”
SCENE 6 – PRAVESH VIDHI
EXT. VASHISHTH ASHRAM –
DAY
Rajkumar raj–vesh me, par pairon me koi rajy–abhiman nahi.
VASHISHTH (tilak lagate):
“Guru ke charanon me baithkar shiksha lete hue hi raj–kartavya poora hota hai.”
CHORUS (soft mantra): “ॐ विद्यां ददाति विनयं” (arth: “Vidya vinamrata deti hai”).
SCENE 7 – PEHLA PAATH
INT. GURUKUL CHAUK – DAY
Ram, Bharat, Lakshman, Shatrughna mitti me “ॐ” likhte—camera lingering on Ram ka likha hua shuddh “ॐ” jo perfect hota hai;
Lakshman ka Ram wale akshar ke saath milta hua.
SCENE 8 – DISCIPLINE
MONTAGE
·
Ram = mantr pathan me sabse sthir.
·
Bharat = sabka jal-seva karta.
·
Lakshman = Ram ke saath hi mantr ucharan karta.
·
Shatrughna = ashram ke niyam todne wale bacchon ko gently
roakta.
ACT 3 (16:30–24:00) —
NAGAR ME ANAND & MITHILA TEASE
SCENE 9 – NAGAR KE
PRASANG
EXT. AYODHYA BAZAAR –
EVENING
Puja–aarti me chaar chhote kumar deep jalate—nagar ke log aankhon me aansu
lete.
SUTRADHAR (V.O.): “Rajya
ke deep, rajya ke nayak.”
SCENE 10 –
KAUSHALYA–KAIKEYI–SUMITRA BAITHAK
Antahpur me teeno raniyan kumaron ke baare me apne anubhav share
karti—ek dusre ke bachon me apna bhi bhav dekhti.
SCENE 11 – MITHILA TEASE
EXT. MITHILA – SUNSET
Sita (4–5 varsh) pushp mala banati, Sunayna ke saath.
SUNAYNA: “Putri, tumhare haathon
se phool bhi jyada mehakte hain.”
JANAK (arriving):
“Dharti–putri, tumhara jeevan kisi aur ka deep banega.”
SUTRADHAR (V.O.): “Do
kinare—dono apne deep bana rahe the.”
NEAR-FINALE (24:00–25:00)—NEXT ARC TEASE
EXT. AYODHYA – NIGHT
Ram chhote deep ko hawa se bachata hai; Lakshman uske paas. Bharat ek sevak ka
bojh uthata, Shatrughna ek bachche ka khel sambhalta.
SUTRADHAR (V.O.):
“Bāl-leela ab yatra banegi—raj-yatra.”
END CARD: “Agle
episode me: Rajya ke Prashikshan—dhanur-vidya, raj-kartavya, aur bhavishya ke pehle parikshan.”
PROMO LINES
·
“Chaar roshniyan, chaar raag—Ayodhya ka geet shuru.”
·
“Gurukul ka pehla
din—maryada aur vidya ka sangam.”
·
“Mithila ki kanya, Ayodhya ke kumar—do kinare ek dhara.”
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